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DTSTART:20250309T090000
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260614T200000
DTEND;TZID=America/Denver:20260614T230000
DTSTAMP:20260530T053153
CREATED:20260526T002516Z
LAST-MODIFIED:20260526T002516Z
UID:10011942-1781467200-1781478000@yeehaw505.com
SUMMARY:Yosemite in Black * PowerPlay * Vow of Violence * iHateMyLife
DESCRIPTION:DOORS 7:00pm  •  21+ Ages
URL:https://yeehaw505.com/event/yosemite-in-black-powerplay-vow-of-violence-ihatemylife/
LOCATION:Launchpad\, 618 Central Ave SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Yosemite-in-Black-PowerPlay-Vow-of-Violence-iHateMyLife.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260615T190000
DTEND;TZID=America/Denver:20260615T230000
DTSTAMP:20260530T053153
CREATED:20260505T023816Z
LAST-MODIFIED:20260505T023816Z
UID:10011717-1781550000-1781564400@yeehaw505.com
SUMMARY:Ak'Chamel w/ Secret Chiefs 3 Satellite "NT FAN"\, Derek Monypeny
DESCRIPTION:Fictional folk music from the post-apocalyptic age. \n\n\n\n\nHONED AND EXPANDED THROUGH THEIR TRAVELS; \nAK’CHAMEL. THE GIVER OF ILLNESS FORGE A SINGULAR SOUND \nOF DESERT-SCORCHED PSYCHEDELIA\, \nFICTITIOUS POST-APOCALYPTIC SHAMANISM\, AND IMPISH RITUAL FOLK \nAS UNIQUE AS THE PHYSICAL THEATER \nOF THEIR LIVE PERFORMANCES. \nFOR OVER FIFTEEN YEARS THEY HAVE RELEASED \nDOZENS OF CASSETTES\, \nSEVERAL VINYL RECORDS\, AND A HANDFUL OF CRYPTIC VHS TAPES. \nTHE TRIO REMAINS VEILED IN MYSTERY\, YET THEY TOUR OFTEN \n-BRINGING THEIR PLAGUE INTO THE \nRAVAGED HEART OF THE WORLD.
URL:https://yeehaw505.com/event/akchamel-w-secret-chiefs-3-satellite-nt-fan-derek-monypeny/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/AkChamel-w-Secret-Chiefs-3-Satellite-22NT-FAN22-Derek-Monypeny.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260617T200000
DTEND;TZID=America/Denver:20260617T200000
DTSTAMP:20260530T053153
CREATED:20260511T165948Z
LAST-MODIFIED:20260511T165948Z
UID:10011826-1781726400-1781726400@yeehaw505.com
SUMMARY:Buckethead
DESCRIPTION:presented by AMP Concerts \nBuckethead is one of the most bizarre and enigmatic figures in American underground and experimental music since Parliament–Funkadelic birthed their bevy of cosmic characters in the mid-’70s. An accomplished multi-instrumentalist best known for his virtuosic command of the electric guitar\, Buckethead is one of the instrument’s most recognizable contemporary innovators\, his rapid-fire riffing\, near-robotic fretwork\, and idiosyncratic lead lines combining elements of Yngwie Malmsteen\, Adrian Belew\, Slayer‘s Kerry King\, P-Funk‘s Eddie Hazel\, and avant-improv artist John Zorn‘s Scud-attack sax abuse. His first group\, the San Francisco-based metal-funk combine the Deli Creeps\, were a regional success\, but disbanded before they could release anything. Buckethead’s solo career has been more productive\, thanks mostly to the motivation of Zorn and Bill Laswell\, the latter of whom Buckethead has also recorded and toured with in Praxis. Laswell has also produced a number of Buckethead’s solo albums (including Dreamatorium and Day of the Robot) and included him on more than a dozen one-off recordings with the likes of Hakim Bey\, Bootsy Collins\, Anton Fier\, Jonas Hellborg\, and Bernie Worrell. In addition to releases including 1998’s Colma\, Buckethead has also contributed soundtrack material to such films as Last Action Hero and Street Fighter. Buckethead returned in 1999 with Monsters and Robots\, after which he joined the short-lived re-formation of Guns N’ Roses. A steady stream of releases followed into the 21st century ranging from the contemplative Electric Tears to a more electronica/rock hybrid\, and collaborations with San Francisco’s underground hip-hop scene. In the following decade\, he averaged a few releases a year\, teaming up with dozens of artists\, including Les Claypool\, Iggy Pop\, and Mike Patton. ~ Sean Cooper\, Rovi
URL:https://yeehaw505.com/event/buckethead-2/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Buckethead.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260618T190000
DTEND;TZID=America/Denver:20260618T190000
DTSTAMP:20260530T053153
CREATED:20260525T230232Z
LAST-MODIFIED:20260525T230232Z
UID:10011929-1781809200-1781809200@yeehaw505.com
SUMMARY:Vincent Neil Emerson w/ JD Nash & The Rash of Cash
DESCRIPTION:VINCENT NEIL EMERSON\nEast Texas songwriter Vincent Neil Emerson has earned widespread critical acclaim as one of the most compelling voices in modern Americana. He cut his teeth playing around the Dallas/Fort Worth area alongside fellow Texans Leon Bridges and Charley Crockett\, and credits Colter Wall with giving him his first real break as a touring musician.
