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DTSTART;TZID=America/Denver:20260620T200000
DTEND;TZID=America/Denver:20260620T200000
DTSTAMP:20260728T002050
CREATED:20260610T211629Z
LAST-MODIFIED:20260610T211629Z
UID:10012063-1781985600-1781985600@yeehaw505.com
SUMMARY:Dead Souls
DESCRIPTION:Dir. Alex Cox – 2025 – 88m – Valid for Punch Cards \n\n\nFor his directorial swan song\, Alex Cox (Repo Man\, Straight To Hell) stars in this frontier fable of American greed. Follow mysterious drifter ‘Strindler’ as he scours the West for the names of dead Mexican labourers. \nHere at this border town in 1890\, Strindler – or is it ‘Swindler’? – raises eyebrows when he offers to pay a pretty penny to add to his list of names. Wandering affably from saloon to ranch\, Strindler exercises the old adage that money talks – but sometimes too loudly. Between the town drunk\, hot-headed cowherds and local outlaws\, Strindler soon finds himself tangled up in his own tall tales. \nThe Western fits storied filmmaker Cox as snugly as the black bowler hat he wears throughout Dead Souls\, a loose adaptation of Nikolai Gogol’s 1842 novel of the same name. Pistol duels and crooked officials abound\, and spaghetti Western legend Gianni Garko claims a co-writer credit. But Cox’s idiosyncrasy stands out as the film veers tonally through the picaresque\, dark satire and genre curveballs you won’t expect. \nA meditative\, sincere landscape at the borderlands of the American nightmare: where fortunes rest on a dirty deal\, and legacies are built on blood and gold. \n“Juggling slapstick humour\, political critique\, trigger-happy action and surreal tangents\, Dead Souls is a charmingly eccentric\, mischievous late-career effort from an admirably uncompromising indie auteur.” – The Film Verdict \n“Wild\, original! Dead Souls is funny in that offbeat\, purely Cox kind of way.” – Film Threat \n“A brilliant adaptation of Nikolai Gogol’s 1842 absurdist Russian classic. In what may be his final film\, Alex Cox smartly reconfigures the classic theme of bureaucratic greed in Tsarist Russia into a bold\, timely political Western situated in the borderlands of the 19th-century American West.” – Film International \n“A jauntily odd and surreal love letter to the spaghetti West of the movies\, and a satirical thorn in the flesh of Trumpian politics.” – The Guardian \n“A slow-burn fever dream from a director who never learned how to play it safe.” – Westerns Al’Italiana
URL:https://yeehaw505.com/event/dead-souls/2026-06-20/2/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Dead-Souls.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260620T180000
DTEND;TZID=America/Denver:20260620T180000
DTSTAMP:20260728T002050
CREATED:20260610T211903Z
LAST-MODIFIED:20260610T211903Z
UID:10012068-1781978400-1781978400@yeehaw505.com
SUMMARY:Jinsei
DESCRIPTION:Jinsei\n\n\n\n\n\n\n\nVIEW TRAILER\n\n\n\n\n\n\nJun 20 thru 22\nSat to Mon 6:00pm only!\n\n\nDir. Ryuya Suzuki – 2026 – 93m – Japan – In Japanese with English subtitles – Valid for Punch Cards \n\n\nOur hero (voiced by rapper ACE COOL)\, called by a different name in each chapter of his life\, becomes a J-pop idol\, an outcast\, a leader\, and an oracle in this hundred-year chronicle spanning the past\, present\, and future. Through a chance encounter with a transfer student\, he trains to become an idol\, starting his search for self-identity and a journey toward greatness beyond superstardom. Written\, directed\, edited and entirely hand-drawn by newcomer Ryuya Suzuki over eighteen months\, JINSEI (meaning “life” in Japanese) is an anime tour-de-force that announces Suzuki to the world as a bold new talent in independent animation. \n“For his first feature film\, director Ryuya Suzuki created a masterpiece.” – The Japan Times \n“A fascinating\, compelling debut that shows how exciting the future of Japanese independent animation is.” – Anime News Network \n“A landmark in outsider animation… One of the most unique Japanese anime movies of the 21st century.” – Cinema Daily US
URL:https://yeehaw505.com/event/jinsei/2026-06-20/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Jinsei.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260620T160000
DTEND;TZID=America/Denver:20260620T160000
DTSTAMP:20260728T002050
CREATED:20260610T211629Z
LAST-MODIFIED:20260610T211629Z
UID:10012062-1781971200-1781971200@yeehaw505.com
SUMMARY:Dead Souls
DESCRIPTION:Dir. Alex Cox – 2025 – 88m – Valid for Punch Cards \n\n\nFor his directorial swan song\, Alex Cox (Repo Man\, Straight To Hell) stars in this frontier fable of American greed. Follow mysterious drifter ‘Strindler’ as he scours the West for the names of dead Mexican labourers. \nHere at this border town in 1890\, Strindler – or is it ‘Swindler’? – raises eyebrows when he offers to pay a pretty penny to add to his list of names. Wandering affably from saloon to ranch\, Strindler exercises the old adage that money talks – but sometimes too loudly. Between the town drunk\, hot-headed cowherds and local outlaws\, Strindler soon finds himself tangled up in his own tall tales. \nThe Western fits storied filmmaker Cox as snugly as the black bowler hat he wears throughout Dead Souls\, a loose adaptation of Nikolai Gogol’s 1842 novel of the same name. Pistol duels and crooked officials abound\, and spaghetti Western legend Gianni Garko claims a co-writer credit. But Cox’s idiosyncrasy stands out as the film veers tonally through the picaresque\, dark satire and genre curveballs you won’t expect. \nA meditative\, sincere landscape at the borderlands of the American nightmare: where fortunes rest on a dirty deal\, and legacies are built on blood and gold. \n“Juggling slapstick humour\, political critique\, trigger-happy action and surreal tangents\, Dead Souls is a charmingly eccentric\, mischievous late-career effort from an admirably uncompromising indie auteur.” – The Film Verdict \n“Wild\, original! Dead Souls is funny in that offbeat\, purely Cox kind of way.” – Film Threat \n“A brilliant adaptation of Nikolai Gogol’s 1842 absurdist Russian classic. In what may be his final film\, Alex Cox smartly reconfigures the classic theme of bureaucratic greed in Tsarist Russia into a bold\, timely political Western situated in the borderlands of the 19th-century American West.” – Film International \n“A jauntily odd and surreal love letter to the spaghetti West of the movies\, and a satirical thorn in the flesh of Trumpian politics.” – The Guardian \n“A slow-burn fever dream from a director who never learned how to play it safe.” – Westerns Al’Italiana
URL:https://yeehaw505.com/event/dead-souls/2026-06-20/1/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Dead-Souls.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260620T130000
DTEND;TZID=America/Denver:20260620T130000
DTSTAMP:20260728T002050
CREATED:20260610T211322Z
LAST-MODIFIED:20260610T211322Z
UID:10012060-1781960400-1781960400@yeehaw505.com
SUMMARY:Through The Olive Trees (1994)
DESCRIPTION:Dir. Abbas Kiarostami – 1994 – 103m – Iran – in Farsi with English subtitles – Valid for Punch Card \n\n\nKiarostami takes meta-narrative gamesmanship to masterful new heights in the final installment of his celebrated Koker trilogy. Unfolding “behind the scenes” of the shooting of the previous film in the series\, And Life Goes On…\, Through the Olive Trees traces the complications that arise when the romantic misfortune of one of the actors—a lovelorn young man who pines for the woman cast as his wife even though\, in real life\, she will have nothing to do with him—creates turmoil on set and leaves the hapless director caught in the middle. An ineffably lovely\, gentle human comedy steeped in the folkways of Iranian village life\, this Pirandellian pastoral peels away layer after layer of artifice as it investigates the elusive\, alchemical relationship between cinema and reality. \n“Brilliantly made\, irresistibly touching.” – Susan Sontag\, Artforum \n“The entries in this multi-layered trilogy are short and sweet\, but when consumed together\, you get an explosion of flavours that only a master chef could put together.” – Wael Khairy\, RogerEbert.com \n“A must-see…” – Jonathan Rosenbaum\, Chicago Reader
URL:https://yeehaw505.com/event/through-the-olive-trees-1994/2026-06-20/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Through-The-Olive-Trees-1994.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260620T113000
DTEND;TZID=America/Denver:20260630T113000
DTSTAMP:20260728T002050
CREATED:20260610T211144Z
LAST-MODIFIED:20260610T211144Z
UID:10012059-1781955000-1782819000@yeehaw505.com
SUMMARY:Kicked Pilot Screening
DESCRIPTION:Dir. Julian Gowdy – 2026 – 33m \n\n\nA FUNDRAISER! \nCortez\, a struggling twenty-something\, inherits her late brother’s sneaker inventory after his mysterious death. Heartbroken and searching for answers\, she feels the weight of his legacy as she navigates her new reality. Dreaming big\, she makes a bold move by buying 100 unreleased sneakers. But instead of being ‘hypebeast\,’ her inventory is more ‘has-been’. Determined to turn a profit\, Cortez embarks on a wild adventure through the chaotic sneaker and influencer culture.
