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DTSTART;TZID=America/Denver:20260725T210000
DTEND;TZID=America/Denver:20260725T210000
DTSTAMP:20260725T181023
CREATED:20260609T213528Z
LAST-MODIFIED:20260609T213528Z
UID:10011987-1785013200-1785013200@yeehaw505.com
SUMMARY:Dennett
DESCRIPTION:DENNETT is quickly becoming one of the most exciting names in electronic music\, known for his high energy sets and unique sound. He’s played major festivals including EDC\, North Coast Music Festival\, and Seven Stars\, while continuing to build momentum across the U.S. Uniquely\, DENNETT has built both a house and bass music fanbase\, with a sound that blends emotional melodies\, heavy drops\, and festival ready energy. His official remix of “LIGHTS GO OUT” by John Summit helped push his name even further\, alongside multiple tracks that have passed half a million streams on SoundCloud. With a rapidly growing audience and standout live performances\, DENNETT is carving out his own lane in the electronic scene.
URL:https://yeehaw505.com/event/dennett/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Dennett.webp
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260821T210000
DTEND;TZID=America/Denver:20260821T210000
DTSTAMP:20260725T181023
CREATED:20260525T222712Z
LAST-MODIFIED:20260525T222712Z
UID:10011918-1787346000-1787346000@yeehaw505.com
SUMMARY:Justin Martin
DESCRIPTION:
URL:https://yeehaw505.com/event/justin-martin/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Justin-Martin.webp
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DTSTART;TZID=America/Denver:20260822T200000
DTEND;TZID=America/Denver:20260822T200000
DTSTAMP:20260725T181023
CREATED:20260525T222944Z
LAST-MODIFIED:20260525T222944Z
UID:10011919-1787428800-1787428800@yeehaw505.com
SUMMARY:Yung Bae
DESCRIPTION:LA-based artist and producer Yung Bae might be best known for heralding the rise of Future Funk\, stewarding the sub-genre from the underground into a cult-like phenomenon. From anime-themed Tumblr memes to shutting down stages across the world\, Yung Bae has an extensive catalog spanning nine albums\, including his prolific Bae series and Groove Continental\, on which Bae welcomed a multitude of star power into his universe resulting in collaborations with Nile Rodgers\, Channel Tres\, AWOLNATION\, Pink Sweat$\, and more. \nYung Bae immediately grabs his listeners with a sound design that dances between 70’s funk and disco\, smooth jazz\, old school hip-hop and draws influence from ’90s anime and arcade video games. Having grown his niche fanbase through the wonders of the internet and social media\, Yung Bae exploded with his viral single “Bad Boy” featuring bbno$ and has continuously evolved his sound while maintaining undeniable grooves. To sift through his nostalgic samples would surely be a day well spent\, but it’s the way he brings them together in a colorful\, quirky vapor-bounce style that keeps listeners coming back.
URL:https://yeehaw505.com/event/yung-bae/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Yung-Bae.webp
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DTSTART;TZID=America/Denver:20260913T200000
DTEND;TZID=America/Denver:20260913T200000
DTSTAMP:20260725T181023
CREATED:20260609T213620Z
LAST-MODIFIED:20260609T213620Z
UID:10011988-1789329600-1789329600@yeehaw505.com
SUMMARY:Meltt
DESCRIPTION:Meltt’s upcoming third album is the culmination of everything the Vancouver indie-pop quartet have accomplished so far\, all the while pushing their sound in new and exciting directions. True to its title\, Pathways_ _finds** Chris Smith** [lead vocals\, guitar\, bass\, keys]\, Jamie Turner [drums\, percussion]\, James Porter [guitar\, keys\, bass\, vocals]\, and Ian Winkler [bass\, keys\, guitar] at multiple forks in the road and deciding to take all of them\, submerging their sound in new rippling textures while still retaining the warm\, textured glow that their music’s contained since their debut EP _Visions_ in 2017. \nThematically\, Pathways approaches what Winkler refers to as “four men approaching their 30s and figuring out their paths and lives.” Big topics abound\, from relationships and the aftermath of loss to the strange and uneasy feeling that accompanies navigating the modern world at large. “Our tone is usually pretty optimistic and hopeful\, but this time we let some darkness in\,” Porter says. “There are so many things we experience individually\, but when we get in the studio\, it’s clear that we’re on a journey together.” \nWhether you’ve been with them since the beginning or are joining them at this very juncture\, Pathways will make you thankful that you’re along for the journey.
