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DTSTART;TZID=America/Denver:20260626T190000
DTEND;TZID=America/Denver:20260626T190000
DTSTAMP:20260726T210903
CREATED:20260610T212520Z
LAST-MODIFIED:20260610T212520Z
UID:10012078-1782500400-1782500400@yeehaw505.com
SUMMARY:Queer Cinema For Palestine: Shorts Program
DESCRIPTION:Sliding scale tickets:\n$10\, $25\, $50\, $100 – available soon – not Valid for Punch Cards \n\n\nAlbuquerque Tzedek Collective presents: \nQueer Cinema for Palestine: No Pride in Genocide \nQueer Cinema for Palestine (QCP) is a collectively-curated global film festival\, No Pride in Genocide\, a short film program. QCP celebrates queer realities and standing in solidarity with the struggle of the Palestinian people for freedom\, justice\, and dignity. See film program details here. \nThis QCP screening is a fundraiser for mutual aid supporting queer folks locally and in Palestine: Al Qaws for Sexual and Gender Diversity in Palestinian Society (@alqaws_org) and ABQ + Community Fund(@abqpluscommunityfund) a BIPOC trans mutual aid fund. \nAfter party across the street at Tractor Brewing (118 Tulane Dr SE).  Join us for discussion\, community\, and a chance to get rad merch from ABQ Tzedek Collective (@abq.tzedek.collective). \nQueer Cinema for Palestine (QCP) announces No Pride in Genocide\, a global film event\, co-organized by the Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI). The fourth edition of QCP invites grassroots\, solidarity and arts organizations across the world to host screenings of a stellar collectively curated short film program throughout the month of June 2026. \nQueer Cinema for Palestine began as an alternative ethical space for filmmakers who pulled or refused to show their work in the Israeli government-sponsored TLVFest LGBTQ Film Festival. Over the past six years\, hundreds of filmmakers have shown their solidarity in response to the boycott call from queer and trans Palestinians. As Israel continues its genocide and ethnic cleansing in Gaza\, the West Bank\, and across historic Palestine and throughout the region\, we condemn this violence and the might-makes-right order\, and stand in solidarity with Palestinians. \nIsrael continues to attempt to instrumentalize our identities as queer and trans people to justify its genocide against Palestinians\, including murdering\, blackmailing\, and imprisoning queer and trans Palestinians. Accordingly\, QCP will take place during June 2026\, the month that marks Pride in many countries worldwide. We do so to continue our refusal of Israel’s pinkwashing. This year’s program focuses on the work of queer\, Palestinian\, and allied artists\, across locales\, in historic Palestine and the diaspora\, identities\, lengths\, styles and genres to highlight art’s position in resistance and the struggle for liberation. \nAbout our mutual aid recipients  \nAl Qaws for Sexual and Gender Diversity in Palestinian Society (@alqaws_org) is a queer\, feminist\, anti-colonial\, grassroots organization aiming to be at the forefront of Palestinian cultural and social change. The organization works to build LGBTQ+ communities and promote new ideas about the role of gender and sexual diversity in political activism\, civil society institutions\, media\, and everyday life. Their activities include a national hotline supporting trans people\, local community discussion events about sexuality\, and a training program for leaders in Palestinian institutions such as schools\, youth groups\, and human rights organizations. \nThe ABQ+ Community Fund (@abqpluscommunityfund) is a collective of BIPOC trans and queer organizers working in solidarity to support our queer and gender-expansive community of the global majority in the Greater Albuquerque area to survive and thrive. We are the only mutual aid fund in Albuquerque that provides direct cash transfers to BIPOC trans\, queer & gender-expansive individuals to address their self-identified needs. \nEvent Partners \nABQ Mutual Aid \nABQ SURJ (Showing Up for Racial Justice) \nAmong the Rubble Collective \nUNM/Students for Justice in Palestine
URL:https://yeehaw505.com/event/queer-cinema-for-palestine-shorts-program/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Queer-Cinema-For-Palestine-Shorts-Program.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260626T161500
DTEND;TZID=America/Denver:20260626T161500
DTSTAMP:20260726T210903
CREATED:20260526T010344Z
LAST-MODIFIED:20260526T010344Z
UID:10011967-1782490500-1782490500@yeehaw505.com
SUMMARY:Taste Of Cherry (1997)
DESCRIPTION:Dir. Abbas Kiarostami – 1997 – 99m – Iran – In Farsi with English subtitles – Valid for Punch Cards \nWinner of the Palme d’Or at the 1997 Cannes Film Festival\, Iranian auteur Abbas Kiarostami’s _Taste of Cherry_ is an emotionally complex meditation on life and death. Middle-aged Mr. Badii (Homayoun Ershadi) drives through the hilly outskirts of Tehran—searching for someone to rescue or bury him. \n“Attains a kind of haunting mysticism\, profoundly shifting the audience’s perception of reality. It’s Kiarostami’s finest work\, and one of the best films of the 1990s.” – Mattie Lucas\, From the Front Row \n“Confirmed Kiarostami as the most acclaimed director of Iran’s rich film culture…” – Sean Axmaker\, Turner Classic Movies Online \n“Kiarastomi\, like no other filmmaker\, has a vision of human scale that is simultaneously epic and precisely minuscule.” – Stephen Holden\, New York Times
URL:https://yeehaw505.com/event/taste-of-cherry-1997/2026-06-26/2/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Taste-Of-Cherry-1997.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260626T140000
DTEND;TZID=America/Denver:20260626T140000
DTSTAMP:20260726T210903
CREATED:20260526T010344Z
LAST-MODIFIED:20260526T010344Z
UID:10011966-1782482400-1782482400@yeehaw505.com
SUMMARY:Taste Of Cherry (1997)
DESCRIPTION:Dir. Abbas Kiarostami – 1997 – 99m – Iran – In Farsi with English subtitles – Valid for Punch Cards \nWinner of the Palme d’Or at the 1997 Cannes Film Festival\, Iranian auteur Abbas Kiarostami’s _Taste of Cherry_ is an emotionally complex meditation on life and death. Middle-aged Mr. Badii (Homayoun Ershadi) drives through the hilly outskirts of Tehran—searching for someone to rescue or bury him. \n“Attains a kind of haunting mysticism\, profoundly shifting the audience’s perception of reality. It’s Kiarostami’s finest work\, and one of the best films of the 1990s.” – Mattie Lucas\, From the Front Row \n“Confirmed Kiarostami as the most acclaimed director of Iran’s rich film culture…” – Sean Axmaker\, Turner Classic Movies Online \n“Kiarastomi\, like no other filmmaker\, has a vision of human scale that is simultaneously epic and precisely minuscule.” – Stephen Holden\, New York Times
URL:https://yeehaw505.com/event/taste-of-cherry-1997/2026-06-26/1/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Taste-Of-Cherry-1997.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260625T194500
DTEND;TZID=America/Denver:20260625T194500
DTSTAMP:20260726T210903
CREATED:20260610T212428Z
LAST-MODIFIED:20260610T212428Z
UID:10012077-1782416700-1782416700@yeehaw505.com
SUMMARY:Welcome Space Brothers
DESCRIPTION:Dir. Jodi Wille – 2023 – 101m – Valid for Punch Cards \n\n\nBONUS! Both screenings on June 23 will have director Jodi Wille\, Unariun Paula Rich-Greenwood (featured in the film)\, and other production members in-person! \nFrom the director of THE SOURCE FAMILY – this feature documentary is about The Unarius Academy of Science\, an extraterrestrial-channeling spiritual school and selfhealing community established in the 1970s in El Cajon\, California that became a wildly prolific filmmaking collective under the direction of outlandish spiritual leader and filmmaker Ruth E. Norman\, AKA “Archangel Uriel.” \nIn 1975\, Ruth established Unarius Academy of Science in the working-class town of El Cajon\, California with a grand mission: to “polarize planet Earth” with positive energy and help bring about a new golden age for mankind. She was determined to do this by pu!ing a public face on Unarius and taking their extraterrestrial-channeled wisdom teachings to the masses. \nRuth had a vision that 33\,000 benevolent “Space Brothers” would soon land in Southern California and usher in a new golden era for humanity. She was so certain it would happen she waged a $4\,000 bet with an international gambling agency that the aliens would land within a year. She landed on national television. \nDressed in a rainbow cape and gli!er platforms\, “Spaceship Ruthie” and her outlandish proclamations splashed across the pages of major newspapers and tabloid magazines and she was interviewed on shows like CBS EVENING NEWS\, LATE NIGHT WITH DAVID LETTERMAN and REAL PEOPLE. \nAt a time when CLOSE ENCOUNTERS OF THE THIRD KIND and STAR WARS had millions of Americans questioning if Earthlings were the alone inhabitants of the Universe\, Ruth Norman hit the zeitgeist. \n“If I didn’t know Jodi Wille’s film\, WELCOME SPACE BROTHERS\, was a documentary\, I’d swear it was a WTF\, insane\, sci-fi tale of weirdness.’ —Alan Ng\, Film Threat  \n “The best documentary I’ve seen in decades.” —Ma”hew Timpson\, Owner\, Hollywood Cinema\, Auckland\, NZ  \n“With their processionals of costumed aliens\, caveman tableaus\, and fire-breathing monsters\, the viewer wonders if they inspired Alejandro Jodorowsky\, who took the same devotional approach to his film THE HOLY MOUNTAIN (1973).” — Ann McCoy\, Brooklyn Rail \n“…absolutely riveting…“….we see a host of mid-twentieth-century Americans feeling dislocated and lost…craving a sort of creativity\, acceptance\, and love. Ruth Norman\, with her…absolute confidence that the…people she gathered around herself could produce art so powerful it would change the world\, gave it to them.” —Ma”hew Bowman\, Nova Religio  \n“EP (Elijah) Wood says\, “As our first entry into the documentary space\, WELCOME SPACE BROTHERS has all the qualities we look for in a film—compelling characters\, stunning music and visuals and incredible heart. At a time when we humans are examining our relationship to the UFO phenomenon\, its hopeful message is as welcome as the space brothers themselves.” —Ma”hew Carey\, Deadline  \n“As with (Wille’s) previous film THE SOURCE FAMILY…she remains steadfastly nonjudgemental… Where corporate stooge David Le”erman saw Uriel as one zany kook among an endless stream of “talent\,” Wille accepts her as a significant historical figure—a flawed but visionary creative force for good in the world\, deserving of our respect.” —Doug Harvey\, Artillery 
URL:https://yeehaw505.com/event/welcome-space-brothers/2026-06-25/2/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Welcome-Space-Brothers.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260625T173000
DTEND;TZID=America/Denver:20260625T173000
DTSTAMP:20260726T210903
CREATED:20260526T011813Z
LAST-MODIFIED:20260526T011923Z
UID:10011976-1782408600-1782408600@yeehaw505.com
SUMMARY:The 9 Lives Of Barbara Dane
DESCRIPTION:Dir. Maureen Gosling – 2023 – 108m – 7pm screening Not Valid for Punch Cards\, all others are! \nBONUS! The director Maureen Gosling & the producer Jed Riffe will be in person for a short intro and post-screening talk/Q&A at the 7pm screening & possibly the 4:30pm show as well! ALSO\, as part of the WOMEN’S REBEL VOICES FILM AND MUSIC TOUR\, award winning New Mexico singer-songwriter Lara Manzanares will perform before the evening screening! \nFeaturing Bonnie Raitt\, Jane Fonda\, Louis Armstrong\, the Chambers Brothers\, Amy Goodman and more – American history gets a shakeup through the story of a powerhouse blues\, jazz\, folk singer! \nTHE 9 LIVES OF BARBARA DANE reveals the untold story of an often-overlooked artist whose dedication to music and social justice showcases the tireless spirit and spirit at the heart of American activism\, from the 1960s to today. Mentored by Pete Seeger\, discovered by Louis Armstrong\, with Bob Dylan bringing his songs to her and Bonnie Raitt drawing inspiration from her work\, Dane stood at the center of major cultural movements. She launched the career of the Chambers Brothers and helped shape Jane Fonda’s politics\, raising a compelling question: Why isn’t Barbara Dane a household name? The film chronicles a trailblazing woman who chose conscience over fame\, transforming setbacks into opportunities and forging her own path through art. With singular confidence\, Dane emanated the people-powered connectivity of folk\, the defiance of blues\, and the elemental cool of jazz – using music as a force for change and earning a four-inch FBI file along the way. \nTHE 9 LIVES OF BARBARA DANE directed by Maureen Gosling/produced by Jed Riffe\, features a “ravishing cascade” of music and stories.
URL:https://yeehaw505.com/event/the-9-lives-of-barbara-dane/2026-06-25/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/The-9-Lives-Of-Barbara-Dane.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260625T151500
DTEND;TZID=America/Denver:20260625T151500
DTSTAMP:20260726T210903
CREATED:20260610T212428Z
LAST-MODIFIED:20260610T212428Z
UID:10012076-1782400500-1782400500@yeehaw505.com
SUMMARY:Welcome Space Brothers
DESCRIPTION:Dir. Jodi Wille – 2023 – 101m – Valid for Punch Cards \n\n\nBONUS! Both screenings on June 23 will have director Jodi Wille\, Unariun Paula Rich-Greenwood (featured in the film)\, and other production members in-person! \nFrom the director of THE SOURCE FAMILY – this feature documentary is about The Unarius Academy of Science\, an extraterrestrial-channeling spiritual school and selfhealing community established in the 1970s in El Cajon\, California that became a wildly prolific filmmaking collective under the direction of outlandish spiritual leader and filmmaker Ruth E. Norman\, AKA “Archangel Uriel.” \nIn 1975\, Ruth established Unarius Academy of Science in the working-class town of El Cajon\, California with a grand mission: to “polarize planet Earth” with positive energy and help bring about a new golden age for mankind. She was determined to do this by pu!ing a public face on Unarius and taking their extraterrestrial-channeled wisdom teachings to the masses. \nRuth had a vision that 33\,000 benevolent “Space Brothers” would soon land in Southern California and usher in a new golden era for humanity. She was so certain it would happen she waged a $4\,000 bet with an international gambling agency that the aliens would land within a year. She landed on national television. \nDressed in a rainbow cape and gli!er platforms\, “Spaceship Ruthie” and her outlandish proclamations splashed across the pages of major newspapers and tabloid magazines and she was interviewed on shows like CBS EVENING NEWS\, LATE NIGHT WITH DAVID LETTERMAN and REAL PEOPLE. \nAt a time when CLOSE ENCOUNTERS OF THE THIRD KIND and STAR WARS had millions of Americans questioning if Earthlings were the alone inhabitants of the Universe\, Ruth Norman hit the zeitgeist. \n“If I didn’t know Jodi Wille’s film\, WELCOME SPACE BROTHERS\, was a documentary\, I’d swear it was a WTF\, insane\, sci-fi tale of weirdness.’ —Alan Ng\, Film Threat  \n “The best documentary I’ve seen in decades.” —Ma”hew Timpson\, Owner\, Hollywood Cinema\, Auckland\, NZ  \n“With their processionals of costumed aliens\, caveman tableaus\, and fire-breathing monsters\, the viewer wonders if they inspired Alejandro Jodorowsky\, who took the same devotional approach to his film THE HOLY MOUNTAIN (1973).” — Ann McCoy\, Brooklyn Rail \n“…absolutely riveting…“….we see a host of mid-twentieth-century Americans feeling dislocated and lost…craving a sort of creativity\, acceptance\, and love. Ruth Norman\, with her…absolute confidence that the…people she gathered around herself could produce art so powerful it would change the world\, gave it to them.” —Ma”hew Bowman\, Nova Religio  \n“EP (Elijah) Wood says\, “As our first entry into the documentary space\, WELCOME SPACE BROTHERS has all the qualities we look for in a film—compelling characters\, stunning music and visuals and incredible heart. At a time when we humans are examining our relationship to the UFO phenomenon\, its hopeful message is as welcome as the space brothers themselves.” —Ma”hew Carey\, Deadline  \n“As with (Wille’s) previous film THE SOURCE FAMILY…she remains steadfastly nonjudgemental… Where corporate stooge David Le”erman saw Uriel as one zany kook among an endless stream of “talent\,” Wille accepts her as a significant historical figure—a flawed but visionary creative force for good in the world\, deserving of our respect.” —Doug Harvey\, Artillery 
URL:https://yeehaw505.com/event/welcome-space-brothers/2026-06-25/1/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Welcome-Space-Brothers.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260624T194500
DTEND;TZID=America/Denver:20260624T194500
DTSTAMP:20260726T210903
CREATED:20260610T212428Z
LAST-MODIFIED:20260610T212428Z
UID:10012075-1782330300-1782330300@yeehaw505.com
SUMMARY:Welcome Space Brothers
