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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260620T103000
DTEND;TZID=America/Denver:20260620T103000
DTSTAMP:20260610T045129
CREATED:20260525T213404Z
LAST-MODIFIED:20260525T214407Z
UID:10011905-1781951400-1781951400@yeehaw505.com
SUMMARY:Chatter North
DESCRIPTION:Reena Esmail String Quartet (Ragamala)\nSergei Prokofiev String Quartet No. 2 in F Major\, Op. 92 \nChaski Quartet \nSarah Cranor\, Alejandro Gómez Guillén violin\nHan Dewan viola\nAmy Huzak cello
URL:https://yeehaw505.com/event/june-20-2026-chatter-north/
LOCATION:Chatter North\, 1050 Old Pecos Trail\, Santa Fe\, NM\, 87505\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2025/05/chatter-north-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260621T103000
DTEND;TZID=America/Denver:20260621T103000
DTSTAMP:20260610T045129
CREATED:20260525T214804Z
LAST-MODIFIED:20260525T214855Z
UID:10011906-1782037800-1782037800@yeehaw505.com
SUMMARY:Chatter Sunday
DESCRIPTION:Reena Esmail String Quartet (Ragamala)\nSergei Prokofiev String Quartet No. 2 in F Major\, Op. 92 \nChaski Quartet \nSarah Cranor\, Alejandro Gómez Guillén violin\nHan Dewan viola\nAmy Huzak cello
URL:https://yeehaw505.com/event/june-21-2026-chatter-sunday/
LOCATION:Chatter\, 912 3rd St NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/01/chatter-sunday.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260623T173000
DTEND;TZID=America/Denver:20260623T173000
DTSTAMP:20260610T045129
CREATED:20260526T011813Z
LAST-MODIFIED:20260526T011923Z
UID:10011974-1782235800-1782235800@yeehaw505.com
SUMMARY:The 9 Lives Of Barbara Dane
DESCRIPTION:Dir. Maureen Gosling – 2023 – 108m – 7pm screening Not Valid for Punch Cards\, all others are! \nBONUS! The director Maureen Gosling & the producer Jed Riffe will be in person for a short intro and post-screening talk/Q&A at the 7pm screening & possibly the 4:30pm show as well! ALSO\, as part of the WOMEN’S REBEL VOICES FILM AND MUSIC TOUR\, award winning New Mexico singer-songwriter Lara Manzanares will perform before the evening screening! \nFeaturing Bonnie Raitt\, Jane Fonda\, Louis Armstrong\, the Chambers Brothers\, Amy Goodman and more – American history gets a shakeup through the story of a powerhouse blues\, jazz\, folk singer! \nTHE 9 LIVES OF BARBARA DANE reveals the untold story of an often-overlooked artist whose dedication to music and social justice showcases the tireless spirit and spirit at the heart of American activism\, from the 1960s to today. Mentored by Pete Seeger\, discovered by Louis Armstrong\, with Bob Dylan bringing his songs to her and Bonnie Raitt drawing inspiration from her work\, Dane stood at the center of major cultural movements. She launched the career of the Chambers Brothers and helped shape Jane Fonda’s politics\, raising a compelling question: Why isn’t Barbara Dane a household name? The film chronicles a trailblazing woman who chose conscience over fame\, transforming setbacks into opportunities and forging her own path through art. With singular confidence\, Dane emanated the people-powered connectivity of folk\, the defiance of blues\, and the elemental cool of jazz – using music as a force for change and earning a four-inch FBI file along the way. \nTHE 9 LIVES OF BARBARA DANE directed by Maureen Gosling/produced by Jed Riffe\, features a “ravishing cascade” of music and stories.
URL:https://yeehaw505.com/event/the-9-lives-of-barbara-dane/2026-06-23/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/The-9-Lives-Of-Barbara-Dane.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260624T173000
DTEND;TZID=America/Denver:20260624T173000
DTSTAMP:20260610T045129
CREATED:20260526T011813Z
LAST-MODIFIED:20260526T011923Z
UID:10011975-1782322200-1782322200@yeehaw505.com
SUMMARY:The 9 Lives Of Barbara Dane
DESCRIPTION:Dir. Maureen Gosling – 2023 – 108m – 7pm screening Not Valid for Punch Cards\, all others are! \nBONUS! The director Maureen Gosling & the producer Jed Riffe will be in person for a short intro and post-screening talk/Q&A at the 7pm screening & possibly the 4:30pm show as well! ALSO\, as part of the WOMEN’S REBEL VOICES FILM AND MUSIC TOUR\, award winning New Mexico singer-songwriter Lara Manzanares will perform before the evening screening! \nFeaturing Bonnie Raitt\, Jane Fonda\, Louis Armstrong\, the Chambers Brothers\, Amy Goodman and more – American history gets a shakeup through the story of a powerhouse blues\, jazz\, folk singer! \nTHE 9 LIVES OF BARBARA DANE reveals the untold story of an often-overlooked artist whose dedication to music and social justice showcases the tireless spirit and spirit at the heart of American activism\, from the 1960s to today. Mentored by Pete Seeger\, discovered by Louis Armstrong\, with Bob Dylan bringing his songs to her and Bonnie Raitt drawing inspiration from her work\, Dane stood at the center of major cultural movements. She launched the career of the Chambers Brothers and helped shape Jane Fonda’s politics\, raising a compelling question: Why isn’t Barbara Dane a household name? The film chronicles a trailblazing woman who chose conscience over fame\, transforming setbacks into opportunities and forging her own path through art. With singular confidence\, Dane emanated the people-powered connectivity of folk\, the defiance of blues\, and the elemental cool of jazz – using music as a force for change and earning a four-inch FBI file along the way. \nTHE 9 LIVES OF BARBARA DANE directed by Maureen Gosling/produced by Jed Riffe\, features a “ravishing cascade” of music and stories.
URL:https://yeehaw505.com/event/the-9-lives-of-barbara-dane/2026-06-24/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/The-9-Lives-Of-Barbara-Dane.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260624T183000
DTEND;TZID=America/Denver:20260624T183000
DTSTAMP:20260610T045129
CREATED:20260610T014238Z
LAST-MODIFIED:20260610T014238Z
UID:10011999-1782325800-1782325800@yeehaw505.com
SUMMARY:The Mango Cakes & JD Nash and the Rash of Cash
DESCRIPTION:We are excited to return for a second year to Winrock Park\, with free concerts on Fridays in May\, June and July. Last year established Winrock as THE place to be on Fridays! Join us for your favorite local bands\, food trucks\, beer\, wine and vendors\, a grassy park\, a playground. Something for everyone! \nSee the full schedule here. \nThe concerts will start at 6:30 and feature two groups each night.