URL:https://yeehaw505.com/event/kicked-pilot-screening/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Kicked-Pilot-Screening.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260619T223000
DTEND;TZID=America/Denver:20260619T223000
DTSTAMP:20260728T002050
CREATED:20260610T210849Z
LAST-MODIFIED:20260610T210849Z
UID:10012058-1781908200-1781908200@yeehaw505.com
SUMMARY:Blue Velvet (1986)
DESCRIPTION:Dir. David Lynch – 1986 – 120m – Not Valid for Punch Cards \n\n\nJoin New Mexico Entertainment for their special screening of Blue Velvet for the 40th Anniversary. Earlybird presale tickets have the chance to win door prizes from local businesses and organizations around town\, including Bubonicon\, and guaranteed seating. ONLY 59 PRESALE TICKETS ARE AVAILABLE – THE REMINDER AT THE BOX OFFICE WINDOW WILL BE SOLD STARTING 10:00PM \n! \nBlue Velvet is a dark mystery thriller by David Lynch that explores the sinister underbelly of small-town America\, as a young man’s discovery of a severed ear draws him into a world of danger\, desire\, and moral decay. \nNME MOVIE NIGHT IS A LIMITED-SEAT EVENT. It is STRONGLY ENCOURAGED that you arrive NO LATER THAN 20 MINUTES BEFORE THE SHOW to choose your seats and have time to grab something at concessions. Thank you! \nTICKETS ARE NON-REFUNDABLE.  Please bring your payment receipt with your current state ID and check in at the Guild Box Office 20 minutes before the show. If you do not have your receipt\, please make sure you have your ID. If we have a sold-out performance or event\, tickets are subject to be released for resale to those on the standby list if you have not checked ten minutes after the show starts. Thank you for your punctuality!
URL:https://yeehaw505.com/event/blue-velvet-1986/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Blue-Velvet-1986.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260619T193000
DTEND;TZID=America/Denver:20260619T193000
DTSTAMP:20260728T002050
CREATED:20260610T210638Z
LAST-MODIFIED:20260610T210638Z
UID:10012057-1781897400-1781897400@yeehaw505.com
SUMMARY:Wattstax (1973)
DESCRIPTION:Dir. Mel Stuart – 1973 – 107m – Valid for Punch Cards \n\n\nA JUNETEENTH SPECIAL\, COME JOIN US FOR THIS INCREDIBLE 70s DOC/CONCERT FILM! \n“Whatcha See Is Whatcha Get” says the opening song. Wattstax\, the dynamic film of the 1972 Los Angeles event attended by over 100 \,000 concertgoers and first billed as the “black Woodstock\,” gets ya plenty. Its performances burn with vitality. Its forays into the neighborhood are a time capsule of pride and pain. And the Richard Pryor comedy riffs that provide the film’s running commentary are a treasure all by themselves. New generations can now experience the film’s infamous lost ending performances by Isaac Hayes.  Funk\, R & B\, Gospel\, Blues\, Soul – whatever your groove is\, it’s here\, with a sparkling\, remastered soundtrack. You haven’t gotten down till you’ve flapped to “Do the Funky Chicken.” Spread your wings! \n“Once In a while\, a muslc-oriented film can transcend the ordinary and become a chronicle of a social mood instead of an on-film record of a concert. It was that way with Monterey Pop and Woodstock; it Is that way with WATTSTAX.” – John Weisman\, Detroit Free Press \n“It’s a rich tapestry incorporating documentary footage — the ’65 riots\, interviews with Watts residents talking about being black in America — that puts its musical performances (staged by Melvin Van Peebles) in a broad social context.” – David P. Schwartz\, Chicago Reader
URL:https://yeehaw505.com/event/wattstax-1973/2026-06-19/3/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Wattstax-1973.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260619T171500
DTEND;TZID=America/Denver:20260619T171500
DTSTAMP:20260728T002050
CREATED:20260610T210638Z
LAST-MODIFIED:20260610T210638Z
UID:10012056-1781889300-1781889300@yeehaw505.com
SUMMARY:Wattstax (1973)
DESCRIPTION:Dir. Mel Stuart – 1973 – 107m – Valid for Punch Cards \n\n\nA JUNETEENTH SPECIAL\, COME JOIN US FOR THIS INCREDIBLE 70s DOC/CONCERT FILM! \n“Whatcha See Is Whatcha Get” says the opening song. Wattstax\, the dynamic film of the 1972 Los Angeles event attended by over 100 \,000 concertgoers and first billed as the “black Woodstock\,” gets ya plenty. Its performances burn with vitality. Its forays into the neighborhood are a time capsule of pride and pain. And the Richard Pryor comedy riffs that provide the film’s running commentary are a treasure all by themselves. New generations can now experience the film’s infamous lost ending performances by Isaac Hayes.  Funk\, R & B\, Gospel\, Blues\, Soul – whatever your groove is\, it’s here\, with a sparkling\, remastered soundtrack. You haven’t gotten down till you’ve flapped to “Do the Funky Chicken.” Spread your wings! \n“Once In a while\, a muslc-oriented film can transcend the ordinary and become a chronicle of a social mood instead of an on-film record of a concert. It was that way with Monterey Pop and Woodstock; it Is that way with WATTSTAX.” – John Weisman\, Detroit Free Press \n“It’s a rich tapestry incorporating documentary footage — the ’65 riots\, interviews with Watts residents talking about being black in America — that puts its musical performances (staged by Melvin Van Peebles) in a broad social context.” – David P. Schwartz\, Chicago Reader
URL:https://yeehaw505.com/event/wattstax-1973/2026-06-19/2/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Wattstax-1973.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260619T150000
DTEND;TZID=America/Denver:20260619T150000
DTSTAMP:20260728T002050
CREATED:20260610T210638Z
LAST-MODIFIED:20260610T210638Z
UID:10012055-1781881200-1781881200@yeehaw505.com
SUMMARY:Wattstax (1973)
DESCRIPTION:Dir. Mel Stuart – 1973 – 107m – Valid for Punch Cards \n\n\nA JUNETEENTH SPECIAL\, COME JOIN US FOR THIS INCREDIBLE 70s DOC/CONCERT FILM! \n“Whatcha See Is Whatcha Get” says the opening song. Wattstax\, the dynamic film of the 1972 Los Angeles event attended by over 100 \,000 concertgoers and first billed as the “black Woodstock\,” gets ya plenty. Its performances burn with vitality. Its forays into the neighborhood are a time capsule of pride and pain. And the Richard Pryor comedy riffs that provide the film’s running commentary are a treasure all by themselves. New generations can now experience the film’s infamous lost ending performances by Isaac Hayes.  Funk\, R & B\, Gospel\, Blues\, Soul – whatever your groove is\, it’s here\, with a sparkling\, remastered soundtrack. You haven’t gotten down till you’ve flapped to “Do the Funky Chicken.” Spread your wings! \n“Once In a while\, a muslc-oriented film can transcend the ordinary and become a chronicle of a social mood instead of an on-film record of a concert. It was that way with Monterey Pop and Woodstock; it Is that way with WATTSTAX.” – John Weisman\, Detroit Free Press \n“It’s a rich tapestry incorporating documentary footage — the ’65 riots\, interviews with Watts residents talking about being black in America — that puts its musical performances (staged by Melvin Van Peebles) in a broad social context.” – David P. Schwartz\, Chicago Reader
