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DTSTART;TZID=America/Denver:20260128T190000
DTEND;TZID=America/Denver:20260128T190000
DTSTAMP:20260422T023554
CREATED:20251223T162230Z
LAST-MODIFIED:20260102T190027Z
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SUMMARY:The Well
DESCRIPTION:Heavy psych from ATX\n\n\n\nDeath and Consolation is without a doubt a weighty album title. And\, The Well is among the heaviest heavy psych bands in existence. So when we say that there’s even more darkness and intensity to the band’s third album than previous efforts\, take heed. It’s a deep sea diving bell of enveloping heaviness and longing. \n“This one is a little more personal\,” says guitarist/vocalist Ian Graham\, “2018 was a strange\, dark year. A lot of change going on in my life\, there was a lot of depression and coming out of it over the last year. I wanted to call this Death and Consolation\, because in life that’s a constant.” While The Well continue to walk an intriguing line between authentic early 70s doom/heavy psych and frayed weirdness of dark folk – especially with their haunting unison male/female vocals – the new album also adds the stark vibe of post-punk acts like Joy Division and early The Cure. “I feel like this album is almost more gothic. We’re big fans of post-punk\,” Graham says. \nThere’s also much less jamming\, the songs are tight and concise. And\, did we mention\, heavy? The band tuned down a full step to C-standard tuning for this album\, which gives the proceedings its monstrous sound. Sonically\, Death and Consolation picks up where The Well — Graham\, bassist/vocalist Lisa Alley and drummer Jason Sullivan — left off with their widely heralded 2016 RidingEasy album Pagan Science. The band once again recorded with longtime producer/engineer Chico Jones at Estuary Studio in 2018\, who has turned the knobs for all three of their albums (Jones engineered the band’s debut album Samsara with producer Mark Deutrom [Melvins\, Sunn0)))] in 2013.) Samsara\, released late September 2014 was ranked the #1 debut album of 2014 by The Obelisk and Pagan Science among the Best of 2016 from the Doom Charts collective. Likewise\, the band’s intense — some even say “possessed” — live performances have earned them featured slots at Austin’s Levitation Fest\, as well as tours with Kadavar\, All Them Witches\, Black Tusk and more. \n“This album might be a little less produced\, because I didn’t want to push technical stuff as much\,” Graham says. “I’m so scared of getting too complicated when getting better at guitar. This is still kind of punk rock.” Death and Consolation will be available on LP\, CD and download on April 26th\, 2019 via RidingEasy Records.
URL:https://yeehaw505.com/event/the-well/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
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DTSTART;TZID=America/Denver:20260128T193000
DTEND;TZID=America/Denver:20260128T193000
DTSTAMP:20260422T023554
CREATED:20260103T001106Z
LAST-MODIFIED:20260103T001106Z
UID:10008162-1769628600-1769628600@yeehaw505.com
SUMMARY:Billy F Gibbons
DESCRIPTION:w/ The BFG Band \nWith his signature beard and African headgear\, Billy F Gibbons is instantly recognizable and best known as the centerpiece of ZZ Top. \nBFG is widely regarded as one of the world’s finest guitarists working in the blues-rock idiom. The Sound originates from the uncanny knack to squeeze unheard sounds out of the electric guitar with the blues\, pop\, R&B\, country\, gospel\, western\, hillbilly\, and West Africa. That BFG down ‘n dirty growl is unmistakable heard on such hits as “La Grange\,” “Sharp Dressed Man\,” and “Cheap Sunglasses.”
URL:https://yeehaw505.com/event/billy-f-gibbons/
LOCATION:Lensic Performing Arts Center\, 211 W San Francisco St\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/01/Billy-F-Gibbons.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260128T193000
DTEND;TZID=America/Denver:20260128T193000
DTSTAMP:20260422T023554
CREATED:20260121T181205Z
LAST-MODIFIED:20260121T181205Z
UID:10008312-1769628600-1769628600@yeehaw505.com
SUMMARY:All That's Left of You
DESCRIPTION:A deeply moving\, multigenerational drama\, ALL THAT’S LEFT OF YOU follows a Palestinian teenager who gets swept into a protest in the Occupied West Bank and experiences a moment of violence that rocks his family. The film unfolds as his mother recounts the political and emotional threads that led to that fateful moment. Spanning seven decades\, the film traces the hopes and heartaches of one uprooted family\, bearing witness to the scars of dispossession and the enduring legacy of survival. Jordan’s Official Selection for the 98th Academy Awards.