URL:https://yeehaw505.com/event/the-mango-cakes-jd-nash-and-the-rash-of-cash/
LOCATION:Winrock Park\, 2100 Louisiana Blvd NE\, Albuquerque\, NM\, 87110\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/The-Mango-Cakes-JD-Nash-and-the-Rash-of-Cash.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260625T173000
DTEND;TZID=America/Denver:20260625T173000
DTSTAMP:20260610T045129
CREATED:20260526T011813Z
LAST-MODIFIED:20260526T011923Z
UID:10011976-1782408600-1782408600@yeehaw505.com
SUMMARY:The 9 Lives Of Barbara Dane
DESCRIPTION:Dir. Maureen Gosling – 2023 – 108m – 7pm screening Not Valid for Punch Cards\, all others are! \nBONUS! The director Maureen Gosling & the producer Jed Riffe will be in person for a short intro and post-screening talk/Q&A at the 7pm screening & possibly the 4:30pm show as well! ALSO\, as part of the WOMEN’S REBEL VOICES FILM AND MUSIC TOUR\, award winning New Mexico singer-songwriter Lara Manzanares will perform before the evening screening! \nFeaturing Bonnie Raitt\, Jane Fonda\, Louis Armstrong\, the Chambers Brothers\, Amy Goodman and more – American history gets a shakeup through the story of a powerhouse blues\, jazz\, folk singer! \nTHE 9 LIVES OF BARBARA DANE reveals the untold story of an often-overlooked artist whose dedication to music and social justice showcases the tireless spirit and spirit at the heart of American activism\, from the 1960s to today. Mentored by Pete Seeger\, discovered by Louis Armstrong\, with Bob Dylan bringing his songs to her and Bonnie Raitt drawing inspiration from her work\, Dane stood at the center of major cultural movements. She launched the career of the Chambers Brothers and helped shape Jane Fonda’s politics\, raising a compelling question: Why isn’t Barbara Dane a household name? The film chronicles a trailblazing woman who chose conscience over fame\, transforming setbacks into opportunities and forging her own path through art. With singular confidence\, Dane emanated the people-powered connectivity of folk\, the defiance of blues\, and the elemental cool of jazz – using music as a force for change and earning a four-inch FBI file along the way. \nTHE 9 LIVES OF BARBARA DANE directed by Maureen Gosling/produced by Jed Riffe\, features a “ravishing cascade” of music and stories.
URL:https://yeehaw505.com/event/the-9-lives-of-barbara-dane/2026-06-25/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/The-9-Lives-Of-Barbara-Dane.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260626T140000
DTEND;TZID=America/Denver:20260626T140000
DTSTAMP:20260610T045129
CREATED:20260526T010344Z
LAST-MODIFIED:20260526T010344Z
UID:10011966-1782482400-1782482400@yeehaw505.com
SUMMARY:Taste Of Cherry (1997)
DESCRIPTION:Dir. Abbas Kiarostami – 1997 – 99m – Iran – In Farsi with English subtitles – Valid for Punch Cards \nWinner of the Palme d’Or at the 1997 Cannes Film Festival\, Iranian auteur Abbas Kiarostami’s _Taste of Cherry_ is an emotionally complex meditation on life and death. Middle-aged Mr. Badii (Homayoun Ershadi) drives through the hilly outskirts of Tehran—searching for someone to rescue or bury him. \n“Attains a kind of haunting mysticism\, profoundly shifting the audience’s perception of reality. It’s Kiarostami’s finest work\, and one of the best films of the 1990s.” – Mattie Lucas\, From the Front Row \n“Confirmed Kiarostami as the most acclaimed director of Iran’s rich film culture…” – Sean Axmaker\, Turner Classic Movies Online \n“Kiarastomi\, like no other filmmaker\, has a vision of human scale that is simultaneously epic and precisely minuscule.” – Stephen Holden\, New York Times
URL:https://yeehaw505.com/event/taste-of-cherry-1997/2026-06-26/1/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Taste-Of-Cherry-1997.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260626T161500
DTEND;TZID=America/Denver:20260626T161500
DTSTAMP:20260610T045129
CREATED:20260526T010344Z
LAST-MODIFIED:20260526T010344Z
UID:10011967-1782490500-1782490500@yeehaw505.com
SUMMARY:Taste Of Cherry (1997)
DESCRIPTION:Dir. Abbas Kiarostami – 1997 – 99m – Iran – In Farsi with English subtitles – Valid for Punch Cards \nWinner of the Palme d’Or at the 1997 Cannes Film Festival\, Iranian auteur Abbas Kiarostami’s _Taste of Cherry_ is an emotionally complex meditation on life and death. Middle-aged Mr. Badii (Homayoun Ershadi) drives through the hilly outskirts of Tehran—searching for someone to rescue or bury him. \n“Attains a kind of haunting mysticism\, profoundly shifting the audience’s perception of reality. It’s Kiarostami’s finest work\, and one of the best films of the 1990s.” – Mattie Lucas\, From the Front Row \n“Confirmed Kiarostami as the most acclaimed director of Iran’s rich film culture…” – Sean Axmaker\, Turner Classic Movies Online \n“Kiarastomi\, like no other filmmaker\, has a vision of human scale that is simultaneously epic and precisely minuscule.” – Stephen Holden\, New York Times
URL:https://yeehaw505.com/event/taste-of-cherry-1997/2026-06-26/2/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Taste-Of-Cherry-1997.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260626T183000
DTEND;TZID=America/Denver:20260626T183000
DTSTAMP:20260610T045129
CREATED:20260311T185057Z
LAST-MODIFIED:20260311T185057Z
UID:10010928-1782498600-1782498600@yeehaw505.com
SUMMARY:Red Light Cameras and NEH
DESCRIPTION:We are excited to return for a second year to Winrock Park\, with free concerts on Fridays in May\, June and July. Last year established Winrock as THE place to be on Fridays! Join us for your favorite local bands\, food trucks\, beer\, wine and vendors\, a grassy park\, a playground. Something for everyone! \nSee the full schedule here. \nThe concerts will start at 6:30 and feature two groups each night.
