BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Yeehaw505 - ECPv6.15.18//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://yeehaw505.com
X-WR-CALDESC:Events for Yeehaw505
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Denver
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20250309T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20251102T080000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20260308T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20261101T080000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20270314T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20271107T080000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260403T193000
DTEND;TZID=America/Denver:20260403T193000
DTSTAMP:20260409T044817
CREATED:20260207T201509Z
LAST-MODIFIED:20260207T201509Z
UID:10008617-1775244600-1775244600@yeehaw505.com
SUMMARY:Big Richard
DESCRIPTION:Bluegrass band Big Richard makes music for the 21st century’s twisted cultural unease. Their latest album Pet\, is a fierce\, provocative\, rejoinder to what troubles them and the world right now\, which was recorded live to tape in order to capture the fervor of their live shows. \nBig Richard is so much about our energetic delivery\, and so I think it’s been really important for us as a group to figure out how to do that for a record\,” says mandolin and guitar player Bonnie Sims. \n“We made the album all on tape and did it all in these single-shot performances\,” cellist Joy Adams adds. “The collection of songs\, we wanted to take our most hard driving\, heavy hitting songs\, we wanted to craft a banger set list. Like\, if we had a 30-minute set\, what would we put on there that says the most\, and makes people feel the broadest bunch of feelings? And it was all these songs.” \nAdams and Sims both studied music and toured and played extensively before (and outside of) joining Big Richard\, as did the other members of the band: Adams has three degrees in cello\, toured with Darol Anger and Nathaniel Rateliff\, and has recorded for television and film (including the Queen’s Gambit); Sims\, who grew up playing music with her family\, has a degree in commercial music\, with a vocal specialization in yodeling\, toured and recorded extensively with her husband\, Taylor Sims (including a platinum-certified record); fiddler Eve Panning\, who also grew up playing with her family\, studied violin performance and music education\, taught orchestra\, and played in bluegrass bands\, including touring widely with classical group Barrage; and bassist Hazel Royer started out playing music with her dad Eric Royer in the Boston\, MA folk and rock music scene\, and studied at the Berklee College of Music.\nPet\, the band’s sophomore studio album\, was engineered by Mark Anderson and produced by the Big Richard members\, will be released February 5\, 2026 on Signature Sounds. Anchored by staples from the band’s live sets\, the album includes their urgent\, vociferous version of Dave Olney’s anti-capitalist anthem\, “Millionaire\,” and an equally-vehement rendition of the anti-gun violence treatise\, “Red Fox Run\,” written by Cecelia and Andy Thorn (of Leftover Salmon). Both songs are emotionally potent at shows\, and the audience’s anger often palpable; feeling it together as they play is cathartic\, Sims says. \nBig Richard opens Pet full force\, with a blistering medley of Sims’ song\, “It’s Gonna Fall” and the Bill Monroe fiddle tune\, “Old Daingerfield”: “Our air has turned to poison and our water catches flame / You know we’re blowing out the ground under our beds in which we lay / And we’re digging holes we’ll never fill\, the ground shakes to protest / But we just close our minds and eyes and ears\, there ain’t no stopping progress\,” Sims sings about her despair at the destruction of the natural world through fire and flood\, and the fracking wells she sees springing up in Colorado. (At shows\, the band also jibs at Monroe’s infamous habit of claiming credit for all songs written by his band members\, by joking that Sims wrote both tunes.) \n“A lot of the time in our sets\, we like to follow a heavy-hitting song with an instrumental that meets that energy\,” Panning says of tacking “Old Daingerfield” onto the end of “It’s Gonna Fall.” “It feels good to reflect on something for a moment\, or keep going with it\, and keep that energy somewhere.” \nThe band applied the same pressure release system on Pet\, which features two entirely instrumental tracks written by Panning. Comparatively gentle\, “K’s March\,” inspired by a musical phrase Panning’s roommate used to sing around the house\, follows “Millionaire” with a wholesome old-time jam track that lets audiences blow off steam after being wound tight; and later in the album\, “Circus Jerk” (double entendre intended)\, hints at the band’s raunchy stage banter and bluegrass music’s reputation for showoff solos (by giving each band member her\nmoment to rip). \n“We’re in the most musically locked spot we’ve been in thus far\, since I’ve been in the band\, and this album feels like a really good reflection of that\,” says Royer\, who joined in 2023. \nUnapologetically outrageous and provocative\, the band’s name is a wink to the ‘big dick’ energy Big Richard is reclaiming from male bluegrass bands. They’re intent on making audiences laugh and feel a little uncomfortable\, for the sake of making them think\, as well. To that end\, the album’s cover portrays the band dressed in deranged clown outfits and crouching on railroad tracks in front of an oil refinery. And its title track “Pet\,” delivered like a slightly demented circus sound track and written by Adams\, is a rich paean for the people society too often lets fall through the cracks. \n“I wrote it thinking about people who are stuck in circumstances outside of their control\, whether they were born into it or not. That might be childhood trauma or poverty or a chronic health problem\, or something that they didn’t choose\, and they’re just hauling it around with them\,” Adams says. “I think in a deeper sense\, the song is reflective of how many people get lost in the big turning of the world right now.” It’s a sentiment and a sound she doubles down on later on the album with the spooky music box track\, “Holy Holy\,” about religious/childhood trauma and growing up with an addict in the house. \nBig Richard’s power to deliver emotionally evocative music derives in part from their rare make up. Though the album also employs toy piano\, banjo\, and octave mandolin\, the band primarily performs on bass\, mandolin and guitar\, fiddle\, and with Adams on cello\, which adds an extra sonic dimension for bluegrass (though Adams\, who wrote her doctoral dissertation on the history of cello in fiddle music\, says the cello actually predates the bass in string bands). \nStill\, among the strife and intensity\, Pet leaves room for a little sweetness. First with “Alaska\,” a yearning love-song Royer wrote about a crush when she was 16\, and then with a cover of Hank Cochran’s “Make the World Go Away\,” which concludes the album\, and often their live show\, too. At concerts\, the band’s four members descend from the stage\, and play the song clustered together in a clearing in the crowd\, a final act of gathering after an intense show. \n“Our live performances are so raw and so gritty\, and I think that our sound never really flourished in that digital landscape.” Adams says. “[Recording live to tape] we were all in the same room together\, very close together\, with a lot of mic bleed\, etc. And the energy was insane. It felt so good to record this way. Even on the first day\, we were like ‘wow\, this sounds like our band.’ And to do something that’s very real and gritty and has little mistakes in it just feels alive and human.”
