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DTSTART;TZID=America/Denver:20260506T133000
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SUMMARY:Volver
DESCRIPTION:Pedro Almodóvar’s VOLVER follows three generations of women who survive the east wind\, fire\, insanity\, superstition and even death by means of goodness\, lies and boundless vitality. \n\n\n\n\n\n\nThey are Raimunda (Pénelope Cruz)\, who is married to an unemployed laborer and has a teenage daughter (Yohana Cobo); Sole (Lola Dueñas)\, her sister\, who makes a living as a hairdresser; and the mother of both (Carmen Maura)\, who died in a fire along with her husband. This character appears first to her sister (Chus Lampreave) and then to Sol\, although the people with whom she has some unresolved matters are Raimunda and her neighbour in the village\, Agustina (Blanca Portillo). \n\n\n\n\n\n\n“This is a woman’s picture in the best sense of the term\, anchored by bravura turns from Penelope Cruz and Carmen Maura. Something of a departure for the Spanish auteur\, it also seals his status as a cinematic master.” -The Tyee \n\n\n\n\n\n\n“Almodóvar’s maturity navigates not only the thin lines between comedy and drama and between body and spirit\, but also between rebellion and acceptance” -CinePassion
URL:https://yeehaw505.com/event/volver/2026-05-06/
LOCATION:Center for Contemporary Arts\, 1050 Old Pecos Trl\, Santa Fe\, NM\, United States
CATEGORIES:Film
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DTSTART;TZID=America/Denver:20260506T110000
DTEND;TZID=America/Denver:20260506T230000
DTSTAMP:20260613T082840
CREATED:20260505T185746Z
LAST-MODIFIED:20260505T185746Z
UID:10011733-1778065200-1778108400@yeehaw505.com
SUMMARY:Black Cinema Series: Passing + Illusions
DESCRIPTION:The Black Cinema Series is graciously curated by guest programmer Anpa’o Locke. \nPASSING: Adapted from the celebrated 1929 novel of the same name by Nella Larsen\, PASSING tells the story of two Black women\, Irene Redfield (Tessa Thompson) and Clare Kendry (Academy Award nominee Ruth Negga)\, who can “pass” as white but choose to live on opposite sides of the color line during the height of the Harlem Renaissance in late 1920s New York. After a chance encounter reunites the former childhood friends one summer afternoon\, Irene reluctantly allows Clare into her home\, where she ingratiates herself to Irene’s husband (André Holland) and family\, and soon her larger social circle as well. As their lives become more deeply intertwined\, Irene finds her once-steady existence upended by Clare\, and PASSING becomes a riveting examination of obsession\, repression and the lies people tell themselves and others to protect their carefully constructed realities. \nAcclaimed upon its premiere at the 2021 Sundance Film Festival\, PASSING marks the directorial debut of Rebecca Hall\, who also adapted the screenplay. The film intimately uses the notion of “passing” to explore not just racial identity but gender and the responsibilities of motherhood\, sexuality and the performance of femininity. PASSING also stars Bill Camp\, Gbenga Akinnagbe\, Antoinette Crowe-Legacy\, and Alexander Skarsgard; and is produced by Nina Yang Bongiovi (p.g.a.)\, Forest Whitaker (p.g.a.)\, Margot Hand (p.g.a.)\, Rebecca Hall (p.g.a.). \nILLUSIONS: The time is 1942\, a year after Pearl Harbor; the place is National Studios\, a fictitious Hollywood motion picture studio. Mignon Duprée\, a Black woman studio executive who appears to be white and Ester Jeeter\, an African American woman who is the singing voice for a white Hollywood star are forced to come to grips with a society that perpetuates false images as status quo. This highly-acclaimed drama by one of the leading African American women directors follows Mignon’s dilemma\, Ester’s struggle and the use of cinema in wartime Hollywood: three illusions in conflict with reality. \nThirty-two years ago\, filmmaker Julie Dash broke racial and gender boundaries with her Sundance award-winning film (Best Cinematography) Daughters of the Dust. She became the first African American woman to have a wide theatrical release of her feature film. The Library of Congress placed Daughters of the Dust and her UCLA MFA senior thesis\, Illusions\, in the National Film Registry. These two films join a select group of American films preserved and protected as national treasures by the Librarian of Congress.
URL:https://yeehaw505.com/event/black-cinema-series-passing-illusions/2026-05-06/
LOCATION:Center for Contemporary Arts\, 1050 Old Pecos Trl\, Santa Fe\, NM\, United States
CATEGORIES:Film
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260506T110000
DTEND;TZID=America/Denver:20260506T110000
DTSTAMP:20260613T082840
CREATED:20260505T192254Z
LAST-MODIFIED:20260505T192254Z
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SUMMARY:Colors of Time
DESCRIPTION:A group of strangers\, all descendants of a woman named Adèle Meunier\, are gathered in Normandy. The town would like to purchase her long-abandoned property\, and four “cousins” are tasked with overseeing the transaction. Thus begins a genealogical journey into the past\, taking us to 1895 Paris\, with the City of Light on the brink of an industrial and cultural revolution. Aptly entitled “The Coming of the Future” in French\, Colors of Time literally plunges us into a moment in time when Parisian creativity is at its apex… when not only electricity and technology\, but photography and Impressionism in painting and music are creating a spark that’s about to erupt into a movement far beyond anyone’s expectations. Cédric Klapisch‘s endearing new comedy is nothing less than a soul-stirring\, time-traveling – at times\, hallucinogenic – trip for lovers of the arts everywhere. \nWriter/director Cédric Klapisch shot his first short\, In Transit\, as a graduate student at New York University in 1986. His second short\, Ce qui me meut\, nabbed a César nomination and the Best Short Film Award from French Cinema Critics. In 1992\, Little Nothings was nominated for a Best First Feature César Award. Klapisch has gone on to write and direct fifteen features\, including Family Resemblances (1996)\, which garnered three César Awards\, including one for Best Screenplay. He is perhaps best known for his Spanish Apartment (2002)/ Russian Dolls (2005)/ Chinese Puzzle (COLCOA 2014) trilogy\, and its Amazon series sequel\, Greek Salad (2023). His most recent features include Someone\, Somewhere (COLCOA 2019) and Rise (TAFFF 2022). Clearly a TAFFF regular\, Klapisch’s work was honored with a COLCOA Spotlight retrospective in 2014. He was also showrunner on the first season of the Netflix series Call My Agent! (COLCOA 2016) and directed a “playfully updated” production of Mozart’s The Magic Flute at the Théâtre des Champs-Élysées in 2023. Colors of Time premiered out-of-competition at this year’s Cannes Film Festival \n” … genially inventive in messing with the codes of period cinema.” Screen International \n“Inventive\, cleverly structured\, and beautifully written\, it’s a thoroughly engaging story\, enlivened by a terrific ensemble cast.” Next Best Picture \n“The script\, which could easily sit alongside Alain Resnais’ lighter works\, earns its own originality through its endearing characters and narrative fluidity.” Always Good Movies