URL:https://yeehaw505.com/event/red-light-cameras-and-neh/
LOCATION:Winrock Park\, 2100 Louisiana Blvd NE\, Albuquerque\, NM\, 87110\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Red-Light-Cameras-and-NEH.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260626T190000
DTEND;TZID=America/Denver:20260626T213000
DTSTAMP:20260610T045129
CREATED:20260525T224433Z
LAST-MODIFIED:20260525T224433Z
UID:10011923-1782500400-1782509400@yeehaw505.com
SUMMARY:Turnover w/ Narrow Head & She's Green
DESCRIPTION:TURNOVER\nThe title track of the band’s new album\, Myself in the Way\, speaks to this mindset. “I can’t put myself in the way of love again\,” sings Getz\, “I promise I’m going to go all the way with you\,” is specifically about Getz getting engaged to his longtime partner\, but applies to the general outlook he had toward life in lockdown. “I was living in Sebastopol\, California at the time and felt like I truly lived there for the first time since I wasn’t leaving for tour. I was able to go meditate at the Zen Buddhist dojo down the road\, run and bike around the hills in Sonoma county\, learn about plants and gardening\, take some Spanish and arboriculture classes\, and get involved with the volunteer fire department. Just do a bunch of new things to challenge and inspire me in a natural way.” \nTurnover’s other members also used the time to deepen interests they hadn’t been able to fully explore before covid. Bass player Dan Dempsey was in New York City and responded to lockdown by spending more time practicing his visual art in drawing and painting. He painted the album’s cover during this period and developed a style that has become a central theme for the band in its current iteration. Drummer Casey Getz found work at a Virginia Beach state park as touring continued to be postponed. He was in search of and inspired by having a work-life balance different than he’d experienced since he was younger. Through this\, he was able to nurture current relationships more and find new ones\, something touring made much more difficult. This led to Casey playing drums with a group of longtime friends in Virginia Beach and further developing his drumming style – adding a new prowess for fluidity and improvisation through lengthy jam sessions with the group. Guitarist Nick Rayfield was focused on sharpening his guitar and piano playing and was able to devote energy to skateboarding and his retail business more than he had been able to for the last few years. This was also the band’s first album with Rayfield making songwriting contributions after touring with them for years as a live member\, adding a new creative element to the songs. \nOver 18 months Turnover weaved these individual experiences into a collective work\, recording the LP over two sessions with longtime collaborator Will Yip at Studio 4. Austin is credited\, for the first time\, as co-producer. \n“I had specific ideas for sound design on this album. I knew a lot of sounds I wanted to hear and use. We wanted everything to be able to be heard and have its own place. I was inspired by the way Magical Mystery Tour and Dark Side of the Moon sounded. We decided to go a lot wider with it and utilize panning and stereo more than we had in the past\, while also wanting it to sound tighter and smaller than some of our earlier records. We were inspired by drum and bass sounds from Chic and Quincy Jones records from the 70s\, so we put the drums in the control room to get them to sound smaller. We used an active pickup bass and a jazz bass to get that percussive sound from the bass so the low end wasn’t as rumbling and subby. We let the synths share some of that low end that the drums and bass gave up. Quincy’s approach to arrangements were a huge inspiration in this record as well. The horn and string lines I wanted to sound like classic era disco\, mixed with modern synth and vocal sounds. I had been experimenting with my own vocal styles a lot and utilized autotune and vocoder on this album almost as instruments on certain songs as a stylistic choice.” \nThe band has always been DIY\, but post pandemic they have taken that to a different level. They appreciate more than ever how lucky they are to get to be together and have fun creating things with their friends. They have found that they are usually best suited for executing their own vision\, not only musically\, but with all its accompaniments as well. For this album they made all their own videos in collaboration with friends and using Dempsey’s drawings and paintings. \nChange is authentic and true to Turnover as a band and as individuals. Chart a course through their discography and find a band continually reinventing themselves with a unique artistic ambition. Myself In The Way arrives finding Turnover doing the same within their own persons\, pushing the band into new and exciting parallel depths of expression. \nNARROW HEAD\nTruly great pop songs do not require a cheery outlook in order to work\, nor do they pander to expectations of syrupy sweet easy-listening. Rather\, the best pop music is a matter of refinement and pure intention\, of dialing groove to melody so that the two might puncture the malaise of everyday living in unison\, revealing some brief\, sober truth about our shared human condition. On their third LP\, Moments of Clarity (Run for Cover)\, Narrow Head have achieved precisely this feat. Traversing the depths of massive\, churning riffs\, often distorted to the point of violence\, bouncing\, lock-grooved rhythms\, and crystalline\, gorgeously constructed hooks\, the Houston-based outfit puts on a masterclass in the art of writing songs that match the pain\, pleasure\, and confusion of modern living. \nSHE’S GREEN\nMinneapolis band she’s green describe themselves as “moss music”. Inspired as much by J.R.R. Tolkien and Hayao Miyazaki as by Slowdive and the Cocteau Twins\, the band — consisting of Liam Armstrong\, Zofia Smith\, Raines Lucas\, Kevin Seebeck and Teddy Nordvold — aim to create their own musical and visual world defined by dreamy fantasy\, emotional openness and sonic depth. In 2023 she’s green released their debut EP\, Wisteria\, which included the viral hit “Mandy\,” and in 2025 they released the follow-up EP\, Chrysalis. It builds on the shimmering shoegaze and dream-pop of Wisteria\, with ever more irresistible melodies and deeper songcraft. “We wanted to expand the scope of what we did with the first EP\, and see how far we could push either side of the music — whether it’s harsh and jarring or it’s inviting and warm\,” Armstrong says. And as they win over fans everywhere they go with their authentic\, loving approach to their sound\, it’s clear that this huge year for she’s green is only the beginning.
URL:https://yeehaw505.com/event/turnover-w-narrow-head-shes-green/
LOCATION:The Bridge at Santa Fe Brewing\, 37 Fire Place\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Turnover.webp
GEO:36.009453;-106.059252
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Bridge at Santa Fe Brewing 37 Fire Place Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=37 Fire Place:geo:-106.059252,36.009453
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260626T203000
DTEND;TZID=America/Denver:20260626T203000
DTSTAMP:20260610T045129
CREATED:20260525T221212Z
LAST-MODIFIED:20260525T221212Z
UID:10011912-1782505800-1782505800@yeehaw505.com
SUMMARY:Red Masquerade Goth Night
DESCRIPTION:Red and Black attire encouraged \nApparition x Alchemy team up to bring you: Red Masquerade Goth Night Ages 18+ Friday\, June 26 8:30 pm. $10 for goth attire\, $12 without Red and black attire encouraged. Join us for a decadent nigh of dance and dark delights in the shadowy El Rey Theater main floor. Continuous DJ sets all night by Apparition and Alchemy. Plus a dark vendor market. Expect goth\, darkwave\, EBM\, death rock\, post punk\, dark dance\, industrial\, horror punk\, synthpop and more. Pre-sale tickets available online soon. Ticket link will be updated.
URL:https://yeehaw505.com/event/red-masquerade-goth-night/
LOCATION:The El Rey Theater\, 622 Central Ave SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Red-Masquerade.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260626T210000
DTEND;TZID=America/Denver:20260626T210000
DTSTAMP:20260610T045129
CREATED:20260511T170836Z
LAST-MODIFIED:20260511T170836Z
UID:10011827-1782507600-1782507600@yeehaw505.com
SUMMARY:Amtrac
DESCRIPTION:
URL:https://yeehaw505.com/event/amtrac/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Amtrac.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260627T103000
DTEND;TZID=America/Denver:20260627T103000
DTSTAMP:20260610T045129
CREATED:20260525T215106Z
LAST-MODIFIED:20260525T215106Z
UID:10011907-1782556200-1782556200@yeehaw505.com
SUMMARY:Chatter North
DESCRIPTION:Maurice Ravel Jeux d’eau\nCharles Tomlinson Griffes Sonata for Piano Solo\nJeffrey Chappell Piano Misterioso\nBéla Bartók Contrasts \nDavid Felberg violin\nJeff Brooks clarinet\nJeffrey Chappell piano \nBetsy James spoken word
URL:https://yeehaw505.com/event/june-27-2026-chatter-north/
LOCATION:Chatter North\, 1050 Old Pecos Trail\, Santa Fe\, NM\, 87505\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2025/05/chatter-north-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260627T190000
DTEND;TZID=America/Denver:20260627T220000
DTSTAMP:20260610T045129
CREATED:20260525T224553Z
LAST-MODIFIED:20260525T224553Z
UID:10011924-1782586800-1782597600@yeehaw505.com
SUMMARY:The Polish Ambassador
DESCRIPTION:THE POLISH AMBASSADOR\nMusician. Producer. Beatsmith. Recording artist. Composer. Dance-floor general. Label-head. A mystery man of many hats\, The Polish Ambassador rocks more than just a trademark jumpsuit\, authoring sublime\, intentional artistic works\, animated safaris in technicolor sound. At first breath\, The Polish Ambassador was an experiment\, David Sugalski’s sound-art passion project that came to life. An inventive\, imaginary character born of humble\, humorous beginnings\, he found his first audiences through the support of primitive digital radio stations. Today\, TPA is among the premier EDM/live crossover artists in the country with millions of listeners around the world; he’s consistently in-demand at the live music-focused gatherings and boutique electronic festivals from coast to coast. Founder of independent label Jumpsuit Records\, an environmentalist and early progenitor of the permaculture action movement\, the world’s funkiest diplomat is here to party with a purpose.
