BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Yeehaw505 - ECPv6.16.3//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://yeehaw505.com
X-WR-CALDESC:Events for Yeehaw505
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Denver
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20250309T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20251102T080000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20260308T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20261101T080000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20270314T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20271107T080000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260703T200000
DTEND;TZID=America/Denver:20260703T200000
DTSTAMP:20260610T003130
CREATED:20260610T013101Z
LAST-MODIFIED:20260610T013101Z
UID:10011997-1783108800-1783108800@yeehaw505.com
SUMMARY:NB Ridaz & Phora
DESCRIPTION:Doors @ 7:00 pm / Ages All Ages
URL:https://yeehaw505.com/event/nb-ridaz-phora/
LOCATION:The El Rey Theater\, 622 Central Ave SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/NB-Ridaz-Phora.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260708T200000
DTEND;TZID=America/Denver:20260708T200000
DTSTAMP:20260610T003130
CREATED:20260327T214109Z
LAST-MODIFIED:20260327T214109Z
UID:10011189-1783540800-1783540800@yeehaw505.com
SUMMARY:Wavves
DESCRIPTION:Wavves recently made a long-awaited return with their first new music since 2021\, the launch of their cannabis brand Wavvy Supply Co.\, and a Los Angeles wildfire benefit show at Zebulon. The band followed that momentum with the release of their new album Spun\, marking the start of a new chapter for Nathan Williams and longtime bandmates Stephen Pope\, Ross Traver\, and Alex Gates. \nNow Wavves are expanding the Spun era with a deluxe edition of the album featuring two B-sides and the Live Wavvy Sessions—five songs recorded live in the studio capturing the band’s raw\, unfiltered energy. The sessions include performances of “King of the Beach\,” “Nine Is God\,” “Green Eyes\,” “Goner\,” and “So Long\,” bridging fan-favorite classics with songs from Spun. \nThe album’s single “Goner\,” produced by Travis Barker\, arrived alongside a Brandon Dermer-directed music video filmed during the band’s Zebulon charity show. Dermer previously directed Wavves’ 2013 video for “That’s On Me” and has worked with artists including Blink-182. Speaking about how the track came together\, Williams says:\n“I had this song I had been sitting on\, always revisited it and tried to record it a bunch of times but it was never just right. Eventually it was giving me PTSD. I was talking to Travis about doing some songs together and when I opened up the vault to him\, this one jumped out so we laid it down and finally we got it right.” \nLike Nathan Williams’ earliest music\, Spun first took shape in a small shed behind his parents’ house known as the Hideaway—the same space where he recorded some of his earliest material. Since the beginning\, Williams has been known for writing songs that push back against the world while still evoking pathos\, sympathy\, and the uneasy realization that sometimes we’re our own worst enemies—and that can be okay. \nOver a decade earlier\, Williams released King of the Beach\, the album that delivered on the promise of his first two homespun records\, Wavves and Wavvves. It catapulted the band to worldwide acclaim as one of indie rock’s most exciting new acts. In the years that followed\, Wavves entered the major-label system with Warner Records\, releasing Afraid of Heights and V\, before eventually stepping away in search of greater creative freedom. \nIn 2017\, Williams self-released You’re Welcome on his own label\, Ghost Ramp\, before returning to Fat Possum for 2021’s Hideaway. Wavves have since returned to Ghost Ramp for the release of Spun and its newly released deluxe edition. \nWith Spun and its deluxe edition\, Wavves reaffirm their place as one of the most enduring bands to emerge from the late-2000s indie rock explosion. Known for their raucous live shows and sun-bleached punk songs\, the band continues to evolve while staying true to the spirit that made them cult heroes in the first place.
URL:https://yeehaw505.com/event/wavves/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Wavves.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260710T183000
DTEND;TZID=America/Denver:20260710T183000
DTSTAMP:20260610T003130
CREATED:20260311T185307Z
LAST-MODIFIED:20260311T185307Z
UID:10010929-1783708200-1783708200@yeehaw505.com
SUMMARY:Vibestrong and Dre Z Melodi
DESCRIPTION:We are excited to return for a second year to Winrock Park\, with free concerts on Fridays in May\, June and July. Last year established Winrock as THE place to be on Fridays! Join us for your favorite local bands\, food trucks\, beer\, wine and vendors\, a grassy park\, a playground. Something for everyone! \nSee the full schedule here. \nThe concerts will start at 6:30 and feature two groups each night.
URL:https://yeehaw505.com/event/vibestrong-and-dre-z-melodi/
LOCATION:Winrock Park\, 2100 Louisiana Blvd NE\, Albuquerque\, NM\, 87110\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Vibestrong-and-Dre-Z-Melodi.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260710T200000
DTEND;TZID=America/Denver:20260710T200000
DTSTAMP:20260610T003130
CREATED:20260609T213430Z
LAST-MODIFIED:20260609T213430Z
UID:10011986-1783713600-1783713600@yeehaw505.com
SUMMARY:Koji Aiken
DESCRIPTION:Koji Aiken is a Japanese-Canadian drum and bass artist redefining the future of bass music in North America\, but before he was behind the decks\, he was building a platform. Starting as a content creator and the ‘DNB Plug’\, Koji gained over 140\,000 followers across TikTok and Instagram by curating high-quality DnB content\, championing underground artists\, and building trust as a go-to source for fans of the genre. His following has helped fuel a movement\, not just a music project. \nAfter years of supporting the scene\, Koji made the leap from influencer to artist. Known now for his high-energy productions and emotionally-charged sets\, he blends the raw grit of jump-up with the soul of liquid and melodic bass. His music reflects a deep love for rave culture\, storytelling\, and making people feel seen\, free\, and unstoppable. Koji has released on respected labels like High Tea Records\, PUREFILTH\, and Th3rd Brain. His viral remix of Billie Eilish’s Ocean Eyes turned the pop hit into a dreamy liquid anthem\, while originals like FAKE and Same Thoughts showcase his balance of heavy basslines and emotion. He’s played major festivals like Electric Love and Altitude Festival\, made his U.S. debut at Exchange LA\, sold out headline shows at Après Après and Coastal Sound Club\, etc. He’s also supported legends including Pendulum\, ShockOne\, T&Sugah\, Culture Shock\, Reaper\, AEON:Mode\, and Sub Zero. \nBeyond music\, Koji founded KUMU\, a promo group pushing bass culture on the Canadian West Coast. Through KUMO and his personal brand\, he’s promoted hundreds of tracks\, mentored emerging talent\, and helped build a thriving community. Rooted in Japanese philosophy\, community empowerment\, and a bold DIY spirit\, Koji Aiken isn’t just another artist; he’s a movement in motion.