URL:https://yeehaw505.com/event/vincent-neil-emerson-w-jd-nash-the-rash-of-cash/
LOCATION:Santa Fe Railyard Plaza\, 1612 Alcaldesa St\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Vincent-Neil-Emerson.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260618T200000
DTEND;TZID=America/Denver:20260618T200000
DTSTAMP:20260530T053153
CREATED:20260204T184838Z
LAST-MODIFIED:20260227T225307Z
UID:10008447-1781812800-1781812800@yeehaw505.com
SUMMARY:Searows
DESCRIPTION:Searows has partnered with PLUS1 so that $1 from every ticket sold goes to supporting organizations working to provide humanitarian aid to Palestinians and to uplift and protect LGBTQ youth through advocacy\, safety\, and essential support services. \nSearows\, the project of Pacific Northwest singer-songwriter and guitarist Alec Duckart\, releases his new album\, Death in the Business of Whaling\, on January 23\, 2026 via Last Recordings On Earth. Though Death in the Business of Whaling arrives as Searows’ second album\, it’s the product of many firsts\, including his first time recording outside the creative cocoon of his bedroom. His 2022 debut Guard Dog was written\, recorded and self-produced in Duckart’s Portland home and independently released with little expectation as to how it would be received. The music soon found a passionate audience that were already sharing snippets of Duckart’s music via communities on TikTok\, as well as co-signs from artists like Ethel Cain\, Gracie Abrams and Robin Pecknold. \nWhen the time came to commit the collection of ideas for his new record to tape\, he set up shop in a converted horse barn outside of Seattle\, keen to harness a greater sense of scale and space in the creation of the music\, working this time with co-producer Trevor Spencer (Father John Misty\, Beach House\, Mary Lattimore)\nto expand his creative vision. \n“I had really wonderfully connective and intimate experiences sharing my first couple of projects with live audiences. Those projects were very personal and vulnerable and revealing my life and specific experiences to an audience began to feel a bit dissonant and exposing\,” he explains. “One of my favourite things about music is its ability to connect people. It has done so for me time and time again and it has been so special to see my own writing do that for people too. I just began to learn that for myself\, there were specifics that I wanted to keep for myself.” \nAs a result\, Duckart became interested in writing songs that read more like folklore. The songs became a vessel for digging deep and exploring his life and point of view\, but in a way that spoke outwardly more symbolically than literally. “Something your subconscious understands before your conscious mind does. Visceral rather than literal. And that relationship to our deeper selves\, our subconscious\, our souls\, is a major theme of the album for me. Most of these songs are about the different ways we all bump up against the human condition. Our spirit\, the shadow self\, our egos\, trauma\, love and fate. How we cope with our experiences and how we connect and take care of one another in an exceedingly dark and violent world. This record is still deeply personal to me. But it is an attempt to reveal my cards in a more coded\, symbolic manner.”
URL:https://yeehaw505.com/event/searows/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/02/Searows.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260619T183000
DTEND;TZID=America/Denver:20260619T183000
DTSTAMP:20260530T053153
CREATED:20260311T184816Z
LAST-MODIFIED:20260311T184816Z
UID:10010927-1781893800-1781893800@yeehaw505.com
SUMMARY:Severo y Grupo Fuego and Lara Manzanares
DESCRIPTION:We are excited to return for a second year to Winrock Park\, with free concerts on Fridays in May\, June and July. Last year established Winrock as THE place to be on Fridays! Join us for your favorite local bands\, food trucks\, beer\, wine and vendors\, a grassy park\, a playground. Something for everyone! \nSee the full schedule here. \nThe concerts will start at 6:30 and feature two groups each night.
URL:https://yeehaw505.com/event/severo-y-grupo-fuego-and-lara-manzanares/
LOCATION:Winrock Park\, 2100 Louisiana Blvd NE\, Albuquerque\, NM\, 87110\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Severo-y-Grupo-Fuego-and-Lara-Manzanares.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260619T190000
DTEND;TZID=America/Denver:20260619T190000
DTSTAMP:20260530T053153
CREATED:20260525T230358Z
LAST-MODIFIED:20260525T230358Z
UID:10011930-1781895600-1781895600@yeehaw505.com
SUMMARY:Sir Woman w/ Sweet Roll
DESCRIPTION:SIR WOMAN\nFronted by Kelsey Wilson\, Sir Woman blends gospel-influenced soul\, R&B\, funk\, and folk-pop into a sound that’s warm\, physical\, and alive. The full band brings weight and swing\, creating shows that feel loose but intentional\, intimate but loud.
URL:https://yeehaw505.com/event/sir-woman-w-sweet-roll/
LOCATION:Santa Fe Railyard Plaza\, 1612 Alcaldesa St\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Sir-Woman.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260620T103000
DTEND;TZID=America/Denver:20260620T103000
DTSTAMP:20260530T053153
CREATED:20260525T213404Z
LAST-MODIFIED:20260525T214407Z
UID:10011905-1781951400-1781951400@yeehaw505.com
SUMMARY:Chatter North
DESCRIPTION:Reena Esmail String Quartet (Ragamala)\nSergei Prokofiev String Quartet No. 2 in F Major\, Op. 92 \nChaski Quartet \nSarah Cranor\, Alejandro Gómez Guillén violin\nHan Dewan viola\nAmy Huzak cello
URL:https://yeehaw505.com/event/june-20-2026-chatter-north/
LOCATION:Chatter North\, 1050 Old Pecos Trail\, Santa Fe\, NM\, 87505\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2025/05/chatter-north-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260621T103000
DTEND;TZID=America/Denver:20260621T103000
DTSTAMP:20260530T053153
CREATED:20260525T214804Z
LAST-MODIFIED:20260525T214855Z
UID:10011906-1782037800-1782037800@yeehaw505.com
SUMMARY:Chatter Sunday
DESCRIPTION:Reena Esmail String Quartet (Ragamala)\nSergei Prokofiev String Quartet No. 2 in F Major\, Op. 92 \nChaski Quartet \nSarah Cranor\, Alejandro Gómez Guillén violin\nHan Dewan viola\nAmy Huzak cello
URL:https://yeehaw505.com/event/june-21-2026-chatter-sunday/
LOCATION:Chatter\, 912 3rd St NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/01/chatter-sunday.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260626T183000
DTEND;TZID=America/Denver:20260626T183000
DTSTAMP:20260530T053153
CREATED:20260311T185057Z
LAST-MODIFIED:20260311T185057Z
UID:10010928-1782498600-1782498600@yeehaw505.com
SUMMARY:Red Light Cameras and NEH
DESCRIPTION:We are excited to return for a second year to Winrock Park\, with free concerts on Fridays in May\, June and July. Last year established Winrock as THE place to be on Fridays! Join us for your favorite local bands\, food trucks\, beer\, wine and vendors\, a grassy park\, a playground. Something for everyone! \nSee the full schedule here. \nThe concerts will start at 6:30 and feature two groups each night.