URL:https://yeehaw505.com/event/the-polish-ambassador/
LOCATION:The Bridge at Santa Fe Brewing\, 37 Fire Place\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/polish-ambassador.webp
GEO:36.009453;-106.059252
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Bridge at Santa Fe Brewing 37 Fire Place Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=37 Fire Place:geo:-106.059252,36.009453
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260627T200000
DTEND;TZID=America/Denver:20260627T200000
DTSTAMP:20260610T045129
CREATED:20260525T221258Z
LAST-MODIFIED:20260525T221258Z
UID:10011913-1782590400-1782590400@yeehaw505.com
SUMMARY:Shordie Shordie
DESCRIPTION:Schools Out Tour
URL:https://yeehaw505.com/event/shordie-shordie/
LOCATION:The El Rey Theater\, 622 Central Ave SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Shordie-Shordie.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260628T103000
DTEND;TZID=America/Denver:20260628T103000
DTSTAMP:20260610T045129
CREATED:20260525T215536Z
LAST-MODIFIED:20260525T215536Z
UID:10011908-1782642600-1782642600@yeehaw505.com
SUMMARY:Chatter Sunday
DESCRIPTION:Maurice Ravel Jeux d’eau\nCharles Tomlinson Griffes Sonata for Piano Solo\nJeffrey Chappell Piano Misterioso\nBéla Bartók Contrasts \nDavid Felberg violin\nJeff Brooks clarinet\nJeffrey Chappell piano \nRichard Wolfson spoken word
URL:https://yeehaw505.com/event/june-28-2026-chatter-sunday/
LOCATION:Chatter\, 912 3rd St NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/01/chatter-sunday.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260628T193000
DTEND;TZID=America/Denver:20260628T213000
DTSTAMP:20260610T045129
CREATED:20260610T010957Z
LAST-MODIFIED:20260610T010957Z
UID:10011992-1782675000-1782682200@yeehaw505.com
SUMMARY:Both Sides Now: The Music and Lives of Joni Mitchell and Leonard Cohen
DESCRIPTION:“Two singer-songwriters sit on the edge of a cliff…”\nWith these words\, we are drawn into the world of Both Sides Now – a theatrical concert that explores the music and lives of long-time friends and one-time lovers\, Joni Mitchell and Leonard Cohen. Created by\, and starring Robbie Schaefer and Danielle Wertz\, the cabaret-style performance traverses decades alongside songs such as A Case of You\, Hallelujah\, Big Yellow Taxi\, Suzanne\, and many more. Both Sides Now is at once a piece of the 60’s and 70’s\, and of right now — offering us a story about the messiness of being human\, of lives persistently lived at the edge of growth\, and of finding the courage to turn toward one another\, again and again. \nFor more information on Both Sides Now\, visit: https://www.bothsidesnowshow.com/about \nFor information on AMP Concerts\, visit: https://www.ampconcerts.org/ \nDoors at 6:30 pm. Show starts at 7:30 pm.
URL:https://yeehaw505.com/event/both-sides-now-the-music-and-lives-of-joni-mitchell-and-leonard-cohen-2/
LOCATION:KiMo Theater\, 423 Central NW.\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/The-Music-and-Lives-of-Joni-Mitchell-and-Leonard-Cohen.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260630T200000
DTEND;TZID=America/Denver:20260630T200000
DTSTAMP:20260610T045129
CREATED:20260327T213811Z
LAST-MODIFIED:20260609T212950Z
UID:10011188-1782849600-1782849600@yeehaw505.com
SUMMARY:Gia Margaret
DESCRIPTION:Every artist has to discover their voice. Gia Margaret didn’t find herself until she lost hers. With a vocal injury that kept her from singing for years\, she developed other musical languages\, mastering the grammar of an intricate\, homey form of ambient music pioneered by Ernest Hood and perfected by The Books. Now\, her physical voice healed and her artistic voice honed\, she comes full circle with Singing\, her first vocal album since 2018’s There’s Always Glimmer. Led by soft piano lines that fall like breath on glass\, the music on Singing evidences the same jeweler’s sensitivity to detail that she developed in her silence. \n“There was a time when I really didn’t know if I would sing again. So once I healed\, there was a lot of internal pressure to come back strong\,” Margaret says. “I didn’t know who I was anymore. So it felt like beginning again\, and reconnecting with these very old\, old parts of myself.” This feeling of intermixed alienation and rediscovery is palpable across the album. In opener “Everyone Around Me Dancing\,” she watches a party from the wings\, aware of how her body keeps her from communal joy while also providing new modes of self-knowledge. Shut out from the scene\, she is “closer to the ground\, the planet.” In “Alive Inside\,” she’s so far away from the source that she’s praying to whoever might hear (“a god\, a friend that’s gone\, a spirit”). As her voice rises\, it seems to be trapped in a web of distortion; it’s as if in her pursuit\, she’s pushing at the very boundaries of what can be said. \nThe process of making Singing was one of learning how to trust each of those feelings. The album was partially recorded in London with Frou Frou’s Guy Sigsworth\, who helped Margaret unify the spree of ideas she had for “Good Friend\,” an album highlight that includes Gregorian chant by ILĀ and turntable scratches\, among many other things. David Bazan and Amy Millan also make appearances\, as do Kurt Vile and Sean Carey\, while Margaret’s longtime collaborator Doug Saltzman plays on and co-produces much of the record. Deb Talan\, previously of The Weepies\, lends her voice\, piano\, and guitar to the album’s closing—and definitive—statement\, “E-Motion.” \nGia Margaret is always singing. Every note of this album sings a warm requiem to her past selves; every layer sings her future self into being. Across the album\, she applies the lessons of speechlessness—the quasirational ways we communicate without communicating\, the way formless sound can cut to the heart of things like a scalpel—to her own artistic voice.