URL:https://yeehaw505.com/event/all-thats-left-of-you-2/2026-01-28/2/
LOCATION:Center for Contemporary Arts\, 1050 Old Pecos Trl\, Santa Fe\, NM\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/png:https://yeehaw505.com/wp-content/uploads/2026/01/AllThatsLeftOfYou_Poster_Alts_V3-450x665.jpg.png
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260128T194500
DTEND;TZID=America/Denver:20260128T194500
DTSTAMP:20260422T023554
CREATED:20251223T215252Z
LAST-MODIFIED:20251223T215252Z
UID:10007709-1769629500-1769629500@yeehaw505.com
SUMMARY:Daughter's Daughter
DESCRIPTION:Dir. Xi Huang – 2025 – 126m – Taiwan – In English & Mandarin with English Subtitles – Valid For Punch Cards \n\n\nStarring screen legend Sylvia Chang\, Daughter’s Daughter is both a character study that sheds light on the pursuit of independence as an older woman and a highly contemporary moral tale that poses dizzying questions about parental responsibility. \nIn a story that elegantly slides back and forth in time\, Jin Aixia (Chang) has two daughters\, but Emma (Karena Lam)\, who grew up in New York\, and Fan Zuer (Eugenie Liu)\, who grew up in Taipei\, never knew about each other until well into adulthood. When Zuer and her partner decide to try and get pregnant via in vitro fertilization\, they wind up travelling to the US for treatments. Tragically\, the couple die there in an accident\, but their embryo remains alive and well — and Aixia is left as its legal guardian. Arriving in New York overwhelmed with grief\, she is faced with the choice to donate\, terminate\, or find a surrogate for the embryo. But after a life spent feeling like she’s fallen short as a mother\, who is she to decide what to do with her deceased daughter’s unborn child? \nExecutive produced by Chang and Taiwanese New Wave luminary Hou Hsiao-hsien\, the film is anchored in tradition while forging brilliant new paths of cinematic storytelling — and chronicling ways that scientific advancements alter our relationship to family and legacy. \n“Taps into universal issues of regret\, acceptance and hope with considerable nuance\, grace and beautiful little details…elegantly explores the blurred lines between selflessness and selfishness\, through a tale of modern motherhood that poses complex questions of responsibility when faced with sorrow.” – Josh Slater-Williams\, IndieWire
URL:https://yeehaw505.com/event/daughters-daughter/2026-01-28/2/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2025/12/Daughters-Daughter.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260128T200000
DTEND;TZID=America/Denver:20260128T200000
DTSTAMP:20260422T023554
CREATED:20251223T185207Z
LAST-MODIFIED:20251223T185207Z
UID:10007667-1769630400-1769630400@yeehaw505.com
SUMMARY:Don Broco
DESCRIPTION:w/ Dropout Kings & sace6
URL:https://yeehaw505.com/event/don-broco/
LOCATION:The Sunshine Theater\, 120 Central Ave\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2025/12/Don-Broco.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260129T110000
DTEND;TZID=America/Denver:20260129T110000
DTSTAMP:20260422T023554
CREATED:20260121T181205Z
LAST-MODIFIED:20260121T181205Z
UID:10008313-1769684400-1769684400@yeehaw505.com
SUMMARY:All That's Left of You
DESCRIPTION:A deeply moving\, multigenerational drama\, ALL THAT’S LEFT OF YOU follows a Palestinian teenager who gets swept into a protest in the Occupied West Bank and experiences a moment of violence that rocks his family. The film unfolds as his mother recounts the political and emotional threads that led to that fateful moment. Spanning seven decades\, the film traces the hopes and heartaches of one uprooted family\, bearing witness to the scars of dispossession and the enduring legacy of survival. Jordan’s Official Selection for the 98th Academy Awards.
URL:https://yeehaw505.com/event/all-thats-left-of-you-2/2026-01-29/1/
LOCATION:Center for Contemporary Arts\, 1050 Old Pecos Trl\, Santa Fe\, NM\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/png:https://yeehaw505.com/wp-content/uploads/2026/01/AllThatsLeftOfYou_Poster_Alts_V3-450x665.jpg.png
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260129T133500
DTEND;TZID=America/Denver:20260129T133500
DTSTAMP:20260422T023554
CREATED:20260121T175216Z
LAST-MODIFIED:20260121T175216Z
UID:10008287-1769693700-1769693700@yeehaw505.com
SUMMARY:Obex
DESCRIPTION:In pre-internet 1987\, Conor and his dog Sandy live a life of seclusion\, lost in the slow-rendering graphics of early Macs and televisions aglow with late night horror movie marathons. But when he begins playing OBEX\, a new and mysterious\, state-of-the-art computer game\, he finds himself trapped in a low-tech\, but high-stakes analog hellscape as the line between reality and game blurs. \n\n\n\n\n\n\nAudacious and uncanny\, writer-director Albert Birney’s OBEX is a delightfully skewed lo-fi fantasy. Shot in striking black and white\, this surreally nostalgic nightmare revisits the dawn of personal computing to reflect on the loneliness of our always-online present day.
URL:https://yeehaw505.com/event/obex/2026-01-29/1/
LOCATION:Center for Contemporary Arts\, 1050 Old Pecos Trl\, Santa Fe\, NM\, United States
CATEGORIES:Film
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260129T143000
DTEND;TZID=America/Denver:20260129T143000
DTSTAMP:20260422T023554
CREATED:20260121T180352Z
LAST-MODIFIED:20260121T180352Z
UID:10008300-1769697000-1769697000@yeehaw505.com
SUMMARY:The Chronology of Water
DESCRIPTION:Based on the beloved memoir by Lidia Yuknavitch and marking the directorial debut of Kristen Stewart\, The Chronology of Water is a raw and unflinching portrait of survival\, sexuality\, and self-invention. The film traces Lidia’s life from her earliest memories in the Pacific Northwest\, as a promising swimmer\, through fractured relationships\, near-motherhood\, addiction\, and encounters with artistic heroes. Told as a fluid memory wash\, the story transforms trauma into art\, embodying Yuknavitch’s defiant voice that made her work a modern cult classic. It is not only a chronicle of a woman becoming a writer\, but a visceral journey through the wreckage and resilience of a life lived against the grain.