URL:https://yeehaw505.com/event/wattstax-1973/2026-06-19/1/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Wattstax-1973.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260618T130000
DTEND;TZID=America/Denver:20260618T130000
DTSTAMP:20260728T002050
CREATED:20260610T210415Z
LAST-MODIFIED:20260610T210415Z
UID:10012054-1781787600-1781787600@yeehaw505.com
SUMMARY:Satantango (1994)
DESCRIPTION:Dir. Béla Tarr – 1994 – 439 – Hungary – In Hungarian with English subtitles – Valid for Punch Cards \n\n\nAMERICAN CINEMATHEQUE’S BLEAK WEEK:  CINEMA OF DISPAIR  IS HERE!  AS ONE OF OVER A HUNDRED PARTICIPATING  MOVIE THEATERS AROUND THE WORLD\, WE’RE OFFERING UP FIVE DOUBLE FEATURES  (WERCKMEISTER HARMONIES / COME & SEE\, IN A YEAR OF 13 MOONS / STROCZEK\, CHRISTIANE F. / AU HASARD BALTHAZAR) & THIS CLOSING 7 PLUS HOUR  BELA TAR MONUMENTAL FEATURE! \nAfter an unexpected financial windfall\, the members of a rugged agricultural collective leave their village and set out across a barren and unforgiving landscape in the hopes of a better life. As some of the villagers secretly conspire to take off with all the money\, a mysterious and messianic character\, long thought dead\, returns and alters the course of everyone’s lives. One of the greatest achievements in late twentieth century art house cinema and a seminal work of “slow cinema\,” Sátántangó has been restored in 4K from the original 35mm camera negative. \n“Never less than mesmerizing” – Manohla Dargis\, The New York Times \n“His magnum opus Tarr’s imaginative universe is entirely his own” – Jonathan Romney\, The Guardian \n“[Béla Tarr is] one of cinema’s most adventurous artists\, and his films\, like Sátántangó and The Turin Horse are truly experiences that you absorb\, and that keep developing in the mind” – Martin Scorsese \n“Devastating\, enthralling for every minute of its seven hours. I’d be glad to see it every year for the rest of my life” – Susan Sontag
URL:https://yeehaw505.com/event/satantango-1994/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Satantango-1994.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260617T200000
DTEND;TZID=America/Denver:20260617T200000
DTSTAMP:20260728T002050
CREATED:20260610T210249Z
LAST-MODIFIED:20260610T210249Z
UID:10012053-1781726400-1781726400@yeehaw505.com
SUMMARY:Christiane F. (1981)
DESCRIPTION:Dir. Uli Edel – 1981 – 131m – West Germany – In German with English subtitles – Valid for Punch Cards \n\n\nAMERICAN CINEMATHEQUE’S BLEAK WEEK:  CINEMA OF DESPAIR  IS HERE!  AS ONE OF OVER A HUNDRED PARTICIPATING  MOVIE THEATERS AROUND THE WORLD\, WE’RE OFFERING UP THREE DOUBLE FEATURES  (WERCKMEISTER HARMONIES / COME & SEE\, IN A YEAR OF 13 MOONS / STROCZEK\, CHRISTIANE F. / AU HASARD BALTHAZAR) & A CLOSING  7 PLUS HOUR  BELA TARR MONUMENTAL FEATURE  SATANTANGO! \nAdapted from actress and musician Cristiane Felscherinow’s harrowing account of her teenage years\, Christiane F. depicts the impact of West Berlin’s mid-to-late-70s heroin epidemic on one of its youngest and luckiest survivors. On the cusp of fourteen\, David Bowie-worshipping Cristiane (Natja Brunckhorst) begins slipping out from under the watch of her divorced mother (Christiane Lechle) and spending time at hip discotheque Sound. There she falls in love with Detlev (Thomas Haustein)\, whose recent experiments with heroin soon have her hooked. Working with first-time actors and shooting on location with real-life regulars of Zoo Station’s notorious drug cruising scene\, director Uli Edel unflinchingly captures the degradation of each phase of junkie life\, from underage prostitution to brutal withdrawals to the seemingly endless vows to “go straight.” Bowie himself appears in a concert performance of “Station to Station”; the film’s soundtrack is a virtual compendium of the epochal musician’s celebrated “Berlin period” and a perfect sonic evocation of nightclubbing’s dark side. \n“This is one of the most horrifying movies I have ever seen. That it is based on actual events makes it more heartbreaking.” – Roger Ebert\, Chicago Sun-Times \n“Director Ulrich Edel has spared us none of the grimmest details of a young junkie’s life. And\, thank goodness\, because he’s managed to destroy a lot of glamorous myths about the subject.” – Dwight Brown\, Sepia
URL:https://yeehaw505.com/event/christiane-f-1981/2026-06-17/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Christiane-F.-1981.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260617T180000
DTEND;TZID=America/Denver:20260617T180000
DTSTAMP:20260728T002050
CREATED:20260610T210101Z
LAST-MODIFIED:20260610T210101Z
UID:10012051-1781719200-1781719200@yeehaw505.com
SUMMARY:AU Hasard Balthazar (1966)
DESCRIPTION:Dir. Robert Bresson – 1966 – 95m – France – In French with English subtitles – Valid for Punch Cards \n\n\nAMERICAN CINEMATHEQUE’S BLEAK WEEK:  CINEMA OF DESPAIR  IS HERE!  AS ONE OF OVER A HUNDRED PARTICIPATING  MOVIE THEATERS AROUND THE WORLD\, WE’RE OFFERING UP THREE DOUBLE FEATURES  (WERCKMEISTER HARMONIES / COME & SEE\, IN A YEAR OF 13 MOONS / STROCZEK\, CHRISTIANE F. / AU HASARD BALTHAZAR) & A CLOSING  7 PLUS HOUR  BELA TARR MONUMENTAL FEATURE  SATANTANGO! \nNOTE:  THIS DOUBLE FEATURE WILL BE WITH THE 70’S GERMAN TEEN ADDICT FEATURE CHRISTIANE F. \nA profound masterpiece from one of the most revered filmmakers in the history of cinema\, Robert Bresson’s Au hasard Balthazarfollows the donkey Balthazar as he is passed from owner to owner\, some kind and some cruel but all with motivations beyond his understanding. Balthazar\, whose life parallels that of his first keeper\, Marie\, is truly a beast of burden\, suffering the sins of humankind. But despite his powerlessness\, he accepts his fate nobly. Through Bresson’s unconventional approach to composition\, sound\, and narrative\, this simple story becomes a moving parable about purity and transcendence. \n“Perhaps the greatest and most revolutionary of Bresson’s films\, Balthazar is a difficult but transcendently rewarding experience\, never to be missed.” – Dave Kehr\, Chicago Reader \n“I think this is a superb movie for its original content\, exhilarating editing and Bresson’s Puritanistic camera work\, belt-high and wonderfully toned\, that creates a deep\, damp\, weathered quality of centuries-old provincialism.” – Manny Farber\, Artforum \n“If one were looking for a perfectly realized film\, Au Hasard Balthazar would be as likely a candidate as any.” – Ignatiy Vishnevetsky\, AV Club
URL:https://yeehaw505.com/event/au-hasard-balthazar-1966/2026-06-17/2/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/AU-Hasard-Balthazar-1966.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260617T160000
DTEND;TZID=America/Denver:20260617T160000
DTSTAMP:20260728T002050
CREATED:20260610T210101Z
LAST-MODIFIED:20260610T210101Z
UID:10012050-1781712000-1781712000@yeehaw505.com
SUMMARY:AU Hasard Balthazar (1966)