URL:https://yeehaw505.com/event/red-light-cameras-and-neh/
LOCATION:Winrock Park\, 2100 Louisiana Blvd NE\, Albuquerque\, NM\, 87110\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Red-Light-Cameras-and-NEH.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260626T190000
DTEND;TZID=America/Denver:20260626T213000
DTSTAMP:20260530T053153
CREATED:20260525T224433Z
LAST-MODIFIED:20260525T224433Z
UID:10011923-1782500400-1782509400@yeehaw505.com
SUMMARY:Turnover w/ Narrow Head & She's Green
DESCRIPTION:TURNOVER\nThe title track of the band’s new album\, Myself in the Way\, speaks to this mindset. “I can’t put myself in the way of love again\,” sings Getz\, “I promise I’m going to go all the way with you\,” is specifically about Getz getting engaged to his longtime partner\, but applies to the general outlook he had toward life in lockdown. “I was living in Sebastopol\, California at the time and felt like I truly lived there for the first time since I wasn’t leaving for tour. I was able to go meditate at the Zen Buddhist dojo down the road\, run and bike around the hills in Sonoma county\, learn about plants and gardening\, take some Spanish and arboriculture classes\, and get involved with the volunteer fire department. Just do a bunch of new things to challenge and inspire me in a natural way.” \nTurnover’s other members also used the time to deepen interests they hadn’t been able to fully explore before covid. Bass player Dan Dempsey was in New York City and responded to lockdown by spending more time practicing his visual art in drawing and painting. He painted the album’s cover during this period and developed a style that has become a central theme for the band in its current iteration. Drummer Casey Getz found work at a Virginia Beach state park as touring continued to be postponed. He was in search of and inspired by having a work-life balance different than he’d experienced since he was younger. Through this\, he was able to nurture current relationships more and find new ones\, something touring made much more difficult. This led to Casey playing drums with a group of longtime friends in Virginia Beach and further developing his drumming style – adding a new prowess for fluidity and improvisation through lengthy jam sessions with the group. Guitarist Nick Rayfield was focused on sharpening his guitar and piano playing and was able to devote energy to skateboarding and his retail business more than he had been able to for the last few years. This was also the band’s first album with Rayfield making songwriting contributions after touring with them for years as a live member\, adding a new creative element to the songs. \nOver 18 months Turnover weaved these individual experiences into a collective work\, recording the LP over two sessions with longtime collaborator Will Yip at Studio 4. Austin is credited\, for the first time\, as co-producer. \n“I had specific ideas for sound design on this album. I knew a lot of sounds I wanted to hear and use. We wanted everything to be able to be heard and have its own place. I was inspired by the way Magical Mystery Tour and Dark Side of the Moon sounded. We decided to go a lot wider with it and utilize panning and stereo more than we had in the past\, while also wanting it to sound tighter and smaller than some of our earlier records. We were inspired by drum and bass sounds from Chic and Quincy Jones records from the 70s\, so we put the drums in the control room to get them to sound smaller. We used an active pickup bass and a jazz bass to get that percussive sound from the bass so the low end wasn’t as rumbling and subby. We let the synths share some of that low end that the drums and bass gave up. Quincy’s approach to arrangements were a huge inspiration in this record as well. The horn and string lines I wanted to sound like classic era disco\, mixed with modern synth and vocal sounds. I had been experimenting with my own vocal styles a lot and utilized autotune and vocoder on this album almost as instruments on certain songs as a stylistic choice.” \nThe band has always been DIY\, but post pandemic they have taken that to a different level. They appreciate more than ever how lucky they are to get to be together and have fun creating things with their friends. They have found that they are usually best suited for executing their own vision\, not only musically\, but with all its accompaniments as well. For this album they made all their own videos in collaboration with friends and using Dempsey’s drawings and paintings. \nChange is authentic and true to Turnover as a band and as individuals. Chart a course through their discography and find a band continually reinventing themselves with a unique artistic ambition. Myself In The Way arrives finding Turnover doing the same within their own persons\, pushing the band into new and exciting parallel depths of expression. \nNARROW HEAD\nTruly great pop songs do not require a cheery outlook in order to work\, nor do they pander to expectations of syrupy sweet easy-listening. Rather\, the best pop music is a matter of refinement and pure intention\, of dialing groove to melody so that the two might puncture the malaise of everyday living in unison\, revealing some brief\, sober truth about our shared human condition. On their third LP\, Moments of Clarity (Run for Cover)\, Narrow Head have achieved precisely this feat. Traversing the depths of massive\, churning riffs\, often distorted to the point of violence\, bouncing\, lock-grooved rhythms\, and crystalline\, gorgeously constructed hooks\, the Houston-based outfit puts on a masterclass in the art of writing songs that match the pain\, pleasure\, and confusion of modern living. \nSHE’S GREEN\nMinneapolis band she’s green describe themselves as “moss music”. Inspired as much by J.R.R. Tolkien and Hayao Miyazaki as by Slowdive and the Cocteau Twins\, the band — consisting of Liam Armstrong\, Zofia Smith\, Raines Lucas\, Kevin Seebeck and Teddy Nordvold — aim to create their own musical and visual world defined by dreamy fantasy\, emotional openness and sonic depth. In 2023 she’s green released their debut EP\, Wisteria\, which included the viral hit “Mandy\,” and in 2025 they released the follow-up EP\, Chrysalis. It builds on the shimmering shoegaze and dream-pop of Wisteria\, with ever more irresistible melodies and deeper songcraft. “We wanted to expand the scope of what we did with the first EP\, and see how far we could push either side of the music — whether it’s harsh and jarring or it’s inviting and warm\,” Armstrong says. And as they win over fans everywhere they go with their authentic\, loving approach to their sound\, it’s clear that this huge year for she’s green is only the beginning.