URL:https://yeehaw505.com/event/the-chronology-of-water-2/2026-01-29/1/
LOCATION:Center for Contemporary Arts\, 1050 Old Pecos Trl\, Santa Fe\, NM\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/png:https://yeehaw505.com/wp-content/uploads/2026/01/the-chronology-of-water.png
GEO:35.673965;-105.936827
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260129T150000
DTEND;TZID=America/Denver:20260129T150000
DTSTAMP:20260422T023554
CREATED:20251223T215252Z
LAST-MODIFIED:20251223T215252Z
UID:10007710-1769698800-1769698800@yeehaw505.com
SUMMARY:Daughter's Daughter
DESCRIPTION:Dir. Xi Huang – 2025 – 126m – Taiwan – In English & Mandarin with English Subtitles – Valid For Punch Cards \n\n\nStarring screen legend Sylvia Chang\, Daughter’s Daughter is both a character study that sheds light on the pursuit of independence as an older woman and a highly contemporary moral tale that poses dizzying questions about parental responsibility. \nIn a story that elegantly slides back and forth in time\, Jin Aixia (Chang) has two daughters\, but Emma (Karena Lam)\, who grew up in New York\, and Fan Zuer (Eugenie Liu)\, who grew up in Taipei\, never knew about each other until well into adulthood. When Zuer and her partner decide to try and get pregnant via in vitro fertilization\, they wind up travelling to the US for treatments. Tragically\, the couple die there in an accident\, but their embryo remains alive and well — and Aixia is left as its legal guardian. Arriving in New York overwhelmed with grief\, she is faced with the choice to donate\, terminate\, or find a surrogate for the embryo. But after a life spent feeling like she’s fallen short as a mother\, who is she to decide what to do with her deceased daughter’s unborn child? \nExecutive produced by Chang and Taiwanese New Wave luminary Hou Hsiao-hsien\, the film is anchored in tradition while forging brilliant new paths of cinematic storytelling — and chronicling ways that scientific advancements alter our relationship to family and legacy. \n“Taps into universal issues of regret\, acceptance and hope with considerable nuance\, grace and beautiful little details…elegantly explores the blurred lines between selflessness and selfishness\, through a tale of modern motherhood that poses complex questions of responsibility when faced with sorrow.” – Josh Slater-Williams\, IndieWire
URL:https://yeehaw505.com/event/daughters-daughter/2026-01-29/1/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2025/12/Daughters-Daughter.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260129T152000
DTEND;TZID=America/Denver:20260129T152000
DTSTAMP:20260422T023554
CREATED:20260121T181205Z
LAST-MODIFIED:20260121T181205Z
UID:10008314-1769700000-1769700000@yeehaw505.com
SUMMARY:All That's Left of You
DESCRIPTION:A deeply moving\, multigenerational drama\, ALL THAT’S LEFT OF YOU follows a Palestinian teenager who gets swept into a protest in the Occupied West Bank and experiences a moment of violence that rocks his family. The film unfolds as his mother recounts the political and emotional threads that led to that fateful moment. Spanning seven decades\, the film traces the hopes and heartaches of one uprooted family\, bearing witness to the scars of dispossession and the enduring legacy of survival. Jordan’s Official Selection for the 98th Academy Awards.
URL:https://yeehaw505.com/event/all-thats-left-of-you-2/2026-01-29/2/
LOCATION:Center for Contemporary Arts\, 1050 Old Pecos Trl\, Santa Fe\, NM\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/png:https://yeehaw505.com/wp-content/uploads/2026/01/AllThatsLeftOfYou_Poster_Alts_V3-450x665.jpg.png
GEO:35.673965;-105.936827
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260129T173000
DTEND;TZID=America/Denver:20260129T173000
DTSTAMP:20260422T023554
CREATED:20251223T215513Z
LAST-MODIFIED:20251223T215513Z
UID:10007714-1769707800-1769707800@yeehaw505.com
SUMMARY:The Mother And The Bear
DESCRIPTION:Dir. Johnny Ma – 2024 – 100m – South Korea – In Korean with English Subtitles – Valid For Punch Cards \n\n\nIn a snow-swept Winnipeg\, school teacher Sumi (Leere Park) is hospitalized after a fall. On hearing the news\, her anxious mother\, Sara (Kim Ho-jung\, Revivre)\, flies over from Seoul to be with her comatose daughter — and once Sara sets herself up in the young woman’s apartment\, she discovers she doesn’t really know Sumi at all. \nSara despairs about her daughter’s single status\, so she immediately starts catfishing the pleasant Min (Jonathan Kim) to be Sumi’s boyfriend — once she wakes up\, of course — and also gets unwittingly entangled with Min’s estranged father\, Sam (Won-Jae Lee)\, who runs a Korean restaurant in the city. As Sam and the widowed Sara connect over their mutual melancholies\, a chance meeting with Sumi’s co-worker Amaya (Amara Pedroso Saquel\, Cha Cha Real Smooth) leads Sara to learn more about the life from which her daughter has chosen to exclude her. \nIn a departure from his previous films\, filmmaker Johnny Ma (Old Stone) embarks in a bold new direction\, using suburban Winnipeg as the stage for a unique mash-up of genres – a stylized\, whimsical narrative of crossed wires\, secret lives\, and conflicting agendas. \n“A charming and whimsical story brimming with adventure and self-discovery. Watching Kim Ho-jung on screen is a true delight” – Kristy Strouse\, Film Inquiry \n“A rare and lovely thing…a coming-of-age story for a woman in her 50s. Kim Ho-jung is delightful.” – Taylor Gates\, Collider
URL:https://yeehaw505.com/event/the-mother-and-the-bear/2026-01-29/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2025/12/The-Mother-And-The-Bear.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260129T180000
DTEND;TZID=America/Denver:20260129T180000
DTSTAMP:20260422T023554
CREATED:20260107T224231Z
LAST-MODIFIED:20260107T224231Z
UID:10008249-1769709600-1769709600@yeehaw505.com
SUMMARY:Indigenous Cinema Series: The Daughter of Dawn
DESCRIPTION:THE DAUGHTER OF DAWN is an 80-minute\, feature silent film that was shot in May\, June\, and July of 1920 in the Wichita Mountains of southwest Oklahoma. The story\, played by an all-Native American cast of 300 Kiowas and Comanches\, includes a romantic rivalry\, buffalo hunts\, a battle\, village scenes\, dances\, deceit\, courage\, hand-to-hand combat\, and even a happy ending. The Native American actors\, who in 1920 had been living on reservations for less than fifty years\, brought with them their own tipis\, horses\, clothing\, and material culture. \nThe film was directed by a young director\, Norbert Myles and written by Richard E. Banks who had spent 25 years living with various tribes. It is fascinating that\, by accident or design\, the film’s plot hinges on story on a very similar to Quannah Parker’s real encounter with his first wife. \n\n\n\n\n\n\nRestored by the Oklahoma Historical Society\, Film Technology (35mm) and Modern Videofilm (2K)\, THE DAUGHTER OF DAWN proves to be a revelation. Subtly acted by the all-Native American cast\, photographed beautifully\, and directed without melodrama by Myles\, this lost silent film stands with the best films of the period. Why it played only twice and was never officially released remains a mystery. \n\n\n\n\n\n\nTo accompany the restored film\, composer David Yeagley wrote an original score that was performed by the Oklahoma City University Orchestra. \n\n\n\n\n\n\nFunding for this project provided by: Lawton Community Foundation McMahon Foundation\, National Film Preservation Foundation\, Oklahoma City University and the Oklahoma Historical Society.