DESCRIPTION:Dir. Jodi Wille – 2023 – 101m – Valid for Punch Cards \n\n\nBONUS! Both screenings on June 23 will have director Jodi Wille\, Unariun Paula Rich-Greenwood (featured in the film)\, and other production members in-person! \nFrom the director of THE SOURCE FAMILY – this feature documentary is about The Unarius Academy of Science\, an extraterrestrial-channeling spiritual school and selfhealing community established in the 1970s in El Cajon\, California that became a wildly prolific filmmaking collective under the direction of outlandish spiritual leader and filmmaker Ruth E. Norman\, AKA “Archangel Uriel.” \nIn 1975\, Ruth established Unarius Academy of Science in the working-class town of El Cajon\, California with a grand mission: to “polarize planet Earth” with positive energy and help bring about a new golden age for mankind. She was determined to do this by pu!ing a public face on Unarius and taking their extraterrestrial-channeled wisdom teachings to the masses. \nRuth had a vision that 33\,000 benevolent “Space Brothers” would soon land in Southern California and usher in a new golden era for humanity. She was so certain it would happen she waged a $4\,000 bet with an international gambling agency that the aliens would land within a year. She landed on national television. \nDressed in a rainbow cape and gli!er platforms\, “Spaceship Ruthie” and her outlandish proclamations splashed across the pages of major newspapers and tabloid magazines and she was interviewed on shows like CBS EVENING NEWS\, LATE NIGHT WITH DAVID LETTERMAN and REAL PEOPLE. \nAt a time when CLOSE ENCOUNTERS OF THE THIRD KIND and STAR WARS had millions of Americans questioning if Earthlings were the alone inhabitants of the Universe\, Ruth Norman hit the zeitgeist. \n“If I didn’t know Jodi Wille’s film\, WELCOME SPACE BROTHERS\, was a documentary\, I’d swear it was a WTF\, insane\, sci-fi tale of weirdness.’ —Alan Ng\, Film Threat  \n “The best documentary I’ve seen in decades.” —Ma”hew Timpson\, Owner\, Hollywood Cinema\, Auckland\, NZ  \n“With their processionals of costumed aliens\, caveman tableaus\, and fire-breathing monsters\, the viewer wonders if they inspired Alejandro Jodorowsky\, who took the same devotional approach to his film THE HOLY MOUNTAIN (1973).” — Ann McCoy\, Brooklyn Rail \n“…absolutely riveting…“….we see a host of mid-twentieth-century Americans feeling dislocated and lost…craving a sort of creativity\, acceptance\, and love. Ruth Norman\, with her…absolute confidence that the…people she gathered around herself could produce art so powerful it would change the world\, gave it to them.” —Ma”hew Bowman\, Nova Religio  \n“EP (Elijah) Wood says\, “As our first entry into the documentary space\, WELCOME SPACE BROTHERS has all the qualities we look for in a film—compelling characters\, stunning music and visuals and incredible heart. At a time when we humans are examining our relationship to the UFO phenomenon\, its hopeful message is as welcome as the space brothers themselves.” —Ma”hew Carey\, Deadline  \n“As with (Wille’s) previous film THE SOURCE FAMILY…she remains steadfastly nonjudgemental… Where corporate stooge David Le”erman saw Uriel as one zany kook among an endless stream of “talent\,” Wille accepts her as a significant historical figure—a flawed but visionary creative force for good in the world\, deserving of our respect.” —Doug Harvey\, Artillery 
URL:https://yeehaw505.com/event/welcome-space-brothers/2026-06-24/2/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Welcome-Space-Brothers.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260624T173000
DTEND;TZID=America/Denver:20260624T173000
DTSTAMP:20260726T210903
CREATED:20260526T011813Z
LAST-MODIFIED:20260526T011923Z
UID:10011975-1782322200-1782322200@yeehaw505.com
SUMMARY:The 9 Lives Of Barbara Dane
DESCRIPTION:Dir. Maureen Gosling – 2023 – 108m – 7pm screening Not Valid for Punch Cards\, all others are! \nBONUS! The director Maureen Gosling & the producer Jed Riffe will be in person for a short intro and post-screening talk/Q&A at the 7pm screening & possibly the 4:30pm show as well! ALSO\, as part of the WOMEN’S REBEL VOICES FILM AND MUSIC TOUR\, award winning New Mexico singer-songwriter Lara Manzanares will perform before the evening screening! \nFeaturing Bonnie Raitt\, Jane Fonda\, Louis Armstrong\, the Chambers Brothers\, Amy Goodman and more – American history gets a shakeup through the story of a powerhouse blues\, jazz\, folk singer! \nTHE 9 LIVES OF BARBARA DANE reveals the untold story of an often-overlooked artist whose dedication to music and social justice showcases the tireless spirit and spirit at the heart of American activism\, from the 1960s to today. Mentored by Pete Seeger\, discovered by Louis Armstrong\, with Bob Dylan bringing his songs to her and Bonnie Raitt drawing inspiration from her work\, Dane stood at the center of major cultural movements. She launched the career of the Chambers Brothers and helped shape Jane Fonda’s politics\, raising a compelling question: Why isn’t Barbara Dane a household name? The film chronicles a trailblazing woman who chose conscience over fame\, transforming setbacks into opportunities and forging her own path through art. With singular confidence\, Dane emanated the people-powered connectivity of folk\, the defiance of blues\, and the elemental cool of jazz – using music as a force for change and earning a four-inch FBI file along the way. \nTHE 9 LIVES OF BARBARA DANE directed by Maureen Gosling/produced by Jed Riffe\, features a “ravishing cascade” of music and stories.
URL:https://yeehaw505.com/event/the-9-lives-of-barbara-dane/2026-06-24/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/The-9-Lives-Of-Barbara-Dane.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260624T151500
DTEND;TZID=America/Denver:20260624T151500
DTSTAMP:20260726T210903
CREATED:20260610T212428Z
LAST-MODIFIED:20260610T212428Z
UID:10012074-1782314100-1782314100@yeehaw505.com
SUMMARY:Welcome Space Brothers
DESCRIPTION:Dir. Jodi Wille – 2023 – 101m – Valid for Punch Cards \n\n\nBONUS! Both screenings on June 23 will have director Jodi Wille\, Unariun Paula Rich-Greenwood (featured in the film)\, and other production members in-person! \nFrom the director of THE SOURCE FAMILY – this feature documentary is about The Unarius Academy of Science\, an extraterrestrial-channeling spiritual school and selfhealing community established in the 1970s in El Cajon\, California that became a wildly prolific filmmaking collective under the direction of outlandish spiritual leader and filmmaker Ruth E. Norman\, AKA “Archangel Uriel.” \nIn 1975\, Ruth established Unarius Academy of Science in the working-class town of El Cajon\, California with a grand mission: to “polarize planet Earth” with positive energy and help bring about a new golden age for mankind. She was determined to do this by pu!ing a public face on Unarius and taking their extraterrestrial-channeled wisdom teachings to the masses. \nRuth had a vision that 33\,000 benevolent “Space Brothers” would soon land in Southern California and usher in a new golden era for humanity. She was so certain it would happen she waged a $4\,000 bet with an international gambling agency that the aliens would land within a year. She landed on national television. \nDressed in a rainbow cape and gli!er platforms\, “Spaceship Ruthie” and her outlandish proclamations splashed across the pages of major newspapers and tabloid magazines and she was interviewed on shows like CBS EVENING NEWS\, LATE NIGHT WITH DAVID LETTERMAN and REAL PEOPLE. \nAt a time when CLOSE ENCOUNTERS OF THE THIRD KIND and STAR WARS had millions of Americans questioning if Earthlings were the alone inhabitants of the Universe\, Ruth Norman hit the zeitgeist. \n“If I didn’t know Jodi Wille’s film\, WELCOME SPACE BROTHERS\, was a documentary\, I’d swear it was a WTF\, insane\, sci-fi tale of weirdness.’ —Alan Ng\, Film Threat  \n “The best documentary I’ve seen in decades.” —Ma”hew Timpson\, Owner\, Hollywood Cinema\, Auckland\, NZ  \n“With their processionals of costumed aliens\, caveman tableaus\, and fire-breathing monsters\, the viewer wonders if they inspired Alejandro Jodorowsky\, who took the same devotional approach to his film THE HOLY MOUNTAIN (1973).” — Ann McCoy\, Brooklyn Rail \n“…absolutely riveting…“….we see a host of mid-twentieth-century Americans feeling dislocated and lost…craving a sort of creativity\, acceptance\, and love. Ruth Norman\, with her…absolute confidence that the…people she gathered around herself could produce art so powerful it would change the world\, gave it to them.” —Ma”hew Bowman\, Nova Religio  \n“EP (Elijah) Wood says\, “As our first entry into the documentary space\, WELCOME SPACE BROTHERS has all the qualities we look for in a film—compelling characters\, stunning music and visuals and incredible heart. At a time when we humans are examining our relationship to the UFO phenomenon\, its hopeful message is as welcome as the space brothers themselves.” —Ma”hew Carey\, Deadline  \n“As with (Wille’s) previous film THE SOURCE FAMILY…she remains steadfastly nonjudgemental… Where corporate stooge David Le”erman saw Uriel as one zany kook among an endless stream of “talent\,” Wille accepts her as a significant historical figure—a flawed but visionary creative force for good in the world\, deserving of our respect.” —Doug Harvey\, Artillery 