URL:https://yeehaw505.com/event/gia-margaret/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Gia-Margaret.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260701T190000
DTEND;TZID=America/Denver:20260701T233000
DTSTAMP:20260610T045129
CREATED:20260609T212114Z
LAST-MODIFIED:20260609T212114Z
UID:10011983-1782932400-1782948600@yeehaw505.com
SUMMARY:Immortal Technique with DJ Static\, Poison Pen and DJ Stigmata
DESCRIPTION:A seasoned leader of underground hip-hop; a fiercely political\, unabashed truth teller. \n\n\n\n\nImmortal Technique is a Peruvian born\, Harlem raised activist and rapper best known for his complex lyricism\, unfeigned humanitarianism\, and highly intellectual nature. While incarcerated in his youth\, he picked up the pen to unknowingly pioneer a new generation of artists and listeners alike; during his parole in the late nineties\, he took battle rap by storm and dominated the world of Underground Hip Hop by being one of the first rappers in a freshly post-9/11 world to amplify the dark history of the United States in an era where most of Hip Hop’s own were waving around the countries flag in support of the war. Instead\, he turned it upside down and used his message to take Hip Hop back to its politically charged roots\, and as always\, highly criticized those in power in his first album\, Revolutionary Vol. 1\, which went on to become one of the most pirated independent projects to date. \nBest known for backing his raps with action\, his humanitarianism reaches far and wide – from mentoring youth in prison\, to building an orphanage in Afghanistan funded by his third album\, The 3rd World\, to helping to rebuild Haiti after 2010’s devastating earthquake\, and handing out water and supplies at the border in Mexico\, his life’s work is truly with the people. During the height of the pandemic in 2020\, he started his own charity\, The Rebel Army Runs to take care of the elders in his community and many others around the US. He’s worked directly with members of the original Black Panther Party\, Political Prisoner and Activist Mumia Abu-Jamal\, Dr. Cornel West\, Harry Belafonte with the Sankofa Organization\, Native American Activist Russell Means\, has spoken at prestigious universities such as Harvard\, Columbia\, NYU and more\, and has made appearances on CNN\, Fox\, RT\, The Joe Rogan Experience\, The Desus & Mero Show\, MTV\, Vice and BET to name a few. \nImmortal Technique is currently working on his highly-anticipated fifth studio album\, “The Middle Passage\,” which delves into the untold chapters of slavery\, global totalitarianism\, terrorism\, and corprate greed while also making room to discuss the global mental health crisis\, with the main message that slavery isn’t just the past of humanity\, it exists and thrives in present day\, and now more than ever\, we’re in danger repeating the past.
URL:https://yeehaw505.com/event/immortal-technique-with-dj-static-poison-pen-and-dj-stigmata/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Immortal-Technique-with-DJ-Static-Poison-Pen-and-DJ-Stigmata-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260702T190000
DTEND;TZID=America/Denver:20260702T230000
DTSTAMP:20260610T045129
CREATED:20260505T024038Z
LAST-MODIFIED:20260511T171119Z
UID:10011718-1783018800-1783033200@yeehaw505.com
SUMMARY:Khemmis w/ Necrofier\, Wretched
DESCRIPTION:Denver Doom Metal \n\n\n\n\nAfter eleven years of releasing albums and touring the world\, Colorado’s Khemmis have become a pillar of the modern metal scene.“When we started this band\, we had no expectations\, no assumptions—wejust wanted to play heavy metal\,” says guitarist/vocalist Ben Hutcherson. “The older I get\, the more I appreciate how rare it is in life to have relationships that last this long andoffer a sense ofstability and reassurance in a world that increasingly is horrifying andunsuitable for human life. And so\, in many ways\, this band is a home.”Some artists strive for a legacy; Khemmis felt born with one. Uponreleasing their 2015 debut Absolution\, the Denver-based four-piece felt like old souls whose towering\, spiritual doom metal connected with metalheads the world over. This was further cemented by 2016’s Hunted\, which won the band international acclaim and was declared Album Of The Year by Decibel. 2018’s rollicking Desolation\, 2020’s devotional Doomed Heavy Metal MLP(featuring a fan-favorite cover of Dio’s “Rainbow In the Dark”) and 2021’s searing Deceiveronly reinforced theband’s monolithic sound and diehard following. It makes sense\, then\, that the Khemmis behind Khemmis–—Hutcherson\,fellow vocalist/guitarist Phil Pendergast\, drummer Zach Coleman\, and newly-appointed bassist DavidSmall—is different in many ways. While the band has often feltsynonymous with the Denvermetal scene\, Pendergast and Coleman have since moved away toWashington and North Carolina respectively.And yet\, Khemmis today feel more like the band they’ve always wanted tobe than ever.
URL:https://yeehaw505.com/event/khemmis-w-necrofier-wretched/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Share-this-event-Khemmis-w-Necrofier-Wretched.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260703T200000
DTEND;TZID=America/Denver:20260703T200000
DTSTAMP:20260610T045129
CREATED:20260610T013101Z
LAST-MODIFIED:20260610T013101Z
UID:10011997-1783108800-1783108800@yeehaw505.com
SUMMARY:NB Ridaz & Phora
DESCRIPTION:Doors @ 7:00 pm / Ages All Ages
URL:https://yeehaw505.com/event/nb-ridaz-phora/
LOCATION:The El Rey Theater\, 622 Central Ave SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/NB-Ridaz-Phora.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260708T200000
DTEND;TZID=America/Denver:20260708T200000
DTSTAMP:20260610T045129
CREATED:20260327T214109Z
LAST-MODIFIED:20260327T214109Z
UID:10011189-1783540800-1783540800@yeehaw505.com
SUMMARY:Wavves
DESCRIPTION:Wavves recently made a long-awaited return with their first new music since 2021\, the launch of their cannabis brand Wavvy Supply Co.\, and a Los Angeles wildfire benefit show at Zebulon. The band followed that momentum with the release of their new album Spun\, marking the start of a new chapter for Nathan Williams and longtime bandmates Stephen Pope\, Ross Traver\, and Alex Gates. \nNow Wavves are expanding the Spun era with a deluxe edition of the album featuring two B-sides and the Live Wavvy Sessions—five songs recorded live in the studio capturing the band’s raw\, unfiltered energy. The sessions include performances of “King of the Beach\,” “Nine Is God\,” “Green Eyes\,” “Goner\,” and “So Long\,” bridging fan-favorite classics with songs from Spun. \nThe album’s single “Goner\,” produced by Travis Barker\, arrived alongside a Brandon Dermer-directed music video filmed during the band’s Zebulon charity show. Dermer previously directed Wavves’ 2013 video for “That’s On Me” and has worked with artists including Blink-182. Speaking about how the track came together\, Williams says:\n“I had this song I had been sitting on\, always revisited it and tried to record it a bunch of times but it was never just right. Eventually it was giving me PTSD. I was talking to Travis about doing some songs together and when I opened up the vault to him\, this one jumped out so we laid it down and finally we got it right.” \nLike Nathan Williams’ earliest music\, Spun first took shape in a small shed behind his parents’ house known as the Hideaway—the same space where he recorded some of his earliest material. Since the beginning\, Williams has been known for writing songs that push back against the world while still evoking pathos\, sympathy\, and the uneasy realization that sometimes we’re our own worst enemies—and that can be okay. \nOver a decade earlier\, Williams released King of the Beach\, the album that delivered on the promise of his first two homespun records\, Wavves and Wavvves. It catapulted the band to worldwide acclaim as one of indie rock’s most exciting new acts. In the years that followed\, Wavves entered the major-label system with Warner Records\, releasing Afraid of Heights and V\, before eventually stepping away in search of greater creative freedom. \nIn 2017\, Williams self-released You’re Welcome on his own label\, Ghost Ramp\, before returning to Fat Possum for 2021’s Hideaway. Wavves have since returned to Ghost Ramp for the release of Spun and its newly released deluxe edition. \nWith Spun and its deluxe edition\, Wavves reaffirm their place as one of the most enduring bands to emerge from the late-2000s indie rock explosion. Known for their raucous live shows and sun-bleached punk songs\, the band continues to evolve while staying true to the spirit that made them cult heroes in the first place.