URL:https://yeehaw505.com/event/indigenous-cinema-series-the-daughter-of-dawn/
LOCATION:Center for Contemporary Arts\, 1050 Old Pecos Trl\, Santa Fe\, NM\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/png:https://yeehaw505.com/wp-content/uploads/2026/01/The-Daughter-of-Dawn.png
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260129T193000
DTEND;TZID=America/Denver:20260129T193000
DTSTAMP:20260422T023554
CREATED:20260103T001234Z
LAST-MODIFIED:20260103T001234Z
UID:10008163-1769715000-1769715000@yeehaw505.com
SUMMARY:Hayes Carll
DESCRIPTION:w/ William Matheny \nHayes Carll isn’t preaching or teaching. He’s not interested in telling the rest of us what to do or think. But he is charting out a personal guide for his life\, quieting the noise\, and sitting with his real voice – the one that’s candid\, consistent\, and often inconvenient. \nWe’re Only Human is Carll’s tenth album. Like his best lyrics\, it is also an understated masterpiece\, an honest snapshot of one man’s confrontation and delight with humanity’s biggest and most intimate questions. Where do we find forgiveness for ourselves and grace for others? How do we hold on to peace of mind and stay present? What can we—and should we––trust? And how can we moor ourselves to\, well\, ourselves\, in the midst of confusing\, trying times? We’re Only Human offers audiences the chance to listen to Carll as he listens to himself. \n“I’ve lived outside of myself for so long\,” Carll admits. “Distractions\, fear\, anxiety\, insecurity\, and the complexity of being human in this world have so often pulled me away from being present or at peace.” \n“I feel like there’s been a voice riding shotgun all my life\, pushing me to do better\, but I’ve struggled to listen to it\,” Carll says. “The idea behind this record was to do the personal work I needed to do\, then codify those lessons in song to serve as sort of breadcrumbs to get me back on the trail if\, and inevitably when\, I get lost again.” \nCarll is more than two decades into a celebrated career. Praise from places such as Pitchfork and the New York Times––the latter of which yoked Carll’s ability to tackle tough issues with wry humor to Bob Dylan––punctuate a resume that includes Americana Music Awards and a Grammy nomination. His songs aren’t safe\, but many of Nashville’s stars have recorded them\, including Kenny Chesney\, Lee Ann Womack\, and Brothers Osborne. As a solo recording artist\, Carll has long-since established himself as one of Americana’s most-played––and most loved––voices. His warm but crackling vocals\, wit\, and heart dance through wordplay that’s always clever\, and never too precious. Through it all\, whenever Carll points a finger\, it’s most often at himself. \nAs We’re Only Human collects moments of Carll figuring out how to be with himself\, the songs feel forthright\, hopeful\, and timely. In today’s onslaught of instant gratification\, rage-baiting headlines\, glorified intolerance\, and falling empathy\, the record is a startling outlier: an artist’s raw\, real-life effort to live well—both with himself and others. Carll embraces private epiphanies\, and shares them with the world\, allowing them to unfold for all to see and share. \nOf course\, We’re Only Human is also art. So while appreciating the motivation and compelling themes driving it will underpin the listener’s experience\, Carll’s album also matters because of the sheer brilliance of its execution. These are songs composed by a writer’s writer\, wielding his considerable skill with precision and beauty. \nThe album’s title track unfolds with plaintive piano and a mantle of grace. Carll sings\, with a calming sincerity\, “We’ll do most anything to avoid the pain / Hiding our hearts and casting the blame / 6\,000 tongues\, but we’re all the same / Ain’t no need to carry that shame / ‘Cause we’re only human.” \nHard-won minutes of quiet clarity inspired some of the record’s most beautiful moments. Accented by bright mandolin and soft\, simple percussion\, “Stay Here a While” captures a peaceful reprieve from a racing mind. “I remember sitting on the couch\, looking out the window\, watching the birds do their thing\,” Carll says with a laugh. “I got lost in their lives for a moment\, and it was such a wonderful feeling because my mind is always going in circles\, seeking excitement\, and frankly\, just thinking about myself. I enjoyed the peace I felt in that moment and I thought\, this is lovely and I’d like to stay in this place.” Carll shared that takeaway with MC Taylor\, aka Hiss Golden Messenger\, who not only could relate\, but helped finish the song. \n“High” offers another invitation to stop and breathe. Opening with a solo horn\, flute\, and stripped down piano\, the track is lovely and sincere\, with Carll’s signature humor hovering comfortably nearby. There are also times when Carll’s sharp wit comes roaring to the foreground. “Progress of Man (Bitcoin and Cattle)” sends up society’s disorienting––and conflicting––forces\, while “Good People (Thank Me)” is a masterclass in comedic timing\, stubborn humanism\, and the untapped potential of gratitude. \nA dogged insistence on acceptance\, both of one’s self and others\, courses through the album— as does Carll’s determination to hold himself accountable. “If I’m judging others\, then I’m not having to look at myself\,” Carll says. “I’m flawed as hell\, judgmental\, and critical of myself and those around me. That’s a loop that feeds itself. But I figure If I can look at myself clear-eyed and acknowledge my own shortcomings\, it might help me have some grace and acceptance for myself and others.” \nIt’s that sort of harmonious duality––embracing one’s self and confessing one’s own mistakes––that solidifies the record’s big-hearted honesty. “The creative process was in large part a self-therapy session. I don’t think that would work if I was only looking at everyone else’s issues\,” Carll says. \nA moving series of grounding vignettes\, realizations\, and self-love roll through “What I Will Be\,” as Carll promises to not compromise himself to fit in. A slow-burning\, blues-tinged standout\, “I Got Away with It” is painful and gorgeous. Brimming with hope\, “One Day” balances the work Carll sees as necessary with the certainty that satisfaction\, contentment\, and peace are reachable by trusting in yourself and the universe. \nFeaturing a parade of Carll’s longtime friends\, album closer “May I Never” is a plea to himself. As Ray Wylie Hubbard\, Shovels & Rope\, Darrell Scott\, Nicole Atkins\, and The Band of Heathens’ Gordy Quist and Ed Jurdi each take verses\, listeners are swept up in a resolute promise to keep after good. “It brings up a lot for me when I hear them singing those lines\,” Carll says. Each of those people – whether they know it or not – have played a part in my story\, and it’s gratifying and humbling to me to have them lend their voices to this song.” \nIn the end\, Carll’s latest album is a lovingly and purposefully written collection of reminders. “I hope other people find something in it\, too” Carll says. “Through it all\, I am trying to stayappreciative\, knowing that I did what I set out to do: write something that can help me navigate this journey with a little more grace and peace.”