URL:https://yeehaw505.com/event/colors-of-time/2026-05-06/1/
LOCATION:Center for Contemporary Arts\, 1050 Old Pecos Trl\, Santa Fe\, NM\, United States
CATEGORIES:Film
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260505T201000
DTEND;TZID=America/Denver:20260505T201000
DTSTAMP:20260613T082840
CREATED:20260505T194228Z
LAST-MODIFIED:20260505T194228Z
UID:10011771-1778011800-1778011800@yeehaw505.com
SUMMARY:Two Seasons\, Two Strangers
DESCRIPTION:Based on two manga by Yoshiharu Tsuge\, who rose to underground celebrity thanks to his surrealist tales published in the pages of the bastion of Japanese avant-garde cartooning\, Garo\, Miyake’s bifurcated live-action feature observes (and draws parallels and contrasts from) a summertime meet-cute between Nagisa and Natsuo (Yuumi Kawai and Mansaku Takada) and a snowbound winter encounter between screenwriter Li and innkeeper Ben-zō (Shim Eun-kyung and Shinichi Tsutsumi). Winner of the Golden Leopard at last year’s Locarno Film Festival\, hailed “a true masterpiece” by Shiguéhiko Hasumi\, Japan’s greatest living film critic\, Two Seasons\, Two Strangers is at one and the same time as simple as its straightforward title suggests and immensely\, exhilaratingly complex. \n“A beautifully staged and delicately poised rumination on the parallels between writing and travel.” -South China Morning Post \n“This film neither takes a melodramatic turn nor runs headlong toward its unassuming\, yet devastatingly poetic ending. It’s measured and attuned to two taciturn characters who hope they can still write the next chapter of their lives.” -RogerEbert.com
URL:https://yeehaw505.com/event/two-seasons-two-strangers/2026-05-05/
LOCATION:Center for Contemporary Arts\, 1050 Old Pecos Trl\, Santa Fe\, NM\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/TwoSeasonsTwoStrangers.webp
GEO:35.673965;-105.936827
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260505T200000
DTEND;TZID=America/Denver:20260505T230000
DTSTAMP:20260613T082840
CREATED:20260210T155300Z
LAST-MODIFIED:20260210T155300Z
UID:10008666-1778011200-1778022000@yeehaw505.com
SUMMARY:Beach Vacation
DESCRIPTION:Ticket price is subject to change at door.
URL:https://yeehaw505.com/event/beach-vacation/
LOCATION:Launchpad\, 618 Central Ave SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/02/Beach-Vacation.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260505T185500
DTEND;TZID=America/Denver:20260505T185500
DTSTAMP:20260613T082840
CREATED:20260505T192254Z
LAST-MODIFIED:20260505T192254Z
UID:10011735-1778007300-1778007300@yeehaw505.com
SUMMARY:Colors of Time
DESCRIPTION:A group of strangers\, all descendants of a woman named Adèle Meunier\, are gathered in Normandy. The town would like to purchase her long-abandoned property\, and four “cousins” are tasked with overseeing the transaction. Thus begins a genealogical journey into the past\, taking us to 1895 Paris\, with the City of Light on the brink of an industrial and cultural revolution. Aptly entitled “The Coming of the Future” in French\, Colors of Time literally plunges us into a moment in time when Parisian creativity is at its apex… when not only electricity and technology\, but photography and Impressionism in painting and music are creating a spark that’s about to erupt into a movement far beyond anyone’s expectations. Cédric Klapisch‘s endearing new comedy is nothing less than a soul-stirring\, time-traveling – at times\, hallucinogenic – trip for lovers of the arts everywhere. \nWriter/director Cédric Klapisch shot his first short\, In Transit\, as a graduate student at New York University in 1986. His second short\, Ce qui me meut\, nabbed a César nomination and the Best Short Film Award from French Cinema Critics. In 1992\, Little Nothings was nominated for a Best First Feature César Award. Klapisch has gone on to write and direct fifteen features\, including Family Resemblances (1996)\, which garnered three César Awards\, including one for Best Screenplay. He is perhaps best known for his Spanish Apartment (2002)/ Russian Dolls (2005)/ Chinese Puzzle (COLCOA 2014) trilogy\, and its Amazon series sequel\, Greek Salad (2023). His most recent features include Someone\, Somewhere (COLCOA 2019) and Rise (TAFFF 2022). Clearly a TAFFF regular\, Klapisch’s work was honored with a COLCOA Spotlight retrospective in 2014. He was also showrunner on the first season of the Netflix series Call My Agent! (COLCOA 2016) and directed a “playfully updated” production of Mozart’s The Magic Flute at the Théâtre des Champs-Élysées in 2023. Colors of Time premiered out-of-competition at this year’s Cannes Film Festival \n” … genially inventive in messing with the codes of period cinema.” Screen International \n“Inventive\, cleverly structured\, and beautifully written\, it’s a thoroughly engaging story\, enlivened by a terrific ensemble cast.” Next Best Picture \n“The script\, which could easily sit alongside Alain Resnais’ lighter works\, earns its own originality through its endearing characters and narrative fluidity.” Always Good Movies
URL:https://yeehaw505.com/event/colors-of-time/2026-05-05/2/
LOCATION:Center for Contemporary Arts\, 1050 Old Pecos Trl\, Santa Fe\, NM\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/ColorsofTime.webp
GEO:35.673965;-105.936827
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260505T180500
DTEND;TZID=America/Denver:20260505T180500
DTSTAMP:20260613T082840
CREATED:20260505T194005Z
LAST-MODIFIED:20260505T194005Z
UID:10011754-1778004300-1778004300@yeehaw505.com