URL:https://yeehaw505.com/event/welcome-space-brothers/2026-06-24/1/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Welcome-Space-Brothers.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260623T194500
DTEND;TZID=America/Denver:20260623T194500
DTSTAMP:20260726T210903
CREATED:20260610T212428Z
LAST-MODIFIED:20260610T212428Z
UID:10012073-1782243900-1782243900@yeehaw505.com
SUMMARY:Welcome Space Brothers
DESCRIPTION:Dir. Jodi Wille – 2023 – 101m – Valid for Punch Cards \n\n\nBONUS! Both screenings on June 23 will have director Jodi Wille\, Unariun Paula Rich-Greenwood (featured in the film)\, and other production members in-person! \nFrom the director of THE SOURCE FAMILY – this feature documentary is about The Unarius Academy of Science\, an extraterrestrial-channeling spiritual school and selfhealing community established in the 1970s in El Cajon\, California that became a wildly prolific filmmaking collective under the direction of outlandish spiritual leader and filmmaker Ruth E. Norman\, AKA “Archangel Uriel.” \nIn 1975\, Ruth established Unarius Academy of Science in the working-class town of El Cajon\, California with a grand mission: to “polarize planet Earth” with positive energy and help bring about a new golden age for mankind. She was determined to do this by pu!ing a public face on Unarius and taking their extraterrestrial-channeled wisdom teachings to the masses. \nRuth had a vision that 33\,000 benevolent “Space Brothers” would soon land in Southern California and usher in a new golden era for humanity. She was so certain it would happen she waged a $4\,000 bet with an international gambling agency that the aliens would land within a year. She landed on national television. \nDressed in a rainbow cape and gli!er platforms\, “Spaceship Ruthie” and her outlandish proclamations splashed across the pages of major newspapers and tabloid magazines and she was interviewed on shows like CBS EVENING NEWS\, LATE NIGHT WITH DAVID LETTERMAN and REAL PEOPLE. \nAt a time when CLOSE ENCOUNTERS OF THE THIRD KIND and STAR WARS had millions of Americans questioning if Earthlings were the alone inhabitants of the Universe\, Ruth Norman hit the zeitgeist. \n“If I didn’t know Jodi Wille’s film\, WELCOME SPACE BROTHERS\, was a documentary\, I’d swear it was a WTF\, insane\, sci-fi tale of weirdness.’ —Alan Ng\, Film Threat  \n “The best documentary I’ve seen in decades.” —Ma”hew Timpson\, Owner\, Hollywood Cinema\, Auckland\, NZ  \n“With their processionals of costumed aliens\, caveman tableaus\, and fire-breathing monsters\, the viewer wonders if they inspired Alejandro Jodorowsky\, who took the same devotional approach to his film THE HOLY MOUNTAIN (1973).” — Ann McCoy\, Brooklyn Rail \n“…absolutely riveting…“….we see a host of mid-twentieth-century Americans feeling dislocated and lost…craving a sort of creativity\, acceptance\, and love. Ruth Norman\, with her…absolute confidence that the…people she gathered around herself could produce art so powerful it would change the world\, gave it to them.” —Ma”hew Bowman\, Nova Religio  \n“EP (Elijah) Wood says\, “As our first entry into the documentary space\, WELCOME SPACE BROTHERS has all the qualities we look for in a film—compelling characters\, stunning music and visuals and incredible heart. At a time when we humans are examining our relationship to the UFO phenomenon\, its hopeful message is as welcome as the space brothers themselves.” —Ma”hew Carey\, Deadline  \n“As with (Wille’s) previous film THE SOURCE FAMILY…she remains steadfastly nonjudgemental… Where corporate stooge David Le”erman saw Uriel as one zany kook among an endless stream of “talent\,” Wille accepts her as a significant historical figure—a flawed but visionary creative force for good in the world\, deserving of our respect.” —Doug Harvey\, Artillery 
URL:https://yeehaw505.com/event/welcome-space-brothers/2026-06-23/2/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Welcome-Space-Brothers.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260623T173000
DTEND;TZID=America/Denver:20260623T173000
DTSTAMP:20260726T210903
CREATED:20260526T011813Z
LAST-MODIFIED:20260526T011923Z
UID:10011974-1782235800-1782235800@yeehaw505.com
SUMMARY:The 9 Lives Of Barbara Dane
DESCRIPTION:Dir. Maureen Gosling – 2023 – 108m – 7pm screening Not Valid for Punch Cards\, all others are! \nBONUS! The director Maureen Gosling & the producer Jed Riffe will be in person for a short intro and post-screening talk/Q&A at the 7pm screening & possibly the 4:30pm show as well! ALSO\, as part of the WOMEN’S REBEL VOICES FILM AND MUSIC TOUR\, award winning New Mexico singer-songwriter Lara Manzanares will perform before the evening screening! \nFeaturing Bonnie Raitt\, Jane Fonda\, Louis Armstrong\, the Chambers Brothers\, Amy Goodman and more – American history gets a shakeup through the story of a powerhouse blues\, jazz\, folk singer! \nTHE 9 LIVES OF BARBARA DANE reveals the untold story of an often-overlooked artist whose dedication to music and social justice showcases the tireless spirit and spirit at the heart of American activism\, from the 1960s to today. Mentored by Pete Seeger\, discovered by Louis Armstrong\, with Bob Dylan bringing his songs to her and Bonnie Raitt drawing inspiration from her work\, Dane stood at the center of major cultural movements. She launched the career of the Chambers Brothers and helped shape Jane Fonda’s politics\, raising a compelling question: Why isn’t Barbara Dane a household name? The film chronicles a trailblazing woman who chose conscience over fame\, transforming setbacks into opportunities and forging her own path through art. With singular confidence\, Dane emanated the people-powered connectivity of folk\, the defiance of blues\, and the elemental cool of jazz – using music as a force for change and earning a four-inch FBI file along the way. \nTHE 9 LIVES OF BARBARA DANE directed by Maureen Gosling/produced by Jed Riffe\, features a “ravishing cascade” of music and stories.
URL:https://yeehaw505.com/event/the-9-lives-of-barbara-dane/2026-06-23/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/The-9-Lives-Of-Barbara-Dane.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260623T151500
DTEND;TZID=America/Denver:20260623T151500
DTSTAMP:20260726T210903
CREATED:20260610T212428Z
LAST-MODIFIED:20260610T212428Z
UID:10012072-1782227700-1782227700@yeehaw505.com
SUMMARY:Welcome Space Brothers
DESCRIPTION:Dir. Jodi Wille – 2023 – 101m – Valid for Punch Cards \n\n\nBONUS! Both screenings on June 23 will have director Jodi Wille\, Unariun Paula Rich-Greenwood (featured in the film)\, and other production members in-person! \nFrom the director of THE SOURCE FAMILY – this feature documentary is about The Unarius Academy of Science\, an extraterrestrial-channeling spiritual school and selfhealing community established in the 1970s in El Cajon\, California that became a wildly prolific filmmaking collective under the direction of outlandish spiritual leader and filmmaker Ruth E. Norman\, AKA “Archangel Uriel.” \nIn 1975\, Ruth established Unarius Academy of Science in the working-class town of El Cajon\, California with a grand mission: to “polarize planet Earth” with positive energy and help bring about a new golden age for mankind. She was determined to do this by pu!ing a public face on Unarius and taking their extraterrestrial-channeled wisdom teachings to the masses. \nRuth had a vision that 33\,000 benevolent “Space Brothers” would soon land in Southern California and usher in a new golden era for humanity. She was so certain it would happen she waged a $4\,000 bet with an international gambling agency that the aliens would land within a year. She landed on national television. \nDressed in a rainbow cape and gli!er platforms\, “Spaceship Ruthie” and her outlandish proclamations splashed across the pages of major newspapers and tabloid magazines and she was interviewed on shows like CBS EVENING NEWS\, LATE NIGHT WITH DAVID LETTERMAN and REAL PEOPLE. \nAt a time when CLOSE ENCOUNTERS OF THE THIRD KIND and STAR WARS had millions of Americans questioning if Earthlings were the alone inhabitants of the Universe\, Ruth Norman hit the zeitgeist. \n“If I didn’t know Jodi Wille’s film\, WELCOME SPACE BROTHERS\, was a documentary\, I’d swear it was a WTF\, insane\, sci-fi tale of weirdness.’ —Alan Ng\, Film Threat  \n “The best documentary I’ve seen in decades.” —Ma”hew Timpson\, Owner\, Hollywood Cinema\, Auckland\, NZ  \n“With their processionals of costumed aliens\, caveman tableaus\, and fire-breathing monsters\, the viewer wonders if they inspired Alejandro Jodorowsky\, who took the same devotional approach to his film THE HOLY MOUNTAIN (1973).” — Ann McCoy\, Brooklyn Rail \n“…absolutely riveting…“….we see a host of mid-twentieth-century Americans feeling dislocated and lost…craving a sort of creativity\, acceptance\, and love. Ruth Norman\, with her…absolute confidence that the…people she gathered around herself could produce art so powerful it would change the world\, gave it to them.” —Ma”hew Bowman\, Nova Religio  \n“EP (Elijah) Wood says\, “As our first entry into the documentary space\, WELCOME SPACE BROTHERS has all the qualities we look for in a film—compelling characters\, stunning music and visuals and incredible heart. At a time when we humans are examining our relationship to the UFO phenomenon\, its hopeful message is as welcome as the space brothers themselves.” —Ma”hew Carey\, Deadline  \n“As with (Wille’s) previous film THE SOURCE FAMILY…she remains steadfastly nonjudgemental… Where corporate stooge David Le”erman saw Uriel as one zany kook among an endless stream of “talent\,” Wille accepts her as a significant historical figure—a flawed but visionary creative force for good in the world\, deserving of our respect.” —Doug Harvey\, Artillery 