URL:https://yeehaw505.com/event/koji-aiken/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Koji-Aiken.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260711T103000
DTEND;TZID=America/Denver:20260711T103000
DTSTAMP:20260610T003130
CREATED:20260609T203041Z
LAST-MODIFIED:20260609T203041Z
UID:10011977-1783765800-1783765800@yeehaw505.com
SUMMARY:Chatter North
DESCRIPTION:Eric Walters Blue Bosque for Solo Cello\nEric Walters Meditations on Three Lenten Hymns for Cello and Piano\nJohannes Brahms Intermezzo in E-flat major\, Op. 117\, No. 1\nJoseph Haydn String Quartet in B-flat major\, Op. 1\, No. 5\nJimi Hendrix Purple Haze \nDavid Felberg violin\nLisa Donald cello\nLuke Gullickson piano \nNathan Brown spoken word
URL:https://yeehaw505.com/event/july-11-2026-chatter-north/
LOCATION:Chatter North\, 1050 Old Pecos Trail\, Santa Fe\, NM\, 87505\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2025/05/chatter-north-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260711T190000
DTEND;TZID=America/Denver:20260711T190000
DTSTAMP:20260610T003130
CREATED:20260525T224745Z
LAST-MODIFIED:20260525T224745Z
UID:10011925-1783796400-1783796400@yeehaw505.com
SUMMARY:Kurt Vile And The Violators w/ Ryan Davis + The Roadhouse Band
DESCRIPTION:KURT VILE AND THE VIOLATORS\nReleased in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” \nLargely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. \nMake no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” \nRYAN DAVIS + THE ROADHOUSE BAND\nNew Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. \nNext month\, the Roadhouse Band will play a handful of dates in the Midwest and South\, with a robust UK and EU tour to follow. Today’s newly announced dates will bring the band to additional cities in the South and Midwest\, as well as cities on the West Coast. A full list of dates is available below. \n“New Threats from the Soul [is] a beautiful and wildly smart record about making do in an upside-down world.” — Amanda Petsurich\, The New Yorker \n“If you don’t know it yet\, it’s my privilege to tell you that Ryan Davis is one of the greatest songwriters of his generation.” — Nathan Salsberg
URL:https://yeehaw505.com/event/kurt-vile-and-the-violators-w-ryan-davis-the-roadhouse-band/
LOCATION:The Bridge at Santa Fe Brewing\, 37 Fire Place\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Turnover-w-Narrow-Head-shes-green.webp
GEO:36.009453;-106.059252
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Bridge at Santa Fe Brewing 37 Fire Place Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=37 Fire Place:geo:-106.059252,36.009453
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260712T103000
DTEND;TZID=America/Denver:20260712T103000
DTSTAMP:20260610T003130
CREATED:20260609T203723Z
LAST-MODIFIED:20260609T203723Z
UID:10011978-1783852200-1783852200@yeehaw505.com
SUMMARY:Chatter Sunday
DESCRIPTION:Eric Walters Blue Bosque for Solo Cello\nEric Walters Meditations on Three Lenten Hymns for Cello and Piano\nJohannes Brahms Intermezzo in E-flat major\, Op. 117\, No. 1\nJoseph Haydn String Quartet in B-flat major\, Op. 1\, No. 5\nJimi Hendrix Purple Haze \nDavid Felberg violin\nLisa Donald cello\nLuke Gullickson piano \nNathan Brown spoken word
URL:https://yeehaw505.com/event/july-12-2026-chatter-sunday/
LOCATION:Chatter\, 912 3rd St NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/01/chatter-sunday.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260713T190000
DTEND;TZID=America/Denver:20260713T230000
DTSTAMP:20260610T003130
CREATED:20260609T212710Z
LAST-MODIFIED:20260609T212710Z
UID:10011984-1783969200-1783983600@yeehaw505.com
SUMMARY:Snooper
DESCRIPTION:Sick ol’ punk band outta Nashville \n\n\n\n\nSnooper was thinking about pressure. Blair Tramel and Connor Cummins — co-masterminds of Snooper — had become fascinated by hydraulic press YouTube videos\, watching object after object spin and contort before getting flattened. Their heads\, too\, spun from everything that had gone on during Snooper’s early years. Tramel could relate to the videos\, but for the poignance of a difficult transformation\, not the defeat of total compression. “There’s a sweet spot\,” she says. “For a moment\, push and pull create this beautiful dance.” \nOver the past few years\, Snooper has rocketed from Nashville DIY scene stalwarts to widespread adoration in the international underground music scene. The project evolved well beyond anything Tramel and Cummins had originally imagined\, and faster than they could track — resulting in disorientation as much as exhilaration. Tramel and Cummins channeled all that energy into writing new material. Their new album\, Worldwide\, extends directly from the festering punk the band first made their name on\, but documents Snooper becoming bolder\, catchier\, and more confident. \nCummins and Tramel began making music together during lockdown in 2020. They never even intended to play live\, but they soon found a small\, fervent fanbase developing around the scattered 7-inches they’d released. A no-stakes endeavor quickly turned into one of the rising\, definitive names in the tight-knit DIY rock scene thriving adjacent to Music City’s more renowned country industry machine. What started as a home recording/video project turned into a full-fledged band\, rounded out by bassist Happy Haugen\, drummer Brad Barteau\, and guitarist Conner Sullivan. Tramel went from never having performed in a band to keeping a set of European power tools on hand so she could build Snooper’s now-infamous props and puppets no matter where the road took them. “The energy we were putting in was coming back to us\, like a feedback loop” Tramel remembers. “We were going full-on\, and crazy stuff started happening.” \nFollowing the summer 2023 release of their debut Super Snooper\, the band maintained a sporadic-yet-frantic touring schedule\, darting around Australia\, North America\, and Europe whenever they had a tiny window between day jobs. Fueled by a hunger for fresh material and the random acquisition of a drum machine\, Cummins and Tramel used whatever time they could find to write new songs. With Super Snooper being a re-recorded collection of pre-existing material long since road-tested and fan-approved\, the band in many ways views Worldwide as their true debut album. \nIn February of 2025\, Snooper spontaneously found themselves in Los Angeles recording with John Congleton. Though Snooper had never previously considered working with a producer\, Congleton was a fan. “It felt like we needed a syllabus\,” Tramel cracks. “We didn’t know how to work with a producer.” Yet the band reflects on the process as being integral to their growth as artists. “The whole idea behind this record was experimentation and change\,” Cummins says. \nWith a throbbing pulse influenced by electronic music\, “Star 69” was a breakthrough turned skeleton key for Worldwide. This song\, along with title track “Worldwide” — a mission statement for the record not just thematically\, but also aesthetically\, showcasing Snooper’s stylistic exploration — provides dance breaks throughout the record. Though no less furious or propulsive than Snooper’s more guitar-driven beginnings\, moments across Worldwide may surprise longtime fans. Given they began on a drum machine\, Cummins’ initial compositions had a newfound focus on rhythm and repetition\, with textural chaos more carefully meted out. “It opened up so much space\,” he explains. “It gives Blair room to breathe\, which ended up allowing her to write differently.” While Worldwide is plenty visceral\, it also has the feeling of a bottled maelstrom. Where Super Snooper was intended as a pure representation of Snooper’s feral live show\, Worldwide blends intensity with Tramel’s earworm melodic sensibility. \nIn turn\, Tramel’s writing became far more personal. Allowing that Super Snooper was mostly an amalgamation of random images — from fitness to bed bugs — Tramel went into Worldwide trying to write a more cohesive work reflecting her experiences. “Now I’m speaking about myself\, or something I’m feeling\, and I’m trying to relate to people\,” she explains. Some songs emerged from Snooper’s time on the road — a time that Tramel has taken to get to know herself better. “Pom Pom” giddily owns the “cheerleader vocals” that have been ascribed to the band both as a compliment and a dig\, while “Guard Dog” mulls over the feeling of being boxed in by other people’s perceptions of you. The hissing\, mutated sounds of “Star 69” fittingly accompany a narrative derived from a winter depression in which Tramel imagined constantly calling for reassurance only to hear her own voice echoing back. These songs might emerge from angst or confusion\, but never wallow there — across Worldwide\, Snooper find empowerment in personal struggle. \nBetween the heightened infectiousness and the more serious tone\, Worldwide aimed to translate the haywire atmosphere Snooper is known for to a more holistic catharsis. “I was thinking about people singing choruses back to me at shows\,” Tramel explains. “I tried to encapsulate small feelings we all have that aren’t just ‘fuck this or fuck that.’ I wanted the connection to be bigger than what I was writing before.” \nLike almost everything in Snooper’s career\, they figured it out as they went. Tramel returns to the hydraulic press\, venturing that the results might be beautiful or a disaster depending on the shape in which you enter the press. “We started out with nothing and now we’re figuring out how to actually be a band\,” Cummins explains. Jumping on tours with everyone from Machine Girl to Basement to the Hives\, Snooper accepted their fluidity and their inability to adhere to one particular genre. They play what they like and they have fun doing it. \nAs Snooper’s sound changes and the band is pulled in different directions\, there continues to be a gravity that calls them back to where they started — to the sound that is uniquely theirs\, carrying them from release to release. Showcasing their most adventurous and unshakeable music to date\, Worldwide is a portrait of an already-heralded band truly coming into their own. “We had to figure out where we came from\,” Tramel concludes. “We had to figure out what makes us who we are.”