URL:https://yeehaw505.com/event/turnover-w-narrow-head-shes-green/
LOCATION:The Bridge at Santa Fe Brewing\, 37 Fire Place\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Turnover.webp
GEO:36.009453;-106.059252
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Bridge at Santa Fe Brewing 37 Fire Place Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=37 Fire Place:geo:-106.059252,36.009453
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260626T203000
DTEND;TZID=America/Denver:20260626T203000
DTSTAMP:20260530T053153
CREATED:20260525T221212Z
LAST-MODIFIED:20260525T221212Z
UID:10011912-1782505800-1782505800@yeehaw505.com
SUMMARY:Red Masquerade Goth Night
DESCRIPTION:Red and Black attire encouraged \nApparition x Alchemy team up to bring you: Red Masquerade Goth Night Ages 18+ Friday\, June 26 8:30 pm. $10 for goth attire\, $12 without Red and black attire encouraged. Join us for a decadent nigh of dance and dark delights in the shadowy El Rey Theater main floor. Continuous DJ sets all night by Apparition and Alchemy. Plus a dark vendor market. Expect goth\, darkwave\, EBM\, death rock\, post punk\, dark dance\, industrial\, horror punk\, synthpop and more. Pre-sale tickets available online soon. Ticket link will be updated.
URL:https://yeehaw505.com/event/red-masquerade-goth-night/
LOCATION:The El Rey Theater\, 622 Central Ave SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Red-Masquerade.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260626T210000
DTEND;TZID=America/Denver:20260626T210000
DTSTAMP:20260530T053153
CREATED:20260511T170836Z
LAST-MODIFIED:20260511T170836Z
UID:10011827-1782507600-1782507600@yeehaw505.com
SUMMARY:Amtrac
DESCRIPTION:
URL:https://yeehaw505.com/event/amtrac/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Amtrac.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260627T103000
DTEND;TZID=America/Denver:20260627T103000
DTSTAMP:20260530T053153
CREATED:20260525T215106Z
LAST-MODIFIED:20260525T215106Z
UID:10011907-1782556200-1782556200@yeehaw505.com
SUMMARY:Chatter North
DESCRIPTION:Maurice Ravel Jeux d’eau\nCharles Tomlinson Griffes Sonata for Piano Solo\nJeffrey Chappell Piano Misterioso\nBéla Bartók Contrasts \nDavid Felberg violin\nJeff Brooks clarinet\nJeffrey Chappell piano \nBetsy James spoken word
URL:https://yeehaw505.com/event/june-27-2026-chatter-north/
LOCATION:Chatter North\, 1050 Old Pecos Trail\, Santa Fe\, NM\, 87505\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2025/05/chatter-north-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260627T190000
DTEND;TZID=America/Denver:20260627T220000
DTSTAMP:20260530T053153
CREATED:20260525T224553Z
LAST-MODIFIED:20260525T224553Z
UID:10011924-1782586800-1782597600@yeehaw505.com
SUMMARY:The Polish Ambassador
DESCRIPTION:THE POLISH AMBASSADOR\nMusician. Producer. Beatsmith. Recording artist. Composer. Dance-floor general. Label-head. A mystery man of many hats\, The Polish Ambassador rocks more than just a trademark jumpsuit\, authoring sublime\, intentional artistic works\, animated safaris in technicolor sound. At first breath\, The Polish Ambassador was an experiment\, David Sugalski’s sound-art passion project that came to life. An inventive\, imaginary character born of humble\, humorous beginnings\, he found his first audiences through the support of primitive digital radio stations. Today\, TPA is among the premier EDM/live crossover artists in the country with millions of listeners around the world; he’s consistently in-demand at the live music-focused gatherings and boutique electronic festivals from coast to coast. Founder of independent label Jumpsuit Records\, an environmentalist and early progenitor of the permaculture action movement\, the world’s funkiest diplomat is here to party with a purpose.
URL:https://yeehaw505.com/event/the-polish-ambassador/
LOCATION:The Bridge at Santa Fe Brewing\, 37 Fire Place\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/polish-ambassador.webp
GEO:36.009453;-106.059252
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Bridge at Santa Fe Brewing 37 Fire Place Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=37 Fire Place:geo:-106.059252,36.009453
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260627T200000
DTEND;TZID=America/Denver:20260627T200000
DTSTAMP:20260530T053153
CREATED:20260525T221258Z
LAST-MODIFIED:20260525T221258Z
UID:10011913-1782590400-1782590400@yeehaw505.com
SUMMARY:Shordie Shordie
DESCRIPTION:Schools Out Tour
URL:https://yeehaw505.com/event/shordie-shordie/
LOCATION:The El Rey Theater\, 622 Central Ave SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Shordie-Shordie.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260628T103000
DTEND;TZID=America/Denver:20260628T103000
DTSTAMP:20260530T053153
CREATED:20260525T215536Z
LAST-MODIFIED:20260525T215536Z
UID:10011908-1782642600-1782642600@yeehaw505.com
SUMMARY:Chatter Sunday
DESCRIPTION:Maurice Ravel Jeux d’eau\nCharles Tomlinson Griffes Sonata for Piano Solo\nJeffrey Chappell Piano Misterioso\nBéla Bartók Contrasts \nDavid Felberg violin\nJeff Brooks clarinet\nJeffrey Chappell piano \nRichard Wolfson spoken word
URL:https://yeehaw505.com/event/june-28-2026-chatter-sunday/
LOCATION:Chatter\, 912 3rd St NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/01/chatter-sunday.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260630T200000
DTEND;TZID=America/Denver:20260630T200000
DTSTAMP:20260530T053153
CREATED:20260327T213811Z
LAST-MODIFIED:20260327T213811Z
UID:10011188-1782849600-1782849600@yeehaw505.com
SUMMARY:Gia Margaret
DESCRIPTION:Every artist has to discover their voice. Gia Margaret didn’t find herself until she lost hers. With a vocal injury that kept her from singing for years\, she developed other musical languages\, mastering the grammar of an intricate\, homey form of ambient music pioneered by Ernest Hood and perfected by The Books. Now\, her physical voice healed and her artistic voice honed\, she comes full circle with Singing\, her first vocal album since 2018’s There’s Always Glimmer. Led by soft piano lines that fall like breath on glass\, the music on Singing evidences the same jeweler’s sensitivity to detail that she developed in her silence. \n“There was a time when I really didn’t know if I would sing again. So once I healed\, there was a lot of internal pressure to come back strong\,” Margaret says. “I didn’t know who I was anymore. So it felt like beginning again\, and reconnecting with these very old\, old parts of myself.” This feeling of intermixed alienation and rediscovery is palpable across the album. In opener “Everyone Around Me Dancing\,” she watches a party from the wings\, aware of how her body keeps her from communal joy while also providing new modes of self-knowledge. Shut out from the scene\, she is “closer to the ground\, the planet.” In “Alive Inside\,” she’s so far away from the source that she’s praying to whoever might hear (“a god\, a friend that’s gone\, a spirit”). As her voice rises\, it seems to be trapped in a web of distortion; it’s as if in her pursuit\, she’s pushing at the very boundaries of what can be said. \nThe process of making Singing was one of learning how to trust each of those feelings. The album was partially recorded in London with Frou Frou’s Guy Sigsworth\, who helped Margaret unify the spree of ideas she had for “Good Friend\,” an album highlight that includes Gregorian chant by ILĀ and turntable scratches\, among many other things. David Bazan and Amy Millan also make appearances\, as do Kurt Vile and Sean Carey\, while Margaret’s longtime collaborator Doug Saltzman plays on and co-produces much of the record. Deb Talan\, previously of The Weepies\, lends her voice\, piano\, and guitar to the album’s closing—and definitive—statement\, “E-Motion.” \nGia Margaret is always singing. Every note of this album sings a warm requiem to her past selves; every layer sings her future self into being. Across the album\, she applies the lessons of speechlessness—the quasirational ways we communicate without communicating\, the way formless sound can cut to the heart of things like a scalpel—to her own artistic voice.