URL:https://yeehaw505.com/event/meltt/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Meltt.webp
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DTSTART;TZID=America/Denver:20261020T200000
DTEND;TZID=America/Denver:20261020T200000
DTSTAMP:20260725T181023
CREATED:20260327T215220Z
LAST-MODIFIED:20260327T215220Z
UID:10011192-1792526400-1792526400@yeehaw505.com
SUMMARY:Kishi Bashi: Sonderlust 10th Anniversary Tour
DESCRIPTION:Kishi Bashi is the pseudonym of Emmy-nominated singer\, songwriter\, and multi-instrumentalist Kaoru Ishibashi. A Berklee-trained virtuoso violinist\, Kishi Bashi is acclaimed for his uplifting\, high-energy concerts and his distinctive loop-based violin style. He has also earned recognition for his groundbreaking collaborations with major symphonies—including the National Symphony Orchestra\, Chicago Philharmonic\, Seattle Symphony\, and Oregon Symphony—where he blends classical and pop influences in captivating performances. Beyond the orchestral stage\, he has toured internationally with Regina Spektor and of Montreal\, and released five acclaimed albums—beginning with his NPR-praised debut 151a (2012)\, followed by Sonderlust (2016)\, the documentary project Omoiyari (2019)\, and most recently Kantos (2024)\, a kaleidoscopic fusion of funk\, jazz\, and orchestral pop. Known for his cinematic storytelling and genre-bending sound\, Kishi Bashi continues to push creative boundaries while captivating audiences worldwide.
URL:https://yeehaw505.com/event/kishi-bashi-sonderlust-10th-anniversary-tour/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Kishi-Bashi-Sonderlust-10th-Anniversary-Tour.jpg
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DTSTART;TZID=America/Denver:20261111T200000
DTEND;TZID=America/Denver:20261111T200000
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CREATED:20260327T215349Z
LAST-MODIFIED:20260327T215349Z
UID:10011193-1794427200-1794427200@yeehaw505.com
SUMMARY:Bahamas
DESCRIPTION:Afie Jurvanen does not spend too much time in cities these days. For nearly two decades\, Jurvanen was a fixture of the Toronto scene\, both as a valued multi-instrumentalist and producer for friends like Feist\, The Weather Station\, and Kathleen Edwards and as the architect of one of his country’s most celebrated artists\, Bahamas. Jurvanen came of age across Bahamas’ first six albums\, the restlessness of jumpy early hits like Pink Strat and Barchords slowly shifting into the generous domesticity of 2023’s Bootcut. But Jurvanen has long been drawn to open spaces\, to a quieter life. In 2009\, the year of his aforementioned debut\, he began visiting Nova Scotia\, the Atlantic Ocean. Over the next decade\, his trips became more consistent\, then more frequent\, and then longer\, until\, in 2019\, Jurvanen and his family of four finally made the move—nearly 2\,000 kilometers northeast\, to Nova Scotia. They live a lifestyle\, Jurvanen half-jokes\, that is “close to Mennonite.” The kids are homeschooled. No one has an iPad. Text messages can feel like miracles. \nBut in 2022\, Jurvanen went back to a city—namely\, Music City\, or Nashville\, Tenn. During five days at the Sound Emporium\, he worked with some of America’s true country greats\, aces like Vince Gill and Sam Bush\, Russ Pahl and Mickey Raphael. Bootcut\, he reminisces\, was maybe the easiest record he’s ever made\, his songs and visions executed with utter clarity by absolute pros. When Jurvanen came home\, though\, he still had a few tunes and plenty of energy. Could he make more music\, he wondered\, outside of a city? \nDespite his extended résumé\, Jurvanen has never been much of a tech guy or studio hound\, never one for making his own records. In 2021\, however\, producer and multi-instrumentalist Joshua Van Tassel had also left Toronto\, moving back to Nova Scotia and building a little studio\, called DreamDate\, in a backyard shed there. It was just small enough