URL:https://yeehaw505.com/event/big-richard-2/
LOCATION:Tumbleroot\, 2791 Agua Fria St\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/02/Big-Richard.jpg
GEO:35.664969;-105.993644
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tumbleroot 2791 Agua Fria St Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=2791 Agua Fria St:geo:-105.993644,35.664969
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260329T193000
DTEND;TZID=America/Denver:20260329T193000
DTSTAMP:20260409T044817
CREATED:20260206T211551Z
LAST-MODIFIED:20260206T211551Z
UID:10008578-1774812600-1774812600@yeehaw505.com
SUMMARY:Tejon Street Corner Thieves
DESCRIPTION:Outlaw Alt-Folk group Tejon Street Corner Thieves hails from the Rocky Mountains of Colorado\, bringing new energy to the Bluegrass genre by mingling darker subjects and tones with depth-driven lyricism and performative musicianship.
URL:https://yeehaw505.com/event/tejon-street-corner-thieves/
LOCATION:Tumbleroot\, 2791 Agua Fria St\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/02/Tejon-Street-Corner-Thieves.jpg
GEO:35.664969;-105.993644
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tumbleroot 2791 Agua Fria St Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=2791 Agua Fria St:geo:-105.993644,35.664969
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260328T193000
DTEND;TZID=America/Denver:20260328T193000
DTSTAMP:20260409T044817
CREATED:20260207T201136Z
LAST-MODIFIED:20260207T201136Z
UID:10008615-1774726200-1774726200@yeehaw505.com
SUMMARY:Charlie Parr w/ The Lowest Pair
DESCRIPTION:CHARLIE PARR \nIn the music of Charlie Parr\, there is a sincere conviction and earnest drive to create. The Minnesota-born guitarist\, songwriter\, and interpreter of traditional music has released 19 albums over two decades and has been known to perform up to 275 shows a year. Parr is a folk troubadour in the truest sense: taking to the road between shows\, writing and rewriting songs as he plays\, fueled by a belief that music is eternal and cannot be claimed or adequately explained. The bluesman poet pulls closely from the sights and sounds around him\, his lyrical craftsmanship built by his influences. The sounds from his working-class upbringing—including Folkways legends such as Lead Belly and Woody Guthrie—imbue Parr’s music with stylistic echoes of blues and folk icons of decades past. Parr sees himself merely as a continuer of a folk tradition: “I feel like I stand on a lot of big shoulders\,” he said in an interview. “I hope that I’ve brought a little bit of myself to the music.” \nWith a discography simultaneously transcendental in nature and grounded in roots music\, Charlie Parr is the humble master of the 21st century folk tradition. Parr started recording in Duluth in 2002\, where he lives today. Life in the port town on Lake Superior has a way of bleeding into his work the same way his childhood in Austin\, Minnesota does. Parr self-released his debut album\, Criminals and Sinners\, and did the same for his sophomore album 1922 (2002). With growing popularity abroad\, Parr signed with Red House Records in 2015\, where he recorded break-out albums Stumpjumper (2015) and Dog (2017). Parr’s music has an overwhelming sense of being present and mindful\, and his sound is timeless. \nParr’s mastery of his craft is only more apparent when contextualized within the history of folk tradition of which Parr has dedicated his practice The land and lives around and intersecting with Parr have always influenced him\, from the hills and valleys of Hollandale\, Minnesota to the Depression-era stories from his father. Parr strives to listen to everything: “I don’t see that I’d ever be capable of creating anything if it weren’t for these inspirations and influences\, books and music as well as the weather and random interactions with strangers and animals. So\, the well never runs dry as long as my eyes and ears are open\,” Parr said in a 2020 interview. Before he was even 10 years old Parr was rummaging through his father’s record collection—sometimes drawing dinosaurs on the vinyl sleeves—and listening to country\, folk\, and blues legends\, many of whom are staples in the Folkways catalog. When Parr sings and plays his resonator or 12-string\, you can hear influences like Mance Lipscomb\, Charley Patton\, Spinder John Koerner\, Rev. Gary Davis\, and Dock Boggs. This is especially true in his playing\, when\, after a diagnosis of focal dystonia\, Parr turned to greats like Davis\, Doc Watson\, and Booker White for two-finger picking inspiration. Gifted a 1965 Gibson B-45 12-string by his father\, Parr has never had a formal lesson and learned by to listening records and watching musicians he admired. \nParr’s first album with Smithsonian Folkways\, Last of Better Days Head (2021)\, foregrounded his lyrical craftsmanship and sophisticated bluesman confidence\, with spare production highlighting Parr’s mastery of guitar and elevating his poetry. Last of Better Days Ahead is a portrait of how Parr saw the world in that moment\, reflecting on time and memories that have past while holding an enduring desire to be present. In his 2024 release\, Little Sun\, Parr weaves together stories celebrating music\, community\, and communing with nature. Putting forth an ambitious and raw album that exemplifies the best of Parr’s sound: a blend of the blues and folk traditions he continues to carry with him and the steadfast originality of a poet. \n  \nTHE LOWEST PAIR \n“Kendl Winter and Palmer T. Lee\, both playing guitar and banjo and trading vocals; hers an achingly beautiful distinctive tone that complements his smoky delivery to perfection.” –– Americana UK \n\nThe Lowest Pair has questions. The duo\, made up of Kendl Winter and Palmer T. Lee\, know that we tend to see duality as a problem. We want life to be linear\, working through the dark to finally get to the light. Grief to joy\, despair to hope\, confusion to clarity––not a jangly cycle we can’t escape. But through their incandescent folk songs\, the Lowest Pair often ask: What if we sit with the mess? What if that’s not just more peaceful\, but more magical\, too? \nOn their 8th album Always As Young As We’ll Ever Be\, the Lowest Pair prove that over the last dozen years together\, they’ve become some of modern roots music’s most mesmerizing\, thoughtful purveyors. Produced by Tucker Martine (The Decemberists)\, the 10-track album puts the duo’s stark lyricism\, string-driven arrangements\, and raw compatibility on brilliant display and as a result\, Always As Young As We’ll Ever Be pulses with life. \nThe Lowest Pair’s musicianship is another beautiful testament not just to playing that breathes\, but playing that listens. Winter\, who grew up in Arkansas but has lived in Washington State for the last two decades\, and Lee\, a Minnesota native\, first gained attention as poetic singer-songwriters on banjos. While their family of strings has expanded\, their fundamental approach hasn’t: Respond to sounds and stories the other is making.
