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DTSTART;TZID=America/Denver:20260608T163000
DTEND;TZID=America/Denver:20260608T163000
DTSTAMP:20260731T151847
CREATED:20260526T011813Z
LAST-MODIFIED:20260526T011923Z
UID:10011972-1780936200-1780936200@yeehaw505.com
SUMMARY:The 9 Lives Of Barbara Dane
DESCRIPTION:Dir. Maureen Gosling – 2023 – 108m – 7pm screening Not Valid for Punch Cards\, all others are! \nBONUS! The director Maureen Gosling & the producer Jed Riffe will be in person for a short intro and post-screening talk/Q&A at the 7pm screening & possibly the 4:30pm show as well! ALSO\, as part of the WOMEN’S REBEL VOICES FILM AND MUSIC TOUR\, award winning New Mexico singer-songwriter Lara Manzanares will perform before the evening screening! \nFeaturing Bonnie Raitt\, Jane Fonda\, Louis Armstrong\, the Chambers Brothers\, Amy Goodman and more – American history gets a shakeup through the story of a powerhouse blues\, jazz\, folk singer! \nTHE 9 LIVES OF BARBARA DANE reveals the untold story of an often-overlooked artist whose dedication to music and social justice showcases the tireless spirit and spirit at the heart of American activism\, from the 1960s to today. Mentored by Pete Seeger\, discovered by Louis Armstrong\, with Bob Dylan bringing his songs to her and Bonnie Raitt drawing inspiration from her work\, Dane stood at the center of major cultural movements. She launched the career of the Chambers Brothers and helped shape Jane Fonda’s politics\, raising a compelling question: Why isn’t Barbara Dane a household name? The film chronicles a trailblazing woman who chose conscience over fame\, transforming setbacks into opportunities and forging her own path through art. With singular confidence\, Dane emanated the people-powered connectivity of folk\, the defiance of blues\, and the elemental cool of jazz – using music as a force for change and earning a four-inch FBI file along the way. \nTHE 9 LIVES OF BARBARA DANE directed by Maureen Gosling/produced by Jed Riffe\, features a “ravishing cascade” of music and stories.
URL:https://yeehaw505.com/event/the-9-lives-of-barbara-dane/2026-06-08/1/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/The-9-Lives-Of-Barbara-Dane.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260608T190000
DTEND;TZID=America/Denver:20260608T190000
DTSTAMP:20260731T151847
CREATED:20260526T011813Z
LAST-MODIFIED:20260526T011923Z
UID:10011973-1780945200-1780945200@yeehaw505.com
SUMMARY:The 9 Lives Of Barbara Dane
DESCRIPTION:Dir. Maureen Gosling – 2023 – 108m – 7pm screening Not Valid for Punch Cards\, all others are! \nBONUS! The director Maureen Gosling & the producer Jed Riffe will be in person for a short intro and post-screening talk/Q&A at the 7pm screening & possibly the 4:30pm show as well! ALSO\, as part of the WOMEN’S REBEL VOICES FILM AND MUSIC TOUR\, award winning New Mexico singer-songwriter Lara Manzanares will perform before the evening screening! \nFeaturing Bonnie Raitt\, Jane Fonda\, Louis Armstrong\, the Chambers Brothers\, Amy Goodman and more – American history gets a shakeup through the story of a powerhouse blues\, jazz\, folk singer! \nTHE 9 LIVES OF BARBARA DANE reveals the untold story of an often-overlooked artist whose dedication to music and social justice showcases the tireless spirit and spirit at the heart of American activism\, from the 1960s to today. Mentored by Pete Seeger\, discovered by Louis Armstrong\, with Bob Dylan bringing his songs to her and Bonnie Raitt drawing inspiration from her work\, Dane stood at the center of major cultural movements. She launched the career of the Chambers Brothers and helped shape Jane Fonda’s politics\, raising a compelling question: Why isn’t Barbara Dane a household name? The film chronicles a trailblazing woman who chose conscience over fame\, transforming setbacks into opportunities and forging her own path through art. With singular confidence\, Dane emanated the people-powered connectivity of folk\, the defiance of blues\, and the elemental cool of jazz – using music as a force for change and earning a four-inch FBI file along the way. \nTHE 9 LIVES OF BARBARA DANE directed by Maureen Gosling/produced by Jed Riffe\, features a “ravishing cascade” of music and stories.
URL:https://yeehaw505.com/event/the-9-lives-of-barbara-dane/2026-06-08/2/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/The-9-Lives-Of-Barbara-Dane.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260610T193000
DTEND;TZID=America/Denver:20260610T193000
DTSTAMP:20260731T151847
CREATED:20260207T212842Z
LAST-MODIFIED:20260207T212842Z
UID:10008625-1781119800-1781119800@yeehaw505.com
SUMMARY:Ásgeir
DESCRIPTION:As one of Iceland’s most successful exports\, singer-songwriter Ásgeir has always pushed the boundaries of his thoughtful brand of folk-pop. His debut album\, ‘Dýrð í dauðaþögn’\, became the best-selling debut in Icelandic history\, leading to the English-language version ‘In The Silence’ in 2014. He continued to refine his sound with ‘Afterglow’ in 2017\, ‘Bury The Moon’ in 2020\, and ‘Time On My Hands’ in 2022’\, earning praise from press and radio worldwide\, including the likes of The Independent\, MOJO\, NME\, The Line Of Best Fit\, Clash Magazine\, BBC 6 Music and Radio X. \nIn recent years\, Ásgeir has embraced solo performances\, playing nearly 70 intimate shows across Europe\, the Nordics\, and Iceland\, including a UK tour with Icelandic singer GDRN. He also performed with the Icelandic Symphony Orchestra and recorded a live session for Arte TV in Berlin. His passion for live music has taken him to unique venues\, including small churches\, deepening his connection with audiences. He wrote a song for a Kafkaesque play that was hosted at The Reykjavik City Theatre called Sýslumaður Dauðans. \nCurrently\, Ásgeir is preparing for his next album\, focusing on songwriting with a fresh approach; prioritizing melody and personal storytelling\, exploring themes of relationships\, aging\, hope\, and nostalgia. His influences range from Leonard Cohen and Daniel Lanois to contemporary artists like Adrianne Lenker and Dina Ögon. \nThe album’s production was a hands-on process\, with Ásgeir playing most of the instruments and collaborating with a select group of musicians\, including Nashville cellist Nat Smith. Recorded both solo and with a band\, the songs capture an organic\, heartfelt energy. With this new chapter\, Ásgeir continues to evolve\, offering music that is as introspective and accomplished as ever as well as deeply resonant.