URL:https://yeehaw505.com/event/hayes-carll/
LOCATION:Tumbleroot\, 2791 Agua Fria St\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/01/Hayes-Carll.jpg
GEO:35.664969;-105.993644
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tumbleroot 2791 Agua Fria St Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=2791 Agua Fria St:geo:-105.993644,35.664969
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260129T193000
DTEND;TZID=America/Denver:20260129T230000
DTSTAMP:20260422T023554
CREATED:20251223T184320Z
LAST-MODIFIED:20251223T184320Z
UID:10007663-1769715000-1769727600@yeehaw505.com
SUMMARY:NEH * The Boys Room * Already Autumn * Dream Noise * The Shim Sham
DESCRIPTION:
URL:https://yeehaw505.com/event/neh-the-boys-room-already-autumn-dream-noise-the-shim-sham/
LOCATION:Launchpad\, 618 Central Ave SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2025/12/NEH-The-Boys-Room-Already-Autumn-Dream-Noise-The-Shim-Sham.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260129T194500
DTEND;TZID=America/Denver:20260129T194500
DTSTAMP:20260422T023554
CREATED:20251223T215252Z
LAST-MODIFIED:20251223T215252Z
UID:10007711-1769715900-1769715900@yeehaw505.com
SUMMARY:Daughter's Daughter
DESCRIPTION:Dir. Xi Huang – 2025 – 126m – Taiwan – In English & Mandarin with English Subtitles – Valid For Punch Cards \n\n\nStarring screen legend Sylvia Chang\, Daughter’s Daughter is both a character study that sheds light on the pursuit of independence as an older woman and a highly contemporary moral tale that poses dizzying questions about parental responsibility. \nIn a story that elegantly slides back and forth in time\, Jin Aixia (Chang) has two daughters\, but Emma (Karena Lam)\, who grew up in New York\, and Fan Zuer (Eugenie Liu)\, who grew up in Taipei\, never knew about each other until well into adulthood. When Zuer and her partner decide to try and get pregnant via in vitro fertilization\, they wind up travelling to the US for treatments. Tragically\, the couple die there in an accident\, but their embryo remains alive and well — and Aixia is left as its legal guardian. Arriving in New York overwhelmed with grief\, she is faced with the choice to donate\, terminate\, or find a surrogate for the embryo. But after a life spent feeling like she’s fallen short as a mother\, who is she to decide what to do with her deceased daughter’s unborn child? \nExecutive produced by Chang and Taiwanese New Wave luminary Hou Hsiao-hsien\, the film is anchored in tradition while forging brilliant new paths of cinematic storytelling — and chronicling ways that scientific advancements alter our relationship to family and legacy. \n“Taps into universal issues of regret\, acceptance and hope with considerable nuance\, grace and beautiful little details…elegantly explores the blurred lines between selflessness and selfishness\, through a tale of modern motherhood that poses complex questions of responsibility when faced with sorrow.” – Josh Slater-Williams\, IndieWire
URL:https://yeehaw505.com/event/daughters-daughter/2026-01-29/2/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2025/12/Daughters-Daughter.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260129T200000
DTEND;TZID=America/Denver:20260129T200000
DTSTAMP:20260422T023554
CREATED:20260121T175216Z
LAST-MODIFIED:20260121T175216Z
UID:10008288-1769716800-1769716800@yeehaw505.com
SUMMARY:Obex
DESCRIPTION:In pre-internet 1987\, Conor and his dog Sandy live a life of seclusion\, lost in the slow-rendering graphics of early Macs and televisions aglow with late night horror movie marathons. But when he begins playing OBEX\, a new and mysterious\, state-of-the-art computer game\, he finds himself trapped in a low-tech\, but high-stakes analog hellscape as the line between reality and game blurs. \n\n\n\n\n\n\nAudacious and uncanny\, writer-director Albert Birney’s OBEX is a delightfully skewed lo-fi fantasy. Shot in striking black and white\, this surreally nostalgic nightmare revisits the dawn of personal computing to reflect on the loneliness of our always-online present day.
URL:https://yeehaw505.com/event/obex/2026-01-29/2/
LOCATION:Center for Contemporary Arts\, 1050 Old Pecos Trl\, Santa Fe\, NM\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/png:https://yeehaw505.com/wp-content/uploads/2026/01/Obex.png
GEO:35.673965;-105.936827
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Center for Contemporary Arts 1050 Old Pecos Trl Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=1050 Old Pecos Trl:geo:-105.936827,35.673965
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260129T200000
DTEND;TZID=America/Denver:20260129T200000
DTSTAMP:20260422T023554
CREATED:20260121T180352Z
LAST-MODIFIED:20260121T180352Z
UID:10008301-1769716800-1769716800@yeehaw505.com
SUMMARY:The Chronology of Water
DESCRIPTION:Based on the beloved memoir by Lidia Yuknavitch and marking the directorial debut of Kristen Stewart\, The Chronology of Water is a raw and unflinching portrait of survival\, sexuality\, and self-invention. The film traces Lidia’s life from her earliest memories in the Pacific Northwest\, as a promising swimmer\, through fractured relationships\, near-motherhood\, addiction\, and encounters with artistic heroes. Told as a fluid memory wash\, the story transforms trauma into art\, embodying Yuknavitch’s defiant voice that made her work a modern cult classic. It is not only a chronicle of a woman becoming a writer\, but a visceral journey through the wreckage and resilience of a life lived against the grain.