URL:https://yeehaw505.com/event/gia-margaret/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Gia-Margaret.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260702T190000
DTEND;TZID=America/Denver:20260702T230000
DTSTAMP:20260530T053153
CREATED:20260505T024038Z
LAST-MODIFIED:20260511T171119Z
UID:10011718-1783018800-1783033200@yeehaw505.com
SUMMARY:Khemmis w/ Necrofier\, Wretched
DESCRIPTION:Denver Doom Metal \n\n\n\n\nAfter eleven years of releasing albums and touring the world\, Colorado’s Khemmis have become a pillar of the modern metal scene.“When we started this band\, we had no expectations\, no assumptions—wejust wanted to play heavy metal\,” says guitarist/vocalist Ben Hutcherson. “The older I get\, the more I appreciate how rare it is in life to have relationships that last this long andoffer a sense ofstability and reassurance in a world that increasingly is horrifying andunsuitable for human life. And so\, in many ways\, this band is a home.”Some artists strive for a legacy; Khemmis felt born with one. Uponreleasing their 2015 debut Absolution\, the Denver-based four-piece felt like old souls whose towering\, spiritual doom metal connected with metalheads the world over. This was further cemented by 2016’s Hunted\, which won the band international acclaim and was declared Album Of The Year by Decibel. 2018’s rollicking Desolation\, 2020’s devotional Doomed Heavy Metal MLP(featuring a fan-favorite cover of Dio’s “Rainbow In the Dark”) and 2021’s searing Deceiveronly reinforced theband’s monolithic sound and diehard following. It makes sense\, then\, that the Khemmis behind Khemmis–—Hutcherson\,fellow vocalist/guitarist Phil Pendergast\, drummer Zach Coleman\, and newly-appointed bassist DavidSmall—is different in many ways. While the band has often feltsynonymous with the Denvermetal scene\, Pendergast and Coleman have since moved away toWashington and North Carolina respectively.And yet\, Khemmis today feel more like the band they’ve always wanted tobe than ever.
URL:https://yeehaw505.com/event/khemmis-w-necrofier-wretched/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Share-this-event-Khemmis-w-Necrofier-Wretched.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260708T200000
DTEND;TZID=America/Denver:20260708T200000
DTSTAMP:20260530T053153
CREATED:20260327T214109Z
LAST-MODIFIED:20260327T214109Z
UID:10011189-1783540800-1783540800@yeehaw505.com
SUMMARY:Wavves
DESCRIPTION:Wavves recently made a long-awaited return with their first new music since 2021\, the launch of their cannabis brand Wavvy Supply Co.\, and a Los Angeles wildfire benefit show at Zebulon. The band followed that momentum with the release of their new album Spun\, marking the start of a new chapter for Nathan Williams and longtime bandmates Stephen Pope\, Ross Traver\, and Alex Gates. \nNow Wavves are expanding the Spun era with a deluxe edition of the album featuring two B-sides and the Live Wavvy Sessions—five songs recorded live in the studio capturing the band’s raw\, unfiltered energy. The sessions include performances of “King of the Beach\,” “Nine Is God\,” “Green Eyes\,” “Goner\,” and “So Long\,” bridging fan-favorite classics with songs from Spun. \nThe album’s single “Goner\,” produced by Travis Barker\, arrived alongside a Brandon Dermer-directed music video filmed during the band’s Zebulon charity show. Dermer previously directed Wavves’ 2013 video for “That’s On Me” and has worked with artists including Blink-182. Speaking about how the track came together\, Williams says:\n“I had this song I had been sitting on\, always revisited it and tried to record it a bunch of times but it was never just right. Eventually it was giving me PTSD. I was talking to Travis about doing some songs together and when I opened up the vault to him\, this one jumped out so we laid it down and finally we got it right.” \nLike Nathan Williams’ earliest music\, Spun first took shape in a small shed behind his parents’ house known as the Hideaway—the same space where he recorded some of his earliest material. Since the beginning\, Williams has been known for writing songs that push back against the world while still evoking pathos\, sympathy\, and the uneasy realization that sometimes we’re our own worst enemies—and that can be okay. \nOver a decade earlier\, Williams released King of the Beach\, the album that delivered on the promise of his first two homespun records\, Wavves and Wavvves. It catapulted the band to worldwide acclaim as one of indie rock’s most exciting new acts. In the years that followed\, Wavves entered the major-label system with Warner Records\, releasing Afraid of Heights and V\, before eventually stepping away in search of greater creative freedom. \nIn 2017\, Williams self-released You’re Welcome on his own label\, Ghost Ramp\, before returning to Fat Possum for 2021’s Hideaway. Wavves have since returned to Ghost Ramp for the release of Spun and its newly released deluxe edition. \nWith Spun and its deluxe edition\, Wavves reaffirm their place as one of the most enduring bands to emerge from the late-2000s indie rock explosion. Known for their raucous live shows and sun-bleached punk songs\, the band continues to evolve while staying true to the spirit that made them cult heroes in the first place.