URL:https://yeehaw505.com/event/snooper/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Snooper.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260714T190000
DTEND;TZID=America/Denver:20260714T190000
DTSTAMP:20260610T003130
CREATED:20260525T224924Z
LAST-MODIFIED:20260525T224924Z
UID:10011926-1784055600-1784055600@yeehaw505.com
SUMMARY:Houndmouth w/ Timmy Skelly
DESCRIPTION:HOUNDMOUTH\nFor two years\, Matt Myers struggled to finish new songs. \n“I was all raw emotion\,” says the Houndmouth frontman\, who’d spent the previous decade blending rock & roll and American roots music into radio staples like the chart-topping\, platinum-selling “Sedona.” He’d written four albums in less than 10 years\, but inspiration just wasn’t showing up anymore. “I was feeling so much that I just couldn’t write anything\,” he adds. \nThe end of one relationship. The beginning of another. The all-consuming feeling of new love. Myers’ life had been eventful\, both onstage and off\, and all that living didn’t leave him much time to create. Things changed when he paid a visit to Brad Cook\, the Grammy-winning producer who’d overseen Houndmouth’s fourth record\, Good For You. What began as a reunion of two friends soon gave away to something bigger: the restart of Myers’ songwriting engines and\, in its wake\, the creation of Lordy. \nWith its naked honesty and uncluttered arrangements\, Lordy takes a stripped-back approach to Houndmouth’s ever-evolving sound. It’s an album about surviving\, rebuilding\, accepting\, and thriving once more. Myers wrote most of the record’s songs at home\, strumming his Martin guitar while sunshine streamed through the kitchen windows. Years ago\, he might’ve composed the record at night\, tossing back a few drinks for encouragement. This was different. Clear-headed and wide awake\, Myers reclaimed his muse during the daytime hours\, starting with songs like “Tiger Blood” — a ragged folk-rocker that builds its way toward a screaming finish — and the album’s gorgeously intimate title track. \n“I let unfiltered emotion inform the words\,” he says. “With several songs\, I learned to be ok with just letting some syllables line up\, and letting the emotion behind it all do the talking.” \nThis marked a change from the band’s early days. Back then\, Myers and company agonized over the precise placement of every snare hit and vocal harmony on albums like Little Neon Limelight\, Houndmouth’s commercial breakthrough. Steeped in the influence of 1970s roots-rock\, those early records were collaborative efforts that merged Myers’ vision — as a songwriter\, vocalist\, and fiery lead guitarist — with the input of his three bandmates. “I needed those albums to be collaborative projects because I was scared of being completely in charge\,” he admits. “Maybe that stunted me. This is the first time I’ve been able to write a record completely on my own\, and there’s a pressure that comes with that. I had to relearn everything.” \nRecording sessions were scattered throughout the course of a year\, but Lordy still came together quickly. Myers would record a one-take performance of each song on his acoustic guitar\, then build it into something bigger with help from other musicians. He told himself not to get lost in the mechanics or the minutia. After all\, the goal wasn’t be to perfect; it was to capture a moment\, allowing the thoughts that swirled inside Myers’ head to find the quickest way into his music. \nCook played an integral role in Lordy‘s creation — not just as a producer\, but as a close friend and confidante\, too. “When I visited him in North Carolina for the first time\, he walked out of his garage and gave me a big bear hug\,” Myers said. “He told me he was happy for me\, and he gave me a lot of confidence with my new songs.” Cook also reached out to others\, surrounding Myers with a small circle of musicians who\, like him\, blurred the lines between modern-day indie music and the old-school roots of Americana. Iron & Wine’s Sam Beam stopped by the studio during the creation of the album’s final track\, “Holy Moses\,” to offer advice and encouragement. MJ Lenderman paid a visit\, too\, adding his trademark guitar licks — loose\, lo-fi\, and full of life — to multiple tracks. Phil Cook (Megafaun\, Hiss Golden Messenger) played on several songs\, as did Caleb Hickman\, Houndmouth’s keyboardist. Hickman and his wife\, Kay Robertson\, also contributed to the songwriting process\, and for Myers\, the musical input was uplifting. “I’ve spent years working with peers and contemporaries\,” he says\, “but this felt different. I was surrounded by people who were literally trying to pick me up and help me out. They pushed me to do the work.” \nBetween recording sessions\, he headed back to Louisville to rehearse the songs with his bandmates in a warehouse basement. Something about the basement’s vibe — gritty\, frills-free\, and utterly unlike the restored 19th century house that had served as the band’s headquarters for years — seemed to suit the new music. Steadily\, the songs came together. “Heavy Eyes” explored the intersection of fatigue and hope\, building its way toward a cinematic finish. “Don’t Wanna Talk About” bounced between scaled-back verses and singalong choruses. “Never Gonna Die” turned simplicity into beauty\, with Myers singing about challenging relationships over an uncluttered mix of hooks\, harmonies\, and groove. \nLordy asks its audience to lean in\, listen closely\, and engage\, kickstarting a new era for Houndmouth. From Golden Age‘s embrace of shimmering electronics to Good For You‘s return-to-form focus on American roots music\, this is a band that’s spent years in evolution\, unafraid to examine new sounds and different perspectives. Lordy continues that exploration — and if it often sounds like the most intimate record in the band’s catalog\, it still packs an emotional punch that lingers long after the music fades.