URL:https://yeehaw505.com/event/charlie-parr-w-the-lowest-pair/
LOCATION:Tumbleroot\, 2791 Agua Fria St\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/02/Charlie-Parr.jpg
GEO:35.664969;-105.993644
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tumbleroot 2791 Agua Fria St Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=2791 Agua Fria St:geo:-105.993644,35.664969
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260326T193000
DTEND;TZID=America/Denver:20260326T193000
DTSTAMP:20260409T044817
CREATED:20260206T211229Z
LAST-MODIFIED:20260206T211229Z
UID:10008575-1774553400-1774553400@yeehaw505.com
SUMMARY:Arkansauce
DESCRIPTION:The music of Arkansauce calls forth melodies of the Ozark Mountains’ rolling hills and raging rivers with their distinct blend of newgrass. This progressive string quartet features Tom Andersen on bass\, guitarist Zac Archuleta\, Ethan Bush on mandolin\, and Adams Collins on banjo. Their music features improvisational string leads matched with complex melodies\, intriguing rhythms\, and deep thumping bass grooves. Each member sings lead and harmony parts as well as contributes to the lyrics\, which offer authentic\, intelligent songwriting with hard-hitting hooks.
URL:https://yeehaw505.com/event/arkansauce/
LOCATION:Tumbleroot\, 2791 Agua Fria St\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/02/Arkansauce.jpg
GEO:35.664969;-105.993644
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tumbleroot 2791 Agua Fria St Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=2791 Agua Fria St:geo:-105.993644,35.664969
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260315T193000
DTEND;TZID=America/Denver:20260315T193000
DTSTAMP:20260409T044817
CREATED:20260206T210228Z
LAST-MODIFIED:20260206T210228Z
UID:10008568-1773603000-1773603000@yeehaw505.com
SUMMARY:Goodnight\, Texas
DESCRIPTION:Goodnight\, Texas is a band you’ve almost certainly heard by accident somewhere. And now on second look\, you’re deep in their catalog and they’re telling you stories about trapped coal miners and lovebird bank robbers. Banjos and mandolins twinkle. Now you’re seeing Avi Vinocur and Patrick Dyer Wolf and their band live and they’re swelling to a fever pitch\, suddenly singing quiet harmonies off-mic\, and then rocking out again. You’re talking to them at the merch table for a good while and you’re legitimately excited about their new album Signals because\, more than ever before\, it captures the vast dynamic range of the show and blends it with their expansive and intricate songwriting.
URL:https://yeehaw505.com/event/goodnight-texas/
LOCATION:Tumbleroot\, 2791 Agua Fria St\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/02/Goodnight-Texas.jpg
GEO:35.664969;-105.993644
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tumbleroot 2791 Agua Fria St Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=2791 Agua Fria St:geo:-105.993644,35.664969
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260305T193000
DTEND;TZID=America/Denver:20260305T193000
DTSTAMP:20260409T044817
CREATED:20260207T193003Z
LAST-MODIFIED:20260207T193003Z
UID:10008607-1772739000-1772739000@yeehaw505.com
SUMMARY:JMSN
DESCRIPTION:Hailing from Detroit\, Michigan\, JMSN (pronounced jay-muh-sin) has emerged as one of the music industry’s most in-demand performers and producers. \nKnown for unforgettable live shows\, a signature sound\, and striking self-directed visuals\, JMSN has built a consistent career spanning more than a decade. His catalog includes eight studio albums and two live albums\, all created with a fiercely independent\, DIY ethos. A leader in the movement to empower independent artists\, JMSN has earned recognition from legends like Usher and Commodores co-founder Thomas McClary\, and has collaborated with artists including Kendrick Lamar\, Mac Miller\, Ab-Soul\, KAYTRANADA\, and Freddie Gibbs. \nFollowing a world tour of more than 100 shows in support of his latest album Soft Spot\, the project’s soul and energy have resonated widely with fans and industry peers alike. Praised for standout tracks such as “Soft Spot\,” “Love Me\,” and “Cherry Pop\,” the album has sparked viral moments and growing anticipation for what JMSN will create next.