URL:https://yeehaw505.com/event/asgeir/
LOCATION:St Francis Auditorium at the New Mexico Museum of Art\, 107 W Palace Ave\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/02/Asgeir.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260610T200000
DTEND;TZID=America/Denver:20260610T230000
DTSTAMP:20260731T151847
CREATED:20260526T002234Z
LAST-MODIFIED:20260526T002234Z
UID:10011939-1781121600-1781132400@yeehaw505.com
SUMMARY:Luna Day * No Manners * Sisterbaby * The Boys Room
DESCRIPTION:DOORS 7:00pm  •  All Ages
URL:https://yeehaw505.com/event/luna-day-no-manners-sisterbaby-the-boys-room/
LOCATION:Launchpad\, 618 Central Ave SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Luna-Day-No-Manners-Sisterbaby-The-Boys-Room.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260611T153000
DTEND;TZID=America/Denver:20260611T153000
DTSTAMP:20260731T151847
CREATED:20260610T195823Z
LAST-MODIFIED:20260610T195823Z
UID:10012033-1781191800-1781191800@yeehaw505.com
SUMMARY:The Spook Who Sat By The Door (1973)
DESCRIPTION:Dir. Ivan Dixon – 1973 – 102m – Valid for Punch Cards \nIt’s on!  Author of the the superb compendium Blaxploitation Cinema: The Essential Reference Guide Josiah Howard (who also curated all the chosen films for this midweek) will be in our cinema house to introduce & do a post screening discussion!  Welcome to BLAXPLOITATION MIDWEEK! \nDOUBLE FEATURED (2-MOVIES-FOR-THE PRICE-OF-ONE\, SEE ONE OR BOTH FOR THE SAME PRICE!) WITH THE UNDER PLAYED 70’S GEM TOP OF THE HEAP (1972)! \nThe film follows Dan Freeman (played by Lawrence Cook)\, an African American man who becomes the first black CIA officer. His hiring is initially a token gesture to placate civil rights activists and project an image of inclusivity within the agency. However\, Freeman proves to be highly competent\, quickly mastering espionage techniques and tactics. Despite his skills\, he is relegated to a low-profile\, menial position\, symbolically seated by the door to serve as a token black employee. Growing increasingly disillusioned with the systemic racism and marginalization he experiences\, Freeman decides to use his training for a revolutionary cause. He resigns from the CIA and returns to his hometown of Chicago\, where he begins to recruit and train a militant group of young African Americans. Utilizing the guerrilla warfare techniques he learned at the CIA\, Freeman’s group\, disguised as a community organization\, aims to fight against racial oppression and challenge the status quo. As Freeman’s insurgency grows\, it attracts the attention of law enforcement and government officials\, leading to a tense and escalating conflict. The film explores themes of racial identity\, institutional racism\, and the complexities of resistance. “The Spook Who Sat By the Door” is a powerful and thought-provoking film that examines the potential for radical change and the lengths to which oppressed individuals might go to achieve liberation. It remains a significant work for its bold portrayal of racial and political issues\, and its critique of both governmental and societal structures. \n“One of the few uncompromised representations of black armed resistance in the United States.” – Cynthia Fuchs\, PopMatters \n“Possibly the most radical of the blaxploitation films of the 70s\, this movie was an overnight success when released in 1973\, then was abruptly taken out of distribution for reasons still not entirely clear.” – Jonathan Rosenbaum\, Chicago Reader.
URL:https://yeehaw505.com/event/the-spook-who-sat-by-the-door-1973/2026-06-11/1/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/The-Spook-Who-Sat-By-The-Door-1973.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260611T180000
DTEND;TZID=America/Denver:20260611T180000
DTSTAMP:20260731T151847
CREATED:20260610T204219Z
LAST-MODIFIED:20260610T204219Z
UID:10012035-1781200800-1781200800@yeehaw505.com
SUMMARY:Top Of The Heap (1972)
DESCRIPTION:Dir. Christopher St. John – 1972 – 90m – Valid for Punch Cards \nIt’s on!  Author of the the superb compendium Blaxploitation Cinema: The Essential Reference Guide Josiah Howard (who also curated all the chosen films for this midweek) will be in our cinema house to introduce & do a post screening discussion!  Welcome to BLAXPLOITATION MIDWEEK! \nDOUBLE FEATURED (2-MOVIES-FOR-THE PRICE-OF-ONE\, SEE ONE OR BOTH FOR THE SAME PRICE!) WITH THE OUTSTANDING SINGULAR IVAN DIXON FEATURE THE SPOOK WHO SAT BY THE DOOR (1973)! \nA year after his supporting role in the blockbuster Shaft\, Christopher St. John wrote\, directed\, and starred in this kaleidoscopic fever dream of a Black cop’s crisis of sanity after being passed over for a promotion\, and the death of his mother. \nWith dreamlike imagery depicting St. John’s George Lattimer as a war hero\, astronaut\, and other representations of American idealism\, the film tackles the contradiction of a Black man who follows the ‘rules’ in a position of power\, only to find himself trapped in the same impossible position he was in before joining the police. Top of the Heap is an underrated twist on Blaxploitation cinema\, and an essential piece of American independent film\, free of studio interference and muddled messaging. \n“As written\, the film is punctuated by escapist visions in which Lattimer pictures himself a revered astronaut in a lacquered 2001-esque space station\, but outer space isn’t far enough to elude the earthly news of his mother’s death; the only approaching celestial “voyage” on his itinerary is to her funeral in rural Alabama. In this dark substitution\, the film reckons not only with systemic prejudice but the cosmic menace of aging and death—or rather\, demonstrates Ruth Wilson Gilmore’s definition of racism as “the state-sanctioned or extralegal production and exploitation of group-differentiated vulnerability to premature death.”’ ~ Veronica Fitzpatrick\, Screen Slate
URL:https://yeehaw505.com/event/top-of-the-heap-1972/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Top-Of-The-Heap-1972.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260611T190000
DTEND;TZID=America/Denver:20260611T190000
DTSTAMP:20260731T151847
CREATED:20260525T230142Z
LAST-MODIFIED:20260525T230142Z
UID:10011928-1781204400-1781204400@yeehaw505.com
SUMMARY:The Altons w/ Introverted Funk
DESCRIPTION:THE ALTONS\nEmerging from Southeast Los Angeles\, The Altons are a standout voice in the West Coast souldies scene\, blending vintage soul with a fresh\, intimate edge. Their music balances heartfelt vulnerability with irresistible melody\, drawing from classic soul and bolero influences. \nINTROVERTED FUNK\nIntroverted Funk is a Los Angeles-based duo blending the timeless grooves of funk\, disco\, boogie\, and R&B with a modern\, soulful edge. Formed by producer and multi-instrumentalist Daniel Valle (a.k.a. P.B.) and vocalist-songwriter Veronica Rosa the band is a cross-California collaboration—Daniel hailing from LA\, and Vero from the East Bay.