URL:https://yeehaw505.com/event/houndmouth-w-timmy-skelly/
LOCATION:The Bridge at Santa Fe Brewing\, 37 Fire Place\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Houndmouth.webp
GEO:36.009453;-106.059252
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Bridge at Santa Fe Brewing 37 Fire Place Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=37 Fire Place:geo:-106.059252,36.009453
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260714T190000
DTEND;TZID=America/Denver:20260714T230000
DTSTAMP:20260610T003130
CREATED:20260609T212842Z
LAST-MODIFIED:20260609T212842Z
UID:10011985-1784055600-1784070000@yeehaw505.com
SUMMARY:Cory Hanson
DESCRIPTION:Singer songwriter\, frontman of Wand. \n\n\n\n\nThe biography of one Cory Thomas Hanson should be an easy tale to tell\, right? Kid’s been in the business about 15-16 years now… that’s not much\, even if you’re a crazy-busy All-American psycho like our Cory. Easy to run down the deets on that. And he’s been noted by no less than guitar hero John Frusciante as an engrossing\, inspired guitarist. Okay\, pigeonholed as guitarist. Plus\, he’s been in a band steadily for the last twelve years! So…a careerist! Easy peasy. Alas\, it’s complicated beyond such simple formulations — for this is a tale of two Corys — at the very least. \nLet’s get the roots uncovered quick: Cory’s a California Boy\, come up in the 90s and aughts\, an art school vet (CalArts\, yo)\, and a musician since back in his youth. It runs in the family. He debuted back in the late aughts under the solo alias White Horses In Technicolor Everywhere. After that\, he played a bit with Chad and the Meatbodies and Together Pangea before founding Wand in 2013. He’s written and lead-sung with them\, rocking up six LPs with them to date. But here — on the last one\, he played keyboards in all the tracks! So… not just a guitarist/singer\, then. He does a bit of producing on the side too. And visual art. And of course\, the reason you’re reading this right now is not because of no Wand\, but rather\, Cory Hanson! In addition to his steady-rolling discography with Wand\, he’s been putting out solo LPs too since 2016. And those aren’t really like the Wand records at all. They have totally non-rock things like string orchestration and electronics as well as rock things like heavy guitar jams and they may be the best things he’s ever done. It’s not really up to us to say\, though. Following 2021’s sophomore Cory album Pale Horse Rider and 2023’s “Cory-III” release\, actually called Western Cum\, he and Wand got one in — the insane Vertigo — and now Cory’s ready to release his latest solo effort\, I Love People. \nCory has toured the country with himself as well as Wand\, and made videos and jokes and stirred the pot on social media\, which may be some form of modern art (again\, not for us to say). In fact\, who’s to say that he won’t be writing poetry or comic books in the years to come? It’s hard to see all that he does (false equivalence: the forest) behind his dazzling musical efforts (lame comparison: the trees) but not as hard as it is to see the future. Otherwise\, a lot more of us would be billionaires or America’s next top Models\, etc. Unfortunately these things take real doing. Fortunately for the (at least) two Corys\, the doing of it all just comes natural. As for us\, we look forward to seeing and hearing etc what they come up with next.
URL:https://yeehaw505.com/event/cory-hanson/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Cory-Hanson.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260716T190000
DTEND;TZID=America/Denver:20260716T220000
DTSTAMP:20260610T003130
CREATED:20260525T225143Z
LAST-MODIFIED:20260525T225143Z
UID:10011927-1784228400-1784239200@yeehaw505.com
SUMMARY:James McMurtry w/ BettySoo
DESCRIPTION:
URL:https://yeehaw505.com/event/james-mcmurtry-w-bettysoo/
LOCATION:The Bridge at Santa Fe Brewing\, 37 Fire Place\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/james-mcmurtry.webp
GEO:36.009453;-106.059252
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Bridge at Santa Fe Brewing 37 Fire Place Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=37 Fire Place:geo:-106.059252,36.009453
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260716T190000
DTEND;TZID=America/Denver:20260716T230000
DTSTAMP:20260610T003130
CREATED:20260525T220410Z
LAST-MODIFIED:20260525T220439Z
UID:10011909-1784228400-1784242800@yeehaw505.com
SUMMARY:Kota the Friend
DESCRIPTION:KOTA The Friend is a hip hop artist and musician from Brooklyn\, NY. At an early age he found his love for music and hip hop\, R & B\, Jazz and Soul music during the infamous 90’s era. By the time young KOTA was 8 years old he joined his school’s music program and excelled as a trumpet player. In high school KOTA was the leader of the trumpet section while teaching himself to play the guitar and piano. During this time he also picked up two-weekend jobs to build a home studio where he would record hip hop tracks as well as folk songs that were accompanied by his guitar playing. After high school\, KOTA would later go on to attend schools for the performing arts. Mastering instrument after instrument\, he is a guitarist\, keyboardist\, and bass player\, now producing/writing his own music. \nKOTA has been releasing music non-stop and has since been featured by XXL magazine\, FADER\, BILLBOARD\, Pigeons & Plans\, HipHopDX\, NYLON\, The Source\, MILK\, and many other blogs. But more than anything\, he continues to make music for the people that need it… his fans.
URL:https://yeehaw505.com/event/kota-the-friend/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Kota-the-Friend.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260716T193000
DTEND;TZID=America/Denver:20260716T193000
DTSTAMP:20260610T003130
CREATED:20260325T172638Z
LAST-MODIFIED:20260325T172638Z
UID:10011153-1784230200-1784230200@yeehaw505.com
SUMMARY:Wonder Women of Country
DESCRIPTION:Brennen Leigh\, Kelly Willis\, Melissa Carper \nTickets cost $33 in advance\, $38 day of show (including service charges). They are also available by phone through Hold My Ticket at 505-886-1251. \nTickets will go on sale to AMP members on Wednesday\, March 25 at 10 AM. Click here for info on AMP Membership. \nRegular on-sale is Friday\, March 27 at 10 AM. \nWhen Kelly Willis\, Melissa Carper and Brennen Leigh—three accomplished singer-songwriters who have forged their own unique lanes in country music—joined forces as a power trio\, there was no more appropriate moniker than Wonder Women of Country. \nAt the end of 2021\, after serendipitously sharing bills separately several times\, Willis approached Leigh and Carper about teaming up and playing some shows together. Wanting more than your standard songwriter-in-the-round arrangement\, the three learned each other’s songs to create a more integrated\, band approach. Those first few shows together were so much fun and so well-received that they decided to continue. \nWonder Women of Country have discovered that\, together\, their own individual superpowers come alive. (One of their superpowers is being able to find hidden treasures in any thrift or vintage store.) With Leigh playing lead guitar and mandolin\, Carper on upright bass\, and Willis playing rhythm guitar\, they support each other’s distinctive original material with beautiful three-part harmonies.