URL:https://yeehaw505.com/event/the-chronology-of-water-2/2026-01-29/2/
LOCATION:Center for Contemporary Arts\, 1050 Old Pecos Trl\, Santa Fe\, NM\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/png:https://yeehaw505.com/wp-content/uploads/2026/01/the-chronology-of-water.png
GEO:35.673965;-105.936827
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Center for Contemporary Arts 1050 Old Pecos Trl Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=1050 Old Pecos Trl:geo:-105.936827,35.673965
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260130T110000
DTEND;TZID=America/Denver:20260130T110000
DTSTAMP:20260422T023554
CREATED:20260128T223425Z
LAST-MODIFIED:20260128T223425Z
UID:10008401-1769770800-1769770800@yeehaw505.com
SUMMARY:Sound of Falling
DESCRIPTION:Four girls\, Alma (1910s)\, Erika (1940s)\, Angelika (1980s)\, and Lenka (2020s) each spend their youth\non the same farm in northern Germany. As the home evolves over a century\, echoes of the past\nlinger in its walls. Though separated by time\, their lives begin to mirror each other\, revealing shared\nsecrets that have been kept hidden.
URL:https://yeehaw505.com/event/sound-of-falling/2026-01-30/1/
LOCATION:Center for Contemporary Arts\, 1050 Old Pecos Trl\, Santa Fe\, NM\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/png:https://yeehaw505.com/wp-content/uploads/2026/01/sound-of-falling.png
GEO:35.673965;-105.936827
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Center for Contemporary Arts 1050 Old Pecos Trl Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=1050 Old Pecos Trl:geo:-105.936827,35.673965
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260130T140000
DTEND;TZID=America/Denver:20260130T140000
DTSTAMP:20260422T023554
CREATED:20260128T221434Z
LAST-MODIFIED:20260128T221434Z
UID:10008387-1769781600-1769781600@yeehaw505.com
SUMMARY:Islands
DESCRIPTION:In this twisty thriller\, a tennis coach at a tropical resort finds himself at the center of a missing persons mystery. Tom (Sam Riley) teaches tennis during the day and parties at night. When an enigmatic tourist (Stacy Martin) arrives\, Tom is unable to shake the feeling he has met her before. Tension and attraction grow\, until her husband (Jack Farthing) disappears\, and the police suspect Tom.
URL:https://yeehaw505.com/event/islands/2026-01-30/1/
LOCATION:Center for Contemporary Arts\, 1050 Old Pecos Trl\, Santa Fe\, NM\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/png:https://yeehaw505.com/wp-content/uploads/2026/01/islands.png
GEO:35.673965;-105.936827
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Center for Contemporary Arts 1050 Old Pecos Trl Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=1050 Old Pecos Trl:geo:-105.936827,35.673965
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260130T140000
DTEND;TZID=America/Denver:20260130T140000
DTSTAMP:20260422T023554
CREATED:20260128T223425Z
LAST-MODIFIED:20260128T223425Z
UID:10008402-1769781600-1769781600@yeehaw505.com
SUMMARY:Sound of Falling
DESCRIPTION:Four girls\, Alma (1910s)\, Erika (1940s)\, Angelika (1980s)\, and Lenka (2020s) each spend their youth\non the same farm in northern Germany. As the home evolves over a century\, echoes of the past\nlinger in its walls. Though separated by time\, their lives begin to mirror each other\, revealing shared\nsecrets that have been kept hidden.
URL:https://yeehaw505.com/event/sound-of-falling/2026-01-30/2/
LOCATION:Center for Contemporary Arts\, 1050 Old Pecos Trl\, Santa Fe\, NM\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/png:https://yeehaw505.com/wp-content/uploads/2026/01/sound-of-falling.png
GEO:35.673965;-105.936827
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Center for Contemporary Arts 1050 Old Pecos Trl Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=1050 Old Pecos Trl:geo:-105.936827,35.673965
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260130T153000
DTEND;TZID=America/Denver:20260130T153000
DTSTAMP:20260422T023554
CREATED:20251223T215914Z
LAST-MODIFIED:20251223T215938Z
UID:10007715-1769787000-1769787000@yeehaw505.com
SUMMARY:The Voice Of Hind Rajab
DESCRIPTION:Dir. Kaouther Ben Hania – 2025 – 89m – Tunisia – In Arabic with English Subtitles – Valid For Punch Cards \n\n\nTunisia’s Official Submission to the Oscars! \nBased on true events\, January 29\, 2024. Red Crescent volunteers receive an emergency call. A 5-year old girl is trapped in a car under fire in Gaza\, pleading for rescue. While trying to keep her on the line\, they do everything they can to get an ambulance to her. Her name was Hind Rajab. \nWinner of the Silver Lion Grand Jury Prize at the Venice Film Festival\, where it received the longest standing ovation in film festival history\, The Voice of Hind Rajab has become one of this year’s most acclaimed titles. The film also won the Audience Award at the San Sebastián Film Festival (with the highest score in festival history)\, the Audience Award for International Feature at Middleburg Film Festival\, and the Silver Hugo Jury Prize at Chicago Film Festival. It has also screened at Toronto International Film Festival\, BFI London\, and AFI Fest\, among others. \n“The most vital film of the decade. An astonishing blend of dramatisation and reality” – GQ \n“No other film this year will get more people talking\, or more people crying. ★★★★★” – BBC \n“A fierce\, vehement piece of work.” – London Eveing Standard
URL:https://yeehaw505.com/event/the-voice-of-hind-rajab/2026-01-30/1/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2025/12/The-Voice-Of-Hind-Rajab.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260130T170000
DTEND;TZID=America/Denver:20260130T170000
DTSTAMP:20260422T023554
CREATED:20260128T223425Z
LAST-MODIFIED:20260128T223425Z
UID:10008403-1769792400-1769792400@yeehaw505.com
SUMMARY:Sound of Falling
DESCRIPTION:Four girls\, Alma (1910s)\, Erika (1940s)\, Angelika (1980s)\, and Lenka (2020s) each spend their youth\non the same farm in northern Germany. As the home evolves over a century\, echoes of the past\nlinger in its walls. Though separated by time\, their lives begin to mirror each other\, revealing shared\nsecrets that have been kept hidden.