URL:https://yeehaw505.com/event/the-altons-w-introverted-funk/
LOCATION:Santa Fe Railyard Plaza\, 1612 Alcaldesa St\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/The-Altons.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260611T200000
DTEND;TZID=America/Denver:20260611T230000
DTSTAMP:20260731T151847
CREATED:20260526T002422Z
LAST-MODIFIED:20260526T002422Z
UID:10011941-1781208000-1781218800@yeehaw505.com
SUMMARY:Playboy Manbaby * Russian Girlfriends * Dog Jury
DESCRIPTION:Corporations Are People Toour 2026 \nDOORS 7:00pm • All Ages
URL:https://yeehaw505.com/event/playboy-manbaby-russian-girlfriends-dog-jury/
LOCATION:Launchpad\, 618 Central Ave SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Playboy-Manbaby-Russian-Girlfriends-Dog-Jury.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260611T201500
DTEND;TZID=America/Denver:20260611T201500
DTSTAMP:20260731T151847
CREATED:20260610T195823Z
LAST-MODIFIED:20260610T195823Z
UID:10012034-1781208900-1781208900@yeehaw505.com
SUMMARY:The Spook Who Sat By The Door (1973)
DESCRIPTION:Dir. Ivan Dixon – 1973 – 102m – Valid for Punch Cards \nIt’s on!  Author of the the superb compendium Blaxploitation Cinema: The Essential Reference Guide Josiah Howard (who also curated all the chosen films for this midweek) will be in our cinema house to introduce & do a post screening discussion!  Welcome to BLAXPLOITATION MIDWEEK! \nDOUBLE FEATURED (2-MOVIES-FOR-THE PRICE-OF-ONE\, SEE ONE OR BOTH FOR THE SAME PRICE!) WITH THE UNDER PLAYED 70’S GEM TOP OF THE HEAP (1972)! \nThe film follows Dan Freeman (played by Lawrence Cook)\, an African American man who becomes the first black CIA officer. His hiring is initially a token gesture to placate civil rights activists and project an image of inclusivity within the agency. However\, Freeman proves to be highly competent\, quickly mastering espionage techniques and tactics. Despite his skills\, he is relegated to a low-profile\, menial position\, symbolically seated by the door to serve as a token black employee. Growing increasingly disillusioned with the systemic racism and marginalization he experiences\, Freeman decides to use his training for a revolutionary cause. He resigns from the CIA and returns to his hometown of Chicago\, where he begins to recruit and train a militant group of young African Americans. Utilizing the guerrilla warfare techniques he learned at the CIA\, Freeman’s group\, disguised as a community organization\, aims to fight against racial oppression and challenge the status quo. As Freeman’s insurgency grows\, it attracts the attention of law enforcement and government officials\, leading to a tense and escalating conflict. The film explores themes of racial identity\, institutional racism\, and the complexities of resistance. “The Spook Who Sat By the Door” is a powerful and thought-provoking film that examines the potential for radical change and the lengths to which oppressed individuals might go to achieve liberation. It remains a significant work for its bold portrayal of racial and political issues\, and its critique of both governmental and societal structures. \n“One of the few uncompromised representations of black armed resistance in the United States.” – Cynthia Fuchs\, PopMatters \n“Possibly the most radical of the blaxploitation films of the 70s\, this movie was an overnight success when released in 1973\, then was abruptly taken out of distribution for reasons still not entirely clear.” – Jonathan Rosenbaum\, Chicago Reader.
URL:https://yeehaw505.com/event/the-spook-who-sat-by-the-door-1973/2026-06-11/2/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/The-Spook-Who-Sat-By-The-Door-1973.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260612T160000
DTEND;TZID=America/Denver:20260612T160000
DTSTAMP:20260731T151847
CREATED:20260610T204436Z
LAST-MODIFIED:20260610T204436Z
UID:10012036-1781280000-1781280000@yeehaw505.com
SUMMARY:Werckmeister Harmonies (2000)
DESCRIPTION:Dir. Bela Tarr & Ágnes Hranitzky – 2000 – 145m – Hungary – In Hungarian with English subtitles – Valid for Punch Cards \n\n\nAMERICAN CINEMATHEQUE’S BLEAK WEEK:  CINEMA OF DESPAIR  IS HERE!  AS ONE OF OVER A HUNDRED PARTICIPATING  MOVIE THEATERS AROUND THE WORLD\, WE’RE OFFERING UP THREE DOUBLE FEATURES  (WERCKMEISTER HARMONIES / COME & SEE\, IN A YEAR OF 13 MOONS / STROSZEK\, CHRISTIANE F. / AU HASARD BALTHAZAR) & A CLOSING  7 PLUS HOUR  BELA TAR MONUMENTAL FEATURE  SATANTANGO! \nNOTE:  THIS DOUBLE FEATURE WILL BE WITH THE NOTORIOUS RUSSIAN ANTI-WAR EPIC COME & SEE! \nStaff member Don Sherry’s pick! \n One of the major achievements of twenty-first-century cinema thus far\, Béla Tarr’s mesmeric parable of societal collapse is an enigma of transcendent visual\, philosophical\, and mystical resonance. Adapted from a novel by the celebrated writer and frequent Tarr collaborator László Krasznahorkai\, Werckmeister Harmonies unfolds in an unknown era in an unnamed village\, where\, one day\, a mysterious circus—complete with an enormous stuffed whale and a shadowy\, demagogue-like figure known as the Prince—arrives and appears to awaken a kind of madness in the citizens\, which builds inexorably toward violence and destruction. In thirty-nine of his signature long takes\, engraved in ghostly black and white\, Tarr conjures an apocalyptic vision of dreamlike dread and fathomless beauty. \n“Mesmerizing\, haunting\, deeply moving.” – Diane Carson\, KDHX (St. Louis) \n“It is an arduous task\, but the film achieves a transcendent and ethereal beauty that only the few truly great masterpieces attain.” – Derek Smith\, Cinematic Reflections
URL:https://yeehaw505.com/event/werckmeister-harmonies-2000/2026-06-12/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Werckmeister-Harmonies-2000.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260612T183000
DTEND;TZID=America/Denver:20260612T183000
DTSTAMP:20260731T151847
CREATED:20260311T184522Z
LAST-MODIFIED:20260311T184522Z
UID:10010926-1781289000-1781289000@yeehaw505.com
SUMMARY:El Gozao & Los 33
DESCRIPTION:We are excited to return for a second year to Winrock Park\, with free concerts on Fridays in May\, June and July. Last year established Winrock as THE place to be on Fridays! Join us for your favorite local bands\, food trucks\, beer\, wine and vendors\, a grassy park\, a playground. Something for everyone! \nSee the full schedule here. \nThe concerts will start at 6:30 and feature two groups each night.