URL:https://yeehaw505.com/event/wonder-women-of-country/
LOCATION:FUSION\, 708 1st St. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Wonder-Women-of-Country.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260717T183000
DTEND;TZID=America/Denver:20260717T183000
DTSTAMP:20260610T003130
CREATED:20260311T185354Z
LAST-MODIFIED:20260311T185354Z
UID:10010930-1784313000-1784313000@yeehaw505.com
SUMMARY:The MacHeartbreakers
DESCRIPTION:We are excited to return for a second year to Winrock Park\, with free concerts on Fridays in May\, June and July. Last year established Winrock as THE place to be on Fridays! Join us for your favorite local bands\, food trucks\, beer\, wine and vendors\, a grassy park\, a playground. Something for everyone! \nSee the full schedule here. \nThe concerts will start at 6:30 and feature two groups each night.
URL:https://yeehaw505.com/event/the-macheartbreakers/
LOCATION:Winrock Park\, 2100 Louisiana Blvd NE\, Albuquerque\, NM\, 87110\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/The-MacHeartbreakers.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260717T193000
DTEND;TZID=America/Denver:20260717T193000
DTSTAMP:20260610T003130
CREATED:20260506T232759Z
LAST-MODIFIED:20260506T232759Z
UID:10011823-1784316600-1784316600@yeehaw505.com
SUMMARY:Rufus Wainwright
DESCRIPTION:Praised by the New York Times for his “genuine originality\,” Rufus Wainwright has established himself as one of the great male vocalists\, songwriters\, and composers of his generation. The New York-born\, Montreal-raised singer-songwriter has released ten studio albums to date\, three DVDs\, and three live albums including the Grammy-nominated Rufus Does Judy at Carnegie Hall. He has collaborated with artists such as Elton John\, Burt Bacharach\, Miley Cyrus\, David Byrne\, Boy George\, Joni Mitchell\, Pet Shop Boys\, Heart\, Carly Rae Jepsen\, Robbie Williams\, Jessye Norman\, Billy Joel\, Paul Simon\, Sting\, and producer Mark Ronson\, among many others. He has written two operas and numerous songs for movies and TV. \nHis 2020 Grammy-nominated studio album of original songs\, Unfollow the Rules\, found Wainwright at the peak of his powers\, entering artistic maturity with passion\, honesty\, and a new-found fearlessness. In 2023\, he embarked on a journey to his family folk roots with his Grammy-nominated album Folkocracy\, featuring reinvented folk duets with artists like Chaka Khan\, Brandi Carlile\, John Legend and Anohni and many more. \nHis first musical of John Cassavetes’ Opening Night for the West End with Ivo van Hove premiered at the Gielgud Theater in March 2024. During this time he also completed his Dream Requiem\, which premiered with the Orchestre Philharmonique de Radio France in June of 2024 and featured Meryl Streep as the narrator. The recording of the performance was released via Warner Classics in January 2025\, which was followed by the US premiere at the Walt Disney Concert Hall in Los Angeles featuring Jane Fonda as the narrator.
URL:https://yeehaw505.com/event/rufus-wainwright/
LOCATION:NHCC – Journal Theater\, 1701 4th St SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Rufus-Wainwright.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260718T103000
DTEND;TZID=America/Denver:20260718T103000
DTSTAMP:20260610T003130
CREATED:20260609T204713Z
LAST-MODIFIED:20260609T204713Z
UID:10011979-1784370600-1784370600@yeehaw505.com
SUMMARY:Chatter North
DESCRIPTION:initi figgis-vizueta mayu (the great river)\nTobias Picker Suite for Cello & Piano\nAeryn Santillan & (for Violin and Melodica)\nAeryn Santillan 2756 S St Louis Avenue\nAndromeda Wen New Work\nTobias Picker String Quartet No. 1 “New Memories” \nDel Sol String Quartet \nHyeyung Sol Yoon\, Benjamin Kreith violin\nCharlton Lee viola\nKathryn Bates cello \nJudith Gordon piano/melodica \nIris Magnusson spoken word
URL:https://yeehaw505.com/event/july-18-2026-chatter-north/
LOCATION:Chatter North\, 1050 Old Pecos Trail\, Santa Fe\, NM\, 87505\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2025/05/chatter-north-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260718T190000
DTEND;TZID=America/Denver:20260718T190000
DTSTAMP:20260610T003130
CREATED:20260609T214204Z
LAST-MODIFIED:20260609T214204Z
UID:10011989-1784401200-1784401200@yeehaw505.com
SUMMARY:Paul Oakenfold + The Crystal Method w/ Liquid Todd & Adobe Disco Afterparty
DESCRIPTION:PAUL OAKENFOLD\nPaul Oakenfold\, one of the first global superstar DJs\, celebrates over 30 years of his influential label with Perfecto 30—a worldwide series of events\, releases\, and a documentary highlighting his impact on electronic music. From pioneering Ibiza’s club scene to headlining major festivals and producing for artists like Madonna and U2\, Oakenfold helped bring underground sounds like trance and EDM into the mainstream. The campaign includes global performances revisiting iconic tracks\, new music from emerging artists\, and continued reach through his Perfecto Radio show\, which draws millions of weekly listeners. More than a label\, Perfecto has become a lasting force in dance music\, and Oakenfold is marking the milestone by returning to his roots with the underground sounds that started it all. \nTHE CRYSTAL METHOD\nFor nearly three decades\, The Crystal Method has remained one of the most influential and well-respected acts in electronic music. Co-founded by Scott Kirkland and Ken Jordan in 1993\, the GRAMMY®-nominated duo pioneered the big beat genre and defined the sound of a generation\, beginning with their platinum-selling debut\, Vegas (1997). \nTo date\, The Crystal Method has played more than 1300 shows—headlining EDC\, Lollapalooza\, and Ultra Miami—while their music has appeared in more than 100 film\, TV\, and video game soundtracks. Along the way\, TCM has released such best-selling titles as Tweekend (2001)\, Legion of Boom (2004)\, and Divided by Night (2009)—the latter two of which earned GRAMMY® nods for Best Dance/Electronic Album. While Jordan retired in 2017\, Kirkland reimagined The Crystal Method as a solo act. Now\, the innovative artist continues the evolution with TCM’s seventh studio album\, and his second solo outing\, The Trip Out. \nLIQUID TODD\nLiquid Todd is an award-winning DJ and programmer at SiriusXM\, known for his dance radio shows\, live performances\, original music\, remixes\, and Twitch streams. He has created popular shows for SiriusXM and major radio stations across North America. He hosted afternoon drive on BPM for over a decade and now programs #betaBPM\, a weekly new music show nominated twice for Radio Show of the Year. \nHe produces original tracks and remixes\, often working with the duo Disco Killerz. His remix of “Stellar” with Morgan Page hit #1 on BPM and became one of Armada Music’s biggest radio songs of 2016. His collaboration “Easy Boy” with GATTÜSO has over 16 million streams. \nBorn Todd Wilkinson\, he was one of the first DJs to bring electronic dance music (EDM) to commercial radio\, starting in Boston and later in New York City\, where his show Solid State ran for eight years and helped grow EDM’s audience. He joined Sirius in 2004 and helped launch several dance channels\, including Area\, Chill\, and Boombox\, and also hosted Boombox Radio on Alt Nation. \nADOBE DISCO AFTERPARTY STARTING AT 10 PM
URL:https://yeehaw505.com/event/paul-oakenfold-the-crystal-method-w-liquid-todd-adobe-disco-afterparty/
LOCATION:The Bridge at Santa Fe Brewing\, 37 Fire Place\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Paul-Oakenfold-Crystal-Method.webp
GEO:36.009453;-106.059252
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Bridge at Santa Fe Brewing 37 Fire Place Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=37 Fire Place:geo:-106.059252,36.009453
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260718T193000
DTEND;TZID=America/Denver:20260718T193000
DTSTAMP:20260610T003130
CREATED:20260406T154144Z
LAST-MODIFIED:20260406T154452Z
UID:10011266-1784403000-1784403000@yeehaw505.com
SUMMARY:Mary Gauthier
DESCRIPTION:with special guest Jaimee Harris \nCelebrating the 20th Anniversary of Mercy Now \n“I am excited to announce that this year is the 20th Anniversary of the release Mercy Now\, a record that changed my life. We are celebrating with a vinyl re-release and a tour. I’m not really one to look back\, but reflecting on these ten songs feels more like standing still long enough to take stock\, and appreciating the grace that brought them into existence. These shows will be a continuation of a long conversation with kindred souls\, like you\, who understand the alchemy of song. Kindred souls who know a sad song doesn’t make the darkness deeper; it gives it a shape\, a name\, shines the light on it\, and brings forth hope. ‘Yeah\, we all could use a little mercy now…’” —Mary Gauthier \nMercy Now helped establish Gauthier as one of the preeminent voices in Americana music at the time. The same year the record was released\, Gauthier was named the New Artist of the Year by the Americana Music Association. Mercy Now was also recognized among the Top 10 Albums of 2005 by outlets like the LA Times\, New York Times\, No Depression and Billboard. The record’s title track and enduring favorite “I Drink” has been covered by artists including Boy George\, Blake Shelton\, Tim McGraw and Lynn Moffatt over the years. \nGauthier released her most recent new album\, Dark Enough to See the Stars\, in 2022. In 2024\, she also reissued her 1999 debut\, Drag Queens In Limousines\, in honor of its 25th anniversary. She published a nonfiction book on the art of songwriting\, Saved By A Song\, in 2021.