to skirt inspections\, just big enough to house everything. Jurvanen had once rented Van Tassel’s space back in Toronto to listen to his Earthtones album on someone else’s speakers\, to decide if it was ready for release. He’d been impressed by the place’s minimalism and tidiness\, by the studio rarity of everything working. So Jurvanen began driving the 20 minutes from his cottage to Van Tassel’s spot via a winding ocean road\, passing his days hanging out with his local friend and recording some songs. There was no real agenda but to work and play. And that’s how two people in a little shed made what may be the most effortlessly magnetic record in the entire Bahamas catalogue\, My Second Last Album. \nVan Tassel and Jurvanen played every sound on My Second Last Album\, from the buzzing acoustics of “Shadows” to the Mellotron ostinato of “Play the Game.” This self-dependence allowed them to do anything they wanted\, to follow musical enthusiasms into any space they favored. Jurvanen wrote “The Bridge” via text with Hiss Golden Messenger’s M.C. Taylor\, and he and Van Tassel turned it into an infectious country-funk tune\, the strutting refrain closing the gap between Little Feat and Canned Heat. “Ready for a New Thing” echoes Joni Mitchell’s famous electric guitar tone\, using it as the core of a buoyant little pop song about growing up\, about being happy with growing older. “Feels So Good” is a modern soul wonder\, its perfect groove framed by bass\, piano\, and finger-snap drums and built with a brilliant amount of negative space. There is charging indie rock\, hazy piano\, and pastoral folk-rock. Again\, My Second Last Album is anything Van Tassel and Jurvanen wanted it to be. \nWhat’s most striking about these 10 songs\, though\, may be Jurvanen’s lyrical candor and open sense of play. He often found himself so motivated by what he and Van Tassel had accomplished during the day that he’d go home and write another song by night\, the pace giving him permission to put down words without second-guessing himself. “Don’t hold back/share your opinion\,” as he belts out as he emerges from the bridge on the funny and real opener\, “Sauna.” His opinions here range from government payouts that could feel like pandemic bribes (again\, “Sauna”) to the anti-rock star practice of waking up early enough to see the dawn and feel the day take shape (“Ready for a New Thing”). Over the tender piano of “Only Inspiration\,” he extols the virtues of living in a house of women and girls\, while he chastises Henry Ford’s vitriol and social media’s endemic bile on “Dearborn.” There is a burgeoning strain of self-determination to it all\, of finding and accepting new ways to live for oneself and for everyone else\, too. As Jurvanen\, the son of immigrants\, sings during the poignant closer\, “We all belong in this country.” In the country\, Jurvanen found his own state of being. \nFor a long time\, Jurvanen didn’t know what to do with My Second Last Album. After cutting a legitimate country record in the city where the genre lives\, was it a too-weird left turn to put out a loose-limbed indie-pop set cut in a shed? He thought about slicing it into singles or splicing it as a bonus onto some sort of future Bahamas compendium\, maybe even shelving it altogether. But then he put the record back on after not hearing it for several months and had the simplest and most profound realization possible: He loved these songs\, the way they sat together\, the story they told about who he was at that moment—a married father content to live in the country alongside the very ocean where he surfs\, a musician who often goes to his buddy’s house to casually make some music. It became My Second Last Album\, one of Bahamas’ truly indispensable works.
URL:https://yeehaw505.com/event/bahamas/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Bahamas.jpg
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