DESCRIPTION:Dir. Robert Bresson – 1966 – 95m – France – In French with English subtitles – Valid for Punch Cards \n\n\nAMERICAN CINEMATHEQUE’S BLEAK WEEK:  CINEMA OF DESPAIR  IS HERE!  AS ONE OF OVER A HUNDRED PARTICIPATING  MOVIE THEATERS AROUND THE WORLD\, WE’RE OFFERING UP THREE DOUBLE FEATURES  (WERCKMEISTER HARMONIES / COME & SEE\, IN A YEAR OF 13 MOONS / STROCZEK\, CHRISTIANE F. / AU HASARD BALTHAZAR) & A CLOSING  7 PLUS HOUR  BELA TARR MONUMENTAL FEATURE  SATANTANGO! \nNOTE:  THIS DOUBLE FEATURE WILL BE WITH THE 70’S GERMAN TEEN ADDICT FEATURE CHRISTIANE F. \nA profound masterpiece from one of the most revered filmmakers in the history of cinema\, Robert Bresson’s Au hasard Balthazarfollows the donkey Balthazar as he is passed from owner to owner\, some kind and some cruel but all with motivations beyond his understanding. Balthazar\, whose life parallels that of his first keeper\, Marie\, is truly a beast of burden\, suffering the sins of humankind. But despite his powerlessness\, he accepts his fate nobly. Through Bresson’s unconventional approach to composition\, sound\, and narrative\, this simple story becomes a moving parable about purity and transcendence. \n“Perhaps the greatest and most revolutionary of Bresson’s films\, Balthazar is a difficult but transcendently rewarding experience\, never to be missed.” – Dave Kehr\, Chicago Reader \n“I think this is a superb movie for its original content\, exhilarating editing and Bresson’s Puritanistic camera work\, belt-high and wonderfully toned\, that creates a deep\, damp\, weathered quality of centuries-old provincialism.” – Manny Farber\, Artforum \n“If one were looking for a perfectly realized film\, Au Hasard Balthazar would be as likely a candidate as any.” – Ignatiy Vishnevetsky\, AV Club
URL:https://yeehaw505.com/event/au-hasard-balthazar-1966/2026-06-17/1/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/AU-Hasard-Balthazar-1966.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260616T200000
DTEND;TZID=America/Denver:20260616T200000
DTSTAMP:20260728T002050
CREATED:20260610T210249Z
LAST-MODIFIED:20260610T210249Z
UID:10012052-1781640000-1781640000@yeehaw505.com
SUMMARY:Christiane F. (1981)
DESCRIPTION:Dir. Uli Edel – 1981 – 131m – West Germany – In German with English subtitles – Valid for Punch Cards \n\n\nAMERICAN CINEMATHEQUE’S BLEAK WEEK:  CINEMA OF DESPAIR  IS HERE!  AS ONE OF OVER A HUNDRED PARTICIPATING  MOVIE THEATERS AROUND THE WORLD\, WE’RE OFFERING UP THREE DOUBLE FEATURES  (WERCKMEISTER HARMONIES / COME & SEE\, IN A YEAR OF 13 MOONS / STROCZEK\, CHRISTIANE F. / AU HASARD BALTHAZAR) & A CLOSING  7 PLUS HOUR  BELA TARR MONUMENTAL FEATURE  SATANTANGO! \nAdapted from actress and musician Cristiane Felscherinow’s harrowing account of her teenage years\, Christiane F. depicts the impact of West Berlin’s mid-to-late-70s heroin epidemic on one of its youngest and luckiest survivors. On the cusp of fourteen\, David Bowie-worshipping Cristiane (Natja Brunckhorst) begins slipping out from under the watch of her divorced mother (Christiane Lechle) and spending time at hip discotheque Sound. There she falls in love with Detlev (Thomas Haustein)\, whose recent experiments with heroin soon have her hooked. Working with first-time actors and shooting on location with real-life regulars of Zoo Station’s notorious drug cruising scene\, director Uli Edel unflinchingly captures the degradation of each phase of junkie life\, from underage prostitution to brutal withdrawals to the seemingly endless vows to “go straight.” Bowie himself appears in a concert performance of “Station to Station”; the film’s soundtrack is a virtual compendium of the epochal musician’s celebrated “Berlin period” and a perfect sonic evocation of nightclubbing’s dark side. \n“This is one of the most horrifying movies I have ever seen. That it is based on actual events makes it more heartbreaking.” – Roger Ebert\, Chicago Sun-Times \n“Director Ulrich Edel has spared us none of the grimmest details of a young junkie’s life. And\, thank goodness\, because he’s managed to destroy a lot of glamorous myths about the subject.” – Dwight Brown\, Sepia
URL:https://yeehaw505.com/event/christiane-f-1981/2026-06-16/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Christiane-F.-1981.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260616T180000
DTEND;TZID=America/Denver:20260616T180000
DTSTAMP:20260728T002050
CREATED:20260610T210101Z
LAST-MODIFIED:20260610T210101Z
UID:10012049-1781632800-1781632800@yeehaw505.com
SUMMARY:AU Hasard Balthazar (1966)
DESCRIPTION:Dir. Robert Bresson – 1966 – 95m – France – In French with English subtitles – Valid for Punch Cards \n\n\nAMERICAN CINEMATHEQUE’S BLEAK WEEK:  CINEMA OF DESPAIR  IS HERE!  AS ONE OF OVER A HUNDRED PARTICIPATING  MOVIE THEATERS AROUND THE WORLD\, WE’RE OFFERING UP THREE DOUBLE FEATURES  (WERCKMEISTER HARMONIES / COME & SEE\, IN A YEAR OF 13 MOONS / STROCZEK\, CHRISTIANE F. / AU HASARD BALTHAZAR) & A CLOSING  7 PLUS HOUR  BELA TARR MONUMENTAL FEATURE  SATANTANGO! \nNOTE:  THIS DOUBLE FEATURE WILL BE WITH THE 70’S GERMAN TEEN ADDICT FEATURE CHRISTIANE F. \nA profound masterpiece from one of the most revered filmmakers in the history of cinema\, Robert Bresson’s Au hasard Balthazarfollows the donkey Balthazar as he is passed from owner to owner\, some kind and some cruel but all with motivations beyond his understanding. Balthazar\, whose life parallels that of his first keeper\, Marie\, is truly a beast of burden\, suffering the sins of humankind. But despite his powerlessness\, he accepts his fate nobly. Through Bresson’s unconventional approach to composition\, sound\, and narrative\, this simple story becomes a moving parable about purity and transcendence. \n“Perhaps the greatest and most revolutionary of Bresson’s films\, Balthazar is a difficult but transcendently rewarding experience\, never to be missed.” – Dave Kehr\, Chicago Reader \n“I think this is a superb movie for its original content\, exhilarating editing and Bresson’s Puritanistic camera work\, belt-high and wonderfully toned\, that creates a deep\, damp\, weathered quality of centuries-old provincialism.” – Manny Farber\, Artforum \n“If one were looking for a perfectly realized film\, Au Hasard Balthazar would be as likely a candidate as any.” – Ignatiy Vishnevetsky\, AV Club
URL:https://yeehaw505.com/event/au-hasard-balthazar-1966/2026-06-16/2/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/AU-Hasard-Balthazar-1966.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260616T160000
DTEND;TZID=America/Denver:20260616T160000
DTSTAMP:20260728T002050
CREATED:20260610T210101Z
LAST-MODIFIED:20260610T210101Z
UID:10012048-1781625600-1781625600@yeehaw505.com
SUMMARY:AU Hasard Balthazar (1966)