URL:https://yeehaw505.com/event/el-gozao-los-33/
LOCATION:Winrock Park\, 2100 Louisiana Blvd NE\, Albuquerque\, NM\, 87110\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/El-Gozao-Los-33.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260612T190000
DTEND;TZID=America/Denver:20260612T190000
DTSTAMP:20260731T151847
CREATED:20260610T192925Z
LAST-MODIFIED:20260610T192925Z
UID:10012022-1781290800-1781290800@yeehaw505.com
SUMMARY:Barbarella
DESCRIPTION:In the far future\, a highly sexual woman is tasked with finding and stopping the evil Durand-Durand. Along the way she encounters various unusual people.
URL:https://yeehaw505.com/event/barbarella/2026-06-12/
LOCATION:Jean Cocteau Cinema\, 418 Montezuma Ave\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Barbarella.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260612T190000
DTEND;TZID=America/Denver:20260612T190000
DTSTAMP:20260731T151847
CREATED:20260610T204726Z
LAST-MODIFIED:20260610T204726Z
UID:10012038-1781290800-1781290800@yeehaw505.com
SUMMARY:Come And See (1985)
DESCRIPTION:Dir. Elem Klimov – 1985 – 142m – Soviet Union – In Russian with English subtitles – Valid for Punch Cards \n\n\nAMERICAN CINEMATHEQUE’S BLEAK WEEK:  CINEMA OF DESPAIR  IS HERE!  AS ONE OF OVER A HUNDRED PARTICIPATING  MOVIE THEATERS AROUND THE WORLD\, WE’RE OFFERING UP THREE DOUBLE FEATURES  (WERCKMEISTER HARMONIES / COME & SEE\, IN A YEAR OF 13 MOONS / STROCZEK\, CHRISTIANE F. / AU HASARD BALTHAZAR) & A CLOSING  7 PLUS HOUR  BELA TAR MONUMENTAL FEATURE  SATANTANGO! \nNOTE:  THIS DOUBLE FEATURE WILL BE WITH BELA TARR &  ÁGNES HRANITSKY’S HUNGARIAN LANDMARK WERCKMEISTER HARMONIES! \nStaff member Jack Mahoney’s pick! \nThis widely acclaimed film from Soviet director Elem Klimov is a stunning\, senses-shattering plunge into the dehumanizing horrors of war. As Nazi forces encroach on his small village in present-day Belarus\, teenage Flyora (Aleksei Kravchenko\, in one of the screen’s most searing depictions of anguish since Renée Falconetti’s Joan of Arc) eagerly joins the Soviet resistance. Rather than the adventure and glory he envisioned\, what he finds is a waking nightmare of unimaginable carnage and cruelty—rendered with a feverish\, otherworldly intensity by Klimov’s subjective camerawork and expressionistic sound design. Nearly suppressed by Soviet censors who took eight years to approve its script\, Come and See is perhaps the most visceral\, impossible-to-forget antiwar film ever made. \n“This 1985 Soviet anti-war drama is one of the best movies ever made.” – Tom Cassidy\, Common Sense Media \n“A compelling\, harrowing\, absurdly beautiful account of the little known holocaust in Byelorussia.” – Victoria Mather\, Daily Telegraph (UK)
URL:https://yeehaw505.com/event/come-and-see-1985/2026-06-12/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Come-And-See-1985.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260612T200000
DTEND;TZID=America/Denver:20260612T230000
DTSTAMP:20260731T151847
CREATED:20260526T002323Z
LAST-MODIFIED:20260526T002323Z
UID:10011940-1781294400-1781305200@yeehaw505.com
SUMMARY:NOVULENT * BABYTEETH
DESCRIPTION:DOORS 7:00pm  •  All Ages
URL:https://yeehaw505.com/event/novulent-babyteeth/
LOCATION:Launchpad\, 618 Central Ave SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/NOVULENT-BABYTEETH.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260612T223000
DTEND;TZID=America/Denver:20260612T223000
DTSTAMP:20260731T151847
CREATED:20260610T204913Z
LAST-MODIFIED:20260610T204913Z
UID:10012040-1781303400-1781303400@yeehaw505.com
SUMMARY:Hardboiled (1992)
DESCRIPTION:Dir. John Woo – 1998 – 126m – Hong Kong – In Catonese with English subtitles – Valid for Punch Cards \n\n\nNewly restored up on our screen as part of the 94 Rock Late Nighter Flicks series! \nViolence as poetry\, rendered by a master—brilliant and passionate\, John Woo’s Hard Boiled tells the story of jaded detective “Tequila” Yuen (played with controlled fury by Chow Yun-fat). Woo’s dizzying odyssey through the world of Hong Kong Triads\, undercover agents\, and frenzied police raids culminates unforgettably in the breathless hospital sequence. More than a cops-and-bad-guys story\, Hard Boiled continually startles with its originality and dark humor. \n“You find yourself laughing aloud — not derisively\, but in gratitude and appreciation because you can’t believe what you’re seeing.” – Sean Burns\, WBUR’s Arts & Culture \n“Woo has elevated the action movie into the realm of art. Infinitely more exciting than a dozen Die Hards\, action cinema doesn’t come any better than this.” – Mark Salisbury\, Empire Magazine \n“It’s astoundingly emotional and exhilarating\, thanks to the oversized passions Woo grants his characters and the formal brilliance of his filming\, with his rushing camera\, extreme long takes and magnificent choreography of movement.”- Dave Kehr\, New York Daily News
URL:https://yeehaw505.com/event/hardboiled-1992/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Hardboiled-1992.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260613T103000
DTEND;TZID=America/Denver:20260613T103000
DTSTAMP:20260731T151847
CREATED:20260511T193101Z
LAST-MODIFIED:20260511T193101Z
UID:10011842-1781346600-1781346600@yeehaw505.com
SUMMARY:Chatter North
DESCRIPTION:David Lang Wavy for Piano Six Hands\nL.v. Beethoven Piano Sonata No. 30 in E Major\, Op. 109\nRebecca Bruton The Faerie Ribbon \nMiki Sawada\, Judith Gordon\, Luke Gullickson piano\nDavid Felberg\, Margot Schwartz violin\nLaura Steiner viola\nIan Brody cello \nAmaris Ketcham spoken word
URL:https://yeehaw505.com/event/june-13-2026-chatter-north/
LOCATION:Chatter North\, 1050 Old Pecos Trail\, Santa Fe\, NM\, 87505\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2025/05/chatter-north-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260613T123000
DTEND;TZID=America/Denver:20260613T123000
DTSTAMP:20260731T151847
CREATED:20260610T205146Z
LAST-MODIFIED:20260610T205146Z
UID:10012041-1781353800-1781353800@yeehaw505.com
SUMMARY:25 Cats From Qatar
DESCRIPTION:Dir. Mye Hoang – 2025 – 95m – Not Valid for Punch Cards \n\n\nHosted by Weruva\, Sterling TrapKing Davis\, and Boofy’s Best For Pets!  Talk\, Q&A with various good reps plus misc. fun in the works\, stay tuned! \nFrom the filmmakers of CAT DADDIES – The nation of Qatar has a street cat population equal to the entire human population of the entire country – and is growing fast. Disease is rampant\, and local adoption is rare. 25 Cats from Qatar follows one mission – led by a network of multinational underground animal rescuers in Doha and a Milwaukee flight attendant/cat cafe owner – to transport out 25 lucky felines and find homes for them abroad\, all the while searching for a long-term solution to the crisis. \n“Succeeds not just as an advocacy piece but as a compelling\, fast-paced rescue adventure.” – Alan Ng\, Film Threat \n“Beyond the cats\, “25 Cats From Qatar” is a glimpse into the lives of ordinary people in the Middle East\, kind people with the same hopes and dreams as everybody else\, that feels timely and necessary right now.” – Rob Thomas\, Not That Rob Thomas (Substack)
URL:https://yeehaw505.com/event/25-cats-from-qatar/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/25-Cats-From-Qatar.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260613T160000
DTEND;TZID=America/Denver:20260613T160000
DTSTAMP:20260731T151847
CREATED:20260610T193956Z
LAST-MODIFIED:20260610T193956Z
UID:10012031-1781366400-1781366400@yeehaw505.com
SUMMARY:Starman
DESCRIPTION:When an alien takes the form of a young widow’s husband and asks her to drive him from Wisconsin to Arizona\, the government tries to stop them.