URL:https://yeehaw505.com/event/welcome-space-brothers/2026-06-23/1/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Welcome-Space-Brothers.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260622T200000
DTEND;TZID=America/Denver:20260622T200000
DTSTAMP:20260726T210903
CREATED:20260610T211629Z
LAST-MODIFIED:20260610T211629Z
UID:10012067-1782158400-1782158400@yeehaw505.com
SUMMARY:Dead Souls
DESCRIPTION:Dir. Alex Cox – 2025 – 88m – Valid for Punch Cards \n\n\nFor his directorial swan song\, Alex Cox (Repo Man\, Straight To Hell) stars in this frontier fable of American greed. Follow mysterious drifter ‘Strindler’ as he scours the West for the names of dead Mexican labourers. \nHere at this border town in 1890\, Strindler – or is it ‘Swindler’? – raises eyebrows when he offers to pay a pretty penny to add to his list of names. Wandering affably from saloon to ranch\, Strindler exercises the old adage that money talks – but sometimes too loudly. Between the town drunk\, hot-headed cowherds and local outlaws\, Strindler soon finds himself tangled up in his own tall tales. \nThe Western fits storied filmmaker Cox as snugly as the black bowler hat he wears throughout Dead Souls\, a loose adaptation of Nikolai Gogol’s 1842 novel of the same name. Pistol duels and crooked officials abound\, and spaghetti Western legend Gianni Garko claims a co-writer credit. But Cox’s idiosyncrasy stands out as the film veers tonally through the picaresque\, dark satire and genre curveballs you won’t expect. \nA meditative\, sincere landscape at the borderlands of the American nightmare: where fortunes rest on a dirty deal\, and legacies are built on blood and gold. \n“Juggling slapstick humour\, political critique\, trigger-happy action and surreal tangents\, Dead Souls is a charmingly eccentric\, mischievous late-career effort from an admirably uncompromising indie auteur.” – The Film Verdict \n“Wild\, original! Dead Souls is funny in that offbeat\, purely Cox kind of way.” – Film Threat \n“A brilliant adaptation of Nikolai Gogol’s 1842 absurdist Russian classic. In what may be his final film\, Alex Cox smartly reconfigures the classic theme of bureaucratic greed in Tsarist Russia into a bold\, timely political Western situated in the borderlands of the 19th-century American West.” – Film International \n“A jauntily odd and surreal love letter to the spaghetti West of the movies\, and a satirical thorn in the flesh of Trumpian politics.” – The Guardian \n“A slow-burn fever dream from a director who never learned how to play it safe.” – Westerns Al’Italiana
URL:https://yeehaw505.com/event/dead-souls/2026-06-22/2/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Dead-Souls.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260622T180000
DTEND;TZID=America/Denver:20260622T180000
DTSTAMP:20260726T210903
CREATED:20260610T211903Z
LAST-MODIFIED:20260610T211903Z
UID:10012070-1782151200-1782151200@yeehaw505.com
SUMMARY:Jinsei
DESCRIPTION:Jinsei\n\n\n\n\n\n\n\nVIEW TRAILER\n\n\n\n\n\n\nJun 20 thru 22\nSat to Mon 6:00pm only!\n\n\nDir. Ryuya Suzuki – 2026 – 93m – Japan – In Japanese with English subtitles – Valid for Punch Cards \n\n\nOur hero (voiced by rapper ACE COOL)\, called by a different name in each chapter of his life\, becomes a J-pop idol\, an outcast\, a leader\, and an oracle in this hundred-year chronicle spanning the past\, present\, and future. Through a chance encounter with a transfer student\, he trains to become an idol\, starting his search for self-identity and a journey toward greatness beyond superstardom. Written\, directed\, edited and entirely hand-drawn by newcomer Ryuya Suzuki over eighteen months\, JINSEI (meaning “life” in Japanese) is an anime tour-de-force that announces Suzuki to the world as a bold new talent in independent animation. \n“For his first feature film\, director Ryuya Suzuki created a masterpiece.” – The Japan Times \n“A fascinating\, compelling debut that shows how exciting the future of Japanese independent animation is.” – Anime News Network \n“A landmark in outsider animation… One of the most unique Japanese anime movies of the 21st century.” – Cinema Daily US
URL:https://yeehaw505.com/event/jinsei/2026-06-22/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Jinsei.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260622T160000
DTEND;TZID=America/Denver:20260622T160000
DTSTAMP:20260726T210903
CREATED:20260610T211629Z
LAST-MODIFIED:20260610T211629Z
UID:10012066-1782144000-1782144000@yeehaw505.com
SUMMARY:Dead Souls
DESCRIPTION:Dir. Alex Cox – 2025 – 88m – Valid for Punch Cards \n\n\nFor his directorial swan song\, Alex Cox (Repo Man\, Straight To Hell) stars in this frontier fable of American greed. Follow mysterious drifter ‘Strindler’ as he scours the West for the names of dead Mexican labourers. \nHere at this border town in 1890\, Strindler – or is it ‘Swindler’? – raises eyebrows when he offers to pay a pretty penny to add to his list of names. Wandering affably from saloon to ranch\, Strindler exercises the old adage that money talks – but sometimes too loudly. Between the town drunk\, hot-headed cowherds and local outlaws\, Strindler soon finds himself tangled up in his own tall tales. \nThe Western fits storied filmmaker Cox as snugly as the black bowler hat he wears throughout Dead Souls\, a loose adaptation of Nikolai Gogol’s 1842 novel of the same name. Pistol duels and crooked officials abound\, and spaghetti Western legend Gianni Garko claims a co-writer credit. But Cox’s idiosyncrasy stands out as the film veers tonally through the picaresque\, dark satire and genre curveballs you won’t expect. \nA meditative\, sincere landscape at the borderlands of the American nightmare: where fortunes rest on a dirty deal\, and legacies are built on blood and gold. \n“Juggling slapstick humour\, political critique\, trigger-happy action and surreal tangents\, Dead Souls is a charmingly eccentric\, mischievous late-career effort from an admirably uncompromising indie auteur.” – The Film Verdict \n“Wild\, original! Dead Souls is funny in that offbeat\, purely Cox kind of way.” – Film Threat \n“A brilliant adaptation of Nikolai Gogol’s 1842 absurdist Russian classic. In what may be his final film\, Alex Cox smartly reconfigures the classic theme of bureaucratic greed in Tsarist Russia into a bold\, timely political Western situated in the borderlands of the 19th-century American West.” – Film International \n“A jauntily odd and surreal love letter to the spaghetti West of the movies\, and a satirical thorn in the flesh of Trumpian politics.” – The Guardian \n“A slow-burn fever dream from a director who never learned how to play it safe.” – Westerns Al’Italiana
URL:https://yeehaw505.com/event/dead-souls/2026-06-22/1/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Dead-Souls.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260621T200000
DTEND;TZID=America/Denver:20260621T200000
DTSTAMP:20260726T210903
CREATED:20260610T211629Z
LAST-MODIFIED:20260610T211629Z
UID:10012065-1782072000-1782072000@yeehaw505.com
SUMMARY:Dead Souls