DESCRIPTION:Dir. Robert Bresson – 1966 – 95m – France – In French with English subtitles – Valid for Punch Cards \n\n\nAMERICAN CINEMATHEQUE’S BLEAK WEEK:  CINEMA OF DESPAIR  IS HERE!  AS ONE OF OVER A HUNDRED PARTICIPATING  MOVIE THEATERS AROUND THE WORLD\, WE’RE OFFERING UP THREE DOUBLE FEATURES  (WERCKMEISTER HARMONIES / COME & SEE\, IN A YEAR OF 13 MOONS / STROCZEK\, CHRISTIANE F. / AU HASARD BALTHAZAR) & A CLOSING  7 PLUS HOUR  BELA TARR MONUMENTAL FEATURE  SATANTANGO! \nNOTE:  THIS DOUBLE FEATURE WILL BE WITH THE 70’S GERMAN TEEN ADDICT FEATURE CHRISTIANE F. \nA profound masterpiece from one of the most revered filmmakers in the history of cinema\, Robert Bresson’s Au hasard Balthazarfollows the donkey Balthazar as he is passed from owner to owner\, some kind and some cruel but all with motivations beyond his understanding. Balthazar\, whose life parallels that of his first keeper\, Marie\, is truly a beast of burden\, suffering the sins of humankind. But despite his powerlessness\, he accepts his fate nobly. Through Bresson’s unconventional approach to composition\, sound\, and narrative\, this simple story becomes a moving parable about purity and transcendence. \n“Perhaps the greatest and most revolutionary of Bresson’s films\, Balthazar is a difficult but transcendently rewarding experience\, never to be missed.” – Dave Kehr\, Chicago Reader \n“I think this is a superb movie for its original content\, exhilarating editing and Bresson’s Puritanistic camera work\, belt-high and wonderfully toned\, that creates a deep\, damp\, weathered quality of centuries-old provincialism.” – Manny Farber\, Artforum \n“If one were looking for a perfectly realized film\, Au Hasard Balthazar would be as likely a candidate as any.” – Ignatiy Vishnevetsky\, AV Club
URL:https://yeehaw505.com/event/au-hasard-balthazar-1966/2026-06-16/1/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/AU-Hasard-Balthazar-1966.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260615T190000
DTEND;TZID=America/Denver:20260615T190000
DTSTAMP:20260728T002050
CREATED:20260610T205738Z
LAST-MODIFIED:20260610T205738Z
UID:10012047-1781550000-1781550000@yeehaw505.com
SUMMARY:Stroszek (1977)
DESCRIPTION:Dir. Werner Herzog – 1978 – 115m – West Germany – In German With English Subtitles – Valid for Punch Cards \n\n\nAMERICAN CINEMATHEQUE’S BLEAK WEEK:  CINEMA OF DISPAIR  IS HERE!  AS ONE OF OVER A HUNDRED PARTICIPATING  MOVIE THEATERS AROUND THE WORLD\, WE’RE OFFERING UP THREE DOUBLE FEATURES  (WERCKMEISTER HARMONIES / COME & SEE\, IN A YEAR OF 13 MOONS / STROCZEK\, CHRISTIANE F. / AU HASARD BALTHAZAR) & A CLOSING  7 PLUS HOUR  BELA TARR MONUMENTAL FEATURE  SATANTANGO! \nNOTE:  THIS DOUBLE FEATURE WILL BE WITH THE UNFORGETTABLE FASSBINDER DRAMA IN A YEAR OF 13 MOONS! \nGuild Staff Member Michael Dixon’s pick! \n“Herzog reveals the everyday mysteries and peculiarities that make a rather mundane Wisconsin town in the late 1970s as alien as the Peruvian jungle and as contemporarily incongruous as 18th century Bavaria.” – PopOptiq \nCan anything be more existentially bleak than the shabby slums of Berlin? “Yes!\,” exclaims director Werner Herzog via STROSZEK\, “try Wisconsin!.” Bruno S. stars as an ex-mental patient who dreams of the so-called promised land of America. He aligns himself with like-minded prostitute Eva Mattes and elderly\, near-senile Clemens Scheitz. Upon their arrival in Wisconsin\, the three misfits find that they’re just as trapped in Dairy Country as they’d been in Germany\, if not more so. The sour and bitter STROSZEK earned worldwide critical and commercial acclaim\, further establishing Herzog as the master of new cinematic realities. \n“A film full of force\, beauty\, and even humor. ” – Fernando Trueba\, El Pais (Spain) \n“A great but really odd film\, that’s tender\, tragic and funny.” – Dennis Schwartz\, Dennis Schwartz Movie Reviews
URL:https://yeehaw505.com/event/stroszek-1977/2026-06-15/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Stroszek-1977.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260615T160000
DTEND;TZID=America/Denver:20260615T160000
DTSTAMP:20260728T002050
CREATED:20260610T205614Z
LAST-MODIFIED:20260610T205614Z
UID:10012045-1781539200-1781539200@yeehaw505.com
SUMMARY:In A Year Of 13 Moon (1978)
DESCRIPTION:Dir. Rainer Werner Fassbinder – 1978 – 124m – West Germany – In German with English Subtitles – Valid for Punch Cards \n\n\nAMERICAN CINEMATHEQUE’S BLEAK WEEK:  CINEMA OF DESPAIR  IS HERE!  AS ONE OF OVER A HUNDRED PARTICIPATING  MOVIE THEATERS AROUND THE WORLD\, WE’RE OFFERING UP THREE DOUBLE FEATURES  (WERCKMEISTER HARMONIES / COME & SEE\, IN A YEAR OF 13 MOONS / STROCZEK\, CHRISTIANE F. / AU HASARD BALTHAZAR) & A CLOSING  7 PLUS HOUR  BELA TAR MONUMENTAL FEATURE  SATANTANGO! \nNOTE:  THIS DOUBLE FEATURE WILL BE WITH THE GREAT 70’s WERNER HERZOG/BRUNO S. DRAMA STROCZEK! \nThis heartrendingly compassionate tragedy from Rainer Werner Fassbinder traces the final days in the life of Elvira (Volker Spengler)\, a transgender woman spurned by her former lover\, as she reaches out desperately for understanding. With infinite empathy for the plight of the dispossessed\, Fassbinder crafts a searing statement on both the universal need for love and the human capacity for cruelty. \n“It’s a passionate and messy film portraying loneliness\, societal cruelties and victimization as powerful as its ever been presented on the screen.” – Dennis Schwartz\, Dennis Schwartz Movie Reviews \n“The movie is a relentlessly uncompromising\, keening cri de coeur\, a movie that has turned a wake into a work of art.” – Jay Scott\, Globe and Mail
URL:https://yeehaw505.com/event/in-a-year-of-13-moon-1978/2026-06-15/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/In-A-Year-Of-13-Moon-1978.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260614T190000
DTEND;TZID=America/Denver:20260614T190000
DTSTAMP:20260728T002050
CREATED:20260610T205738Z
LAST-MODIFIED:20260610T205738Z
UID:10012046-1781463600-1781463600@yeehaw505.com
SUMMARY:Stroszek (1977)
DESCRIPTION:Dir. Werner Herzog – 1978 – 115m – West Germany – In German With English Subtitles – Valid for Punch Cards \n\n\nAMERICAN CINEMATHEQUE’S BLEAK WEEK:  CINEMA OF DISPAIR  IS HERE!  AS ONE OF OVER A HUNDRED PARTICIPATING  MOVIE THEATERS AROUND THE WORLD\, WE’RE OFFERING UP THREE DOUBLE FEATURES  (WERCKMEISTER HARMONIES / COME & SEE\, IN A YEAR OF 13 MOONS / STROCZEK\, CHRISTIANE F. / AU HASARD BALTHAZAR) & A CLOSING  7 PLUS HOUR  BELA TARR MONUMENTAL FEATURE  SATANTANGO! \nNOTE:  THIS DOUBLE FEATURE WILL BE WITH THE UNFORGETTABLE FASSBINDER DRAMA IN A YEAR OF 13 MOONS! \nGuild Staff Member Michael Dixon’s pick! \n“Herzog reveals the everyday mysteries and peculiarities that make a rather mundane Wisconsin town in the late 1970s as alien as the Peruvian jungle and as contemporarily incongruous as 18th century Bavaria.” – PopOptiq \nCan anything be more existentially bleak than the shabby slums of Berlin? “Yes!\,” exclaims director Werner Herzog via STROSZEK\, “try Wisconsin!.” Bruno S. stars as an ex-mental patient who dreams of the so-called promised land of America. He aligns himself with like-minded prostitute Eva Mattes and elderly\, near-senile Clemens Scheitz. Upon their arrival in Wisconsin\, the three misfits find that they’re just as trapped in Dairy Country as they’d been in Germany\, if not more so. The sour and bitter STROSZEK earned worldwide critical and commercial acclaim\, further establishing Herzog as the master of new cinematic realities. \n“A film full of force\, beauty\, and even humor. ” – Fernando Trueba\, El Pais (Spain) \n“A great but really odd film\, that’s tender\, tragic and funny.” – Dennis Schwartz\, Dennis Schwartz Movie Reviews