URL:https://yeehaw505.com/event/wavves/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Wavves.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260710T183000
DTEND;TZID=America/Denver:20260710T183000
DTSTAMP:20260610T045129
CREATED:20260311T185307Z
LAST-MODIFIED:20260311T185307Z
UID:10010929-1783708200-1783708200@yeehaw505.com
SUMMARY:Vibestrong and Dre Z Melodi
DESCRIPTION:We are excited to return for a second year to Winrock Park\, with free concerts on Fridays in May\, June and July. Last year established Winrock as THE place to be on Fridays! Join us for your favorite local bands\, food trucks\, beer\, wine and vendors\, a grassy park\, a playground. Something for everyone! \nSee the full schedule here. \nThe concerts will start at 6:30 and feature two groups each night.
URL:https://yeehaw505.com/event/vibestrong-and-dre-z-melodi/
LOCATION:Winrock Park\, 2100 Louisiana Blvd NE\, Albuquerque\, NM\, 87110\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Vibestrong-and-Dre-Z-Melodi.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260710T200000
DTEND;TZID=America/Denver:20260710T200000
DTSTAMP:20260610T045129
CREATED:20260609T213430Z
LAST-MODIFIED:20260609T213430Z
UID:10011986-1783713600-1783713600@yeehaw505.com
SUMMARY:Koji Aiken
DESCRIPTION:Koji Aiken is a Japanese-Canadian drum and bass artist redefining the future of bass music in North America\, but before he was behind the decks\, he was building a platform. Starting as a content creator and the ‘DNB Plug’\, Koji gained over 140\,000 followers across TikTok and Instagram by curating high-quality DnB content\, championing underground artists\, and building trust as a go-to source for fans of the genre. His following has helped fuel a movement\, not just a music project. \nAfter years of supporting the scene\, Koji made the leap from influencer to artist. Known now for his high-energy productions and emotionally-charged sets\, he blends the raw grit of jump-up with the soul of liquid and melodic bass. His music reflects a deep love for rave culture\, storytelling\, and making people feel seen\, free\, and unstoppable. Koji has released on respected labels like High Tea Records\, PUREFILTH\, and Th3rd Brain. His viral remix of Billie Eilish’s Ocean Eyes turned the pop hit into a dreamy liquid anthem\, while originals like FAKE and Same Thoughts showcase his balance of heavy basslines and emotion. He’s played major festivals like Electric Love and Altitude Festival\, made his U.S. debut at Exchange LA\, sold out headline shows at Après Après and Coastal Sound Club\, etc. He’s also supported legends including Pendulum\, ShockOne\, T&Sugah\, Culture Shock\, Reaper\, AEON:Mode\, and Sub Zero. \nBeyond music\, Koji founded KUMU\, a promo group pushing bass culture on the Canadian West Coast. Through KUMO and his personal brand\, he’s promoted hundreds of tracks\, mentored emerging talent\, and helped build a thriving community. Rooted in Japanese philosophy\, community empowerment\, and a bold DIY spirit\, Koji Aiken isn’t just another artist; he’s a movement in motion.
URL:https://yeehaw505.com/event/koji-aiken/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Koji-Aiken.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260711T103000
DTEND;TZID=America/Denver:20260711T103000
DTSTAMP:20260610T045129
CREATED:20260609T203041Z
LAST-MODIFIED:20260609T203041Z
UID:10011977-1783765800-1783765800@yeehaw505.com
SUMMARY:Chatter North
DESCRIPTION:Eric Walters Blue Bosque for Solo Cello\nEric Walters Meditations on Three Lenten Hymns for Cello and Piano\nJohannes Brahms Intermezzo in E-flat major\, Op. 117\, No. 1\nJoseph Haydn String Quartet in B-flat major\, Op. 1\, No. 5\nJimi Hendrix Purple Haze \nDavid Felberg violin\nLisa Donald cello\nLuke Gullickson piano \nNathan Brown spoken word
URL:https://yeehaw505.com/event/july-11-2026-chatter-north/
LOCATION:Chatter North\, 1050 Old Pecos Trail\, Santa Fe\, NM\, 87505\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2025/05/chatter-north-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260711T190000
DTEND;TZID=America/Denver:20260711T190000
DTSTAMP:20260610T045129
CREATED:20260525T224745Z
LAST-MODIFIED:20260525T224745Z
UID:10011925-1783796400-1783796400@yeehaw505.com
SUMMARY:Kurt Vile And The Violators w/ Ryan Davis + The Roadhouse Band
DESCRIPTION:KURT VILE AND THE VIOLATORS\nReleased in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” \nLargely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. \nMake no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” \nRYAN DAVIS + THE ROADHOUSE BAND\nNew Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. \nNext month\, the Roadhouse Band will play a handful of dates in the Midwest and South\, with a robust UK and EU tour to follow. Today’s newly announced dates will bring the band to additional cities in the South and Midwest\, as well as cities on the West Coast. A full list of dates is available below. \n“New Threats from the Soul [is] a beautiful and wildly smart record about making do in an upside-down world.” — Amanda Petsurich\, The New Yorker \n“If you don’t know it yet\, it’s my privilege to tell you that Ryan Davis is one of the greatest songwriters of his generation.” — Nathan Salsberg
URL:https://yeehaw505.com/event/kurt-vile-and-the-violators-w-ryan-davis-the-roadhouse-band/
LOCATION:The Bridge at Santa Fe Brewing\, 37 Fire Place\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Turnover-w-Narrow-Head-shes-green.webp
GEO:36.009453;-106.059252
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Bridge at Santa Fe Brewing 37 Fire Place Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=37 Fire Place:geo:-106.059252,36.009453
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260712T103000
DTEND;TZID=America/Denver:20260712T103000
DTSTAMP:20260610T045129
CREATED:20260609T203723Z
LAST-MODIFIED:20260609T203723Z
UID:10011978-1783852200-1783852200@yeehaw505.com
SUMMARY:Chatter Sunday
DESCRIPTION:Eric Walters Blue Bosque for Solo Cello\nEric Walters Meditations on Three Lenten Hymns for Cello and Piano\nJohannes Brahms Intermezzo in E-flat major\, Op. 117\, No. 1\nJoseph Haydn String Quartet in B-flat major\, Op. 1\, No. 5\nJimi Hendrix Purple Haze \nDavid Felberg violin\nLisa Donald cello\nLuke Gullickson piano \nNathan Brown spoken word
URL:https://yeehaw505.com/event/july-12-2026-chatter-sunday/
LOCATION:Chatter\, 912 3rd St NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/01/chatter-sunday.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260713T190000
DTEND;TZID=America/Denver:20260713T230000
DTSTAMP:20260610T045129
CREATED:20260609T212710Z
LAST-MODIFIED:20260609T212710Z