URL:https://yeehaw505.com/event/sound-of-falling/2026-01-30/3/
LOCATION:Center for Contemporary Arts\, 1050 Old Pecos Trl\, Santa Fe\, NM\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/png:https://yeehaw505.com/wp-content/uploads/2026/01/sound-of-falling.png
GEO:35.673965;-105.936827
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Center for Contemporary Arts 1050 Old Pecos Trl Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=1050 Old Pecos Trl:geo:-105.936827,35.673965
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260130T173000
DTEND;TZID=America/Denver:20260130T173000
DTSTAMP:20260422T023554
CREATED:20251223T215914Z
LAST-MODIFIED:20251223T215938Z
UID:10007716-1769794200-1769794200@yeehaw505.com
SUMMARY:The Voice Of Hind Rajab
DESCRIPTION:Dir. Kaouther Ben Hania – 2025 – 89m – Tunisia – In Arabic with English Subtitles – Valid For Punch Cards \n\n\nTunisia’s Official Submission to the Oscars! \nBased on true events\, January 29\, 2024. Red Crescent volunteers receive an emergency call. A 5-year old girl is trapped in a car under fire in Gaza\, pleading for rescue. While trying to keep her on the line\, they do everything they can to get an ambulance to her. Her name was Hind Rajab. \nWinner of the Silver Lion Grand Jury Prize at the Venice Film Festival\, where it received the longest standing ovation in film festival history\, The Voice of Hind Rajab has become one of this year’s most acclaimed titles. The film also won the Audience Award at the San Sebastián Film Festival (with the highest score in festival history)\, the Audience Award for International Feature at Middleburg Film Festival\, and the Silver Hugo Jury Prize at Chicago Film Festival. It has also screened at Toronto International Film Festival\, BFI London\, and AFI Fest\, among others. \n“The most vital film of the decade. An astonishing blend of dramatisation and reality” – GQ \n“No other film this year will get more people talking\, or more people crying. ★★★★★” – BBC \n“A fierce\, vehement piece of work.” – London Eveing Standard
URL:https://yeehaw505.com/event/the-voice-of-hind-rajab/2026-01-30/2/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2025/12/The-Voice-Of-Hind-Rajab.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260130T180000
DTEND;TZID=America/Denver:20260130T180000
DTSTAMP:20260422T023554
CREATED:20260107T164054Z
LAST-MODIFIED:20260107T164054Z
UID:10008217-1769796000-1769796000@yeehaw505.com
SUMMARY:Twelve Monkeys
DESCRIPTION:In the year 2035\, convict James Cole reluctantly volunteers to be sent back in time to discover the origin of a deadly virus that wiped out nearly all of the earth’s population and forced the survivors into underground communities. But when Cole is mistakenly sent to 1990 instead of 1996\, he’s arrested and locked up in a mental hospital. There he meets psychiatrist Dr. Kathryn Railly and the son of a famous virus expert who may hold the key to the Army of the 12 Monkeys; thought to be responsible for unleashing the killer disease.
URL:https://yeehaw505.com/event/twelve-monkeys/2026-01-30/
LOCATION:Jean Cocteau Cinema\, 418 Montezuma Ave\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/01/Twelve-Monkeys.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260130T181500
DTEND;TZID=America/Denver:20260130T181500
DTSTAMP:20260422T023554
CREATED:20260128T221434Z
LAST-MODIFIED:20260128T221434Z
UID:10008388-1769796900-1769796900@yeehaw505.com
SUMMARY:Islands
DESCRIPTION:In this twisty thriller\, a tennis coach at a tropical resort finds himself at the center of a missing persons mystery. Tom (Sam Riley) teaches tennis during the day and parties at night. When an enigmatic tourist (Stacy Martin) arrives\, Tom is unable to shake the feeling he has met her before. Tension and attraction grow\, until her husband (Jack Farthing) disappears\, and the police suspect Tom.