URL:https://yeehaw505.com/event/jmsn/
LOCATION:Tumbleroot\, 2791 Agua Fria St\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/02/JMSN.jpg
GEO:35.664969;-105.993644
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tumbleroot 2791 Agua Fria St Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=2791 Agua Fria St:geo:-105.993644,35.664969
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260220T193000
DTEND;TZID=America/Denver:20260220T193000
DTSTAMP:20260409T044817
CREATED:20260207T191747Z
LAST-MODIFIED:20260207T191747Z
UID:10008605-1771615800-1771615800@yeehaw505.com
SUMMARY:David Ramirez
DESCRIPTION:David Ramirez took a little time to get back to himself\, and now he’s dead set on making music for himself—for the sake of the music\, and nothing else. \n“I love all the records I’ve made in the past\,” says Ramirez. “But in making them\, there was always the thought in the back of my mind of where and what it could get me. I made both creative and business decisions with a goal in mind; a goal that often never came. This time it was all about just the joy of making it\, about having fun with it.” \nThe Austin\, TX-based singer-songwriter—whose career has seen six full-length studio albums\, three EPs\, countless collaborations\, and an illustrious supergroup project in Glorietta—spent a season of rest away from his focus on writing songs. In the wake of the end of a long relationship\, he wanted to prioritize processing his grief as a human\, not as an artist bleeding onto the page. \n“The last thing I wanted was to write a heartbreak record. So I stopped writing altogether\, and I just waited until I saw my heart start coming back to life. I wanted the next thing to be hopeful and sweet and beautiful—a testament to music and my love for it.” \nRamirez’s new record\, All the Not So Gentle Reminders\, is exactly what he was waiting for. The 12-song album is an expansive succession of dreamlike songs that indeed tell his stories—but more than anything\, lean into the possibilities of the trip that music can take us on. “I’ve been a songwriter for a long time. I love words and stories. But this was about music. I wanted the long musical intros and outros [as heard on “Dirty Martini\,” “Twin Sized Beds\,” “A Bigger World\,” and “Dreams Come True”] to contribute to the stories and be a part of them.” \nThe lead track\, “Maybe It Was All a Dream\,” sets this theme of the ethereal and dreamy from the outset. It’s a three-and-a-half-minute musical tour de force—at first\, a simple synth line over a subdued drum machine\, that eventually morphs into a grandiose rollick of organ\, drum rolls\, and electric guitars. All the while\, staticky\, broken voices repeat the almost-haunting coda that gives the record its name. In the end\, this “dream” is interrupted and punctuated by a recording of Ramirez’s own mother saying\, “David… David… it’s time to get up.” \nIn “Deja Voodoo\,” Ramirez questions his own memory\, wondering if he remembers his life as it really was\, or if even the past itself is a dream colored by time and distance. He sings\, “Maybe it was in another life. Maybe it was just a dream. Was it a memory passed down from another? A cosmic sunflare? Or just deja vu?” It’s easy to wonder whether the not-so-gentle reminders are themselves facts\, or just figments of our imagination— something to be trusted or something to move on from and reclaim our lives. \nThe songs for the album were written during a writing getaway David went on for two weeks\, where he holed up at Standard Deluxe—a music venue and art space in the tiny 100-person town of Waverly\, Alabama. His goal was to get out of the noise of Austin for a while\, to be alone\, to get back to writing with the “uninterrupted silence [he had] been missing.” \nAll the Not So Gentle Reminders was recorded at Spectra Studios in Cedar Park\, TX just outside of Austin\, engineered by Charlie Kramsky at the helm. He tapped local staples as the house musicians for the sessions\, including Barbara Frigiere\, Jeff Olson\, James Westley Essary\, and Christopher Boosahda (who also helped to produce the album alongside Ramirez). And in the spirit of the exuberance and joy of the recording\, he also called upon a handful of friends to contribute and sing background vocals throughout the album. \n“It made sense to bring in this group as we were so tight musically and relationally from touring together the last few years. Like all my albums before this I never want to repeat what I’ve previously made. This was no exception. I brought in Boosahda to co-produce because I had never tried my hand at the captain’s wheel\, and I wanted someone experienced and with a different musical background than me to bring some extra shine.” \nThroughout the album\, David tackles memory and dreams\, fleeting romance\, the possibility of something better ahead\, and his own deep appreciation for music and his place in making it. The fact that he considered giving it up altogether—a decision he thankfully didn’t follow through with—All the Not So Gentle Reminders only serves to be that much more impactful as a testament to music and its power. \nMost pointedly in “Music Man\,” he recalls his own turning point as a boy\, listening on a Walkman his father gave him… a fateful turn that led him to where he is today. “So take a look at me now. I’m quite the music man. Take a look at the crowd. We’re all here for the music\, man. It’s the music\, man.” On what is his most ambitious\, lush\, and exuberant record to date\, David is leaning in full-hearted to who he knows he is at his core—and not letting anything else stand in his way. \n“I will always be me. I’ve seen enough of the business to know that chasing its praises will only land me in a world of disappointment and self-doubt. I’m wholly back in my chi and\, fingers crossed\, have the strength to stay.”
URL:https://yeehaw505.com/event/david-ramirez/
LOCATION:Tumbleroot\, 2791 Agua Fria St\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/02/David-Ramirez.jpg
GEO:35.664969;-105.993644
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tumbleroot 2791 Agua Fria St Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=2791 Agua Fria St:geo:-105.993644,35.664969
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260214T193000
DTEND;TZID=America/Denver:20260214T193000
DTSTAMP:20260409T044817
CREATED:20260207T191302Z
LAST-MODIFIED:20260207T191302Z
UID:10008603-1771097400-1771097400@yeehaw505.com
SUMMARY:AJ Lee & Blue Summit
DESCRIPTION:AJ Lee & Blue Summit are an award-winning energetic\, charming\, and technically jaw-dropping band quickly rising on the national roots music scene. Based in Santa Cruz\, California\, the group met as teenagers\, picking and jamming together as kids at local music festivals and jams until one day\, they decided they would be a band. \n“Our roots go really deep\,” explains de facto band leader Lee. “We met when we were young kids… We definitely decided to choose each other as a chosen family band later on in life\, but in a lot of ways it was naturally just like that in the beginning.” \n“It was like one of those late at night things\,” she continued. “We were sitting on a trailer at Grass Valley” at the annual Father’s Day Bluegrass Festival held in the Sierra Nevada foothills –  “Someone said\, ‘All of us right here\, we’re a band now.’ We kind of didn’t take it seriously\, but we were like\, okay\, we’ll be a band!” \nAnd thank goodness they became a band. Their first gigs were local\, small venues\, cafes\, restaurants\, coffee shops\, where they’d play for multiple hours honing their set list and learning shared musical vocabularies. Now\, as they criss-cross the country performing hundreds of shows a year to larger and larger audiences\, you can sense the intention they had back then – to make music together not for just aspirational reasons\, but because it’s fun – and it’s all you want to do as young musicians.