SUMMARY:Ghost Elephants
DESCRIPTION:For over a decade\, Dr. Steve Boyes\, conservation biologist and National Geographic Explorer\, has been in search of a mysterious\, elusive herd of Ghost Elephants in the highlands of Angola\, deep within its forests. From acclaimed director Werner Herzog (“Grizzly Man”)\, GHOST ELEPHANTS follows Boyes on an epic journey as he sets out with some of the best master trackers in the world\, in pursuit of an animal long believed to be a myth. \nIn the mist-covered highlands of Angola\, deep within its forests\, a mystery endures: the elusive ghost elephants of Lisima\, the potential living descendants of the largest land mammal ever recorded. Steve Boyes\, conservation biologist and leader of the National Geographic Okavango Wilderness Project\, is determined to prove their existence. \nIn order to find these elusive elephants\, Boyes and fellow National Geographic Explorer Kerllen Costa have teamed up with three KhoiSan master trackers: Xui\, Xui Dawid\, and Kobus. Refugees from a war-torn past who have faced considerable marginalization insouthern Africa\, the trackers return to their ancestral lands to succeed where advanced technology could not. \nDirected\, narrated and written by legendary filmmaker Werner Herzog\, GHOST ELEPHANTS is a lyrical tale of survival\, reconnection and the enduring power of ancient knowledge in the face of modern loss. \n“After meeting Steve Boyes\, an unexpected project that felt like the hunt for Moby Dick\, the White Whale\, came at me with great urgency. Like many of my films\, this is an exploration of dreams\, of imagination —weighed against reality. The film took me to what the local tribesmen call the “Land at the End of the Earth.” -Werner Herzog
URL:https://yeehaw505.com/event/ghost-elephants-cca/2026-05-05/2/
LOCATION:Center for Contemporary Arts\, 1050 Old Pecos Trl\, Santa Fe\, NM\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/GhostElephants.webp
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260505T160000
DTEND;TZID=America/Denver:20260505T160000
DTSTAMP:20260613T082840
CREATED:20260505T194510Z
LAST-MODIFIED:20260505T194510Z
UID:10011776-1777996800-1777996800@yeehaw505.com
SUMMARY:YES
DESCRIPTION:One of international cinema’s most fearless and provocative filmmakers\, Nadav Lapid has long been an outspoken critic of his birth country’s government policies\, channeling a lifetime of fury and frustration into vital films like Synonyms and Ahed’s Knee that brim with righteous anger\, spite\, and shame. In Yes\, Lapid once again takes vigorous critical aim at the Israeli government with a new approach: submission. In the days following October 7\, Y.\, a jazz musician\, and his wife Yasmin\, a dancer\, resolve to say yes to everything. Y. and Yasmin sell their bodies and souls to the highest bidder\, surrendering themselves and their art to Israel’s social\, political and military elite. Soon\, Y. is entrusted with a mission of the utmost importance: to compose the music for a rousing\, ruthless new national anthem. Feverishly whirling between moments of satire\, sincerity\, and complete submission\, Yes is a visceral\, blistering indictment of modern Israel\, and an essential addition to post-October 7 cinema.
URL:https://yeehaw505.com/event/yes/2026-05-05/
LOCATION:Center for Contemporary Arts\, 1050 Old Pecos Trl\, Santa Fe\, NM\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/YES.webp
GEO:35.673965;-105.936827
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260505T151000
DTEND;TZID=America/Denver:20260505T151000
DTSTAMP:20260613T082840
CREATED:20260505T185746Z
LAST-MODIFIED:20260505T185746Z
UID:10011732-1777993800-1777993800@yeehaw505.com
SUMMARY:Black Cinema Series: Passing + Illusions
DESCRIPTION:The Black Cinema Series is graciously curated by guest programmer Anpa’o Locke. \nPASSING: Adapted from the celebrated 1929 novel of the same name by Nella Larsen\, PASSING tells the story of two Black women\, Irene Redfield (Tessa Thompson) and Clare Kendry (Academy Award nominee Ruth Negga)\, who can “pass” as white but choose to live on opposite sides of the color line during the height of the Harlem Renaissance in late 1920s New York. After a chance encounter reunites the former childhood friends one summer afternoon\, Irene reluctantly allows Clare into her home\, where she ingratiates herself to Irene’s husband (André Holland) and family\, and soon her larger social circle as well. As their lives become more deeply intertwined\, Irene finds her once-steady existence upended by Clare\, and PASSING becomes a riveting examination of obsession\, repression and the lies people tell themselves and others to protect their carefully constructed realities. \nAcclaimed upon its premiere at the 2021 Sundance Film Festival\, PASSING marks the directorial debut of Rebecca Hall\, who also adapted the screenplay. The film intimately uses the notion of “passing” to explore not just racial identity but gender and the responsibilities of motherhood\, sexuality and the performance of femininity. PASSING also stars Bill Camp\, Gbenga Akinnagbe\, Antoinette Crowe-Legacy\, and Alexander Skarsgard; and is produced by Nina Yang Bongiovi (p.g.a.)\, Forest Whitaker (p.g.a.)\, Margot Hand (p.g.a.)\, Rebecca Hall (p.g.a.). \nILLUSIONS: The time is 1942\, a year after Pearl Harbor; the place is National Studios\, a fictitious Hollywood motion picture studio. Mignon Duprée\, a Black woman studio executive who appears to be white and Ester Jeeter\, an African American woman who is the singing voice for a white Hollywood star are forced to come to grips with a society that perpetuates false images as status quo. This highly-acclaimed drama by one of the leading African American women directors follows Mignon’s dilemma\, Ester’s struggle and the use of cinema in wartime Hollywood: three illusions in conflict with reality. \nThirty-two years ago\, filmmaker Julie Dash broke racial and gender boundaries with her Sundance award-winning film (Best Cinematography) Daughters of the Dust. She became the first African American woman to have a wide theatrical release of her feature film. The Library of Congress placed Daughters of the Dust and her UCLA MFA senior thesis\, Illusions\, in the National Film Registry. These two films join a select group of American films preserved and protected as national treasures by the Librarian of Congress.