UID:10011984-1783969200-1783983600@yeehaw505.com
SUMMARY:Snooper
DESCRIPTION:Sick ol’ punk band outta Nashville \n\n\n\n\nSnooper was thinking about pressure. Blair Tramel and Connor Cummins — co-masterminds of Snooper — had become fascinated by hydraulic press YouTube videos\, watching object after object spin and contort before getting flattened. Their heads\, too\, spun from everything that had gone on during Snooper’s early years. Tramel could relate to the videos\, but for the poignance of a difficult transformation\, not the defeat of total compression. “There’s a sweet spot\,” she says. “For a moment\, push and pull create this beautiful dance.” \nOver the past few years\, Snooper has rocketed from Nashville DIY scene stalwarts to widespread adoration in the international underground music scene. The project evolved well beyond anything Tramel and Cummins had originally imagined\, and faster than they could track — resulting in disorientation as much as exhilaration. Tramel and Cummins channeled all that energy into writing new material. Their new album\, Worldwide\, extends directly from the festering punk the band first made their name on\, but documents Snooper becoming bolder\, catchier\, and more confident. \nCummins and Tramel began making music together during lockdown in 2020. They never even intended to play live\, but they soon found a small\, fervent fanbase developing around the scattered 7-inches they’d released. A no-stakes endeavor quickly turned into one of the rising\, definitive names in the tight-knit DIY rock scene thriving adjacent to Music City’s more renowned country industry machine. What started as a home recording/video project turned into a full-fledged band\, rounded out by bassist Happy Haugen\, drummer Brad Barteau\, and guitarist Conner Sullivan. Tramel went from never having performed in a band to keeping a set of European power tools on hand so she could build Snooper’s now-infamous props and puppets no matter where the road took them. “The energy we were putting in was coming back to us\, like a feedback loop” Tramel remembers. “We were going full-on\, and crazy stuff started happening.” \nFollowing the summer 2023 release of their debut Super Snooper\, the band maintained a sporadic-yet-frantic touring schedule\, darting around Australia\, North America\, and Europe whenever they had a tiny window between day jobs. Fueled by a hunger for fresh material and the random acquisition of a drum machine\, Cummins and Tramel used whatever time they could find to write new songs. With Super Snooper being a re-recorded collection of pre-existing material long since road-tested and fan-approved\, the band in many ways views Worldwide as their true debut album. \nIn February of 2025\, Snooper spontaneously found themselves in Los Angeles recording with John Congleton. Though Snooper had never previously considered working with a producer\, Congleton was a fan. “It felt like we needed a syllabus\,” Tramel cracks. “We didn’t know how to work with a producer.” Yet the band reflects on the process as being integral to their growth as artists. “The whole idea behind this record was experimentation and change\,” Cummins says. \nWith a throbbing pulse influenced by electronic music\, “Star 69” was a breakthrough turned skeleton key for Worldwide. This song\, along with title track “Worldwide” — a mission statement for the record not just thematically\, but also aesthetically\, showcasing Snooper’s stylistic exploration — provides dance breaks throughout the record. Though no less furious or propulsive than Snooper’s more guitar-driven beginnings\, moments across Worldwide may surprise longtime fans. Given they began on a drum machine\, Cummins’ initial compositions had a newfound focus on rhythm and repetition\, with textural chaos more carefully meted out. “It opened up so much space\,” he explains. “It gives Blair room to breathe\, which ended up allowing her to write differently.” While Worldwide is plenty visceral\, it also has the feeling of a bottled maelstrom. Where Super Snooper was intended as a pure representation of Snooper’s feral live show\, Worldwide blends intensity with Tramel’s earworm melodic sensibility. \nIn turn\, Tramel’s writing became far more personal. Allowing that Super Snooper was mostly an amalgamation of random images — from fitness to bed bugs — Tramel went into Worldwide trying to write a more cohesive work reflecting her experiences. “Now I’m speaking about myself\, or something I’m feeling\, and I’m trying to relate to people\,” she explains. Some songs emerged from Snooper’s time on the road — a time that Tramel has taken to get to know herself better. “Pom Pom” giddily owns the “cheerleader vocals” that have been ascribed to the band both as a compliment and a dig\, while “Guard Dog” mulls over the feeling of being boxed in by other people’s perceptions of you. The hissing\, mutated sounds of “Star 69” fittingly accompany a narrative derived from a winter depression in which Tramel imagined constantly calling for reassurance only to hear her own voice echoing back. These songs might emerge from angst or confusion\, but never wallow there — across Worldwide\, Snooper find empowerment in personal struggle. \nBetween the heightened infectiousness and the more serious tone\, Worldwide aimed to translate the haywire atmosphere Snooper is known for to a more holistic catharsis. “I was thinking about people singing choruses back to me at shows\,” Tramel explains. “I tried to encapsulate small feelings we all have that aren’t just ‘fuck this or fuck that.’ I wanted the connection to be bigger than what I was writing before.” \nLike almost everything in Snooper’s career\, they figured it out as they went. Tramel returns to the hydraulic press\, venturing that the results might be beautiful or a disaster depending on the shape in which you enter the press. “We started out with nothing and now we’re figuring out how to actually be a band\,” Cummins explains. Jumping on tours with everyone from Machine Girl to Basement to the Hives\, Snooper accepted their fluidity and their inability to adhere to one particular genre. They play what they like and they have fun doing it. \nAs Snooper’s sound changes and the band is pulled in different directions\, there continues to be a gravity that calls them back to where they started — to the sound that is uniquely theirs\, carrying them from release to release. Showcasing their most adventurous and unshakeable music to date\, Worldwide is a portrait of an already-heralded band truly coming into their own. “We had to figure out where we came from\,” Tramel concludes. “We had to figure out what makes us who we are.”