DESCRIPTION:Dir. Alex Cox – 2025 – 88m – Valid for Punch Cards \n\n\nFor his directorial swan song\, Alex Cox (Repo Man\, Straight To Hell) stars in this frontier fable of American greed. Follow mysterious drifter ‘Strindler’ as he scours the West for the names of dead Mexican labourers. \nHere at this border town in 1890\, Strindler – or is it ‘Swindler’? – raises eyebrows when he offers to pay a pretty penny to add to his list of names. Wandering affably from saloon to ranch\, Strindler exercises the old adage that money talks – but sometimes too loudly. Between the town drunk\, hot-headed cowherds and local outlaws\, Strindler soon finds himself tangled up in his own tall tales. \nThe Western fits storied filmmaker Cox as snugly as the black bowler hat he wears throughout Dead Souls\, a loose adaptation of Nikolai Gogol’s 1842 novel of the same name. Pistol duels and crooked officials abound\, and spaghetti Western legend Gianni Garko claims a co-writer credit. But Cox’s idiosyncrasy stands out as the film veers tonally through the picaresque\, dark satire and genre curveballs you won’t expect. \nA meditative\, sincere landscape at the borderlands of the American nightmare: where fortunes rest on a dirty deal\, and legacies are built on blood and gold. \n“Juggling slapstick humour\, political critique\, trigger-happy action and surreal tangents\, Dead Souls is a charmingly eccentric\, mischievous late-career effort from an admirably uncompromising indie auteur.” – The Film Verdict \n“Wild\, original! Dead Souls is funny in that offbeat\, purely Cox kind of way.” – Film Threat \n“A brilliant adaptation of Nikolai Gogol’s 1842 absurdist Russian classic. In what may be his final film\, Alex Cox smartly reconfigures the classic theme of bureaucratic greed in Tsarist Russia into a bold\, timely political Western situated in the borderlands of the 19th-century American West.” – Film International \n“A jauntily odd and surreal love letter to the spaghetti West of the movies\, and a satirical thorn in the flesh of Trumpian politics.” – The Guardian \n“A slow-burn fever dream from a director who never learned how to play it safe.” – Westerns Al’Italiana
URL:https://yeehaw505.com/event/dead-souls/2026-06-21/2/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Dead-Souls.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260621T180000
DTEND;TZID=America/Denver:20260621T180000
DTSTAMP:20260726T210903
CREATED:20260610T211903Z
LAST-MODIFIED:20260610T211903Z
UID:10012069-1782064800-1782064800@yeehaw505.com
SUMMARY:Jinsei
DESCRIPTION:Jinsei\n\n\n\n\n\n\n\nVIEW TRAILER\n\n\n\n\n\n\nJun 20 thru 22\nSat to Mon 6:00pm only!\n\n\nDir. Ryuya Suzuki – 2026 – 93m – Japan – In Japanese with English subtitles – Valid for Punch Cards \n\n\nOur hero (voiced by rapper ACE COOL)\, called by a different name in each chapter of his life\, becomes a J-pop idol\, an outcast\, a leader\, and an oracle in this hundred-year chronicle spanning the past\, present\, and future. Through a chance encounter with a transfer student\, he trains to become an idol\, starting his search for self-identity and a journey toward greatness beyond superstardom. Written\, directed\, edited and entirely hand-drawn by newcomer Ryuya Suzuki over eighteen months\, JINSEI (meaning “life” in Japanese) is an anime tour-de-force that announces Suzuki to the world as a bold new talent in independent animation. \n“For his first feature film\, director Ryuya Suzuki created a masterpiece.” – The Japan Times \n“A fascinating\, compelling debut that shows how exciting the future of Japanese independent animation is.” – Anime News Network \n“A landmark in outsider animation… One of the most unique Japanese anime movies of the 21st century.” – Cinema Daily US
URL:https://yeehaw505.com/event/jinsei/2026-06-21/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Jinsei.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260621T160000
DTEND;TZID=America/Denver:20260621T160000
DTSTAMP:20260726T210903
CREATED:20260610T211629Z
LAST-MODIFIED:20260610T211629Z
UID:10012064-1782057600-1782057600@yeehaw505.com
SUMMARY:Dead Souls
DESCRIPTION:Dir. Alex Cox – 2025 – 88m – Valid for Punch Cards \n\n\nFor his directorial swan song\, Alex Cox (Repo Man\, Straight To Hell) stars in this frontier fable of American greed. Follow mysterious drifter ‘Strindler’ as he scours the West for the names of dead Mexican labourers. \nHere at this border town in 1890\, Strindler – or is it ‘Swindler’? – raises eyebrows when he offers to pay a pretty penny to add to his list of names. Wandering affably from saloon to ranch\, Strindler exercises the old adage that money talks – but sometimes too loudly. Between the town drunk\, hot-headed cowherds and local outlaws\, Strindler soon finds himself tangled up in his own tall tales. \nThe Western fits storied filmmaker Cox as snugly as the black bowler hat he wears throughout Dead Souls\, a loose adaptation of Nikolai Gogol’s 1842 novel of the same name. Pistol duels and crooked officials abound\, and spaghetti Western legend Gianni Garko claims a co-writer credit. But Cox’s idiosyncrasy stands out as the film veers tonally through the picaresque\, dark satire and genre curveballs you won’t expect. \nA meditative\, sincere landscape at the borderlands of the American nightmare: where fortunes rest on a dirty deal\, and legacies are built on blood and gold. \n“Juggling slapstick humour\, political critique\, trigger-happy action and surreal tangents\, Dead Souls is a charmingly eccentric\, mischievous late-career effort from an admirably uncompromising indie auteur.” – The Film Verdict \n“Wild\, original! Dead Souls is funny in that offbeat\, purely Cox kind of way.” – Film Threat \n“A brilliant adaptation of Nikolai Gogol’s 1842 absurdist Russian classic. In what may be his final film\, Alex Cox smartly reconfigures the classic theme of bureaucratic greed in Tsarist Russia into a bold\, timely political Western situated in the borderlands of the 19th-century American West.” – Film International \n“A jauntily odd and surreal love letter to the spaghetti West of the movies\, and a satirical thorn in the flesh of Trumpian politics.” – The Guardian \n“A slow-burn fever dream from a director who never learned how to play it safe.” – Westerns Al’Italiana
URL:https://yeehaw505.com/event/dead-souls/2026-06-21/1/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Dead-Souls.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260621T130000
DTEND;TZID=America/Denver:20260621T130000
DTSTAMP:20260726T210903
CREATED:20260610T211322Z
LAST-MODIFIED:20260610T211322Z
UID:10012061-1782046800-1782046800@yeehaw505.com
SUMMARY:Through The Olive Trees (1994)
DESCRIPTION:Dir. Abbas Kiarostami – 1994 – 103m – Iran – in Farsi with English subtitles – Valid for Punch Card \n\n\nKiarostami takes meta-narrative gamesmanship to masterful new heights in the final installment of his celebrated Koker trilogy. Unfolding “behind the scenes” of the shooting of the previous film in the series\, And Life Goes On…\, Through the Olive Trees traces the complications that arise when the romantic misfortune of one of the actors—a lovelorn young man who pines for the woman cast as his wife even though\, in real life\, she will have nothing to do with him—creates turmoil on set and leaves the hapless director caught in the middle. An ineffably lovely\, gentle human comedy steeped in the folkways of Iranian village life\, this Pirandellian pastoral peels away layer after layer of artifice as it investigates the elusive\, alchemical relationship between cinema and reality. \n“Brilliantly made\, irresistibly touching.” – Susan Sontag\, Artforum \n“The entries in this multi-layered trilogy are short and sweet\, but when consumed together\, you get an explosion of flavours that only a master chef could put together.” – Wael Khairy\, RogerEbert.com \n“A must-see…” – Jonathan Rosenbaum\, Chicago Reader
URL:https://yeehaw505.com/event/through-the-olive-trees-1994/2026-06-21/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Through-The-Olive-Trees-1994.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260620T223000
DTEND;TZID=America/Denver:20260620T223000
DTSTAMP:20260726T210903
CREATED:20260610T212004Z
LAST-MODIFIED:20260610T212004Z
UID:10012071-1781994600-1781994600@yeehaw505.com
SUMMARY:Anti-film: Remix
DESCRIPTION:Not Valid for Punch Cards\nThe fest goes music-centric so it’s gonna be a night of live bands tune-exploding on our stage! Hello hello hello! \nThe visuals of Anti-Film and live music of local bands collide! \nIntroduction\nHazard Theory – @hazard_theory\nVolume 1.5\nTouch Up – @touchup_officialband\nVolume -0\nNara Visa
URL:https://yeehaw505.com/event/anti-film-remix/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Anti-film-Remix.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260620T200000
DTEND;TZID=America/Denver:20260620T200000
DTSTAMP:20260726T210903
CREATED:20260610T211629Z
LAST-MODIFIED:20260610T211629Z
UID:10012063-1781985600-1781985600@yeehaw505.com
SUMMARY:Dead Souls