URL:https://yeehaw505.com/event/black-cinema-series-passing-illusions/2026-05-05/
LOCATION:Center for Contemporary Arts\, 1050 Old Pecos Trl\, Santa Fe\, NM\, United States
CATEGORIES:Film
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260505T133000
DTEND;TZID=America/Denver:20260505T133000
DTSTAMP:20260613T082840
CREATED:20260505T192254Z
LAST-MODIFIED:20260505T192254Z
UID:10011734-1777987800-1777987800@yeehaw505.com
SUMMARY:Colors of Time
DESCRIPTION:A group of strangers\, all descendants of a woman named Adèle Meunier\, are gathered in Normandy. The town would like to purchase her long-abandoned property\, and four “cousins” are tasked with overseeing the transaction. Thus begins a genealogical journey into the past\, taking us to 1895 Paris\, with the City of Light on the brink of an industrial and cultural revolution. Aptly entitled “The Coming of the Future” in French\, Colors of Time literally plunges us into a moment in time when Parisian creativity is at its apex… when not only electricity and technology\, but photography and Impressionism in painting and music are creating a spark that’s about to erupt into a movement far beyond anyone’s expectations. Cédric Klapisch‘s endearing new comedy is nothing less than a soul-stirring\, time-traveling – at times\, hallucinogenic – trip for lovers of the arts everywhere. \nWriter/director Cédric Klapisch shot his first short\, In Transit\, as a graduate student at New York University in 1986. His second short\, Ce qui me meut\, nabbed a César nomination and the Best Short Film Award from French Cinema Critics. In 1992\, Little Nothings was nominated for a Best First Feature César Award. Klapisch has gone on to write and direct fifteen features\, including Family Resemblances (1996)\, which garnered three César Awards\, including one for Best Screenplay. He is perhaps best known for his Spanish Apartment (2002)/ Russian Dolls (2005)/ Chinese Puzzle (COLCOA 2014) trilogy\, and its Amazon series sequel\, Greek Salad (2023). His most recent features include Someone\, Somewhere (COLCOA 2019) and Rise (TAFFF 2022). Clearly a TAFFF regular\, Klapisch’s work was honored with a COLCOA Spotlight retrospective in 2014. He was also showrunner on the first season of the Netflix series Call My Agent! (COLCOA 2016) and directed a “playfully updated” production of Mozart’s The Magic Flute at the Théâtre des Champs-Élysées in 2023. Colors of Time premiered out-of-competition at this year’s Cannes Film Festival \n” … genially inventive in messing with the codes of period cinema.” Screen International \n“Inventive\, cleverly structured\, and beautifully written\, it’s a thoroughly engaging story\, enlivened by a terrific ensemble cast.” Next Best Picture \n“The script\, which could easily sit alongside Alain Resnais’ lighter works\, earns its own originality through its endearing characters and narrative fluidity.” Always Good Movies
URL:https://yeehaw505.com/event/colors-of-time/2026-05-05/1/
LOCATION:Center for Contemporary Arts\, 1050 Old Pecos Trl\, Santa Fe\, NM\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/ColorsofTime.webp
GEO:35.673965;-105.936827
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260505T130000
DTEND;TZID=America/Denver:20260505T130000
DTSTAMP:20260613T082840
CREATED:20260505T194005Z
LAST-MODIFIED:20260505T194005Z
UID:10011753-1777986000-1777986000@yeehaw505.com
SUMMARY:Ghost Elephants
DESCRIPTION:For over a decade\, Dr. Steve Boyes\, conservation biologist and National Geographic Explorer\, has been in search of a mysterious\, elusive herd of Ghost Elephants in the highlands of Angola\, deep within its forests. From acclaimed director Werner Herzog (“Grizzly Man”)\, GHOST ELEPHANTS follows Boyes on an epic journey as he sets out with some of the best master trackers in the world\, in pursuit of an animal long believed to be a myth. \nIn the mist-covered highlands of Angola\, deep within its forests\, a mystery endures: the elusive ghost elephants of Lisima\, the potential living descendants of the largest land mammal ever recorded. Steve Boyes\, conservation biologist and leader of the National Geographic Okavango Wilderness Project\, is determined to prove their existence. \nIn order to find these elusive elephants\, Boyes and fellow National Geographic Explorer Kerllen Costa have teamed up with three KhoiSan master trackers: Xui\, Xui Dawid\, and Kobus. Refugees from a war-torn past who have faced considerable marginalization insouthern Africa\, the trackers return to their ancestral lands to succeed where advanced technology could not. \nDirected\, narrated and written by legendary filmmaker Werner Herzog\, GHOST ELEPHANTS is a lyrical tale of survival\, reconnection and the enduring power of ancient knowledge in the face of modern loss. \n“After meeting Steve Boyes\, an unexpected project that felt like the hunt for Moby Dick\, the White Whale\, came at me with great urgency. Like many of my films\, this is an exploration of dreams\, of imagination —weighed against reality. The film took me to what the local tribesmen call the “Land at the End of the Earth.” -Werner Herzog
URL:https://yeehaw505.com/event/ghost-elephants-cca/2026-05-05/1/
LOCATION:Center for Contemporary Arts\, 1050 Old Pecos Trl\, Santa Fe\, NM\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/GhostElephants.webp
GEO:35.673965;-105.936827
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Center for Contemporary Arts 1050 Old Pecos Trl Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=1050 Old Pecos Trl:geo:-105.936827,35.673965
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260504T210000
DTEND;TZID=America/Denver:20260504T210000
DTSTAMP:20260613T082840
CREATED:20260429T175239Z
LAST-MODIFIED:20260429T175239Z
UID:10011292-1777928400-1777928400@yeehaw505.com
SUMMARY:Star Wars Episode 1 - The Phantom Menace (1999)
DESCRIPTION:Dir. George Lucas – 1999 – 131m – Not Valid for Punch Cards \n\n\nCelebrate May the 4th Be With You with New Mexico Entertainment’s Movie Night featuring Episode 1: The Phantom Menace! Relive the beginning of the saga with Star Wars: Episode One – The Phantom Menace. Journey back to a time when the Jedi Order stood at the height of its power and a young Anakin Skywalker was first discovered on the desert planet of Tatooine. Follow Jedi Knights Qui-Gon Jinn and Obi-Wan Kenobi as they protect Queen Amidala and uncover a growing darkness threatening the galaxy. With breathtaking podracing\, unforgettable characters\, and the first appearance of the menacing Darth Maul\, The Phantom Menace is an epic adventure that launched a new era of the Star Wars legacy. \nPURCHASE YOUR TICKETS EARLY to guarantee your spot (assigned seating for advance ticket holders!) and enter to win special door prizes from Bubonicon\, artists Jon Sanchez and Jeremy Montoya\, Scum Pit Studio\, TranScending Massage LLC\, Lilith Stargazer\, Person of Interest Arts\, and Sopapilla Productions. PLUS a special appearance by the 501st Dewback Ridge Garrison! Join us for two screenings filled with Star Wars magic! \nNME MOVIE NIGHT IS A LIMITED-SEAT EVENT. It is STRONGLY ENCOURAGED that you arrive NO LATER THAN 20 MINUTES BEFORE THE SHOW to choose your seats and have time to grab something at concessions. Thank you! \nTICKETS ARE NON-REFUNDABLE.  Please bring your confirmation or your current state ID and check in at the Guild Box Office 20 minutes before the show. If you do not have your receipt\, please make sure you have your ID. If we have a sold-out performance or event\, tickets will be released for resale to those on the standby list if you have not checked within 10 minutes of the show start. Thank you for your punctuality!