URL:https://yeehaw505.com/event/aj-lee-blue-summit/
LOCATION:Tumbleroot\, 2791 Agua Fria St\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/02/AJ-Lee-Blue-Summit.jpg
GEO:35.664969;-105.993644
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tumbleroot 2791 Agua Fria St Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=2791 Agua Fria St:geo:-105.993644,35.664969
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260211T193000
DTEND;TZID=America/Denver:20260211T193000
DTSTAMP:20260409T044817
CREATED:20260206T223004Z
LAST-MODIFIED:20260206T223004Z
UID:10008601-1770838200-1770838200@yeehaw505.com
SUMMARY:Cyril Neville
DESCRIPTION:CYRIL NEVILLE\, the Uptown Ruler\, brings a lifetime of dreams come true. This two-time grammy winning icon is brilliant and beautiful on stage and in his recorded work. In this new chapter of his creative life\, Cyril levels up even more with new songs\, a fresh perspective on his decares of performance worldwide and a determined eye on the future. As Quint Davis\, fonder and head of the new Orleans Jazz and Heritage Festival watching Mr. Neville perform at the 2025 Jazz Fest Congo Square Stage said\,” He’s still got it.” \nCyril Neville is one of the founding fathers of the New Orleans signature funky soul\, rock jazz sound that has influenced countless artists and entertained millions of fans over his 5- decade career. Mr. Neville is a vocalist\, songwriter\, percussionist\, painter\, cultural icon and activist who richly deserves his Grammy Lifetime Achievement Award. \nBorn in 1948 in New Orleans\, the youngest of the Neville Brothers was raised in a musical household\, with his brothers Aaron\, Art and Charles all making waves on the local musical scene. Their uncle George Landry was Big Chief Jolly of the Wild Tchoupitoulas Mardi Gras Indian Tribe\, and young Cyril cut his teeth singing and playing percussion with the group. At 19\, he joined his brother’s band\, Art Neville and the Neville Sounds\, and released his first single a year later.
URL:https://yeehaw505.com/event/cyril-neville/
LOCATION:Tumbleroot\, 2791 Agua Fria St\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/02/Cyril-Neville.jpg
GEO:35.664969;-105.993644
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tumbleroot 2791 Agua Fria St Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=2791 Agua Fria St:geo:-105.993644,35.664969
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260206T193000
DTEND;TZID=America/Denver:20260206T193000
DTSTAMP:20260409T044817
CREATED:20260206T204736Z
LAST-MODIFIED:20260206T204736Z
UID:10008557-1770406200-1770406200@yeehaw505.com
SUMMARY:The Sadies
DESCRIPTION:Without doubt or qualification\, The Sadies are one of this continent’s greatest extant rock ‘n’ roll bands–just as they have been for the last quarter-century. Versatile and imaginative\, they skip from astral psychedelia to shuffling bucolics and leap from puckish pop to righteous garage-rock without losing momentum or mastery. Their albums deliver masterclasses on pointed songwriting\, lockstep harmonies\, and a devil-may-care attitude to expectations and past successes. With their new album Colder Streams out now\, check out what Shindig Magazine calls “a stone-cold masterpiece.”
URL:https://yeehaw505.com/event/the-sadies/
LOCATION:Tumbleroot\, 2791 Agua Fria St\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/02/The-Sadies.jpg
GEO:35.664969;-105.993644
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tumbleroot 2791 Agua Fria St Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=2791 Agua Fria St:geo:-105.993644,35.664969
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260131T193000
DTEND;TZID=America/Denver:20260131T193000
DTSTAMP:20260409T044817
CREATED:20260103T001451Z
LAST-MODIFIED:20260103T001451Z
UID:10008164-1769887800-1769887800@yeehaw505.com
SUMMARY:Vincent Neil Emerson
DESCRIPTION:w/ William Prince \nVincent Neil Emerson has become a staple among folk and country music fans nationwide\, celebrated for his honest tales of life on the road\, heartbreak\, and struggles of all sorts. His first LP\, Fried Chicken & Evil Women\, from 2019\, established him as a refreshing voice in the modern country music landscape. The songs from that first album were charming and playful songs\, but didn’t reveal the entirety of Emerson’s story. \nOn his brilliant new album\, The Golden Crystal Kingdom\, Emerson transcends the role of a honky-tonk country singer and becomes a chronicler of his history. The album is a bold continuation of the story he tells on Vincent Neil Emerson\, with songs like the title track exploring the feelings he was left with after his days spent playing in Texas honky-tonks and dancehalls\, and the track “The Time of The Rambler\,” inspired by the early days of living in his car and busking on the streets. \nHe was born and partly raised in East Texas\, around his Choctaw-Apache family\, and spent most of his life moving around the state. Raised by a single mother\, he lost his father to suicide when he was nine. Emerson dealt with those feelings of abandonment and loss on his self-titled album\, with the track “Learning to Drown” in particular. \nHis grandmother and grandfather brought the family to Texas when Emerson’s mother was a child\, leaving their ancestral Choctaw-Apache homelands in Louisiana behind to try and build a better life for themselves and their children. Emerson always identified with his Native American roots\, but it wasn’t until 2021’s self-titled album that he examined and tried to shed light on the devastating history of his tribe with the song “Ballad of the Choctaw Apache.” \nSonically\, The Golden Crystal Kingdom finds Emerson expanding his scope into rock and roll territory\, tapping into the storied sounds of folk music gone electric\, and following in the footsteps of artists like Bob Dylan and Neil Young. On the album\, Emerson retains his diamond-sharp storytelling while imbuing the work with a freewheeling rock and roll aesthetic\, creating an album as fun as his live shows and as cathartic as his previous work. \nWith production from Shooter Jennings\, Emerson wanted to establish some sounds as touchstones but emphasized following his own intuition for the aesthetics of his record. “I didn’t really want to model this record after anybody else’s music\, but I’ve been heavily influenced by a lot of old rock and roll music from the sixties and seventies singer-songwriter music\,” Emerson explains. \nThe album wasn’t necessarily created as an opposing force to the country and folk sounds his fans have come to expect\, but he did want to make a record that showcased another side of himself as a writer. He also leaned on friends and collaborators like Jennings\, Steve Earle\, and Rodney Crowell to help him flesh out this album. \nEmerson has been able to call these one-time heroes friends and mentors\, and it is these relationships that have helped the songwriter find his confidence in writing about his personal history and standing up for the causes he believes in. Emerson wrote “Man From Uvalde” after the horrific and tragic mass shooting in the city of Uvalde\, Texas\, and he was initially hesitant to include the track on The Golden Crystal Kingdom. “It’s a daunting thing to try to dive into social issues in songwriting because I wasn’t sure how people would really take it\,” Emerson says. “I recorded a rough demo version of the song\, and I sent it to Steve [Earle]. I just wanted to get his thoughts on it and see if it was worth anything. He got back to me\, and he said he really liked the song and thought it was great. He gave me a few ideas and ways to look at the subject differently\, and it really helped me finish the song. That encouragement gave me the confidence to include it on the album.” \nThe Golden Crystal Kingdom also pays tribute to some of the peers Emerson cut his teeth with in the music scene. He covers the Charley Crockett song\, “Time of the Cottonwood Trees\,” and is quick to pay tribute to his labelmate and dear friend Colter Wall. “Those two had my back since day one. They’ve been some of my biggest supporters\, and they’ve always inspired me to write better songs and encouraged me to pursue this\,” Emerson reflects. “Especially at a time when I was starting out and I didn’t really have a lot of encouragement or even self-confidence to do this\, they were always there for me.” \nAs a kid who grew up in a trailer with a single mother\, went through bouts of homelessness as a young man\, and grinded through countless shows to get where he’s at\, Vincent Neil Emerson is never quick to praise his own work ethic. He always refers to the friends\, family members\, and collaborators who have shown their faith in his vision. \nBut humility doesn’t mean Emerson isn’t one of the hardest working\, most talented songwriters to emerge from the alt-country underground in years. His style is one of a kind\, and his ability to blend tales of the everyman with tributes to his past\, present\, and future make him a peerless songwriter. On The Golden Crystal Kingdom\, Vincent Neil Emerson carries on the torch of his singer-songwriter forebears while infusing the legacy with his unique and thrilling point of view.