URL:https://yeehaw505.com/event/islands/2026-01-30/2/
LOCATION:Center for Contemporary Arts\, 1050 Old Pecos Trl\, Santa Fe\, NM\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/png:https://yeehaw505.com/wp-content/uploads/2026/01/islands.png
GEO:35.673965;-105.936827
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Center for Contemporary Arts 1050 Old Pecos Trl Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=1050 Old Pecos Trl:geo:-105.936827,35.673965
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260130T193000
DTEND;TZID=America/Denver:20260130T193000
DTSTAMP:20260422T023554
CREATED:20251223T221037Z
LAST-MODIFIED:20251223T221037Z
UID:10008088-1769801400-1769801400@yeehaw505.com
SUMMARY:The Chronology Of Water
DESCRIPTION:Dir. Kristen Stewart – 2025 – 128m – Valid For Punch Cards \n\n\nStarring Imogen Poots\, Thora Birch\, Susannah Flood\, Tom Sturridge\, Kim Gordon\, Michael Epp & Jim Belushi! \nBased on the beloved memoir by Lidia Yuknavitch and marking the directorial debut of Kristen Stewart\, The Chronology of Wateris a raw and unflinching portrait of survival\, sexuality\, and self-invention. The film traces Lidia’s life from her earliest memories in the Pacific Northwest\, as a promising swimmer\, through fractured relationships\, near-motherhood\, addiction\, and encounters with artistic heroes. Told as a fluid memory wash\, the story transforms trauma into art\, embodying Yuknavitch’s defiant voice that made her work a modern cult classic. It is not only a chronicle of a woman becoming a writer\, but a visceral journey through the wreckage and resilience of a life lived against the grain. \n“This might be the best film adaptation I’ve ever seen and is a perfect example of why we need more women directing.” – Michelle Kicherer\, Willamette Week \n“Kristen Stewart’s directorial debut is a living\, breathing piece of art. It’s a masterful translation of an impossibly difficult life that\, while deeply dark\, never gives up on the possibility of finding the light.” – Hayley Croke\, Loud and Clear Reviews \n“What makes “Chronology” such a masterful debut is Stewart’s innate understanding of how to translate this idea—of the visceral\, invisible ways that our bodies keep the score—to the screen.” – Isaac Feldberg\, RogerEbert.com
URL:https://yeehaw505.com/event/the-chronology-of-water/2026-01-30/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2025/12/The-Chronology-Of-Water.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260130T194500
DTEND;TZID=America/Denver:20260130T194500
DTSTAMP:20260422T023554
CREATED:20260128T224400Z
LAST-MODIFIED:20260128T224400Z
UID:10008420-1769802300-1769802300@yeehaw505.com
SUMMARY:Sinners
DESCRIPTION:Come out to CCA January 30th – February 2nd to celebrate Black Cinema\, and the film with the most Oscar nominations in Academy history: Ryan Coogler’s Sinners \nTrying to leave their troubled lives behind\, twin brothers return to their hometown to start again\, only to discover that an even greater evil is waiting to welcome them back. \nAbout The Curator: \nAnpa’o Locke is an Afro-Indigenous writer\, filmmaker\, and curator who is Húŋkpapȟa Lakota and Ahtna Dené (Village of Tazlina)\, born in the Standing Rock Nation and now residing in Albuquerque\, New Mexico.She was a 2023 Native Lab Fellow and a 2022 Full Circle Fellow at the Sundance Institute\, where she developed her upcoming short film Kawá\, which follows an Afro-Indigenous teen reconnecting with her Native roots. Anpa’o’s work is dedicated to amplifying Indigenous narratives in cinema. In 2023\, she co-curated Imagining Indigenous Cinema at the UCLA Film & Television Archive. This groundbreaking series highlighted over 40 films by US-based Indigenous artists in the post-Standing Rock era. She has also worked as a writer for PBS Digital Studios’ Sovereign Innovations and as an Associate Producer for Best Case Studios.
URL:https://yeehaw505.com/event/sinners/2026-01-30/
LOCATION:Center for Contemporary Arts\, 1050 Old Pecos Trl\, Santa Fe\, NM\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/01/sinners.jpg
GEO:35.673965;-105.936827
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Center for Contemporary Arts 1050 Old Pecos Trl Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=1050 Old Pecos Trl:geo:-105.936827,35.673965
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260130T200000
DTEND;TZID=America/Denver:20260130T230000
DTSTAMP:20260422T023554
CREATED:20251223T184406Z
LAST-MODIFIED:20251223T184406Z
UID:10007664-1769803200-1769814000@yeehaw505.com
SUMMARY:All Thicc * Psycho & the Girls * The Go Get 'Ems * Pussy Vape
DESCRIPTION:
URL:https://yeehaw505.com/event/all-thicc-psycho-the-girls-the-go-get-ems-pussy-vape/
LOCATION:Launchpad\, 618 Central Ave SW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2025/12/All-Thicc-Psycho-the-Girls-The-Go-Get-Ems-Pussy-Vape.jpg
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DTSTART;TZID=America/Denver:20260130T210000
DTEND;TZID=America/Denver:20260130T210000
DTSTAMP:20260422T023554
CREATED:20260114T184613Z
LAST-MODIFIED:20260114T184613Z
UID:10008253-1769806800-1769806800@yeehaw505.com
SUMMARY:Drugstore Cowboy
DESCRIPTION:Portland\, Oregon\, 1971. Bob Hughes is the charismatic leader of a peculiar quartet\, formed by his wife\, Dianne\, and another couple\, Rick and Nadine\, who skillfully steal from drugstores and hospital medicine cabinets in order to appease their insatiable need for drugs. But neither fun nor luck last forever.
URL:https://yeehaw505.com/event/drugstore-cowboy/2026-01-30/
LOCATION:Jean Cocteau Cinema\, 418 Montezuma Ave\, Santa Fe\, NM\, 87501\, United States
CATEGORIES:Film
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DTSTART;TZID=America/Denver:20260130T223000
DTEND;TZID=America/Denver:20260130T223000
DTSTAMP:20260422T023554
CREATED:20251223T221135Z
LAST-MODIFIED:20251223T221135Z
UID:10008092-1769812200-1769812200@yeehaw505.com
SUMMARY:Godzilla Vs Hedorah (1971)
DESCRIPTION:Dir. Yoshimitsu Banno & Ishirô Honda – 1971 – 85m – Japan – In Japanese with English subtitles – Valid For Punch Cards \n\n\nCONGRATULATIONS TO LOCALS SCUM PIT TOYS ON THEIR UPCOMING NEW LOCATION  (T.B.A SHORTLY) TO SHOP AT!  THIS SCREENING IS MADE POSSIBLE BY THEM! \nIntended to address the crisis levels of pollution in postwar Japan\, Godzilla vs. Hedorah finds the King of the Monsters fighting an alien life form that arrives on Earth and steadily grows by feeding on industrial waste. Director Yoshimitsu Banno infuses the film with equal parts ecological horror\, humorous monster antics\, and sixties psychedelia straight out of San Francisco\, making for a truly unique—and divisive—entry in the series! \n“Banno’s one and only Godzilla film is nothing short of imagination. Enhanced by creative direction and sensorial imagery\, this cinematic and influential experiment has enjoyed a seismic turnaround with fans and critics.” – Paul Lê\, Bloody Disgusting \n“This psychotronic freak-out is one of the best (and oddly least successful) offerings in the Godzilla series.” – Erica Ciccarone\, Nashville Scene
URL:https://yeehaw505.com/event/godzilla-vs-hedorah-1971/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
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