URL:https://yeehaw505.com/event/wavves/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Wavves.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260710T183000
DTEND;TZID=America/Denver:20260710T183000
DTSTAMP:20260530T053153
CREATED:20260311T185307Z
LAST-MODIFIED:20260311T185307Z
UID:10010929-1783708200-1783708200@yeehaw505.com
SUMMARY:Vibestrong and Dre Z Melodi
DESCRIPTION:We are excited to return for a second year to Winrock Park\, with free concerts on Fridays in May\, June and July. Last year established Winrock as THE place to be on Fridays! Join us for your favorite local bands\, food trucks\, beer\, wine and vendors\, a grassy park\, a playground. Something for everyone! \nSee the full schedule here. \nThe concerts will start at 6:30 and feature two groups each night.
URL:https://yeehaw505.com/event/vibestrong-and-dre-z-melodi/
LOCATION:Winrock Park\, 2100 Louisiana Blvd NE\, Albuquerque\, NM\, 87110\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Vibestrong-and-Dre-Z-Melodi.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260711T190000
DTEND;TZID=America/Denver:20260711T190000
DTSTAMP:20260530T053153
CREATED:20260525T224745Z
LAST-MODIFIED:20260525T224745Z
UID:10011925-1783796400-1783796400@yeehaw505.com
SUMMARY:Kurt Vile And The Violators w/ Ryan Davis + The Roadhouse Band
DESCRIPTION:KURT VILE AND THE VIOLATORS\nReleased in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” \nLargely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. \nMake no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” \nRYAN DAVIS + THE ROADHOUSE BAND\nNew Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. \nNext month\, the Roadhouse Band will play a handful of dates in the Midwest and South\, with a robust UK and EU tour to follow. Today’s newly announced dates will bring the band to additional cities in the South and Midwest\, as well as cities on the West Coast. A full list of dates is available below. \n“New Threats from the Soul [is] a beautiful and wildly smart record about making do in an upside-down world.” — Amanda Petsurich\, The New Yorker \n“If you don’t know it yet\, it’s my privilege to tell you that Ryan Davis is one of the greatest songwriters of his generation.” — Nathan Salsberg
URL:https://yeehaw505.com/event/kurt-vile-and-the-violators-w-ryan-davis-the-roadhouse-band/
LOCATION:The Bridge at Santa Fe Brewing\, 37 Fire Place\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Turnover-w-Narrow-Head-shes-green.webp
GEO:36.009453;-106.059252
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Bridge at Santa Fe Brewing 37 Fire Place Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=37 Fire Place:geo:-106.059252,36.009453
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260714T190000
DTEND;TZID=America/Denver:20260714T190000
DTSTAMP:20260530T053153
CREATED:20260525T224924Z
LAST-MODIFIED:20260525T224924Z
UID:10011926-1784055600-1784055600@yeehaw505.com
SUMMARY:Houndmouth w/ Timmy Skelly
DESCRIPTION:HOUNDMOUTH\nFor two years\, Matt Myers struggled to finish new songs. \n“I was all raw emotion\,” says the Houndmouth frontman\, who’d spent the previous decade blending rock & roll and American roots music into radio staples like the chart-topping\, platinum-selling “Sedona.” He’d written four albums in less than 10 years\, but inspiration just wasn’t showing up anymore. “I was feeling so much that I just couldn’t write anything\,” he adds. \nThe end of one relationship. The beginning of another. The all-consuming feeling of new love. Myers’ life had been eventful\, both onstage and off\, and all that living didn’t leave him much time to create. Things changed when he paid a visit to Brad Cook\, the Grammy-winning producer who’d overseen Houndmouth’s fourth record\, Good For You. What began as a reunion of two friends soon gave away to something bigger: the restart of Myers’ songwriting engines and\, in its wake\, the creation of Lordy. \nWith its naked honesty and uncluttered arrangements\, Lordy takes a stripped-back approach to Houndmouth’s ever-evolving sound. It’s an album about surviving\, rebuilding\, accepting\, and thriving once more. Myers wrote most of the record’s songs at home\, strumming his Martin guitar while sunshine streamed through the kitchen windows. Years ago\, he might’ve composed the record at night\, tossing back a few drinks for encouragement. This was different. Clear-headed and wide awake\, Myers reclaimed his muse during the daytime hours\, starting with songs like “Tiger Blood” — a ragged folk-rocker that builds its way toward a screaming finish — and the album’s gorgeously intimate title track. \n“I let unfiltered emotion inform the words\,” he says. “With several songs\, I learned to be ok with just letting some syllables line up\, and letting the emotion behind it all do the talking.” \nThis marked a change from the band’s early days. Back then\, Myers and company agonized over the precise placement of every snare hit and vocal harmony on albums like Little Neon Limelight\, Houndmouth’s commercial breakthrough. Steeped in the influence of 1970s roots-rock\, those early records were collaborative efforts that merged Myers’ vision — as a songwriter\, vocalist\, and fiery lead guitarist — with the input of his three bandmates. “I needed those albums to be collaborative projects because I was scared of being completely in charge\,” he admits. “Maybe that stunted me. This is the first time I’ve been able to write a record completely on my own\, and there’s a pressure that comes with that. I had to relearn everything.” \nRecording sessions were scattered throughout the course of a year\, but Lordy still came together quickly. Myers would record a one-take performance of each song on his acoustic guitar\, then build it into something bigger with help from other musicians. He told himself not to get lost in the mechanics or the minutia. After all\, the goal wasn’t be to perfect; it was to capture a moment\, allowing the thoughts that swirled inside Myers’ head to find the quickest way into his music. \nCook played an integral role in Lordy‘s creation — not just as a producer\, but as a close friend and confidante\, too. “When I visited him in North Carolina for the first time\, he walked out of his garage and gave me a big bear hug\,” Myers said. “He told me he was happy for me\, and he gave me a lot of confidence with my new songs.” Cook