URL:https://yeehaw505.com/event/vincent-neil-emerson/
LOCATION:Tumbleroot\, 2791 Agua Fria St\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/01/Vincent-Neil-Emerson.jpg
GEO:35.664969;-105.993644
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tumbleroot 2791 Agua Fria St Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=2791 Agua Fria St:geo:-105.993644,35.664969
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260129T193000
DTEND;TZID=America/Denver:20260129T193000
DTSTAMP:20260409T044817
CREATED:20260103T001234Z
LAST-MODIFIED:20260103T001234Z
UID:10008163-1769715000-1769715000@yeehaw505.com
SUMMARY:Hayes Carll
DESCRIPTION:w/ William Matheny \nHayes Carll isn’t preaching or teaching. He’s not interested in telling the rest of us what to do or think. But he is charting out a personal guide for his life\, quieting the noise\, and sitting with his real voice – the one that’s candid\, consistent\, and often inconvenient. \nWe’re Only Human is Carll’s tenth album. Like his best lyrics\, it is also an understated masterpiece\, an honest snapshot of one man’s confrontation and delight with humanity’s biggest and most intimate questions. Where do we find forgiveness for ourselves and grace for others? How do we hold on to peace of mind and stay present? What can we—and should we––trust? And how can we moor ourselves to\, well\, ourselves\, in the midst of confusing\, trying times? We’re Only Human offers audiences the chance to listen to Carll as he listens to himself. \n“I’ve lived outside of myself for so long\,” Carll admits. “Distractions\, fear\, anxiety\, insecurity\, and the complexity of being human in this world have so often pulled me away from being present or at peace.” \n“I feel like there’s been a voice riding shotgun all my life\, pushing me to do better\, but I’ve struggled to listen to it\,” Carll says. “The idea behind this record was to do the personal work I needed to do\, then codify those lessons in song to serve as sort of breadcrumbs to get me back on the trail if\, and inevitably when\, I get lost again.” \nCarll is more than two decades into a celebrated career. Praise from places such as Pitchfork and the New York Times––the latter of which yoked Carll’s ability to tackle tough issues with wry humor to Bob Dylan––punctuate a resume that includes Americana Music Awards and a Grammy nomination. His songs aren’t safe\, but many of Nashville’s stars have recorded them\, including Kenny Chesney\, Lee Ann Womack\, and Brothers Osborne. As a solo recording artist\, Carll has long-since established himself as one of Americana’s most-played––and most loved––voices. His warm but crackling vocals\, wit\, and heart dance through wordplay that’s always clever\, and never too precious. Through it all\, whenever Carll points a finger\, it’s most often at himself. \nAs We’re Only Human collects moments of Carll figuring out how to be with himself\, the songs feel forthright\, hopeful\, and timely. In today’s onslaught of instant gratification\, rage-baiting headlines\, glorified intolerance\, and falling empathy\, the record is a startling outlier: an artist’s raw\, real-life effort to live well—both with himself and others. Carll embraces private epiphanies\, and shares them with the world\, allowing them to unfold for all to see and share. \nOf course\, We’re Only Human is also art. So while appreciating the motivation and compelling themes driving it will underpin the listener’s experience\, Carll’s album also matters because of the sheer brilliance of its execution. These are songs composed by a writer’s writer\, wielding his considerable skill with precision and beauty. \nThe album’s title track unfolds with plaintive piano and a mantle of grace. Carll sings\, with a calming sincerity\, “We’ll do most anything to avoid the pain / Hiding our hearts and casting the blame / 6\,000 tongues\, but we’re all the same / Ain’t no need to carry that shame / ‘Cause we’re only human.” \nHard-won minutes of quiet clarity inspired some of the record’s most beautiful moments. Accented by bright mandolin and soft\, simple percussion\, “Stay Here a While” captures a peaceful reprieve from a racing mind. “I remember sitting on the couch\, looking out the window\, watching the birds do their thing\,” Carll says with a laugh. “I got lost in their lives for a moment\, and it was such a wonderful feeling because my mind is always going in circles\, seeking excitement\, and frankly\, just thinking about myself. I enjoyed the peace I felt in that moment and I thought\, this is lovely and I’d like to stay in this place.” Carll shared that takeaway with MC Taylor\, aka Hiss Golden Messenger\, who not only could relate\, but helped finish the song. \n“High” offers another invitation to stop and breathe. Opening with a solo horn\, flute\, and stripped down piano\, the track is lovely and sincere\, with Carll’s signature humor hovering comfortably nearby. There are also times when Carll’s sharp wit comes roaring to the foreground. “Progress of Man (Bitcoin and Cattle)” sends up society’s disorienting––and conflicting––forces\, while “Good People (Thank Me)” is a masterclass in comedic timing\, stubborn humanism\, and the untapped potential of gratitude. \nA dogged insistence on acceptance\, both of one’s self and others\, courses through the album— as does Carll’s determination to hold himself accountable. “If I’m judging others\, then I’m not having to look at myself\,” Carll says. “I’m flawed as hell\, judgmental\, and critical of myself and those around me. That’s a loop that feeds itself. But I figure If I can look at myself clear-eyed and acknowledge my own shortcomings\, it might help me have some grace and acceptance for myself and others.” \nIt’s that sort of harmonious duality––embracing one’s self and confessing one’s own mistakes––that solidifies the record’s big-hearted honesty. “The creative process was in large part a self-therapy session. I don’t think that would work if I was only looking at everyone else’s issues\,” Carll says. \nA moving series of grounding vignettes\, realizations\, and self-love roll through “What I Will Be\,” as Carll promises to not compromise himself to fit in. A slow-burning\, blues-tinged standout\, “I Got Away with It” is painful and gorgeous. Brimming with hope\, “One Day” balances the work Carll sees as necessary with the certainty that satisfaction\, contentment\, and peace are reachable by trusting in yourself and the universe. \nFeaturing a parade of Carll’s longtime friends\, album closer “May I Never” is a plea to himself. As Ray Wylie Hubbard\, Shovels & Rope\, Darrell Scott\, Nicole Atkins\, and The Band of Heathens’ Gordy Quist and Ed Jurdi each take verses\, listeners are swept up in a resolute promise to keep after good. “It brings up a lot for me when I hear them singing those lines\,” Carll says. Each of those people – whether they know it or not – have played a part in my story\, and it’s gratifying and humbling to me to have them lend their voices to this song.” \nIn the end\, Carll’s latest album is a lovingly and purposefully written collection of reminders. “I hope other people find something in it\, too” Carll says. “Through it all\, I am trying to stayappreciative\, knowing that I did what I set out to do: write something that can help me navigate this journey with a little more grace and peace.”