URL:https://yeehaw505.com/event/stroszek-1977/2026-06-14/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Stroszek-1977.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260614T160000
DTEND;TZID=America/Denver:20260614T160000
DTSTAMP:20260728T002050
CREATED:20260610T205614Z
LAST-MODIFIED:20260610T205614Z
UID:10012044-1781452800-1781452800@yeehaw505.com
SUMMARY:In A Year Of 13 Moon (1978)
DESCRIPTION:Dir. Rainer Werner Fassbinder – 1978 – 124m – West Germany – In German with English Subtitles – Valid for Punch Cards \n\n\nAMERICAN CINEMATHEQUE’S BLEAK WEEK:  CINEMA OF DESPAIR  IS HERE!  AS ONE OF OVER A HUNDRED PARTICIPATING  MOVIE THEATERS AROUND THE WORLD\, WE’RE OFFERING UP THREE DOUBLE FEATURES  (WERCKMEISTER HARMONIES / COME & SEE\, IN A YEAR OF 13 MOONS / STROCZEK\, CHRISTIANE F. / AU HASARD BALTHAZAR) & A CLOSING  7 PLUS HOUR  BELA TAR MONUMENTAL FEATURE  SATANTANGO! \nNOTE:  THIS DOUBLE FEATURE WILL BE WITH THE GREAT 70’s WERNER HERZOG/BRUNO S. DRAMA STROCZEK! \nThis heartrendingly compassionate tragedy from Rainer Werner Fassbinder traces the final days in the life of Elvira (Volker Spengler)\, a transgender woman spurned by her former lover\, as she reaches out desperately for understanding. With infinite empathy for the plight of the dispossessed\, Fassbinder crafts a searing statement on both the universal need for love and the human capacity for cruelty. \n“It’s a passionate and messy film portraying loneliness\, societal cruelties and victimization as powerful as its ever been presented on the screen.” – Dennis Schwartz\, Dennis Schwartz Movie Reviews \n“The movie is a relentlessly uncompromising\, keening cri de coeur\, a movie that has turned a wake into a work of art.” – Jay Scott\, Globe and Mail
URL:https://yeehaw505.com/event/in-a-year-of-13-moon-1978/2026-06-14/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/In-A-Year-Of-13-Moon-1978.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260614T120000
DTEND;TZID=America/Denver:20260614T150000
DTSTAMP:20260728T002050
CREATED:20260610T205509Z
LAST-MODIFIED:20260610T205509Z
UID:10012043-1781438400-1781449200@yeehaw505.com
SUMMARY:Guild Cinema Semi-annual Movie Poster Auction Sale
DESCRIPTION:Not Valid for Punch Cards \n\n\nIt’ll be a fun afternoon with movie posters going back over the past six months through several years into the past — like ya’ know HAMNET\, SINNERS\, YOU GOT GOLD: JOHN PRINE\, BUGONIA\, PILLION\, CHARLI XCX: THE MOMENT\, MOTHER MARY\, ONE BATTLE AFTER ANOTHER\, Del Toro’s FRANKENSTEIN\, NOUVELLE VAGUE and a bunch o’ others!  Get on over here! \nDOORS OPEN AT 11:45am!  We’ll wrap up around 3pm.
URL:https://yeehaw505.com/event/guild-cinema-semi-annual-movie-poster-auction-sale/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Guild-Cinema-Semi-annual-Movie-Poster-Auction-Sale.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260613T220000
DTEND;TZID=America/Denver:20260613T220000
DTSTAMP:20260728T002050
CREATED:20260610T205418Z
LAST-MODIFIED:20260610T205418Z
UID:10012042-1781388000-1781388000@yeehaw505.com
SUMMARY:Mighty Morphin Power Rangers: The Movie (1995)
DESCRIPTION:Dir. Bryan Spicer – 1995 – 95m – Not Valid for Punch Cards \n\n\nA SCUM PIT TOYS SPECIAL OF THE BELOVED 90’S ACTION FLICK! \nPower up with six incredible teens who out-maneuver and defeat evil everywhere as the Mighty Morphin Power Rangers! But this time\, the Power Rangers may have met their match when they face off with the most sinister monster the galaxy has ever seen—Ivan Ooze. Unleashed upon the good citizens of Angel Grove after six thousand years of imprisonment\, Ivan Ooze strips the Power Rangers of their powers! Now they must journey to a distant planet to learn the secrets of the ancient Ninjetti. Only then will they become empowered with strength enough to restore their Morphin ability and defeat the evil Ivan Ooze. Join the Mighty Morphin Power Rangers and their new Ninja Megazord as they fight to save Angel Grove and the world from evil! \n“Brings the popular TV series to the screen with a barrage of spectacular special effects\, a slew of fantastic monsters\, a ferociously funny villain — and\, most important\, a refreshing lack of pretentiousness” .- Kevin Thomas\, Los Angeles Times
URL:https://yeehaw505.com/event/mighty-morphin-power-rangers-the-movie-1995/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Mighty-Morphin-Power-Rangers-The-Movie-1995.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260613T190000
DTEND;TZID=America/Denver:20260613T190000
DTSTAMP:20260728T002050
CREATED:20260610T204726Z
LAST-MODIFIED:20260610T204726Z
UID:10012039-1781377200-1781377200@yeehaw505.com
SUMMARY:Come And See (1985)
DESCRIPTION:Dir. Elem Klimov – 1985 – 142m – Soviet Union – In Russian with English subtitles – Valid for Punch Cards \n\n\nAMERICAN CINEMATHEQUE’S BLEAK WEEK:  CINEMA OF DESPAIR  IS HERE!  AS ONE OF OVER A HUNDRED PARTICIPATING  MOVIE THEATERS AROUND THE WORLD\, WE’RE OFFERING UP THREE DOUBLE FEATURES  (WERCKMEISTER HARMONIES / COME & SEE\, IN A YEAR OF 13 MOONS / STROCZEK\, CHRISTIANE F. / AU HASARD BALTHAZAR) & A CLOSING  7 PLUS HOUR  BELA TAR MONUMENTAL FEATURE  SATANTANGO! \nNOTE:  THIS DOUBLE FEATURE WILL BE WITH BELA TARR &  ÁGNES HRANITSKY’S HUNGARIAN LANDMARK WERCKMEISTER HARMONIES! \nStaff member Jack Mahoney’s pick! \nThis widely acclaimed film from Soviet director Elem Klimov is a stunning\, senses-shattering plunge into the dehumanizing horrors of war. As Nazi forces encroach on his small village in present-day Belarus\, teenage Flyora (Aleksei Kravchenko\, in one of the screen’s most searing depictions of anguish since Renée Falconetti’s Joan of Arc) eagerly joins the Soviet resistance. Rather than the adventure and glory he envisioned\, what he finds is a waking nightmare of unimaginable carnage and cruelty—rendered with a feverish\, otherworldly intensity by Klimov’s subjective camerawork and expressionistic sound design. Nearly suppressed by Soviet censors who took eight years to approve its script\, Come and See is perhaps the most visceral\, impossible-to-forget antiwar film ever made. \n“This 1985 Soviet anti-war drama is one of the best movies ever made.” – Tom Cassidy\, Common Sense Media \n“A compelling\, harrowing\, absurdly beautiful account of the little known holocaust in Byelorussia.” – Victoria Mather\, Daily Telegraph (UK)
URL:https://yeehaw505.com/event/come-and-see-1985/2026-06-13/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Come-And-See-1985.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260613T160000
DTEND;TZID=America/Denver:20260613T160000
DTSTAMP:20260728T002050
CREATED:20260610T204436Z
LAST-MODIFIED:20260610T204436Z
UID:10012037-1781366400-1781366400@yeehaw505.com
SUMMARY:Werckmeister Harmonies (2000)