also reached out to others\, surrounding Myers with a small circle of musicians who\, like him\, blurred the lines between modern-day indie music and the old-school roots of Americana. Iron & Wine’s Sam Beam stopped by the studio during the creation of the album’s final track\, “Holy Moses\,” to offer advice and encouragement. MJ Lenderman paid a visit\, too\, adding his trademark guitar licks — loose\, lo-fi\, and full of life — to multiple tracks. Phil Cook (Megafaun\, Hiss Golden Messenger) played on several songs\, as did Caleb Hickman\, Houndmouth’s keyboardist. Hickman and his wife\, Kay Robertson\, also contributed to the songwriting process\, and for Myers\, the musical input was uplifting. “I’ve spent years working with peers and contemporaries\,” he says\, “but this felt different. I was surrounded by people who were literally trying to pick me up and help me out. They pushed me to do the work.” \nBetween recording sessions\, he headed back to Louisville to rehearse the songs with his bandmates in a warehouse basement. Something about the basement’s vibe — gritty\, frills-free\, and utterly unlike the restored 19th century house that had served as the band’s headquarters for years — seemed to suit the new music. Steadily\, the songs came together. “Heavy Eyes” explored the intersection of fatigue and hope\, building its way toward a cinematic finish. “Don’t Wanna Talk About” bounced between scaled-back verses and singalong choruses. “Never Gonna Die” turned simplicity into beauty\, with Myers singing about challenging relationships over an uncluttered mix of hooks\, harmonies\, and groove. \nLordy asks its audience to lean in\, listen closely\, and engage\, kickstarting a new era for Houndmouth. From Golden Age‘s embrace of shimmering electronics to Good For You‘s return-to-form focus on American roots music\, this is a band that’s spent years in evolution\, unafraid to examine new sounds and different perspectives. Lordy continues that exploration — and if it often sounds like the most intimate record in the band’s catalog\, it still packs an emotional punch that lingers long after the music fades.
URL:https://yeehaw505.com/event/houndmouth-w-timmy-skelly/
LOCATION:The Bridge at Santa Fe Brewing\, 37 Fire Place\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Houndmouth.webp
GEO:36.009453;-106.059252
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Bridge at Santa Fe Brewing 37 Fire Place Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=37 Fire Place:geo:-106.059252,36.009453
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260716T190000
DTEND;TZID=America/Denver:20260716T220000
DTSTAMP:20260530T053153
CREATED:20260525T225143Z
LAST-MODIFIED:20260525T225143Z
UID:10011927-1784228400-1784239200@yeehaw505.com
SUMMARY:James McMurtry w/ BettySoo
DESCRIPTION:
URL:https://yeehaw505.com/event/james-mcmurtry-w-bettysoo/
LOCATION:The Bridge at Santa Fe Brewing\, 37 Fire Place\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/james-mcmurtry.webp
GEO:36.009453;-106.059252
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Bridge at Santa Fe Brewing 37 Fire Place Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=37 Fire Place:geo:-106.059252,36.009453
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260716T190000
DTEND;TZID=America/Denver:20260716T230000
DTSTAMP:20260530T053153
CREATED:20260525T220410Z
LAST-MODIFIED:20260525T220439Z
UID:10011909-1784228400-1784242800@yeehaw505.com
SUMMARY:Kota the Friend
DESCRIPTION:KOTA The Friend is a hip hop artist and musician from Brooklyn\, NY. At an early age he found his love for music and hip hop\, R & B\, Jazz and Soul music during the infamous 90’s era. By the time young KOTA was 8 years old he joined his school’s music program and excelled as a trumpet player. In high school KOTA was the leader of the trumpet section while teaching himself to play the guitar and piano. During this time he also picked up two-weekend jobs to build a home studio where he would record hip hop tracks as well as folk songs that were accompanied by his guitar playing. After high school\, KOTA would later go on to attend schools for the performing arts. Mastering instrument after instrument\, he is a guitarist\, keyboardist\, and bass player\, now producing/writing his own music. \nKOTA has been releasing music non-stop and has since been featured by XXL magazine\, FADER\, BILLBOARD\, Pigeons & Plans\, HipHopDX\, NYLON\, The Source\, MILK\, and many other blogs. But more than anything\, he continues to make music for the people that need it… his fans.
URL:https://yeehaw505.com/event/kota-the-friend/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Kota-the-Friend.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260716T193000
DTEND;TZID=America/Denver:20260716T193000
DTSTAMP:20260530T053153
CREATED:20260325T172638Z
LAST-MODIFIED:20260325T172638Z
UID:10011153-1784230200-1784230200@yeehaw505.com
SUMMARY:Wonder Women of Country
DESCRIPTION:Brennen Leigh\, Kelly Willis\, Melissa Carper \nTickets cost $33 in advance\, $38 day of show (including service charges). They are also available by phone through Hold My Ticket at 505-886-1251. \nTickets will go on sale to AMP members on Wednesday\, March 25 at 10 AM. Click here for info on AMP Membership. \nRegular on-sale is Friday\, March 27 at 10 AM. \nWhen Kelly Willis\, Melissa Carper and Brennen Leigh—three accomplished singer-songwriters who have forged their own unique lanes in country music—joined forces as a power trio\, there was no more appropriate moniker than Wonder Women of Country. \nAt the end of 2021\, after serendipitously sharing bills separately several times\, Willis approached Leigh and Carper about teaming up and playing some shows together. Wanting more than your standard songwriter-in-the-round arrangement\, the three learned each other’s songs to create a more integrated\, band approach. Those first few shows together were so much fun and so well-received that they decided to continue. \nWonder Women of Country have discovered that\, together\, their own individual superpowers come alive. (One of their superpowers is being able to find hidden treasures in any thrift or vintage store.) With Leigh playing lead guitar and mandolin\, Carper on upright bass\, and Willis playing rhythm guitar\, they support each other’s distinctive original material with beautiful three-part harmonies.