URL:https://yeehaw505.com/event/starman/2026-06-13/
LOCATION:Jean Cocteau Cinema\, 418 Montezuma Ave\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Starman.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260613T160000
DTEND;TZID=America/Denver:20260613T160000
DTSTAMP:20260731T151847
CREATED:20260610T204436Z
LAST-MODIFIED:20260610T204436Z
UID:10012037-1781366400-1781366400@yeehaw505.com
SUMMARY:Werckmeister Harmonies (2000)
DESCRIPTION:Dir. Bela Tarr & Ágnes Hranitzky – 2000 – 145m – Hungary – In Hungarian with English subtitles – Valid for Punch Cards \n\n\nAMERICAN CINEMATHEQUE’S BLEAK WEEK:  CINEMA OF DESPAIR  IS HERE!  AS ONE OF OVER A HUNDRED PARTICIPATING  MOVIE THEATERS AROUND THE WORLD\, WE’RE OFFERING UP THREE DOUBLE FEATURES  (WERCKMEISTER HARMONIES / COME & SEE\, IN A YEAR OF 13 MOONS / STROSZEK\, CHRISTIANE F. / AU HASARD BALTHAZAR) & A CLOSING  7 PLUS HOUR  BELA TAR MONUMENTAL FEATURE  SATANTANGO! \nNOTE:  THIS DOUBLE FEATURE WILL BE WITH THE NOTORIOUS RUSSIAN ANTI-WAR EPIC COME & SEE! \nStaff member Don Sherry’s pick! \n One of the major achievements of twenty-first-century cinema thus far\, Béla Tarr’s mesmeric parable of societal collapse is an enigma of transcendent visual\, philosophical\, and mystical resonance. Adapted from a novel by the celebrated writer and frequent Tarr collaborator László Krasznahorkai\, Werckmeister Harmonies unfolds in an unknown era in an unnamed village\, where\, one day\, a mysterious circus—complete with an enormous stuffed whale and a shadowy\, demagogue-like figure known as the Prince—arrives and appears to awaken a kind of madness in the citizens\, which builds inexorably toward violence and destruction. In thirty-nine of his signature long takes\, engraved in ghostly black and white\, Tarr conjures an apocalyptic vision of dreamlike dread and fathomless beauty. \n“Mesmerizing\, haunting\, deeply moving.” – Diane Carson\, KDHX (St. Louis) \n“It is an arduous task\, but the film achieves a transcendent and ethereal beauty that only the few truly great masterpieces attain.” – Derek Smith\, Cinematic Reflections
URL:https://yeehaw505.com/event/werckmeister-harmonies-2000/2026-06-13/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Werckmeister-Harmonies-2000.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260613T190000
DTEND;TZID=America/Denver:20260613T190000
DTSTAMP:20260731T151847
CREATED:20260511T171927Z
LAST-MODIFIED:20260511T171927Z
UID:10011828-1781377200-1781377200@yeehaw505.com
SUMMARY:Fruit Bats
DESCRIPTION:The midwest\, particularly the part of the midwest Eric D. Johnson hails from\, is a largely flat expanse. Zipping through it on the highway\, you’ll see cities and towns rise up in the distance\, but blink and you’ll miss other man-made rejoinders to horizontal living dotting the landscape\, hill after hill\, built from the refuse of the past: landfills. Some of these hills make for great sledding spots\, parks\, and trails. Others turn organic waste into compost. The Landfill\, Fruit Bats’ June 12\, 2026 album from Merge Records\, is something else entirely: a mountain dominating the landscape of Johnson’s heart. \nThis being a Fruit Bats record\, one scales that mountain to take in the view\, to see the future spread out as wide and endless as the midwestern plains. “But the mountain that gives us this vantage point\,” Johnson says\, “is made out of the trash that we’ve created\, the collective weight of the past and where it’s taken us.” When he details that view on title track and lead single “The Landfill” — “a holy vision / of what could be / and couldn’t be / and could have been” — it’s thrilling to hear him sent soaring by a full complement of instruments. But what’s truly stunning is how\, in his recontouring from could to couldn’t to could have been\, he has lost none of the vulnerability that was brought to the foreground of his songwriting by 2025’s solo outing\, Baby Man. \nOver the course of his now 25-year career under the moniker\, most of Eric D. Johnson’s output as Fruit Bats has been the product of patience and fine-tuning. His songs\, to borrow a phrase\, are slow growers\, given life on albums that encompass long stretches of time and memory. Baby Man changed that — he disallowed himself from referring to material he’d been working on before laying the album down\, utilizing the morning pages technique of stream-of-consciousness\, observational songwriting which flowed directly into his afternoon recording sessions. It was both a breathtaking document of Johnson’s skill as a singer-songwriter and an unvarnished account of the two weeks in which he recorded the album. \nBaby Man’s closeness to Johnson’s heart and the close attention to his voice and instrument its minimalist-maximalist ethos required uncorked something in him as he wrote towards a new full band effort. “That session was over\,” he explains\, “but there was way more to explore. I liked the immediacy of it\, and I wanted to see how that would translate into a full-band Fruit Bats record.” Within weeks\, he was back in a studio\, this time with his band — David Dawda (bass)\, Josh Mease (guitars\, synth)\, Frank LoCrasto (piano\, synth)\, and Kosta Galanopoulos (drums) — with whom Johnson has spent over a decade building Fruit Bats into one of the most in-demand live acts in indie rock. Listening to The Landfill\, it’s not hard to understand why: simply put\, this band smokes. \nProducing the initial recording sessions in Washington’s Bear Creek Studios\, Johnson set out to capture “the sound of this band I constantly marvel at\, the feeling of being in a room with musicians you love and trust enough to let them cook.” They laid most of it down on the floor — no click tracks\, no comped vocals\, and minimal overdubs\, with frequent collaborator Thom Monahan returning to provide additional production and The Landfill’s final mix. “It’s how we do things with my other band\, Bonny Light Horseman\, and I was curious to see how it would work with Fruit Bats\,” Johnson notes. “It’s both a very personal record\, and my most collaborative to date.” \nIt’s also the most live a Fruit Bats record has been since 2009’s The Ruminant Band\, and in paring back the number of tracks that typically layer a full-band song\, the psychedelic\, technicolor dreaminess of their sound is more vivid than ever. Time and space melt into the sublime as the band gels around Johnson’s hazy croon on “That Goddamn Sun\,” stretching out to accommodate him as he trips from California to North Carolina. In striking a balance between ecstatic romance and melancholia\, “Think Aboutcha” occupies the blissful-but-doomed intersection of the E Street Band and Paul McCartney\, playful but playing for stakes that are larger than life\, while “Perhaps We’re a Storm” charges headlong into the unknown. \nAll of these songs — most of the songs on The Landfill\, in fact — mark themselves immediately as some of the best in Eric D. Johnson’s ever-expanding songbook\, seekers and anthems alike. It’s the most daunting peak he’s scaled yet\, musically or lyrically: a swashbuckling set of full-band jammers couldn’t be more honest and open-hearted about his hopes and anxieties\, his dreams and failures\, what’s passed and what will come to pass\, were it just him\, his guitar\, and the listener.