DESCRIPTION:Dir. Bela Tarr & Ágnes Hranitzky – 2000 – 145m – Hungary – In Hungarian with English subtitles – Valid for Punch Cards \n\n\nAMERICAN CINEMATHEQUE’S BLEAK WEEK:  CINEMA OF DESPAIR  IS HERE!  AS ONE OF OVER A HUNDRED PARTICIPATING  MOVIE THEATERS AROUND THE WORLD\, WE’RE OFFERING UP THREE DOUBLE FEATURES  (WERCKMEISTER HARMONIES / COME & SEE\, IN A YEAR OF 13 MOONS / STROSZEK\, CHRISTIANE F. / AU HASARD BALTHAZAR) & A CLOSING  7 PLUS HOUR  BELA TAR MONUMENTAL FEATURE  SATANTANGO! \nNOTE:  THIS DOUBLE FEATURE WILL BE WITH THE NOTORIOUS RUSSIAN ANTI-WAR EPIC COME & SEE! \nStaff member Don Sherry’s pick! \n One of the major achievements of twenty-first-century cinema thus far\, Béla Tarr’s mesmeric parable of societal collapse is an enigma of transcendent visual\, philosophical\, and mystical resonance. Adapted from a novel by the celebrated writer and frequent Tarr collaborator László Krasznahorkai\, Werckmeister Harmonies unfolds in an unknown era in an unnamed village\, where\, one day\, a mysterious circus—complete with an enormous stuffed whale and a shadowy\, demagogue-like figure known as the Prince—arrives and appears to awaken a kind of madness in the citizens\, which builds inexorably toward violence and destruction. In thirty-nine of his signature long takes\, engraved in ghostly black and white\, Tarr conjures an apocalyptic vision of dreamlike dread and fathomless beauty. \n“Mesmerizing\, haunting\, deeply moving.” – Diane Carson\, KDHX (St. Louis) \n“It is an arduous task\, but the film achieves a transcendent and ethereal beauty that only the few truly great masterpieces attain.” – Derek Smith\, Cinematic Reflections
URL:https://yeehaw505.com/event/werckmeister-harmonies-2000/2026-06-13/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Werckmeister-Harmonies-2000.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260613T123000
DTEND;TZID=America/Denver:20260613T123000
DTSTAMP:20260728T002050
CREATED:20260610T205146Z
LAST-MODIFIED:20260610T205146Z
UID:10012041-1781353800-1781353800@yeehaw505.com
SUMMARY:25 Cats From Qatar
DESCRIPTION:Dir. Mye Hoang – 2025 – 95m – Not Valid for Punch Cards \n\n\nHosted by Weruva\, Sterling TrapKing Davis\, and Boofy’s Best For Pets!  Talk\, Q&A with various good reps plus misc. fun in the works\, stay tuned! \nFrom the filmmakers of CAT DADDIES – The nation of Qatar has a street cat population equal to the entire human population of the entire country – and is growing fast. Disease is rampant\, and local adoption is rare. 25 Cats from Qatar follows one mission – led by a network of multinational underground animal rescuers in Doha and a Milwaukee flight attendant/cat cafe owner – to transport out 25 lucky felines and find homes for them abroad\, all the while searching for a long-term solution to the crisis. \n“Succeeds not just as an advocacy piece but as a compelling\, fast-paced rescue adventure.” – Alan Ng\, Film Threat \n“Beyond the cats\, “25 Cats From Qatar” is a glimpse into the lives of ordinary people in the Middle East\, kind people with the same hopes and dreams as everybody else\, that feels timely and necessary right now.” – Rob Thomas\, Not That Rob Thomas (Substack)
URL:https://yeehaw505.com/event/25-cats-from-qatar/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/25-Cats-From-Qatar.webp
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DTSTART;TZID=America/Denver:20260612T223000
DTEND;TZID=America/Denver:20260612T223000
DTSTAMP:20260728T002050
CREATED:20260610T204913Z
LAST-MODIFIED:20260610T204913Z
UID:10012040-1781303400-1781303400@yeehaw505.com
SUMMARY:Hardboiled (1992)
DESCRIPTION:Dir. John Woo – 1998 – 126m – Hong Kong – In Catonese with English subtitles – Valid for Punch Cards \n\n\nNewly restored up on our screen as part of the 94 Rock Late Nighter Flicks series! \nViolence as poetry\, rendered by a master—brilliant and passionate\, John Woo’s Hard Boiled tells the story of jaded detective “Tequila” Yuen (played with controlled fury by Chow Yun-fat). Woo’s dizzying odyssey through the world of Hong Kong Triads\, undercover agents\, and frenzied police raids culminates unforgettably in the breathless hospital sequence. More than a cops-and-bad-guys story\, Hard Boiled continually startles with its originality and dark humor. \n“You find yourself laughing aloud — not derisively\, but in gratitude and appreciation because you can’t believe what you’re seeing.” – Sean Burns\, WBUR’s Arts & Culture \n“Woo has elevated the action movie into the realm of art. Infinitely more exciting than a dozen Die Hards\, action cinema doesn’t come any better than this.” – Mark Salisbury\, Empire Magazine \n“It’s astoundingly emotional and exhilarating\, thanks to the oversized passions Woo grants his characters and the formal brilliance of his filming\, with his rushing camera\, extreme long takes and magnificent choreography of movement.”- Dave Kehr\, New York Daily News
URL:https://yeehaw505.com/event/hardboiled-1992/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Hardboiled-1992.webp
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260612T190000
DTEND;TZID=America/Denver:20260612T190000
DTSTAMP:20260728T002050
CREATED:20260610T204726Z
LAST-MODIFIED:20260610T204726Z
UID:10012038-1781290800-1781290800@yeehaw505.com
SUMMARY:Come And See (1985)
DESCRIPTION:Dir. Elem Klimov – 1985 – 142m – Soviet Union – In Russian with English subtitles – Valid for Punch Cards \n\n\nAMERICAN CINEMATHEQUE’S BLEAK WEEK:  CINEMA OF DESPAIR  IS HERE!  AS ONE OF OVER A HUNDRED PARTICIPATING  MOVIE THEATERS AROUND THE WORLD\, WE’RE OFFERING UP THREE DOUBLE FEATURES  (WERCKMEISTER HARMONIES / COME & SEE\, IN A YEAR OF 13 MOONS / STROCZEK\, CHRISTIANE F. / AU HASARD BALTHAZAR) & A CLOSING  7 PLUS HOUR  BELA TAR MONUMENTAL FEATURE  SATANTANGO! \nNOTE:  THIS DOUBLE FEATURE WILL BE WITH BELA TARR &  ÁGNES HRANITSKY’S HUNGARIAN LANDMARK WERCKMEISTER HARMONIES! \nStaff member Jack Mahoney’s pick! \nThis widely acclaimed film from Soviet director Elem Klimov is a stunning\, senses-shattering plunge into the dehumanizing horrors of war. As Nazi forces encroach on his small village in present-day Belarus\, teenage Flyora (Aleksei Kravchenko\, in one of the screen’s most searing depictions of anguish since Renée Falconetti’s Joan of Arc) eagerly joins the Soviet resistance. Rather than the adventure and glory he envisioned\, what he finds is a waking nightmare of unimaginable carnage and cruelty—rendered with a feverish\, otherworldly intensity by Klimov’s subjective camerawork and expressionistic sound design. Nearly suppressed by Soviet censors who took eight years to approve its script\, Come and See is perhaps the most visceral\, impossible-to-forget antiwar film ever made. \n“This 1985 Soviet anti-war drama is one of the best movies ever made.” – Tom Cassidy\, Common Sense Media \n“A compelling\, harrowing\, absurdly beautiful account of the little known holocaust in Byelorussia.” – Victoria Mather\, Daily Telegraph (UK)
URL:https://yeehaw505.com/event/come-and-see-1985/2026-06-12/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Come-And-See-1985.webp
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DTSTART;TZID=America/Denver:20260612T160000
DTEND;TZID=America/Denver:20260612T160000
DTSTAMP:20260728T002050
CREATED:20260610T204436Z
LAST-MODIFIED:20260610T204436Z
UID:10012036-1781280000-1781280000@yeehaw505.com
SUMMARY:Werckmeister Harmonies (2000)