URL:https://yeehaw505.com/event/mary-gauthier-2/
LOCATION:San Miguel Chapel\, 401 Old Santa Fe Trail\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/04/mary-gauthier.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260718T203000
DTEND;TZID=America/Denver:20260718T203000
DTSTAMP:20260610T003130
CREATED:20260525T221356Z
LAST-MODIFIED:20260525T221356Z
UID:10011914-1784406600-1784406600@yeehaw505.com
SUMMARY:Goth Beach Party
DESCRIPTION:3rd Annual Apparition: Goth Beach Party Saturday\, July 18th. Doors 8:30. At Insideout AND El Rey. Ages 18+ Tickets $10 w/ beach attire\, $12 without. DJ Ren + DJ Batboy + DJ Moonside + special guest DJ K.0ss. Plus a dark vendor market\, mermaid photo booth\, silly prizes and more! Goth\, darkwave\, post punk\, death rock\, EBM\, industrial\, dark dance\, synthpop\, witch house and more.
URL:https://yeehaw505.com/event/goth-beach-party/
LOCATION:The El Rey Theater\, 622 Central Ave SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Goth-Beach-Party.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260719T103000
DTEND;TZID=America/Denver:20260719T103000
DTSTAMP:20260610T003130
CREATED:20260609T205013Z
LAST-MODIFIED:20260609T205013Z
UID:10011980-1784457000-1784457000@yeehaw505.com
SUMMARY:Chatter Sunday
DESCRIPTION:initi figgis-vizueta mayu (the great river)\nTobias Picker Suite for Cello & Piano\nAeryn Santillan & (for Violin and Melodica)\nAeryn Santillan 2756 S St Louis Avenue\nAndromeda Wen New Work\nTobias Picker String Quartet No. 1 “New Memories” \nDel Sol String Quartet \nHyeyung Sol Yoon\, Benjamin Kreith violin\nCharlton Lee viola\nKathryn Bates cello \nJudith Gordon piano/melodica \nIris Magnusson spoken word
URL:https://yeehaw505.com/event/july-19-2026-chatter-sunday/
LOCATION:Chatter\, 912 3rd St NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/01/chatter-sunday.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260719T193000
DTEND;TZID=America/Denver:20260719T193000
DTSTAMP:20260610T003130
CREATED:20260406T153838Z
LAST-MODIFIED:20260406T153838Z
UID:10011265-1784489400-1784489400@yeehaw505.com
SUMMARY:Mary Gauthier
DESCRIPTION:with special guest Jaimee Harris \nCelebrating the 20th Anniversary of Mercy Now \n“I am excited to announce that this year is the 20th Anniversary of the release Mercy Now\, a record that changed my life. We are celebrating with a vinyl re-release and a tour. I’m not really one to look back\, but reflecting on these ten songs feels more like standing still long enough to take stock\, and appreciating the grace that brought them into existence. These shows will be a continuation of a long conversation with kindred souls\, like you\, who understand the alchemy of song. Kindred souls who know a sad song doesn’t make the darkness deeper; it gives it a shape\, a name\, shines the light on it\, and brings forth hope. ‘Yeah\, we all could use a little mercy now…’” —Mary Gauthier \nMercy Now helped establish Gauthier as one of the preeminent voices in Americana music at the time. The same year the record was released\, Gauthier was named the New Artist of the Year by the Americana Music Association. Mercy Now was also recognized among the Top 10 Albums of 2005 by outlets like the LA Times\, New York Times\, No Depression and Billboard. The record’s title track and enduring favorite “I Drink” has been covered by artists including Boy George\, Blake Shelton\, Tim McGraw and Lynn Moffatt over the years. \nGauthier released her most recent new album\, Dark Enough to See the Stars\, in 2022. In 2024\, she also reissued her 1999 debut\, Drag Queens In Limousines\, in honor of its 25th anniversary. She published a nonfiction book on the art of songwriting\, Saved By A Song\, in 2021.