URL:https://yeehaw505.com/event/star-wars-episode-1-the-phantom-menace-1999/2026-05-04/2/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/04/Star-Wars-Episode-1-The-Phantom-Menace-1999.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260504T200000
DTEND;TZID=America/Denver:20260504T200000
DTSTAMP:20260613T082840
CREATED:20260327T161200Z
LAST-MODIFIED:20260327T161200Z
UID:10011157-1777924800-1777924800@yeehaw505.com
SUMMARY:Knumears * Novely
DESCRIPTION:May 4\, 2026 • 8:00 pm \nDOORS 7:00pm  •  All Ages
URL:https://yeehaw505.com/event/knumears-novely/
LOCATION:Launchpad\, 618 Central Ave SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Knumears-Novely.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260504T200000
DTEND;TZID=America/Denver:20260504T200000
DTSTAMP:20260613T082840
CREATED:20260204T193920Z
LAST-MODIFIED:20260227T202828Z
UID:10008472-1777924800-1777924800@yeehaw505.com
SUMMARY:Emo Orchestra with The Spill Canvas
DESCRIPTION:Emo Orchestra with The Spill Canvas – An Evening of Emo
URL:https://yeehaw505.com/event/emo-orchestra-with-the-spill-canvas/
LOCATION:The El Rey Theater\, 622 Central Ave SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/02/Emo-Orchestra-with-The-Spill-Canvas.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260504T180000
DTEND;TZID=America/Denver:20260504T180000
DTSTAMP:20260613T082840
CREATED:20260429T175239Z
LAST-MODIFIED:20260429T175239Z
UID:10011291-1777917600-1777917600@yeehaw505.com
SUMMARY:Star Wars Episode 1 - The Phantom Menace (1999)
DESCRIPTION:Dir. George Lucas – 1999 – 131m – Not Valid for Punch Cards \n\n\nCelebrate May the 4th Be With You with New Mexico Entertainment’s Movie Night featuring Episode 1: The Phantom Menace! Relive the beginning of the saga with Star Wars: Episode One – The Phantom Menace. Journey back to a time when the Jedi Order stood at the height of its power and a young Anakin Skywalker was first discovered on the desert planet of Tatooine. Follow Jedi Knights Qui-Gon Jinn and Obi-Wan Kenobi as they protect Queen Amidala and uncover a growing darkness threatening the galaxy. With breathtaking podracing\, unforgettable characters\, and the first appearance of the menacing Darth Maul\, The Phantom Menace is an epic adventure that launched a new era of the Star Wars legacy. \nPURCHASE YOUR TICKETS EARLY to guarantee your spot (assigned seating for advance ticket holders!) and enter to win special door prizes from Bubonicon\, artists Jon Sanchez and Jeremy Montoya\, Scum Pit Studio\, TranScending Massage LLC\, Lilith Stargazer\, Person of Interest Arts\, and Sopapilla Productions. PLUS a special appearance by the 501st Dewback Ridge Garrison! Join us for two screenings filled with Star Wars magic! \nNME MOVIE NIGHT IS A LIMITED-SEAT EVENT. It is STRONGLY ENCOURAGED that you arrive NO LATER THAN 20 MINUTES BEFORE THE SHOW to choose your seats and have time to grab something at concessions. Thank you! \nTICKETS ARE NON-REFUNDABLE.  Please bring your confirmation or your current state ID and check in at the Guild Box Office 20 minutes before the show. If you do not have your receipt\, please make sure you have your ID. If we have a sold-out performance or event\, tickets will be released for resale to those on the standby list if you have not checked within 10 minutes of the show start. Thank you for your punctuality!
URL:https://yeehaw505.com/event/star-wars-episode-1-the-phantom-menace-1999/2026-05-04/1/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/04/Star-Wars-Episode-1-The-Phantom-Menace-1999.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260503T200000
DTEND;TZID=America/Denver:20260503T200000
DTSTAMP:20260613T082840
CREATED:20260327T204349Z
LAST-MODIFIED:20260327T204349Z
UID:10011187-1777838400-1777838400@yeehaw505.com
SUMMARY:DIIV
DESCRIPTION:
URL:https://yeehaw505.com/event/diiv/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/DIIV.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260503T200000
DTEND;TZID=America/Denver:20260503T200000
DTSTAMP:20260613T082840
CREATED:20260317T195054Z
LAST-MODIFIED:20260317T195054Z
UID:10010954-1777838400-1777838400@yeehaw505.com
SUMMARY:Spiritworld * Desmadre * Doomsday
DESCRIPTION:
URL:https://yeehaw505.com/event/spiritworld-desmadre-doomsday/
LOCATION:Launchpad\, 618 Central Ave SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Spiritworld-Desmadre-Doomsday.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260503T164500
DTEND;TZID=America/Denver:20260503T164500
DTSTAMP:20260613T082840
CREATED:20260204T193358Z
LAST-MODIFIED:20260204T193358Z
UID:10008468-1777826700-1777826700@yeehaw505.com
SUMMARY:Chaos & Carnage 2026
DESCRIPTION:* Thy Art Is Murder * Bodysnatcher * Carnifex * 200 Stab Wounds * Ingested * Gates To Hell * Bodybox * Chaos & Carnage 2026 Sunday\, May 3\, 2026 Doors 4pm | Show 430pm El Rey Theater ABQ NM all ages Advance tickets – $40 + service charge Ticket prices may increase day of show
URL:https://yeehaw505.com/event/chaos-carnage-2026/
LOCATION:The El Rey Theater\, 622 Central Ave SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/02/Chaos-Carnage-2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260503T123000
DTEND;TZID=America/Denver:20260503T123000
DTSTAMP:20260613T082840
CREATED:20260408T151545Z
LAST-MODIFIED:20260408T151545Z
UID:10011281-1777811400-1777811400@yeehaw505.com
SUMMARY:Flow (2024)
DESCRIPTION:Dir. Gints Zilbalodis – 2024 – 85m – Latvia – no dialogue – Not Valid for Punch Cards \n\n\nA HORIZONS ALBUQUERQUE SPECIAL SCREENING! \nJoin us for a special screening of FLOW at the Guild Cinema!  Excitement is in the air! Join Horizons Albuquerque for an afternoon of cinematic joy and entertainment as we present a one-time screening of the Academy Award-winning animated film FLOW at the Guild Cinema.   \nEvery ticket sold for this event will bring us closer to achieving our mission. Together\, we can advance equitable learning opportunities in our community and empower our future leaders. \nYour support is invaluable!” – Denise Rael-Comstock\, Executive Director \nA wondrous journey\, through realms natural and mystical\, Flow follows a courageous cat after his home is devastated by a great flood. Teaming up with a capybara\, a lemur\, a bird\, and a dog to navigate a boat in search of dry land\, they must rely on trust\, courage\, and wits to survive the perils of a newly aquatic planet. From the boundless imagination of the award-winning Gints Zilbalodis (Away) comes a thrilling animated spectacle as well as a profound meditation on the fragility of the environment and the spirit of friendship and community. Steeped in the soaring possibilities of visual storytelling\, Flow is a feast for the senses and a treasure for the heart.