DESCRIPTION:Dir. Bela Tarr & Ágnes Hranitzky – 2000 – 145m – Hungary – In Hungarian with English subtitles – Valid for Punch Cards \n\n\nAMERICAN CINEMATHEQUE’S BLEAK WEEK:  CINEMA OF DESPAIR  IS HERE!  AS ONE OF OVER A HUNDRED PARTICIPATING  MOVIE THEATERS AROUND THE WORLD\, WE’RE OFFERING UP THREE DOUBLE FEATURES  (WERCKMEISTER HARMONIES / COME & SEE\, IN A YEAR OF 13 MOONS / STROSZEK\, CHRISTIANE F. / AU HASARD BALTHAZAR) & A CLOSING  7 PLUS HOUR  BELA TAR MONUMENTAL FEATURE  SATANTANGO! \nNOTE:  THIS DOUBLE FEATURE WILL BE WITH THE NOTORIOUS RUSSIAN ANTI-WAR EPIC COME & SEE! \nStaff member Don Sherry’s pick! \n One of the major achievements of twenty-first-century cinema thus far\, Béla Tarr’s mesmeric parable of societal collapse is an enigma of transcendent visual\, philosophical\, and mystical resonance. Adapted from a novel by the celebrated writer and frequent Tarr collaborator László Krasznahorkai\, Werckmeister Harmonies unfolds in an unknown era in an unnamed village\, where\, one day\, a mysterious circus—complete with an enormous stuffed whale and a shadowy\, demagogue-like figure known as the Prince—arrives and appears to awaken a kind of madness in the citizens\, which builds inexorably toward violence and destruction. In thirty-nine of his signature long takes\, engraved in ghostly black and white\, Tarr conjures an apocalyptic vision of dreamlike dread and fathomless beauty. \n“Mesmerizing\, haunting\, deeply moving.” – Diane Carson\, KDHX (St. Louis) \n“It is an arduous task\, but the film achieves a transcendent and ethereal beauty that only the few truly great masterpieces attain.” – Derek Smith\, Cinematic Reflections
URL:https://yeehaw505.com/event/werckmeister-harmonies-2000/2026-06-12/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Werckmeister-Harmonies-2000.webp
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DTSTART;TZID=America/Denver:20260611T201500
DTEND;TZID=America/Denver:20260611T201500
DTSTAMP:20260728T002050
CREATED:20260610T195823Z
LAST-MODIFIED:20260610T195823Z
UID:10012034-1781208900-1781208900@yeehaw505.com
SUMMARY:The Spook Who Sat By The Door (1973)
DESCRIPTION:Dir. Ivan Dixon – 1973 – 102m – Valid for Punch Cards \nIt’s on!  Author of the the superb compendium Blaxploitation Cinema: The Essential Reference Guide Josiah Howard (who also curated all the chosen films for this midweek) will be in our cinema house to introduce & do a post screening discussion!  Welcome to BLAXPLOITATION MIDWEEK! \nDOUBLE FEATURED (2-MOVIES-FOR-THE PRICE-OF-ONE\, SEE ONE OR BOTH FOR THE SAME PRICE!) WITH THE UNDER PLAYED 70’S GEM TOP OF THE HEAP (1972)! \nThe film follows Dan Freeman (played by Lawrence Cook)\, an African American man who becomes the first black CIA officer. His hiring is initially a token gesture to placate civil rights activists and project an image of inclusivity within the agency. However\, Freeman proves to be highly competent\, quickly mastering espionage techniques and tactics. Despite his skills\, he is relegated to a low-profile\, menial position\, symbolically seated by the door to serve as a token black employee. Growing increasingly disillusioned with the systemic racism and marginalization he experiences\, Freeman decides to use his training for a revolutionary cause. He resigns from the CIA and returns to his hometown of Chicago\, where he begins to recruit and train a militant group of young African Americans. Utilizing the guerrilla warfare techniques he learned at the CIA\, Freeman’s group\, disguised as a community organization\, aims to fight against racial oppression and challenge the status quo. As Freeman’s insurgency grows\, it attracts the attention of law enforcement and government officials\, leading to a tense and escalating conflict. The film explores themes of racial identity\, institutional racism\, and the complexities of resistance. “The Spook Who Sat By the Door” is a powerful and thought-provoking film that examines the potential for radical change and the lengths to which oppressed individuals might go to achieve liberation. It remains a significant work for its bold portrayal of racial and political issues\, and its critique of both governmental and societal structures. \n“One of the few uncompromised representations of black armed resistance in the United States.” – Cynthia Fuchs\, PopMatters \n“Possibly the most radical of the blaxploitation films of the 70s\, this movie was an overnight success when released in 1973\, then was abruptly taken out of distribution for reasons still not entirely clear.” – Jonathan Rosenbaum\, Chicago Reader.
URL:https://yeehaw505.com/event/the-spook-who-sat-by-the-door-1973/2026-06-11/2/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/The-Spook-Who-Sat-By-The-Door-1973.webp
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DTSTART;TZID=America/Denver:20260611T180000
DTEND;TZID=America/Denver:20260611T180000
DTSTAMP:20260728T002050
CREATED:20260610T204219Z
LAST-MODIFIED:20260610T204219Z
UID:10012035-1781200800-1781200800@yeehaw505.com
SUMMARY:Top Of The Heap (1972)
DESCRIPTION:Dir. Christopher St. John – 1972 – 90m – Valid for Punch Cards \nIt’s on!  Author of the the superb compendium Blaxploitation Cinema: The Essential Reference Guide Josiah Howard (who also curated all the chosen films for this midweek) will be in our cinema house to introduce & do a post screening discussion!  Welcome to BLAXPLOITATION MIDWEEK! \nDOUBLE FEATURED (2-MOVIES-FOR-THE PRICE-OF-ONE\, SEE ONE OR BOTH FOR THE SAME PRICE!) WITH THE OUTSTANDING SINGULAR IVAN DIXON FEATURE THE SPOOK WHO SAT BY THE DOOR (1973)! \nA year after his supporting role in the blockbuster Shaft\, Christopher St. John wrote\, directed\, and starred in this kaleidoscopic fever dream of a Black cop’s crisis of sanity after being passed over for a promotion\, and the death of his mother. \nWith dreamlike imagery depicting St. John’s George Lattimer as a war hero\, astronaut\, and other representations of American idealism\, the film tackles the contradiction of a Black man who follows the ‘rules’ in a position of power\, only to find himself trapped in the same impossible position he was in before joining the police. Top of the Heap is an underrated twist on Blaxploitation cinema\, and an essential piece of American independent film\, free of studio interference and muddled messaging. \n“As written\, the film is punctuated by escapist visions in which Lattimer pictures himself a revered astronaut in a lacquered 2001-esque space station\, but outer space isn’t far enough to elude the earthly news of his mother’s death; the only approaching celestial “voyage” on his itinerary is to her funeral in rural Alabama. In this dark substitution\, the film reckons not only with systemic prejudice but the cosmic menace of aging and death—or rather\, demonstrates Ruth Wilson Gilmore’s definition of racism as “the state-sanctioned or extralegal production and exploitation of group-differentiated vulnerability to premature death.”’ ~ Veronica Fitzpatrick\, Screen Slate
URL:https://yeehaw505.com/event/top-of-the-heap-1972/
LOCATION:Guild Cinema\, 3405 Central Avenue NE\, Albuquerque\, NM\, 87106\, United States
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Top-Of-The-Heap-1972.webp
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