URL:https://yeehaw505.com/event/hayes-carll/
LOCATION:Tumbleroot\, 2791 Agua Fria St\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/01/Hayes-Carll.jpg
GEO:35.664969;-105.993644
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tumbleroot 2791 Agua Fria St Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=2791 Agua Fria St:geo:-105.993644,35.664969
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260127T193000
DTEND;TZID=America/Denver:20260127T193000
DTSTAMP:20260409T044817
CREATED:20260103T000933Z
LAST-MODIFIED:20260103T000933Z
UID:10008161-1769542200-1769542200@yeehaw505.com
SUMMARY:William Elliott Whitmore
DESCRIPTION:Born and raised on a small farm in Lee County Iowa\, a love of the land has always been an important part of William Elliott Whitmore’s life. An appreciation for nature and its cycles being taught from an early age. That awareness of birth and death is a constant theme in the songwriting\, through a lens of hopefulness and acceptance. These things unify us as people\, a theme that is often explored in the music. With a banjo\, guitar and kick drum\, Whitmore seeks to convey these ideas. For over twenty years he has traveled the world\, performing everywhere from Rome\, Italy to Rome\, Georgia. He’s played basements\, backyards\, festival stages\, and Carnegie Hall\, and has no plans to stop anytime soon. “Life is hard\, nasty\, and unforgiving at times”\, Whitmore says\, “but it’s beautiful too\, and music can be a reminder of what we all have in common\, a desire to keep putting one foot in front of the other.”
URL:https://yeehaw505.com/event/william-elliott-whitmore/
LOCATION:Tumbleroot\, 2791 Agua Fria St\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/01/William-Elliott-Whitmore.jpg
GEO:35.664969;-105.993644
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tumbleroot 2791 Agua Fria St Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=2791 Agua Fria St:geo:-105.993644,35.664969
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260125T193000
DTEND;TZID=America/Denver:20260125T193000
DTSTAMP:20260409T044817
CREATED:20260102T202223Z
LAST-MODIFIED:20260102T202223Z
UID:10008159-1769369400-1769369400@yeehaw505.com
SUMMARY:Andy Frasco & The U.N.
DESCRIPTION:ANDY FRASCO & THE U.N. \nWith curly tufts of a recognizable Jewfro peeking out from his omnipresent knit cap\, Andy Frasco is a cross between John Belushi’s “Joliet” Jake Blues and Jimmy Buffett. He’s a band-fronting\, songwriting party animal who turns into a swirling rock ‘n’ roll Tasmanian Devil onstage leading his U.N.\, not unlike Bruce Springsteen and the E-Street Band. From switching instruments mid-song to Frasco stagediving into the crowd or kibitzing with them\, an Andy Frasco & The U.N. show is a celebration of inclusivity and tolerance where “You do You” and “let us do us.” \nThe band has grown from playing bars to touring more than 250 days a year all over the country\, with Frasco describing that 15-year journey on Growing Pains\, the group’s landmark 10th studio album and first full-length effort since 2023’s L’Optimist\, showcasing Andy’s growth as a tunesmith in his own right. \nProduced by Frasco himself for the first time\, the collection’s centerpiece is the anthemic “Try Not to Die\,” a glass half-full anthem to seizing the day that combines country twang with an easy island breeze in its affirmative message. \n“Life is Easy\,” featuring bluegrass superstar Billy Strings\, Daniel Donato’s Cosmic Country and co-writer/frequent collaborators Steve Poltz (Rugburns\, Jewel) and Chris Gelbuda (Meghan Trainor)\, is a folk protest anthem. “Swinging for the Fences\,” featuring cameos by G. Love and Eric Krasno (Lettuce\, Tedeschi Trucks Band Soulive)\, is a Motown-flavored paean to dating someone out of your league. The playful “They Call Me Hollywood (But I’m from LA)\,” co-written with frequent partner Kenny Carkeet\, features rapper ProbCause\, while the title track is a sing-song\, hip-hop-influenced rhyme about embracing change and taking it day-to-day. \nFrasco wrote most of Growing Pains in Nashville with his longtime guitarist Shawn Eckels and frequent songwriting partners Chris Gelbuda\, Steve Poltz\, and Andrew Cooney. \n“I came into this life wanting to write songs\,” said Frasco. “It took 15 years\, but I feel I’m starting to get credit for it. My cup is full. I’m really starting to see my dreams come true.”