URL:https://yeehaw505.com/event/mary-gauthier/
LOCATION:FUSION\, 708 1st St. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/04/mary-gauthier.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260722T190000
DTEND;TZID=America/Denver:20260722T220000
DTSTAMP:20260610T003130
CREATED:20260609T214522Z
LAST-MODIFIED:20260609T214522Z
UID:10011990-1784746800-1784757600@yeehaw505.com
SUMMARY:Old 97's w/ River Shook
DESCRIPTION:OLD 97’s\nThe thirteenth studio album from Old 97’s\, American Primitive arose from what vocalist/guitarist Rhett Miller refers to as a “de-evolution” of the legendary Dallas-bred band. “As much as I want us to calm down and grow up\, the songs that felt right for this record were mostly big and loud and brutal and dirty\,” says Miller\, whose bandmates include bassist Murry Hammond\, guitarist Ken Bethea\, and drummer Philip Peeples. Arriving just months before the 30th anniversary of Hitchhike to Rhome—a powerhouse debut that played a vital part in pioneering the alt-country genre—the result is a gloriously rowdy body of work\, revealing a veteran band more attuned than ever to the raw and reckless energy of truly timeless rock-and-roll. \nWith its title lifted from a bit of fictional art criticism in Stephen King’s psych-horror novel Duma Key\, American Primitive merges its unvarnished sound with the punchy yet poignant storytelling signature to Old 97’s\, radiating a rambunctious joy even as Miller’s lyrics contend with complex questions of love and mental illness and the routinely daunting state of the world. Produced by Tucker Martine (My Morning Jacket\, The Decemberists\, Neko Case) and featuring iconic guest musicians like Peter Buck of R.E.M. and Scott McCaughey of The Young Fresh Fellows and The Minus 5\, the album took shape in a series of deliberately whirlwind sessions at Flora Studio in Portland\, Oregon. “This was the first record we’ve ever done with zero pre-production\,” Miller points out. “It’s us working completely on instinct\, leaning on 30 years of playing together to come up with something on the fly rather than overthinking any of our choices.” \nKicking off with the frenzied riffs and restless grooves of “Falling Down\,” American Primitive opens on a lyric encapsulating the album’s snarling joie de vivre: “You’ve got to dance like the world is falling down around you\, because it is.” Next\, on “Somebody\,” Old 97’s deliver a thumping punkabilly anthem channeling both desire and doom. “That song came from looking back over my relationship history and acknowledging that I spent a long time as something of a serial monogamist\,” says Miller. “As a young man I was in love with the idea of being in love\, and I wanted ‘Somebody’ to speak to the hopelessness of exiting a very intense relationship and knowing you’re just going to rush right into the next one.” From there\, American Primitive bursts into the breakneck urgency of its title track\, a gorgeous entangling of poetic observation and feverishly expressed longing. “I was sitting on the balcony of a hotel in Peachtree\, Georgia\, watching the sun setting over the forest and trying to identify the trees\, and I started writing what began as meditation on nature but eventually turned into a song about missing someone\,” Miller recalls. “I wound up taking inspiration from that phrase in the Stephen King novel\, which felt like a perfect description for our band and how primitive and unstudied we are.” \nAnother track born from Miller’s contemplation of the natural world\, lead single “Where The Road Goes” slips into a lush and hypnotic reverie\, achieved in part through Buck’s arpeggiated 12-string guitar and a trance-inducing drum loop dreamed up by Peeples and Martine. “I was in Montana and found myself on the banks of the Blackfoot River\, watching the water pounding with a ferocious power\, and I started building this song as a statement of gratitude for having survived this long\,” says Miller. “It revisits some of the darkest moments of my life\, including a suicide attempt at age 14 that by all rights I shouldn’t have lived through and yet somehow did. In a way it’s like a spiritual travelogue that rolls back through all the places that shaped me for better or worse\, and ends up in this beautiful place that I felt so thankful to experience.” \nA distinctly literary lyricist who’s authored a number of children’s books and written for publications like McSweeney’s and The Atlantic\, Miller threads American Primitive with so much lived-in yet dreamlike detail\, such as on the sublimely blistering “Masterpiece” (“So I sank to the bottom of the hotel pool/You drank sunshine like you always do/Then it rained broken glass on your paperback/The ink ran and so did I\, never said goodbye/Just fade to black”). “Magic” serves up a jittery piece of power-pop echoing the anguish of grasping for salvation\, while “Western Stars” presents an intimate portrait of pained isolation inspired by an epic Alfred Lord Tennyson poem that Miller memorized in high school. Equal parts sprawling rumination and freewheeling joyride\, the album also spans from the stripped-back benediction of “Incantation” to the sweetly skewed whimsy of “Honeypie” (a loping and lighthearted love song featuring McCaughey on piano and Buck on mandolin). And on “Estuviera Cayendo\,” American Primitive closes out with an instrumental reprise of “Falling Down\,” beautifully reimagined on flamenco guitar by guest musician Jeff Trapp. \nIn choosing the cover art for American Primitive\, Old 97’s selected a painting created by Hammond’s 17-year-old son Tex Hammond—a prodigious talent who\, at age 14\, became the youngest artist ever to exhibit at the prestigious LA Art Show. It’s a fitting choice for a band who’ve maintained a certain youthful exuberance more than three decades into their career\, and for an album in which a palpable sense of wonder prevails despite its world-weary undercurrent. “Over the last year of touring in celebration of our 30th anniversary\, it’s been impossible not feel some emotion welling up at the idea that my bandmates and I have been in this close brotherhood for so long\,” says Miller. “I think a lot of that longevity has to do with the fact that we’re really the same band we were back then. We’ve experimented with pushing in different directions\, and we’ve had experiences outside the band where we’ve learned new things\, but the way we approach this music has fundamentally remained the same. Our heart is still in the exact same place.”
URL:https://yeehaw505.com/event/old-97s-w-river-shook/
LOCATION:The Bridge at Santa Fe Brewing\, 37 Fire Place\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Old-97s.webp
GEO:36.009453;-106.059252
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Bridge at Santa Fe Brewing 37 Fire Place Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=37 Fire Place:geo:-106.059252,36.009453
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260722T193000
DTEND;TZID=America/Denver:20260722T193000
DTSTAMP:20260610T003130
CREATED:20260610T033152Z
LAST-MODIFIED:20260610T033152Z
UID:10012000-1784748600-1784748600@yeehaw505.com
SUMMARY:Menla Choga Puja
DESCRIPTION:Tickets by donation.  Suggested $20 donation.   \nThis is a religious ceremony\, but the monks have a lot of experience sharing this with the non-Buddhist world.  They will do a short introduction explaining the ceremony and a Q&A at the end.  \nThey will have traditional Tibetan prayer beads (malas)\, wall hangings\, jewelry\, incense\, singing bowls\, prayer flags and other hand crafted items available for sale to support over 3\,000 monks residing at their monastery in the Tibetan refugee camp of Mundgod\, India.
URL:https://yeehaw505.com/event/menla-choga-puja/
LOCATION:San Miguel Chapel\, 401 Old Santa Fe Trail\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Menla-Choga-Puja.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260722T200000
DTEND;TZID=America/Denver:20260722T200000
DTSTAMP:20260610T003130
CREATED:20260511T185040Z
LAST-MODIFIED:20260511T185040Z
UID:10011836-1784750400-1784750400@yeehaw505.com
SUMMARY:Allison - Euforia USA Tour
DESCRIPTION:with Forever Came Calling
URL:https://yeehaw505.com/event/allison-euforia-usa-tour/
LOCATION:The Sunshine Theater\, 120 Central Ave\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Allison-Euforia-USA-Tour.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260723T200000
DTEND;TZID=America/Denver:20260723T200000
DTSTAMP:20260610T003130
CREATED:20260525T223233Z
LAST-MODIFIED:20260525T223233Z
UID:10011920-1784836800-1784836800@yeehaw505.com
SUMMARY:Upon A Burning Body * Norma Jean * Fox Lake * Music Is The Enemy
DESCRIPTION:Southern Domination Tour
URL:https://yeehaw505.com/event/upon-a-burning-body-norma-jean-fox-lake-music-is-the-enemy/
LOCATION:The Sunshine Theater\, 120 Central Ave\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Upon-A-Burning-Body-Norma-Jean-Fox-Lake-Music-Is-The-Enemy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260724T183000
DTEND;TZID=America/Denver:20260724T183000
DTSTAMP:20260610T003130
CREATED:20260311T185651Z
LAST-MODIFIED:20260311T185651Z
UID:10010931-1784917800-1784917800@yeehaw505.com
SUMMARY:
DESCRIPTION:We are excited to return for a second year to Winrock Park\, with free concerts on Fridays in May\, June and July. Last year established Winrock as THE place to be on Fridays! Join us for your favorite local bands\, food trucks\, beer\, wine and vendors\, a grassy park\, a playground. Something for everyone! \nSee the full schedule here. \nThe concerts will start at 6:30 and feature two groups each night.