URL:https://yeehaw505.com/event/flow-2024/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/04/Flow-2024.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260503T103000
DTEND;TZID=America/Denver:20260503T103000
DTSTAMP:20260613T082840
CREATED:20260327T164424Z
LAST-MODIFIED:20260327T164424Z
UID:10011163-1777804200-1777804200@yeehaw505.com
SUMMARY:Chatter Sunday
DESCRIPTION:Program TBA \nTBA spoken word \n* This Pay What You Wish performance is made possible through the support of the\nCity of Albuquerque Department of Arts and Culture.
URL:https://yeehaw505.com/event/may-3-2026-chatter-sunday/
LOCATION:Chatter\, 912 3rd St NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/png:https://yeehaw505.com/wp-content/uploads/2026/03/mindfulmusicmay.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260502T223000
DTEND;TZID=America/Denver:20260502T223000
DTSTAMP:20260613T082840
CREATED:20260408T152730Z
LAST-MODIFIED:20260408T152730Z
UID:10011290-1777761000-1777761000@yeehaw505.com
SUMMARY:Country Of Hotels
DESCRIPTION:Dir. Julio Maria Martino – 2023 – 105m \n\n\nThe stories of the desperate souls who pass through the doors of 508\, a room on the fifth floor of an anonymous\, decaying hotel. We are taken on a surreal and blackly comic journey down its lonely corridors and behind its out-dated furnishings and stained surfaces. The story plunges us into the ever-turning carousel of haunted lives who check in and out of the establishment.Adulterers\, lonely businessmen\, and hustlers grapple with their demons whilst a prying\, occasionally sinister hotel staff always seems to be within earshot. Inside this hotel the mundane transforms into an implement of threat; a faulty light fixture appears to contain a hidden camera; a heating unit whispers to guests with increasing menace; a television set randomly flips channels\, displaying TV shows which reveal a guest’s secret paranoid fantasies; and a stray look into the bathroom mirror becomes the quickest way to disprove your existence. \n“A genuinely impressive achievement. The use of camera and sound is very strong and creates an unsettling\, Lynchian atmosphere. It has a particular\, very personal and idiosyncratic tone which is the sure sign of a good first film. It has its own voice.” – Kevin Macdonald\, Oscar-winning director\, One Day in September\, Touching the Void\, The Last King of Scotland \n“I have known and followed Julio Maria Martino’s work as a theatre director for years and so was intrigued to watch his first feature. Sophisticated\, eerie and unsettling\, Country of Hotels is an impressive art house debut\, sure to attract a cult following. One to watch.” – Benedict Cumberbatch (Actor\, Producer):
URL:https://yeehaw505.com/event/country-of-hotels/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/04/Country-Of-Hotels.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260502T193000
DTEND;TZID=America/Denver:20260502T193000
DTSTAMP:20260613T082840
CREATED:20260223T190515Z
LAST-MODIFIED:20260223T190515Z
UID:10009959-1777750200-1777750200@yeehaw505.com
SUMMARY:Kelly Willis
DESCRIPTION:Singer-songwriter Kelly Willis captured critical acclaim from her first release\, with a distinctive voice that conveys both tender heartache and smoldering heat. Born in Oklahoma\, she moved often as a kid with her Army Colonel dad. She started singing professionally at 16\, fronting the rockabilly band “Kelly and the Fireballs” in the DC area\, but it soon became clear she was more of a country singer. After high school\, she moved to Austin and it wasn’t long before she got on the radar of MCA’s Tony Brown\, who signed her after an introduction by Nanci Griffith. \nKelly’s recording career began at a time when Nashville was experiencing a creative resurgence with the likes of Lyle Lovett\, Steve Earle\, Foster & Lloyd and The O’Kanes. She recorded three albums for MCA that were critical hits\, but it wasn’t until she left the major label restrictions behind that she came into her own with 1999’s What I Deserve for Rykodisc. \nThe albums Willis has made since What I Deserve have only burnished her reputation as Austin’s reigning queen of Americana\, including being inducted into the Austin Music Hall of Fame. When not performing her own music\, Kelly tours with Brennan Leigh and Melissa Carper as Wonder Women of Country\, in support of their 2023 self-titled EP.
URL:https://yeehaw505.com/event/kelly-willis/
LOCATION:Paradiso\, 903 Early Street\, Santa Fe\, NM\, 87505\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/02/Kelly-Willis.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260502T193000
DTEND;TZID=America/Denver:20260502T193000
DTSTAMP:20260613T082840
CREATED:20260205T052553Z
LAST-MODIFIED:20260205T052553Z
UID:10008523-1777750200-1777750200@yeehaw505.com
SUMMARY:Sevendust - One Tour with Atreyu * Fire From The Gods * American Adrenalin
DESCRIPTION:* Sevendust * Atreyu * Fire From the Gods * American Adrenalin *\nOne Tour \nSaturday\, May 2\, 2026\nDoors 630pm | Show 7pm\nSunshine Theater\nABQ NM\nall ages \nAdvance tickets – $30 + service charge\nTicket prices may increase day of show\nfacebook.com/events/1438262844397522 \nNOW ON SALE!! \nSEVENDUST VIP PACKAGES AVAILABLE HERE –\nsevendust.com/products/sevendust-vip-meet-greet-one-tour
URL:https://yeehaw505.com/event/sevendust-one-tour-with-atreyu-fire-from-the-gods-american-adrenalin/
LOCATION:The Sunshine Theater\, 120 Central Ave\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/02/Sevendust-One-Tour.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260502T103000
DTEND;TZID=America/Denver:20260502T103000
DTSTAMP:20260613T082840
CREATED:20260327T164140Z
LAST-MODIFIED:20260327T164140Z
UID:10011162-1777717800-1777717800@yeehaw505.com
SUMMARY:Chatter North
DESCRIPTION:Program TBA \nTBA spoken word
URL:https://yeehaw505.com/event/may-2-2026-chatter-north/
LOCATION:Chatter North\, 1050 Old Pecos Trail\, Santa Fe\, NM\, 87505\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2025/05/chatter-north-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260501T223000
DTEND;TZID=America/Denver:20260501T223000
DTSTAMP:20260613T082840
CREATED:20260408T152550Z
LAST-MODIFIED:20260408T152550Z
UID:10011289-1777674600-1777674600@yeehaw505.com
SUMMARY:Blind Cop 2
DESCRIPTION:Dir. Alec Bonk – 2026 – 83m \n\n\nHe’s back for the first time! \nWhen an influx of illegal weapons trafficking explodes onto the scene\, a grieving blind police officer must purge the city streets or risk mass chaos breaking loose. \nAfter a big time East Coast roadshow the smash hit indie action-comedy Blind Cop 2 is exploding onto the big screen for the first time in the Southwest! Come see the absurdly hilarious and outrageously over the top micro budget movie that has been blowing audiences away around the world! \nJoin us after the screening for a Q&A with the team behind the movie! So stick around and they will answer all your hard hitting questions about how they made an indie action flick with basically no money. \n“Indie send-up of ‘80s action films that is becoming a cult favorite. And\, no\, there is no “Blind Cop 1” – Houston chronicle”
URL:https://yeehaw505.com/event/blind-cop-2/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/04/Blind-Cop-2.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260501T210000
DTEND;TZID=America/Denver:20260501T210000
DTSTAMP:20260613T082840
CREATED:20260327T163806Z
LAST-MODIFIED:20260327T163806Z
UID:10011161-1777669200-1777669200@yeehaw505.com
SUMMARY:Late Works
DESCRIPTION:Friday\, May 1\, 2026 at 9pm\nDoors Open at 8:15 \nPay What You Wish\nCash Bar provided by Rumor Brewing \nProgram TBA \n* This Pay What You Wish performance is made possible through the support of the\nCity of Albuquerque Department of Arts and Culture.