URL:https://yeehaw505.com/event/wonder-women-of-country/
LOCATION:FUSION\, 708 1st St. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Wonder-Women-of-Country.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260717T183000
DTEND;TZID=America/Denver:20260717T183000
DTSTAMP:20260530T053153
CREATED:20260311T185354Z
LAST-MODIFIED:20260311T185354Z
UID:10010930-1784313000-1784313000@yeehaw505.com
SUMMARY:The MacHeartbreakers
DESCRIPTION:We are excited to return for a second year to Winrock Park\, with free concerts on Fridays in May\, June and July. Last year established Winrock as THE place to be on Fridays! Join us for your favorite local bands\, food trucks\, beer\, wine and vendors\, a grassy park\, a playground. Something for everyone! \nSee the full schedule here. \nThe concerts will start at 6:30 and feature two groups each night.
URL:https://yeehaw505.com/event/the-macheartbreakers/
LOCATION:Winrock Park\, 2100 Louisiana Blvd NE\, Albuquerque\, NM\, 87110\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/The-MacHeartbreakers.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260717T193000
DTEND;TZID=America/Denver:20260717T193000
DTSTAMP:20260530T053153
CREATED:20260506T232759Z
LAST-MODIFIED:20260506T232759Z
UID:10011823-1784316600-1784316600@yeehaw505.com
SUMMARY:Rufus Wainwright
DESCRIPTION:Praised by the New York Times for his “genuine originality\,” Rufus Wainwright has established himself as one of the great male vocalists\, songwriters\, and composers of his generation. The New York-born\, Montreal-raised singer-songwriter has released ten studio albums to date\, three DVDs\, and three live albums including the Grammy-nominated Rufus Does Judy at Carnegie Hall. He has collaborated with artists such as Elton John\, Burt Bacharach\, Miley Cyrus\, David Byrne\, Boy George\, Joni Mitchell\, Pet Shop Boys\, Heart\, Carly Rae Jepsen\, Robbie Williams\, Jessye Norman\, Billy Joel\, Paul Simon\, Sting\, and producer Mark Ronson\, among many others. He has written two operas and numerous songs for movies and TV. \nHis 2020 Grammy-nominated studio album of original songs\, Unfollow the Rules\, found Wainwright at the peak of his powers\, entering artistic maturity with passion\, honesty\, and a new-found fearlessness. In 2023\, he embarked on a journey to his family folk roots with his Grammy-nominated album Folkocracy\, featuring reinvented folk duets with artists like Chaka Khan\, Brandi Carlile\, John Legend and Anohni and many more. \nHis first musical of John Cassavetes’ Opening Night for the West End with Ivo van Hove premiered at the Gielgud Theater in March 2024. During this time he also completed his Dream Requiem\, which premiered with the Orchestre Philharmonique de Radio France in June of 2024 and featured Meryl Streep as the narrator. The recording of the performance was released via Warner Classics in January 2025\, which was followed by the US premiere at the Walt Disney Concert Hall in Los Angeles featuring Jane Fonda as the narrator.
URL:https://yeehaw505.com/event/rufus-wainwright/
LOCATION:NHCC – Journal Theater\, 1701 4th St SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Rufus-Wainwright.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260718T193000
DTEND;TZID=America/Denver:20260718T193000
DTSTAMP:20260530T053153
CREATED:20260406T154144Z
LAST-MODIFIED:20260406T154452Z
UID:10011266-1784403000-1784403000@yeehaw505.com
SUMMARY:Mary Gauthier
DESCRIPTION:with special guest Jaimee Harris \nCelebrating the 20th Anniversary of Mercy Now \n“I am excited to announce that this year is the 20th Anniversary of the release Mercy Now\, a record that changed my life. We are celebrating with a vinyl re-release and a tour. I’m not really one to look back\, but reflecting on these ten songs feels more like standing still long enough to take stock\, and appreciating the grace that brought them into existence. These shows will be a continuation of a long conversation with kindred souls\, like you\, who understand the alchemy of song. Kindred souls who know a sad song doesn’t make the darkness deeper; it gives it a shape\, a name\, shines the light on it\, and brings forth hope. ‘Yeah\, we all could use a little mercy now…’” —Mary Gauthier \nMercy Now helped establish Gauthier as one of the preeminent voices in Americana music at the time. The same year the record was released\, Gauthier was named the New Artist of the Year by the Americana Music Association. Mercy Now was also recognized among the Top 10 Albums of 2005 by outlets like the LA Times\, New York Times\, No Depression and Billboard. The record’s title track and enduring favorite “I Drink” has been covered by artists including Boy George\, Blake Shelton\, Tim McGraw and Lynn Moffatt over the years. \nGauthier released her most recent new album\, Dark Enough to See the Stars\, in 2022. In 2024\, she also reissued her 1999 debut\, Drag Queens In Limousines\, in honor of its 25th anniversary. She published a nonfiction book on the art of songwriting\, Saved By A Song\, in 2021.
URL:https://yeehaw505.com/event/mary-gauthier-2/
LOCATION:San Miguel Chapel\, 401 Old Santa Fe Trail\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/04/mary-gauthier.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260718T203000
DTEND;TZID=America/Denver:20260718T203000
DTSTAMP:20260530T053153
CREATED:20260525T221356Z
LAST-MODIFIED:20260525T221356Z
UID:10011914-1784406600-1784406600@yeehaw505.com
SUMMARY:Goth Beach Party
DESCRIPTION:3rd Annual Apparition: Goth Beach Party Saturday\, July 18th. Doors 8:30. At Insideout AND El Rey. Ages 18+ Tickets $10 w/ beach attire\, $12 without. DJ Ren + DJ Batboy + DJ Moonside + special guest DJ K.0ss. Plus a dark vendor market\, mermaid photo booth\, silly prizes and more! Goth\, darkwave\, post punk\, death rock\, EBM\, industrial\, dark dance\, synthpop\, witch house and more.
URL:https://yeehaw505.com/event/goth-beach-party/
LOCATION:The El Rey Theater\, 622 Central Ave SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Goth-Beach-Party.webp
END:VEVENT
END:VCALENDAR