URL:https://yeehaw505.com/event/fruit-bats/
LOCATION:The Bridge at Santa Fe Brewing\, 37 Fire Place\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/fruit-bats.webp
GEO:36.009453;-106.059252
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Bridge at Santa Fe Brewing 37 Fire Place Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=37 Fire Place:geo:-106.059252,36.009453
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260613T190000
DTEND;TZID=America/Denver:20260613T190000
DTSTAMP:20260731T151847
CREATED:20260511T184641Z
LAST-MODIFIED:20260511T184641Z
UID:10011833-1781377200-1781377200@yeehaw505.com
SUMMARY:Earl Sweatshirt & MIKE
DESCRIPTION:with Surf Gang • Na-Kel Smith \nHome on the Range Tour 2026
URL:https://yeehaw505.com/event/earl-sweatshirt-mike/
LOCATION:The El Rey Theater\, 622 Central Ave SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Earl-Sweatshirt-MIKE.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260613T190000
DTEND;TZID=America/Denver:20260613T190000
DTSTAMP:20260731T151847
CREATED:20260610T192925Z
LAST-MODIFIED:20260610T192925Z
UID:10012023-1781377200-1781377200@yeehaw505.com
SUMMARY:Barbarella
DESCRIPTION:In the far future\, a highly sexual woman is tasked with finding and stopping the evil Durand-Durand. Along the way she encounters various unusual people.
URL:https://yeehaw505.com/event/barbarella/2026-06-13/
LOCATION:Jean Cocteau Cinema\, 418 Montezuma Ave\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Barbarella.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260613T190000
DTEND;TZID=America/Denver:20260613T190000
DTSTAMP:20260731T151847
CREATED:20260610T204726Z
LAST-MODIFIED:20260610T204726Z
UID:10012039-1781377200-1781377200@yeehaw505.com
SUMMARY:Come And See (1985)
DESCRIPTION:Dir. Elem Klimov – 1985 – 142m – Soviet Union – In Russian with English subtitles – Valid for Punch Cards \n\n\nAMERICAN CINEMATHEQUE’S BLEAK WEEK:  CINEMA OF DESPAIR  IS HERE!  AS ONE OF OVER A HUNDRED PARTICIPATING  MOVIE THEATERS AROUND THE WORLD\, WE’RE OFFERING UP THREE DOUBLE FEATURES  (WERCKMEISTER HARMONIES / COME & SEE\, IN A YEAR OF 13 MOONS / STROCZEK\, CHRISTIANE F. / AU HASARD BALTHAZAR) & A CLOSING  7 PLUS HOUR  BELA TAR MONUMENTAL FEATURE  SATANTANGO! \nNOTE:  THIS DOUBLE FEATURE WILL BE WITH BELA TARR &  ÁGNES HRANITSKY’S HUNGARIAN LANDMARK WERCKMEISTER HARMONIES! \nStaff member Jack Mahoney’s pick! \nThis widely acclaimed film from Soviet director Elem Klimov is a stunning\, senses-shattering plunge into the dehumanizing horrors of war. As Nazi forces encroach on his small village in present-day Belarus\, teenage Flyora (Aleksei Kravchenko\, in one of the screen’s most searing depictions of anguish since Renée Falconetti’s Joan of Arc) eagerly joins the Soviet resistance. Rather than the adventure and glory he envisioned\, what he finds is a waking nightmare of unimaginable carnage and cruelty—rendered with a feverish\, otherworldly intensity by Klimov’s subjective camerawork and expressionistic sound design. Nearly suppressed by Soviet censors who took eight years to approve its script\, Come and See is perhaps the most visceral\, impossible-to-forget antiwar film ever made. \n“This 1985 Soviet anti-war drama is one of the best movies ever made.” – Tom Cassidy\, Common Sense Media \n“A compelling\, harrowing\, absurdly beautiful account of the little known holocaust in Byelorussia.” – Victoria Mather\, Daily Telegraph (UK)
URL:https://yeehaw505.com/event/come-and-see-1985/2026-06-13/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Come-And-See-1985.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260613T200000
DTEND;TZID=America/Denver:20260613T200000
DTSTAMP:20260731T151847
CREATED:20260327T214251Z
LAST-MODIFIED:20260327T214251Z
UID:10011190-1781380800-1781380800@yeehaw505.com
SUMMARY:Flamingosis
DESCRIPTION:Flamingosis makes the soundtrack to being your best self. Under the spell of Aaron Velasquez\, the New Jersey-raised and Brooklyn-based artist and producer\, handcrafted electronic beats meet live instrumentation spiked with funk in the center of the dancefloor (right underneath the disco ball). The ensuing overflow of energy might just inspire you to get up and move\, fall in love\, or even change your life. Extending a creative arc without comparison\, he strikes a deep emotional chord on his 2024 full-length album\, Better Will Come. \n“Everyone wants to get better in some way\,” he states. “The album highlights my own personal experience of growing\, and you can potentially relate your story to what I went through. I learned a lot of hard lessons\, but I made a conscious effort to grow in every way—not just musically\, but physically\, mentally\, and spiritually. I did a lot of inner work\, and I channeled these experiences into the music. If you pursue self-improvement\, life improves around you too.” \nArtistically\, he has continued to progress at an impressive pace. Piling up over 100 million streams and counting\, he has dropped one fan favorite project after another\, including _Pleasure Palette _[2015]\, _Kahunastyle _[2016]\, Bright Moments [2016]\, Daymaker [2021] and collaborative album Bliss Station [2023]. Of the latter\, ThisSongIsSick raved\, “This is the perfect album to rinse outside by the pool\, at the park\, in your backyard\, or wherever you have a space to move around\,” and EARMILK christened it “an electronic journey through time and space._” _Along the way\, he teamed up with everyone from Big Gigantic\, GRiZ and Tokimonsta to Matoma for collaborations. Simultaneously\, he notably shined at festivals\, including Austin City Limits\, Electric Forest\, Okeechobee\, Holy Ship!