URL:https://yeehaw505.com/event/may-1-2026-late-works/
LOCATION:Chatter\, 912 3rd St NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2025/01/chatter-late_works_ticketart.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260501T200000
DTEND;TZID=America/Denver:20260501T230000
DTSTAMP:20260613T082840
CREATED:20260210T155432Z
LAST-MODIFIED:20260210T155432Z
UID:10008668-1777665600-1777676400@yeehaw505.com
SUMMARY:El Mariachi Manchester a humble mariachi tribute to The Smiths & Morrissey
DESCRIPTION:Ticket price is subject to change at door.
URL:https://yeehaw505.com/event/el-mariachi-manchester-a-humble-mariachi-tribute-to-the-smiths-morrissey/
LOCATION:Launchpad\, 618 Central Ave SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/02/El-Mariachi-Manchester.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260501T200000
DTEND;TZID=America/Denver:20260501T200000
DTSTAMP:20260613T082840
CREATED:20260204T184536Z
LAST-MODIFIED:20260227T224919Z
UID:10008445-1777665600-1777665600@yeehaw505.com
SUMMARY:Barns Courtney Unplugged Solo Sessions
DESCRIPTION:Barns Courtney has lived through more industry upheaval than most artists survive — A&Rs disappearing\, catalogs sold off\, years stuck in dead-end contracts — yet he’s still standing. Signed at 19\, reduced to sofa-surfing and odd jobs\, he clawed his way back when Bradley Cooper hand-picked his voice for Burnt\, just as his DIY single Glitter & Gold — recorded in an abandoned care home with filing cabinets for drums — quietly went platinum in the US. Since then\, multiple Top 10 alt-radio hits and a reputation for chaotic\, unmissable live shows have made him one of rock’s best-kept secrets. Now\, a decade on and finally free on indie label Avenue A\, Courtney isn’t making a comeback — he’s proving the music always connects\, even when the machine fails.
URL:https://yeehaw505.com/event/barns-courtney-unplugged-solo-sessions/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/02/Barns-Courtney-Unplugged-Solo-Sessions.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260501T193000
DTEND;TZID=America/Denver:20260501T220000
DTSTAMP:20260613T082840
CREATED:20260204T205947Z
LAST-MODIFIED:20260227T205039Z
UID:10008485-1777663800-1777672800@yeehaw505.com
SUMMARY:Tommy Emmanuel\, CGP
DESCRIPTION:Tommy has a Grammy Award\, multiple ARIA Awards and countless accolades\, but nothing means more to Tommy than the three letters Chet Atkins designated at the end of Tommy’s name: C.G.P. The title of Certified Guitar Player was the highest honor Atkins could bestow on another player –a signifier that the recipient had not only mastered the instrument buttaken it to new vistas and become a guiding light for the next generation of pickers. Like Tommy\, Chet had never gone to a university\, and the C.G.P. was his version of a PHD or a Doctorate of the guitar. He gave the honor to Tommy and only five other handpicked players. \nDoors open at 6:30 pm. Show begins at 7:30 pm. \n\nMore Information
URL:https://yeehaw505.com/event/tommy-emmanuel-cgp/
LOCATION:KiMo Theater\, 423 Central NW.\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/png:https://yeehaw505.com/wp-content/uploads/2026/02/Tommy-Emmanuel-CGP.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260501T193000
DTEND;TZID=America/Denver:20260501T193000
DTSTAMP:20260613T082840
CREATED:20260207T212423Z
LAST-MODIFIED:20260207T212423Z
UID:10008623-1777663800-1777663800@yeehaw505.com
SUMMARY:The Heavy Heavy
DESCRIPTION:With the arrival of their debut EP Life and Life Only\, The Heavy Heavy immediately filled a longtime void in the musical landscape\, delivering a soulful breed of rock & roll untouched by modern artifice. As audiences across the globe grew enchanted with their era-bending sound\, the UK-based band began selling out headline shows in major cities like New York and Chicago\, opening for the likes of Black Pumas and Band of Horses\, and earning critical comparisons to Jefferson Airplane\, The Band\, The Mamas & The Papas\, and more—all with only a handful of songs to their name\, including the AAA radio top five singles “Miles and Miles” and “Go Down River.” After spending the past two years on the road and in the studio\, The Heavy Heavy now draw listeners even deeper into their dreamworld with their long-awaited debut album One Of A Kind. \nWritten entirely by co-founders Georgie Fuller and William Turner and mostly recorded at Turner’s studio in Brighton\, One Of A Kind maintains the self-contained approach of Life and Life Only—a seven-song project acclaimed by outlets like NME (who named them an essential emerging artist for 2023) and The Guardian (who noted that The Heavy Heavy “write and play music with that lick of madness that makes early Fleetwood Mac and peak Stones so thrilling”). To that end\, Turner produced\, engineered\, and mixed every track and handled most of the LP’s lavish instrumentation (including guitar\, bass\, piano\, organ\, Mellotron\, and more)\, with The Heavy Heavy’s live band lending their explosive energy to the album. But in a departure from the EP\, One Of A Kind leans away from Laurel Canyon-esque folk-rock and fully embraces their British roots\, finding a particularly crucial inspiration in the gritty and groove-heavy hedonism of the Rolling Stones’ Goats Head Soup. “A lot of our EP was very bright and pretty\, so we wanted to smash the door down like we do in the live show\,” says Turner. “Because we were creating an entire album\, there was so much more space to explore and expand\,” Fuller adds. “It’s still undoubtedly that Heavy Heavy sound\, but now we have all these other rooms to play around in.” \nFor One Of A Kind’s lead single\, The Heavy Heavy chose a sun-drenched and sing-along-ready number that serves as an auspicious bridge to the band’s new era. The last song written for the album\, “Happiness” bends toward the lush psych-pop of Life and Life Only while introducing a new level of visceral intensity. “We felt we needed a song that had that summery\, flowery feel of the EP\, and somehow at the last minute we were able to pull magic out of thin air\,” Fuller recalls. A fast fan favorite at their live shows\, “Happiness” channels a bold determination to break free from loneliness and stagnation\, ultimately providing an automatic mood lift thanks to The Heavy Heavy’s resplendent melodies and signature multi-part harmonies. \nKicking off with a majestic bang\, One Of A Kind opens on the rolling drumbeats and walloping riffs of its title track—a feverishly chanted anthem whose lyrics transform the listener into the protagonist of their own impossibly glamorous movie (e.g.