URL:https://yeehaw505.com/event/14022/
LOCATION:Winrock Park\, 2100 Louisiana Blvd NE\, Albuquerque\, NM\, 87110\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/The-Mango-Cakes-JD-Nash-and-the-Rash-of-Cash.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260725T080000
DTEND;TZID=America/Denver:20260725T170000
DTSTAMP:20260610T003130
CREATED:20260609T205305Z
LAST-MODIFIED:20260609T205305Z
UID:10011981-1784966400-1784998800@yeehaw505.com
SUMMARY:Chatter North
DESCRIPTION:W.A. Mozart Violin Sonata No. 27 in G major\, K. 379\nJames Shields Sonata in One Movement for Clarinet and Piano\nIgor Stravinsky Septet \nJames Shields clarinet\nPeter Erb horn\nJudith Farmer bassoon\nDavid Felberg violin\nJudith Gordon piano \nMichael Andberg spoken word
URL:https://yeehaw505.com/event/july-25-2026-chatter-north/
LOCATION:Chatter North\, 1050 Old Pecos Trail\, Santa Fe\, NM\, 87505\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2025/05/chatter-north-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260725T210000
DTEND;TZID=America/Denver:20260725T210000
DTSTAMP:20260610T003130
CREATED:20260609T213528Z
LAST-MODIFIED:20260609T213528Z
UID:10011987-1785013200-1785013200@yeehaw505.com
SUMMARY:Dennett
DESCRIPTION:DENNETT is quickly becoming one of the most exciting names in electronic music\, known for his high energy sets and unique sound. He’s played major festivals including EDC\, North Coast Music Festival\, and Seven Stars\, while continuing to build momentum across the U.S. Uniquely\, DENNETT has built both a house and bass music fanbase\, with a sound that blends emotional melodies\, heavy drops\, and festival ready energy. His official remix of “LIGHTS GO OUT” by John Summit helped push his name even further\, alongside multiple tracks that have passed half a million streams on SoundCloud. With a rapidly growing audience and standout live performances\, DENNETT is carving out his own lane in the electronic scene.
URL:https://yeehaw505.com/event/dennett/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Dennett.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260726T103000
DTEND;TZID=America/Denver:20260726T103000
DTSTAMP:20260610T003130
CREATED:20260609T205444Z
LAST-MODIFIED:20260609T205444Z
UID:10011982-1785061800-1785061800@yeehaw505.com
SUMMARY:Chater Sunday
DESCRIPTION:W.A. Mozart Violin Sonata No. 27 in G major\, K. 379\nJames Shields Sonata in One Movement for Clarinet and Piano\nIgor Stravinsky Septet \nJames Shields clarinet\nPeter Erb horn\nJudith Farmer bassoon\nDavid Felberg violin\nJudith Gordon piano \nSharon Rhutasel-Jones spoken word
URL:https://yeehaw505.com/event/chater-sunday/
LOCATION:Chatter\, 912 3rd St NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/01/chatter-sunday.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260731T190000
DTEND;TZID=America/Denver:20260731T190000
DTSTAMP:20260610T003130
CREATED:20260609T215008Z
LAST-MODIFIED:20260609T215008Z
UID:10011991-1785524400-1785524400@yeehaw505.com
SUMMARY:Beach Bunny & The Beths w/ Wishy
DESCRIPTION:BEACH BUNNY\nOn 2025’s Tunnel Vision\, Beach Bunny is getting back to basics: urgent\, guitar-based indie rock with pop melodies. Woven through the album\, “Just Around the Corner” echoes dynamic ’90s indie rock courtesy of fuzzed-out guitars and crashing drums\, while slashing riffs and precise rhythms propel the melodic “Big Pink Bubble.” “Violence\,” meanwhile\, veers between a chorus propelled by buzzing guitars and Trifilio’s pleading vocals and a buoyant chorus hook; “Chasm” is driving punk-pop; and the vivacious title track is a pogo-worthy rock anthem. \n“On Tunnel Vision\, we wanted to get back to our guitar roots and some of that original sound we had\,” says vocalist/guitarist songwriter Lili Trifilio. “This one was more like a classic Beach Bunny record.” \nBeginning a decade ago as a Trifilio solo project\, Beach Bunny have amassed a loyal fanbase thanks to things such as constant touring and collaborations with artists like Tegan and Sara and Marina. And today\, Beach Bunny continues to nurture their community with appearances at Coachella and Lollapalooza and by curating their own Pool Party festivals in their hometown of Chicago. \nSo far\, this approach has worked like a charm. The band—the name refers interchangeably to both Trifilio and the full band that also features bassist/lead guitarist Anthony Vaccaro and drummer Jon Alvarado—has landed viral hits such as the RIAA-certified Platinum “Prom Queen” and “Cloud 9” and the RIAA-certified Gold “Sports\,” and earned over a billion streams on Spotify alone plus countless appearances on critics’ best of the year lists. 2022’s Emotional Creature\, which debuted at No. 1 on Billboard’s Heatseekers Albums chart\, while “Vertigo\,” the first single released from Tunnel Vision\, became their highest charting song at AAA radio to date upon its 2024 release. \nTHE BETHS\n“One of the greatest indie-rock bands of their time.” – Rolling Stone \nNew Zealand indie rock heroes The Beths’ latest album Straight Line Was A Lie is a catchy\, instant classic. Written in Los Angeles and self-recorded in the band’s hometown of Auckland\, Straight Line Was A Lie (their first release for ANTI-) follows 2022’s critically celebrated LP Expert in A Dying Field. Lead singer and songwriter Liz Stokes delves deeper into her psyche to address everything from roundabout progress to physical and mental health challenges\, and fraught family dynamics. Inspired by The Go-Go’s\, Olivia Rodrigo\, filmmaker Akira Kurosawa\, and Stephen King’s On Writing\, amongst others\, Stokes’ songwriting has achieved startling new depths of insight and vulnerability. Fans will agree that Straight Line Was A Lie is the most sharply observant\, truthful\, and poetic Beths project to date.
URL:https://yeehaw505.com/event/beach-bunny-the-beths-w-wishy/
LOCATION:The Bridge at Santa Fe Brewing\, 37 Fire Place\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Beach-Bunny-and-The-Beths.webp
GEO:36.009453;-106.059252
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Bridge at Santa Fe Brewing 37 Fire Place Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=37 Fire Place:geo:-106.059252,36.009453
END:VEVENT
END:VCALENDAR