\, Voodoo Music + Arts\, and more. \nA season of transformation and awakening underlined the genesis of Better Will Come. \n“Around the time of the Daymaker tour\, behind-the-scenes life hit me in an unexpected way I didn’t think was possible\,” he recalls. “In turn\, I took a downward spiral as a direct result of my poor choices and failure to balance things in my personal life. It was a hard pill to swallow\, but I had to get real. I acknowledged it and consciously made a change. I started eating healthier\, going to the gym\, and seeing a therapist. Everything helped a lot. I funneled the inner pain and turmoil into the music.” \nHe did so during sessions in New York and Denver. Beyond shaping lively and lush soundscapes of his own\, he orchestrated performances by a bevy of musicians such as Jeff Franca\, Hunter Roberts\, Bora Lee\, Mike Tallman\, and Eddie Roberts. Akin to a conductor\, he actively produced the players and arranged the tracks. \nNow\, he introduces this chapter via the uplifting single “Feel Yourself” [with Marc Rebillet]. A seventies-style synth line wraps around the bass\, while a head-nodding beat sets the tempo punctuated by glimmering guitar and a loose lead. Rebillet’s buttery smooth vocals engage and empower as he urges\, “Nobody feeling you\, gotta feel yourself.” \n“Marc and I have known each other since 2019\,” he says. “I admire him as a musician and as a person. We reconnected in 2022\, and it was dope he made time for me. ‘Feel Yourself’ is straight-to-the-point. He came up with the hook on the spot\, and it’s almost like a mantra. Your inner consciousness is telling you\, ‘People around you can love you for who you are. At the end of the day though\, nobody can help you and love you for you; you have to do that. You need to do the inner work.” \nElsewhere\, “Soulsearcher” uncorks a blast of sonic sunshine enlivened by ecstatic strings\, ebullient keys\, engaging horns\, and an entrancing vocal. “I finally knew how to finish the song after the life experience I’d gone through\,” he states. “It’s about searching deep\, inquiring within\, and telling yourself the healthiest way to go on your path.” \n“Nebula Gazer” hinges on a clean funk riff and foot-stomping bass. Built around a core synth line\,  successive solos swirl across this galaxy in an intergalactic call-and-response. \n“There are way more solos on the album\,” he smiles. “It made everything more colorful.” \nThe unabashed soul of “Life and Death of Hard Times” explores an overarching theme with a strutting groove and slick thump of its own. “We all go through rough periods\,” he observes. “That’s just human experience. We suffer\, but it doesn’t last forever. ‘Life and Death of Hard Times’ describes the beginning and end cycle of a hard time. You come out stronger on the other side.” \nThen\, there’s the closer “Better Will Come.” He samples Gil Scott-Heron whose words\, “If you take your time\, you might change your mind\,” prove as prescient and appropriate as ever layered atop a buoyant soundscape. \n“Gil’s words are looped through the song\, and it ties the whole album together\,” he notes. “If you really do take your time\, you can change your mind and everything\, in general. It’s a full circle moment.” \nIn order to bring the music to life on stage\, Flamingosis will hit the road with a band for the very first time. At the end of 2023\, he performed a pair of gigs in Denver at Cervantes joined by Bodega Groove Collective. The drums\, horns\, guitar\, and bass added a full-bodied bombast to the set unlike anything he’d delivered prior. \n“The shows in Denver were pretty much the climax of my music career thus far\,” he goes on. “I’d never played with a live band\, so it was a major change. I’ve learned you need to face new challenges head-on. It’s what we did\, and it went great. It’s going to be really cool to do the same thing on the road.” \nIn the end\, Flamingosis delivers a message meant to be shared aloud on the album. \n“It’s a reminder that no matter what you’re going through\, you can be better for yourself\,” he leaves off. “Hard times don’t last. All of those little things add up to change you for the better. Am I where I want to be? Probably not yet\, but I’m a lot better than I was when I started the whole process.”
URL:https://yeehaw505.com/event/flamingosis/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Flamingosis.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260613T220000
DTEND;TZID=America/Denver:20260613T220000
DTSTAMP:20260731T151847
CREATED:20260610T205418Z
LAST-MODIFIED:20260610T205418Z
UID:10012042-1781388000-1781388000@yeehaw505.com
SUMMARY:Mighty Morphin Power Rangers: The Movie (1995)
DESCRIPTION:Dir. Bryan Spicer – 1995 – 95m – Not Valid for Punch Cards \n\n\nA SCUM PIT TOYS SPECIAL OF THE BELOVED 90’S ACTION FLICK! \nPower up with six incredible teens who out-maneuver and defeat evil everywhere as the Mighty Morphin Power Rangers! But this time\, the Power Rangers may have met their match when they face off with the most sinister monster the galaxy has ever seen—Ivan Ooze. Unleashed upon the good citizens of Angel Grove after six thousand years of imprisonment\, Ivan Ooze strips the Power Rangers of their powers! Now they must journey to a distant planet to learn the secrets of the ancient Ninjetti. Only then will they become empowered with strength enough to restore their Morphin ability and defeat the evil Ivan Ooze. Join the Mighty Morphin Power Rangers and their new Ninja Megazord as they fight to save Angel Grove and the world from evil! \n“Brings the popular TV series to the screen with a barrage of spectacular special effects\, a slew of fantastic monsters\, a ferociously funny villain — and\, most important\, a refreshing lack of pretentiousness” .- Kevin Thomas\, Los Angeles Times
URL:https://yeehaw505.com/event/mighty-morphin-power-rangers-the-movie-1995/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Mighty-Morphin-Power-Rangers-The-Movie-1995.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260614T103000
DTEND;TZID=America/Denver:20260614T103000
DTSTAMP:20260731T151847
CREATED:20260511T193207Z
LAST-MODIFIED:20260511T193207Z
UID:10011843-1781433000-1781433000@yeehaw505.com
SUMMARY:Chatter Sunday
DESCRIPTION:David Lang Wavy for Piano Six Hands\nL.v. Beethoven Piano Sonata No. 30 in E Major\, Op. 109\nRebecca Bruton The Faerie Ribbon \nMiki Sawada\, Judith Gordon\, Luke Gullickson piano\nDavid Felberg\, Margot Schwartz violin\nLaura Steiner viola\nIan Brody cello \nAmaris Ketcham spoken word
URL:https://yeehaw505.com/event/june-14-2026-chatter-sunday/
LOCATION:Chatter\, 912 3rd St NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/01/chatter-sunday.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260614T120000
DTEND;TZID=America/Denver:20260614T150000
DTSTAMP:20260731T151847
CREATED:20260610T205509Z
LAST-MODIFIED:20260610T205509Z
UID:10012043-1781438400-1781449200@yeehaw505.com
SUMMARY:Guild Cinema Semi-annual Movie Poster Auction Sale
DESCRIPTION:Not Valid for Punch Cards \n\n\nIt’ll be a fun afternoon with movie posters going back over the past six months through several years into the past — like ya’ know HAMNET\, SINNERS\, YOU GOT GOLD: JOHN PRINE\, BUGONIA\, PILLION\, CHARLI XCX: THE MOMENT\, MOTHER MARY\, ONE BATTLE AFTER ANOTHER\, Del Toro’s FRANKENSTEIN\, NOUVELLE VAGUE and a bunch o’ others!  Get on over here! \nDOORS OPEN AT 11:45am!  We’ll wrap up around 3pm.