DESCRIPTION:Dir. Alex Cox – 2025 – 88m – Valid for Punch Cards \n\n\nFor his directorial swan song\, Alex Cox (Repo Man\, Straight To Hell) stars in this frontier fable of American greed. Follow mysterious drifter ‘Strindler’ as he scours the West for the names of dead Mexican labourers. \nHere at this border town in 1890\, Strindler – or is it ‘Swindler’? – raises eyebrows when he offers to pay a pretty penny to add to his list of names. Wandering affably from saloon to ranch\, Strindler exercises the old adage that money talks – but sometimes too loudly. Between the town drunk\, hot-headed cowherds and local outlaws\, Strindler soon finds himself tangled up in his own tall tales. \nThe Western fits storied filmmaker Cox as snugly as the black bowler hat he wears throughout Dead Souls\, a loose adaptation of Nikolai Gogol’s 1842 novel of the same name. Pistol duels and crooked officials abound\, and spaghetti Western legend Gianni Garko claims a co-writer credit. But Cox’s idiosyncrasy stands out as the film veers tonally through the picaresque\, dark satire and genre curveballs you won’t expect. \nA meditative\, sincere landscape at the borderlands of the American nightmare: where fortunes rest on a dirty deal\, and legacies are built on blood and gold. \n“Juggling slapstick humour\, political critique\, trigger-happy action and surreal tangents\, Dead Souls is a charmingly eccentric\, mischievous late-career effort from an admirably uncompromising indie auteur.” – The Film Verdict \n“Wild\, original! Dead Souls is funny in that offbeat\, purely Cox kind of way.” – Film Threat \n“A brilliant adaptation of Nikolai Gogol’s 1842 absurdist Russian classic. In what may be his final film\, Alex Cox smartly reconfigures the classic theme of bureaucratic greed in Tsarist Russia into a bold\, timely political Western situated in the borderlands of the 19th-century American West.” – Film International \n“A jauntily odd and surreal love letter to the spaghetti West of the movies\, and a satirical thorn in the flesh of Trumpian politics.” – The Guardian \n“A slow-burn fever dream from a director who never learned how to play it safe.” – Westerns Al’Italiana
URL:https://yeehaw505.com/event/dead-souls/2026-06-20/2/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Dead-Souls.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260620T180000
DTEND;TZID=America/Denver:20260620T180000
DTSTAMP:20260726T210903
CREATED:20260610T211903Z
LAST-MODIFIED:20260610T211903Z
UID:10012068-1781978400-1781978400@yeehaw505.com
SUMMARY:Jinsei
DESCRIPTION:Jinsei\n\n\n\n\n\n\n\nVIEW TRAILER\n\n\n\n\n\n\nJun 20 thru 22\nSat to Mon 6:00pm only!\n\n\nDir. Ryuya Suzuki – 2026 – 93m – Japan – In Japanese with English subtitles – Valid for Punch Cards \n\n\nOur hero (voiced by rapper ACE COOL)\, called by a different name in each chapter of his life\, becomes a J-pop idol\, an outcast\, a leader\, and an oracle in this hundred-year chronicle spanning the past\, present\, and future. Through a chance encounter with a transfer student\, he trains to become an idol\, starting his search for self-identity and a journey toward greatness beyond superstardom. Written\, directed\, edited and entirely hand-drawn by newcomer Ryuya Suzuki over eighteen months\, JINSEI (meaning “life” in Japanese) is an anime tour-de-force that announces Suzuki to the world as a bold new talent in independent animation. \n“For his first feature film\, director Ryuya Suzuki created a masterpiece.” – The Japan Times \n“A fascinating\, compelling debut that shows how exciting the future of Japanese independent animation is.” – Anime News Network \n“A landmark in outsider animation… One of the most unique Japanese anime movies of the 21st century.” – Cinema Daily US
URL:https://yeehaw505.com/event/jinsei/2026-06-20/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Jinsei.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260620T160000
DTEND;TZID=America/Denver:20260620T160000
DTSTAMP:20260726T210903
CREATED:20260610T211629Z
LAST-MODIFIED:20260610T211629Z
UID:10012062-1781971200-1781971200@yeehaw505.com
SUMMARY:Dead Souls
DESCRIPTION:Dir. Alex Cox – 2025 – 88m – Valid for Punch Cards \n\n\nFor his directorial swan song\, Alex Cox (Repo Man\, Straight To Hell) stars in this frontier fable of American greed. Follow mysterious drifter ‘Strindler’ as he scours the West for the names of dead Mexican labourers. \nHere at this border town in 1890\, Strindler – or is it ‘Swindler’? – raises eyebrows when he offers to pay a pretty penny to add to his list of names. Wandering affably from saloon to ranch\, Strindler exercises the old adage that money talks – but sometimes too loudly. Between the town drunk\, hot-headed cowherds and local outlaws\, Strindler soon finds himself tangled up in his own tall tales. \nThe Western fits storied filmmaker Cox as snugly as the black bowler hat he wears throughout Dead Souls\, a loose adaptation of Nikolai Gogol’s 1842 novel of the same name. Pistol duels and crooked officials abound\, and spaghetti Western legend Gianni Garko claims a co-writer credit. But Cox’s idiosyncrasy stands out as the film veers tonally through the picaresque\, dark satire and genre curveballs you won’t expect. \nA meditative\, sincere landscape at the borderlands of the American nightmare: where fortunes rest on a dirty deal\, and legacies are built on blood and gold. \n“Juggling slapstick humour\, political critique\, trigger-happy action and surreal tangents\, Dead Souls is a charmingly eccentric\, mischievous late-career effort from an admirably uncompromising indie auteur.” – The Film Verdict \n“Wild\, original! Dead Souls is funny in that offbeat\, purely Cox kind of way.” – Film Threat \n“A brilliant adaptation of Nikolai Gogol’s 1842 absurdist Russian classic. In what may be his final film\, Alex Cox smartly reconfigures the classic theme of bureaucratic greed in Tsarist Russia into a bold\, timely political Western situated in the borderlands of the 19th-century American West.” – Film International \n“A jauntily odd and surreal love letter to the spaghetti West of the movies\, and a satirical thorn in the flesh of Trumpian politics.” – The Guardian \n“A slow-burn fever dream from a director who never learned how to play it safe.” – Westerns Al’Italiana
URL:https://yeehaw505.com/event/dead-souls/2026-06-20/1/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Dead-Souls.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260620T130000
DTEND;TZID=America/Denver:20260620T130000
DTSTAMP:20260726T210903
CREATED:20260610T211322Z
LAST-MODIFIED:20260610T211322Z
UID:10012060-1781960400-1781960400@yeehaw505.com
SUMMARY:Through The Olive Trees (1994)
DESCRIPTION:Dir. Abbas Kiarostami – 1994 – 103m – Iran – in Farsi with English subtitles – Valid for Punch Card \n\n\nKiarostami takes meta-narrative gamesmanship to masterful new heights in the final installment of his celebrated Koker trilogy. Unfolding “behind the scenes” of the shooting of the previous film in the series\, And Life Goes On…\, Through the Olive Trees traces the complications that arise when the romantic misfortune of one of the actors—a lovelorn young man who pines for the woman cast as his wife even though\, in real life\, she will have nothing to do with him—creates turmoil on set and leaves the hapless director caught in the middle. An ineffably lovely\, gentle human comedy steeped in the folkways of Iranian village life\, this Pirandellian pastoral peels away layer after layer of artifice as it investigates the elusive\, alchemical relationship between cinema and reality. \n“Brilliantly made\, irresistibly touching.” – Susan Sontag\, Artforum \n“The entries in this multi-layered trilogy are short and sweet\, but when consumed together\, you get an explosion of flavours that only a master chef could put together.” – Wael Khairy\, RogerEbert.com \n“A must-see…” – Jonathan Rosenbaum\, Chicago Reader
URL:https://yeehaw505.com/event/through-the-olive-trees-1994/2026-06-20/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Through-The-Olive-Trees-1994.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260620T113000
DTEND;TZID=America/Denver:20260630T113000
DTSTAMP:20260726T210903
CREATED:20260610T211144Z
LAST-MODIFIED:20260610T211144Z
UID:10012059-1781955000-1782819000@yeehaw505.com
SUMMARY:Kicked Pilot Screening
DESCRIPTION:Dir. Julian Gowdy – 2026 – 33m \n\n\nA FUNDRAISER! \nCortez\, a struggling twenty-something\, inherits her late brother’s sneaker inventory after his mysterious death. Heartbroken and searching for answers\, she feels the weight of his legacy as she navigates her new reality. Dreaming big\, she makes a bold move by buying 100 unreleased sneakers. But instead of being ‘hypebeast\,’ her inventory is more ‘has-been’. Determined to turn a profit\, Cortez embarks on a wild adventure through the chaotic sneaker and influencer culture.