URL:https://yeehaw505.com/event/snooper/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Snooper.webp
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DTSTART;TZID=America/Denver:20260714T190000
DTEND;TZID=America/Denver:20260714T190000
DTSTAMP:20260610T045129
CREATED:20260525T224924Z
LAST-MODIFIED:20260525T224924Z
UID:10011926-1784055600-1784055600@yeehaw505.com
SUMMARY:Houndmouth w/ Timmy Skelly
DESCRIPTION:HOUNDMOUTH\nFor two years\, Matt Myers struggled to finish new songs. \n“I was all raw emotion\,” says the Houndmouth frontman\, who’d spent the previous decade blending rock & roll and American roots music into radio staples like the chart-topping\, platinum-selling “Sedona.” He’d written four albums in less than 10 years\, but inspiration just wasn’t showing up anymore. “I was feeling so much that I just couldn’t write anything\,” he adds. \nThe end of one relationship. The beginning of another. The all-consuming feeling of new love. Myers’ life had been eventful\, both onstage and off\, and all that living didn’t leave him much time to create. Things changed when he paid a visit to Brad Cook\, the Grammy-winning producer who’d overseen Houndmouth’s fourth record\, Good For You. What began as a reunion of two friends soon gave away to something bigger: the restart of Myers’ songwriting engines and\, in its wake\, the creation of Lordy. \nWith its naked honesty and uncluttered arrangements\, Lordy takes a stripped-back approach to Houndmouth’s ever-evolving sound. It’s an album about surviving\, rebuilding\, accepting\, and thriving once more. Myers wrote most of the record’s songs at home\, strumming his Martin guitar while sunshine streamed through the kitchen windows. Years ago\, he might’ve composed the record at night\, tossing back a few drinks for encouragement. This was different. Clear-headed and wide awake\, Myers reclaimed his muse during the daytime hours\, starting with songs like “Tiger Blood” — a ragged folk-rocker that builds its way toward a screaming finish — and the album’s gorgeously intimate title track. \n“I let unfiltered emotion inform the words\,” he says. “With several songs\, I learned to be ok with just letting some syllables line up\, and letting the emotion behind it all do the talking.” \nThis marked a change from the band’s early days. Back then\, Myers and company agonized over the precise placement of every snare hit and vocal harmony on albums like Little Neon Limelight\, Houndmouth’s commercial breakthrough. Steeped in the influence of 1970s roots-rock\, those early records were collaborative efforts that merged Myers’ vision — as a songwriter\, vocalist\, and fiery lead guitarist — with the input of his three bandmates. “I needed those albums to be collaborative projects because I was scared of being completely in charge\,” he admits. “Maybe that stunted me. This is the first time I’ve been able to write a record completely on my own\, and there’s a pressure that comes with that. I had to relearn everything.” \nRecording sessions were scattered throughout the course of a year\, but Lordy still came together quickly. Myers would record a one-take performance of each song on his acoustic guitar\, then build it into something bigger with help from other musicians. He told himself not to get lost in the mechanics or the minutia. After all\, the goal wasn’t be to perfect; it was to capture a moment\, allowing the thoughts that swirled inside Myers’ head to find the quickest way into his music. \nCook played an integral role in Lordy‘s creation — not just as a producer\, but as a close friend and confidante\, too. “When I visited him in North Carolina for the first time\, he walked out of his garage and gave me a big bear hug\,” Myers said. “He told me he was happy for me\, and he gave me a lot of confidence with my new songs.” Cook also reached out to others\, surrounding Myers with a small circle of musicians who\, like him\, blurred the lines between modern-day indie music and the old-school roots of Americana. Iron & Wine’s Sam Beam stopped by the studio during the creation of the album’s final track\, “Holy Moses\,” to offer advice and encouragement. MJ Lenderman paid a visit\, too\, adding his trademark guitar licks — loose\, lo-fi\, and full of life — to multiple tracks. Phil Cook (Megafaun\, Hiss Golden Messenger) played on several songs\, as did Caleb Hickman\, Houndmouth’s keyboardist. Hickman and his wife\, Kay Robertson\, also contributed to the songwriting process\, and for Myers\, the musical input was uplifting. “I’ve spent years working with peers and contemporaries\,” he says\, “but this felt different. I was surrounded by people who were literally trying to pick me up and help me out. They pushed me to do the work.” \nBetween recording sessions\, he headed back to Louisville to rehearse the songs with his bandmates in a warehouse basement. Something about the basement’s vibe — gritty\, frills-free\, and utterly unlike the restored 19th century house that had served as the band’s headquarters for years — seemed to suit the new music. Steadily\, the songs came together. “Heavy Eyes” explored the intersection of fatigue and hope\, building its way toward a cinematic finish. “Don’t Wanna Talk About” bounced between scaled-back verses and singalong choruses. “Never Gonna Die” turned simplicity into beauty\, with Myers singing about challenging relationships over an uncluttered mix of hooks\, harmonies\, and groove. \nLordy asks its audience to lean in\, listen closely\, and engage\, kickstarting a new era for Houndmouth. From Golden Age‘s embrace of shimmering electronics to Good For You‘s return-to-form focus on American roots music\, this is a band that’s spent years in evolution\, unafraid to examine new sounds and different perspectives. Lordy continues that exploration — and if it often sounds like the most intimate record in the band’s catalog\, it still packs an emotional punch that lingers long after the music fades.
URL:https://yeehaw505.com/event/houndmouth-w-timmy-skelly/
LOCATION:The Bridge at Santa Fe Brewing\, 37 Fire Place\, Santa Fe\, NM\, United States
CATEGORIES:Music
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GEO:36.009453;-106.059252
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Bridge at Santa Fe Brewing 37 Fire Place Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=37 Fire Place:geo:-106.059252,36.009453
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260714T190000
DTEND;TZID=America/Denver:20260714T230000
DTSTAMP:20260610T045129
CREATED:20260609T212842Z
LAST-MODIFIED:20260609T212842Z
UID:10011985-1784055600-1784070000@yeehaw505.com
SUMMARY:Cory Hanson
DESCRIPTION:Singer songwriter\, frontman of Wand. \n\n\n\n\nThe biography of one Cory Thomas Hanson should be an easy tale to tell\, right? Kid’s been in the business about 15-16 years now… that’s not much\, even if you’re a crazy-busy All-American psycho like our Cory. Easy to run down the deets on that. And he’s been noted by no less than guitar hero John Frusciante as an engrossing\, inspired guitarist. Okay\, pigeonholed as guitarist. Plus\, he’s been in a band steadily for the last twelve years! So…a careerist! Easy peasy. Alas\, it’s complicated beyond such simple formulations — for this is a tale of two Corys — at the very least. \nLet’s get the roots uncovered quick: Cory’s a California Boy\, come up in the 90s and aughts\, an art school vet (CalArts\, yo)\, and a musician since back in his youth. It runs in the family. He debuted back in the late aughts under the solo alias White Horses In Technicolor Everywhere. After that\, he played a bit with Chad and the Meatbodies and Together Pangea before founding Wand in 2013. He’s written and lead-sung with them\, rocking up six LPs with them to date. But here — on the last one\, he played keyboards in all the tracks! So… not just a guitarist/singer\, then. He does a bit of producing on the side too. And visual art. And of course\, the reason you’re reading this right now is not because of no Wand\, but rather\, Cory Hanson! In addition to his steady-rolling discography with Wand\, he’s been putting out solo LPs too since 2016. And those aren’t really like the Wand records at all. They have totally non-rock things like string orchestration and electronics as well as rock things like heavy guitar jams and they may be the best things he’s ever done. It’s not really up to us to say\, though. Following 2021’s sophomore Cory album Pale Horse Rider and 2023’s “Cory-III” release\, actually called Western Cum\, he and Wand got one in — the insane Vertigo — and now Cory’s ready to release his latest solo effort\, I Love People. \nCory has toured the country with himself as well as Wand\, and made videos and jokes and stirred the pot on social media\, which may be some form of modern art (again\, not for us to say). In fact\, who’s to say that he won’t be writing poetry or comic books in the years to come? It’s hard to see all that he does (false equivalence: the forest) behind his dazzling musical efforts (lame comparison: the trees) but not as hard as it is to see the future. Otherwise\, a lot more of us would be billionaires or America’s next top Models\, etc. Unfortunately these things take real doing. Fortunately for the (at least) two Corys\, the doing of it all just comes natural. As for us\, we look forward to seeing and hearing etc what they come up with next.
URL:https://yeehaw505.com/event/cory-hanson/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Cory-Hanson.webp
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