URL:https://yeehaw505.com/event/guild-cinema-semi-annual-movie-poster-auction-sale/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Guild-Cinema-Semi-annual-Movie-Poster-Auction-Sale.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260614T160000
DTEND;TZID=America/Denver:20260614T160000
DTSTAMP:20260731T151847
CREATED:20260610T192925Z
LAST-MODIFIED:20260610T192925Z
UID:10012024-1781452800-1781452800@yeehaw505.com
SUMMARY:Barbarella
DESCRIPTION:In the far future\, a highly sexual woman is tasked with finding and stopping the evil Durand-Durand. Along the way she encounters various unusual people.
URL:https://yeehaw505.com/event/barbarella/2026-06-14/
LOCATION:Jean Cocteau Cinema\, 418 Montezuma Ave\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Barbarella.webp
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DTSTART;TZID=America/Denver:20260614T160000
DTEND;TZID=America/Denver:20260614T160000
DTSTAMP:20260731T151847
CREATED:20260610T205614Z
LAST-MODIFIED:20260610T205614Z
UID:10012044-1781452800-1781452800@yeehaw505.com
SUMMARY:In A Year Of 13 Moon (1978)
DESCRIPTION:Dir. Rainer Werner Fassbinder – 1978 – 124m – West Germany – In German with English Subtitles – Valid for Punch Cards \n\n\nAMERICAN CINEMATHEQUE’S BLEAK WEEK:  CINEMA OF DESPAIR  IS HERE!  AS ONE OF OVER A HUNDRED PARTICIPATING  MOVIE THEATERS AROUND THE WORLD\, WE’RE OFFERING UP THREE DOUBLE FEATURES  (WERCKMEISTER HARMONIES / COME & SEE\, IN A YEAR OF 13 MOONS / STROCZEK\, CHRISTIANE F. / AU HASARD BALTHAZAR) & A CLOSING  7 PLUS HOUR  BELA TAR MONUMENTAL FEATURE  SATANTANGO! \nNOTE:  THIS DOUBLE FEATURE WILL BE WITH THE GREAT 70’s WERNER HERZOG/BRUNO S. DRAMA STROCZEK! \nThis heartrendingly compassionate tragedy from Rainer Werner Fassbinder traces the final days in the life of Elvira (Volker Spengler)\, a transgender woman spurned by her former lover\, as she reaches out desperately for understanding. With infinite empathy for the plight of the dispossessed\, Fassbinder crafts a searing statement on both the universal need for love and the human capacity for cruelty. \n“It’s a passionate and messy film portraying loneliness\, societal cruelties and victimization as powerful as its ever been presented on the screen.” – Dennis Schwartz\, Dennis Schwartz Movie Reviews \n“The movie is a relentlessly uncompromising\, keening cri de coeur\, a movie that has turned a wake into a work of art.” – Jay Scott\, Globe and Mail
URL:https://yeehaw505.com/event/in-a-year-of-13-moon-1978/2026-06-14/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/In-A-Year-Of-13-Moon-1978.webp
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DTSTART;TZID=America/Denver:20260614T190000
DTEND;TZID=America/Denver:20260614T190000
DTSTAMP:20260731T151847
CREATED:20260610T183120Z
LAST-MODIFIED:20260610T183120Z
UID:10012003-1781463600-1781463600@yeehaw505.com
SUMMARY:Doctor Nativo
DESCRIPTION:DOCTOR NATIVO\nDoctor Nativo is one of Central America’s most prominent talents. His music is contagious and explosive\, containing a profound message\, linking the ancestral with the contemporary\, reimagining and remixing traditional rhythms with socially conscious lyrics that celebrate resistance and grassroots empowerment over a powerful sound combining reggae\, cumbia\, hip-hop and pre-Hispanic instruments. \nFrom an early age Nativo’s love for music was obvious\, influenced by his father\, the Cuban musician\, Arturito Martinez. During his youth\, he embarked on his first trip from Guatemaya to Cuba; Havana and its magic captivated him. It was a dream to reconnect with his heritage and study at the National School of Art (ENA) which was his catapult to Barcelona where he was immersed in the street music scene for several years polishing himself as an MC\, mastering his art through direct contact with the public\, becoming one of the most entertaining and inspiring frontmen of these times. The street was where he learned to sing loud\, look people in the eye\, and play without permission or a stage. He started on corners\, in markets\, on sidewalks\, where music doesn’t get applause out of politeness\, only when it hits something real. \nDoctor Nativo is on a mission to raise consciousness through music\, a party with a purpose. Led by Juan Nativo\, main vocals and guitar\, virtuoso African-American violinist\, Nay Roze\, extraordinary Puerto Rican drummer\, Jennie “La Bestia” Delgado\, Honduran percussionist Alexis “La Jefa”\, and his son Apox on the bass. \nDoctor Nativo doesn’t make music to fit into genres; he makes music to remember. \nINNSTATE\nInnastate brings a high-energy blend of roots reggae\, soulful grooves\, and horn-driven power straight from New Mexico. With a sound grounded in Indigenous culture and a message of unity and connection\, their live show is uplifting\, real\, and built to move a crowd.
URL:https://yeehaw505.com/event/doctor-nativo/
LOCATION:The Mothership\, 20 ABC Mesa Rd\, El Prado\, NM\, 87529\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Doctor-Nativo.webp
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