\, “You’re getting down/You’re keeping on/You look the best/You’re all night howling”). Graced with a breathtaking vocal performance from Fuller (a classically trained singer)\, “One Of A Kind” quickly set the tone for the album’s larger-than-life vitality. “Something about the primal nature of that song inspired us to keep making songs that feel quite big and powerful\,” says Turner. Later\, on “Because You’re Mine\,” The Heavy Heavy sustain that feel-good spirit and share a carefree love song lit up in slinky grooves and hallucinatory lyrics depicting what Fuller refers to as “the psychedelic daydream of a wandering nomad type—someone who goes wherever the wind takes them.” \nAs One Of A Kind floats along\, The Heavy Heavy endlessly push into previously uncharted sonic terrain\, tapping into such unexpected influences as mid-’90s big beat on the bass-driven and gorgeously hazy “Miracle Sun.” “It’s a song with a lot of attitude to it—sort of our way of telling the world\, ‘We’re living the way we want to live\, and it doesn’t matter if you don’t understand\,’” says Turner. Meanwhile\, on “Feel\,” the band merges the mesmerizing grooves of Madchester-era Britpop with a bit of idiosyncratic poetry (“I am a freeloader love junkie/A real heavy cannonball and I’m hungry…I stand between the sun\, between the stone/I feel it in my fingers\, feel it in my bones”). And on “Wild Emotion\,” One Of A Kind offers up a country-infused serenade laced with galloping rhythms and twangy guitar tones partly inspired by the work of Dire Straits frontman Mark Knopfler. “That’s probably the most emotional song on the album\,” Turner points out. “It’s meant to have a reassuring message\, but at its center is the story of a woman who’s gone through a heartbreak and can’t find her way out of feeling hopeless and distraught.” \nAfter journeying through a whirlwind of sounds and textures—the hypnotic Mellotron of “Lemonade\,” the frenetic psych-rock organ and skyscraping vocals of “Dirt\,” the earthy acoustic guitar and sweetly playful harmonies of “Lovestruck”—One Of A Kind lands at the reverb-soaked splendor of its closing track\, “Salina.” Named for a sparsely populated volcanic island off the coast of Sicily (an otherworldly spot Fuller and Turner visited on vacation)\, the slow-building epic unfolds in so many exquisitely strange sonic details: moody cello lines\, thundering percussion\, a spellbinding pedal-steel part simultaneously played by two separate guest musicians. “‘Salina’ was one of those moments where we let ourselves get experimental with the production and create a whole ocean of sound\,” says Fuller. “We knew we had to put it at the end and let the reverb ring out in those final seconds—almost as if we’re leaving the album hanging in the air.” \nFormed in 2019\, The Heavy Heavy emerged from a potent alchemy of their eclectic sensibilities. Hailing from the small town of Malvern (a stretch of the English countryside he describes as “a beautiful place full of hippies and longhaired people”)\, Turner took up guitar in his early teens and later played in a series of psychedelic/surf-rock bands\, while Fuller’s extensive background includes performing at Montreux Jazz Festival as a teenager and acting in the London theater. As they moved forward with a mission of “making music that sounds like our favorite records ever” (including everything from Peter Green-era Fleetwood Mac to folk-blues act Delaney & Bonnie to Fleet Foxes)\, the duo dreamed up a batch of songs in a London flat and self-released an early version of Life and Life Only in late 2020\, eventually catching the attention of ATO Records and signing with the U.S.-based label in 2022. Fueled in part by the breakout success of “Miles and Miles” (their ATO debut single)\, The Heavy Heavy’s five-piece live band soon began playing bigger and bigger venues and taking the stage at leading festivals like Bonnaroo\, Boston Calling\, and Newport Folk Festival\, in addition to performing on “Jimmy Kimmel Live!\,” “The Late Show With Stephen Colbert\,” and “CBS Saturday Morning” and scoring major syncs with the likes of Nissan and Netflix’s “Outer Banks.” \nBecause of the rapturous response to their debut EP\, The Heavy Heavy found themselves in an unfamiliar headspace when it came to the creation of One Of A Kind. “With the EP we were making songs as a way to soundtrack our own lives\, but now it’s a different beast—it’s no longer theoretical\, which gives everything more weight\,” says Turner. But in the end\, the band discovered an essential touchstone in the connection they’ve forged with their fans over the last two years. “Not too long ago\, a woman came up to us at a show and told us she was getting a tattoo of one of our lyrics to remind herself to keep pushing on and keep chasing her dreams\,” Fuller says. “Moments like that always remind us that as long as we keep making what feels good\, chances are it’s going to make other people feel good too. I hope this album feels like a great big party to everyone\, and I hope it inspires them to live their lives however they want.” \n  \nLOU HAZEL \nLou Hazel grew up along the Allegheny River\, where New York meets Pennsylvania and Northern Appalachia slips into quiet obscurity. In a landscape of cold towns\, blue-collar fatigue\, and early brushes with hardship\, music wasn’t inherited—it was uncovered. There were no venues\, no mentors\, no real sense of a scene… only what you could scrape together with curiosity and a cassette deck. \nThat absence—of direction\, of mentors\, of art—shaped Lou’s songs as much as any influence. His music echoes the loneliness of those forgotten towns and the strange resilience it takes to create something where nothing was planted. Blending folk\, indie\, and an eye for the overlooked\, Lou writes like someone who’s learned to pay attention. His songs are spare\, vivid\, and weathered with warmth. \nAfter years of solo touring and home recording\, Lou found grounding in Durham\, North Carolina\, where a vibrant music scene and chosen community have helped shape his recent work. His latest record\, Riot of the Red\, captures the urge to get away from all of it—the news\, the noise\, the weight of a world gone sideways—and find stillness in the simplest things: a long drive\, a bare sky\, a familiar chord. Lou Hazel makes music for those who had to teach themselves how to listen.
URL:https://yeehaw505.com/event/the-heavy-heavy/
LOCATION:Tumbleroot\, 2791 Agua Fria St\, Santa Fe\, NM\, United States
CATEGORIES:Music
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