URL:https://yeehaw505.com/event/kicked-pilot-screening/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Kicked-Pilot-Screening.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260619T223000
DTEND;TZID=America/Denver:20260619T223000
DTSTAMP:20260726T210903
CREATED:20260610T210849Z
LAST-MODIFIED:20260610T210849Z
UID:10012058-1781908200-1781908200@yeehaw505.com
SUMMARY:Blue Velvet (1986)
DESCRIPTION:Dir. David Lynch – 1986 – 120m – Not Valid for Punch Cards \n\n\nJoin New Mexico Entertainment for their special screening of Blue Velvet for the 40th Anniversary. Earlybird presale tickets have the chance to win door prizes from local businesses and organizations around town\, including Bubonicon\, and guaranteed seating. ONLY 59 PRESALE TICKETS ARE AVAILABLE – THE REMINDER AT THE BOX OFFICE WINDOW WILL BE SOLD STARTING 10:00PM \n! \nBlue Velvet is a dark mystery thriller by David Lynch that explores the sinister underbelly of small-town America\, as a young man’s discovery of a severed ear draws him into a world of danger\, desire\, and moral decay. \nNME MOVIE NIGHT IS A LIMITED-SEAT EVENT. It is STRONGLY ENCOURAGED that you arrive NO LATER THAN 20 MINUTES BEFORE THE SHOW to choose your seats and have time to grab something at concessions. Thank you! \nTICKETS ARE NON-REFUNDABLE.  Please bring your payment receipt with your current state ID and check in at the Guild Box Office 20 minutes before the show. If you do not have your receipt\, please make sure you have your ID. If we have a sold-out performance or event\, tickets are subject to be released for resale to those on the standby list if you have not checked ten minutes after the show starts. Thank you for your punctuality!
URL:https://yeehaw505.com/event/blue-velvet-1986/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Blue-Velvet-1986.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260619T193000
DTEND;TZID=America/Denver:20260619T193000
DTSTAMP:20260726T210903
CREATED:20260610T210638Z
LAST-MODIFIED:20260610T210638Z
UID:10012057-1781897400-1781897400@yeehaw505.com
SUMMARY:Wattstax (1973)
DESCRIPTION:Dir. Mel Stuart – 1973 – 107m – Valid for Punch Cards \n\n\nA JUNETEENTH SPECIAL\, COME JOIN US FOR THIS INCREDIBLE 70s DOC/CONCERT FILM! \n“Whatcha See Is Whatcha Get” says the opening song. Wattstax\, the dynamic film of the 1972 Los Angeles event attended by over 100 \,000 concertgoers and first billed as the “black Woodstock\,” gets ya plenty. Its performances burn with vitality. Its forays into the neighborhood are a time capsule of pride and pain. And the Richard Pryor comedy riffs that provide the film’s running commentary are a treasure all by themselves. New generations can now experience the film’s infamous lost ending performances by Isaac Hayes.  Funk\, R & B\, Gospel\, Blues\, Soul – whatever your groove is\, it’s here\, with a sparkling\, remastered soundtrack. You haven’t gotten down till you’ve flapped to “Do the Funky Chicken.” Spread your wings! \n“Once In a while\, a muslc-oriented film can transcend the ordinary and become a chronicle of a social mood instead of an on-film record of a concert. It was that way with Monterey Pop and Woodstock; it Is that way with WATTSTAX.” – John Weisman\, Detroit Free Press \n“It’s a rich tapestry incorporating documentary footage — the ’65 riots\, interviews with Watts residents talking about being black in America — that puts its musical performances (staged by Melvin Van Peebles) in a broad social context.” – David P. Schwartz\, Chicago Reader
URL:https://yeehaw505.com/event/wattstax-1973/2026-06-19/3/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Wattstax-1973.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260619T171500
DTEND;TZID=America/Denver:20260619T171500
DTSTAMP:20260726T210903
CREATED:20260610T210638Z
LAST-MODIFIED:20260610T210638Z
UID:10012056-1781889300-1781889300@yeehaw505.com
SUMMARY:Wattstax (1973)
DESCRIPTION:Dir. Mel Stuart – 1973 – 107m – Valid for Punch Cards \n\n\nA JUNETEENTH SPECIAL\, COME JOIN US FOR THIS INCREDIBLE 70s DOC/CONCERT FILM! \n“Whatcha See Is Whatcha Get” says the opening song. Wattstax\, the dynamic film of the 1972 Los Angeles event attended by over 100 \,000 concertgoers and first billed as the “black Woodstock\,” gets ya plenty. Its performances burn with vitality. Its forays into the neighborhood are a time capsule of pride and pain. And the Richard Pryor comedy riffs that provide the film’s running commentary are a treasure all by themselves. New generations can now experience the film’s infamous lost ending performances by Isaac Hayes.  Funk\, R & B\, Gospel\, Blues\, Soul – whatever your groove is\, it’s here\, with a sparkling\, remastered soundtrack. You haven’t gotten down till you’ve flapped to “Do the Funky Chicken.” Spread your wings! \n“Once In a while\, a muslc-oriented film can transcend the ordinary and become a chronicle of a social mood instead of an on-film record of a concert. It was that way with Monterey Pop and Woodstock; it Is that way with WATTSTAX.” – John Weisman\, Detroit Free Press \n“It’s a rich tapestry incorporating documentary footage — the ’65 riots\, interviews with Watts residents talking about being black in America — that puts its musical performances (staged by Melvin Van Peebles) in a broad social context.” – David P. Schwartz\, Chicago Reader
URL:https://yeehaw505.com/event/wattstax-1973/2026-06-19/2/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Wattstax-1973.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260619T150000
DTEND;TZID=America/Denver:20260619T150000
DTSTAMP:20260726T210903
CREATED:20260610T210638Z
LAST-MODIFIED:20260610T210638Z
UID:10012055-1781881200-1781881200@yeehaw505.com
SUMMARY:Wattstax (1973)
DESCRIPTION:Dir. Mel Stuart – 1973 – 107m – Valid for Punch Cards \n\n\nA JUNETEENTH SPECIAL\, COME JOIN US FOR THIS INCREDIBLE 70s DOC/CONCERT FILM! \n“Whatcha See Is Whatcha Get” says the opening song. Wattstax\, the dynamic film of the 1972 Los Angeles event attended by over 100 \,000 concertgoers and first billed as the “black Woodstock\,” gets ya plenty. Its performances burn with vitality. Its forays into the neighborhood are a time capsule of pride and pain. And the Richard Pryor comedy riffs that provide the film’s running commentary are a treasure all by themselves. New generations can now experience the film’s infamous lost ending performances by Isaac Hayes.  Funk\, R & B\, Gospel\, Blues\, Soul – whatever your groove is\, it’s here\, with a sparkling\, remastered soundtrack. You haven’t gotten down till you’ve flapped to “Do the Funky Chicken.” Spread your wings! \n“Once In a while\, a muslc-oriented film can transcend the ordinary and become a chronicle of a social mood instead of an on-film record of a concert. It was that way with Monterey Pop and Woodstock; it Is that way with WATTSTAX.” – John Weisman\, Detroit Free Press \n“It’s a rich tapestry incorporating documentary footage — the ’65 riots\, interviews with Watts residents talking about being black in America — that puts its musical performances (staged by Melvin Van Peebles) in a broad social context.” – David P. Schwartz\, Chicago Reader
URL:https://yeehaw505.com/event/wattstax-1973/2026-06-19/1/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Wattstax-1973.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260618T130000
DTEND;TZID=America/Denver:20260618T130000
DTSTAMP:20260726T210903
CREATED:20260610T210415Z
LAST-MODIFIED:20260610T210415Z
UID:10012054-1781787600-1781787600@yeehaw505.com
SUMMARY:Satantango (1994)
DESCRIPTION:Dir. Béla Tarr – 1994 – 439 – Hungary – In Hungarian with English subtitles – Valid for Punch Cards \n\n\nAMERICAN CINEMATHEQUE’S BLEAK WEEK:  CINEMA OF DISPAIR  IS HERE!  AS ONE OF OVER A HUNDRED PARTICIPATING  MOVIE THEATERS AROUND THE WORLD\, WE’RE OFFERING UP FIVE DOUBLE FEATURES  (WERCKMEISTER HARMONIES / COME & SEE\, IN A YEAR OF 13 MOONS / STROCZEK\, CHRISTIANE F. / AU HASARD BALTHAZAR) & THIS CLOSING 7 PLUS HOUR  BELA TAR MONUMENTAL FEATURE! \nAfter an unexpected financial windfall\, the members of a rugged agricultural collective leave their village and set out across a barren and unforgiving landscape in the hopes of a better life. As some of the villagers secretly conspire to take off with all the money\, a mysterious and messianic character\, long thought dead\, returns and alters the course of everyone’s lives. One of the greatest achievements in late twentieth century art house cinema and a seminal work of “slow cinema\,” Sátántangó has been restored in 4K from the original 35mm camera negative. \n“Never less than mesmerizing” – Manohla Dargis\, The New York Times \n“His magnum opus Tarr’s imaginative universe is entirely his own” – Jonathan Romney\, The Guardian \n“[Béla Tarr is] one of cinema’s most adventurous artists\, and his films\, like Sátántangó and The Turin Horse are truly experiences that you absorb\, and that keep developing in the mind” – Martin Scorsese \n“Devastating\, enthralling for every minute of its seven hours. I’d be glad to see it every year for the rest of my life” – Susan Sontag
URL:https://yeehaw505.com/event/satantango-1994/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Satantango-1994.webp
END:VEVENT
END:VCALENDAR