URL:https://yeehaw505.com/event/andy-frasco-the-u-n/
LOCATION:Tumbleroot\, 2791 Agua Fria St\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/01/Andy-Frasco-The-U.N.jpg
GEO:35.664969;-105.993644
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tumbleroot 2791 Agua Fria St Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=2791 Agua Fria St:geo:-105.993644,35.664969
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260116T193000
DTEND;TZID=America/Denver:20260116T193000
DTSTAMP:20260409T044817
CREATED:20260102T201631Z
LAST-MODIFIED:20260102T201631Z
UID:10008158-1768591800-1768591800@yeehaw505.com
SUMMARY:Madison Cunningham
DESCRIPTION:w/ Ken Pomeroy \nThe Ace Tour \nMADISON CUNNINGHAM \nDepending on the game\, an Ace can be the highest or lowest card\, zero or infinity. A breakup feels similar—one path crumbles\, while all others remain infinitely possible. How do you write about heartbreak when you’re going through it? Ace\, GRAMMY award-winner Madison Cunningham’s third record for Verve Forecast\, tracks every part of it: falling out of love\, having your heart broken\, and then falling in love again. Co-produced by Cunningham and Robbie Lackritz (Feist\, Rilo Kiley\, Bahamas\, Peach Pit)\, the fourteen-track album is honest and full of heart\, even as it breaks. \nAce builds off of the success of Revealer (2022)\, a darkly funny portrait of an artist that won Cunningham her GRAMMY for “Best Folk Album\,” but it is a different record. A slow burn until it wasn’t. It follows a period of writer’s block. On Revealer and her debut album Who Are You Now (2019)\, Cunningham says that she was writing songs about heartbreak\, but they weren’t about her heartbreak. They were sketches\, observations. Cunningham wanted Ace to be emotions first. Heartbreaking and lush and bold. \nCunningham’s first single from Ace\, “My Full Name\,” was released to praise by PASTE who calls the lyrics\, “simultaneously sprawling and intimate\,” recalling “an ancient work of poetry.” On Ace\, which Cunningham serves as co-producer\, she wanted piano to move into the foreground. “I wanted it to feel like a mountain peak\,” says Cunningham\, “I wanted Ace to feel like a mountain we built together.” Ace is a record that feels alive and lush in all the ways Cunningham hoped for when she started writing. It is a record of mastery and honesty. Cunningham loves every single song on it. You can tell. \nKEN POMEROY \nKen Pomeroy will break your heart. She’ll do it with a single line––sometimes\, just one word. The pain begins as an empathetic ache. Then\, as Pomeroy sings her stories\, you begin to see yourself in her hurt and hope. And you realize: We’re in this together. \nPomeroy’s outstretched hand to the wounded manifests as startlingly good songs. Her soprano is comforting––almost sweet––but perhaps most powerful delivering a devastating line. A deft guitarist\, she opts for beds of rootsy strings that can soothe or haunt. But it’s her writing that really shines and stings. \nRaised in Moore\, Oklahoma\, Pomeroy is Cherokee. Her mamaw gave her the name ᎤᏍᏗᏀᏯᏓᎶᏂᎨᎤᏍᏗᎦ\, which means “Little Wolf with Yellow Hair.” Existing in the intersection of past\, present and future; Pomeroy effortlessly channels the ancestral wisdom of her elders and her lived experience through her lyrical and instrumental composition. Writing as a cathartic release culminated in Pomeroy’s new album\, Cruel Joke\, released May 16\, 2025 on Rounder Records. The 12-track indie-folk collection creates a wild but safe space of Pomeroy’s own––a space that\, like 23-year-old Pomeroy herself\, is brutally honest\, proudly Native American\, and undeniably brilliant. \nPeople have noticed. Pomeroy’s “Wall of Death” made its way onto the Twisters soundtrack\, while Hulu’s Reservation Dogs featured her soul-mining gem\, “Cicadas\,” and The Low Down features Pomeroy performing “Bound to Rain.” Tour dates with Lukas Nelson\, Iron & Wine\, I’m With Her\, American Aquarium\, John Moreland and more have followed along with stops at the Newport Folk Festival and Telluride Bluegrass Festival. “A lot of really cool things are happening\, but it hasn’t set in. I haven’t had time to bask in it\,” Pomeroy says. “Even when I started playing music\, I never thought\, ‘I’m a musician. I chose this life.’ I feel like something way above me pointed at me and said\, ‘Okay\, here’s your path.’ And I’ve just been following it kind of blindly ever since.”
URL:https://yeehaw505.com/event/madison-cunningham/
LOCATION:Tumbleroot\, 2791 Agua Fria St\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/01/Madison-Cunningham.jpg
GEO:35.664969;-105.993644
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tumbleroot 2791 Agua Fria St Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=2791 Agua Fria St:geo:-105.993644,35.664969
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260113T193000
DTEND;TZID=America/Denver:20260113T193000
DTSTAMP:20260409T044817
CREATED:20260103T003236Z
LAST-MODIFIED:20260103T003236Z
UID:10008167-1768332600-1768332600@yeehaw505.com
SUMMARY:Rattlesnake Milk
DESCRIPTION:From the southern plains of Texas\, Rattlesnake Milk summons the sound of the prairie\, mimicking the howl of coyotes and the pulsing rhythm of a lonesome junk train. While farming cotton for a family friend\, Lou Lewis found inspiration to record an eight-song demo listening to the classics played on KDAV 1590 AM in the empty flatlands of his hometown. Those demos paid homage to Lou’s favorite Dust Bowl migrant songs and haunted melodic gems from the 50s and 60s. \nNow\, with the help of Corey Alvarez and Andrew Chavez\, Rattlesnake Milk captures the ephemeral soundscape of the Texas panhandle in the studio and on the stage. \nSentimental Family Band is an award-winning country music group based in Austin\, Texas. Known for their meticulous attention to the classic mid-century country sound\, the band’s debut album\, Sweethearts Only\, has been hailed as a modern torchbearer for American roots music.
URL:https://yeehaw505.com/event/rattlesnake-milk/
LOCATION:Tumbleroot\, 2791 Agua Fria St\, Santa Fe\, NM\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/01/Rattlesnake-Milk.jpg
GEO:35.664969;-105.993644
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tumbleroot 2791 Agua Fria St Santa Fe NM United States;X-APPLE-RADIUS=500;X-TITLE=2791 Agua Fria St:geo:-105.993644,35.664969
END:VEVENT
END:VCALENDAR