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DTSTART;TZID=America/Denver:20260522T200000
DTEND;TZID=America/Denver:20260522T200000
DTSTAMP:20260519T175440
CREATED:20260505T020252Z
LAST-MODIFIED:20260505T020252Z
UID:10011712-1779480000-1779480000@yeehaw505.com
SUMMARY:G Precious “HOME” Album Release
DESCRIPTION:Something new is dropping…and you’re invited to be among the very first to experience it. Step into a night where sound meets story\, where every song is a chapter\, and every beat pulls you deeper into my world\, “HOME” by G Precious’ Album Release party will be more than just a performance – it’s an immersive celebration of music – Hip-Hop\, Pop\, R&B\, Artist creativity\, vision\, fashion all interconnect. One amazing night at Meow Wolf you will experience the amazing new music of G Precious hosted by the one and only Ann Randolph\, highly-acclaimed\, award-winning Playwright and Performer; Fashion Designers: Sage Mountainflower’s House of Fashion and Cathy Lopez Booth of Foxfire Designs; the Award-winning Hip-Hop Artist Def-i\, and the amazing spins and cuts of DJ Noble. \nG Precious \nG Precious – born and raised on the Indian Reservation of Ohkay Owingeh -Village of the Strong (formerly San Juan Pueblo). The 2nd of 8 children\, she began creative writing at the young age of 6\, identifying herself as BMA Chill. BMA Chill continued writing as a means to deal with the dynamics of life – alcoholism\, drugs\, depression\, suicide\, and loss. At the age of 12\, BMA Chill became G Precious. G Precious has released 8 Albums and “HOME” will be her 9th release. After months of writing\, recording and pouring my heart into every lyric and melody\, my brand-new album “HOME” is ready to meet the world. This isn’t just a launch – it’s a night to connect\, celebrate\, and experience the music together. Whether you’ve been here since the first note or you’re just discovering my music\, this night is for you. Bring your family\, friends\, your energy\, and your love for music. Let’s make memories that will last long after the final chord fades.
URL:https://yeehaw505.com/event/g-precious-home-album-release/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/G-Precious-HOME-Album-Release.webp
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260523T210000
DTEND;TZID=America/Denver:20260523T210000
DTSTAMP:20260519T175440
CREATED:20260505T021317Z
LAST-MODIFIED:20260505T021317Z
UID:10011713-1779570000-1779570000@yeehaw505.com
SUMMARY:Com Truise
DESCRIPTION:
URL:https://yeehaw505.com/event/com-truise/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Com-Truise.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260530T210000
DTEND;TZID=America/Denver:20260530T210000
DTSTAMP:20260519T175440
CREATED:20260505T021604Z
LAST-MODIFIED:20260505T021630Z
UID:10011714-1780174800-1780174800@yeehaw505.com
SUMMARY:Desert Hearts Danceportation
DESCRIPTION:Meow Wolf Santa Fe is throwing a full-on house party alongside Desert Hearts and hometown heroes Team Everything with special guest Ma Sha for a Danceportation event! 🤩 \nMake the dancefloors your paradise at this epic takeover\, respawning in your neck of the desert on Saturday\, May 30th. The tave is opening and we are ready to RAGE. Get your tickets to the freqiest ride before they’re 💨.
URL:https://yeehaw505.com/event/desert-hearts-danceportation/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Desert-Hearts-Danceportation.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260605T200000
DTEND;TZID=America/Denver:20260605T200000
DTSTAMP:20260519T175440
CREATED:20260505T022034Z
LAST-MODIFIED:20260505T022105Z
UID:10011715-1780689600-1780689600@yeehaw505.com
SUMMARY:Riot Ten
DESCRIPTION:
URL:https://yeehaw505.com/event/riot-ten/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Riot-Ten.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260613T200000
DTEND;TZID=America/Denver:20260613T200000
DTSTAMP:20260519T175440
CREATED:20260327T214251Z
LAST-MODIFIED:20260327T214251Z
UID:10011190-1781380800-1781380800@yeehaw505.com
SUMMARY:Flamingosis
DESCRIPTION:Flamingosis makes the soundtrack to being your best self. Under the spell of Aaron Velasquez\, the New Jersey-raised and Brooklyn-based artist and producer\, handcrafted electronic beats meet live instrumentation spiked with funk in the center of the dancefloor (right underneath the disco ball). The ensuing overflow of energy might just inspire you to get up and move\, fall in love\, or even change your life. Extending a creative arc without comparison\, he strikes a deep emotional chord on his 2024 full-length album\, Better Will Come. \n“Everyone wants to get better in some way\,” he states. “The album highlights my own personal experience of growing\, and you can potentially relate your story to what I went through. I learned a lot of hard lessons\, but I made a conscious effort to grow in every way—not just musically\, but physically\, mentally\, and spiritually. I did a lot of inner work\, and I channeled these experiences into the music. If you pursue self-improvement\, life improves around you too.” \nArtistically\, he has continued to progress at an impressive pace. Piling up over 100 million streams and counting\, he has dropped one fan favorite project after another\, including _Pleasure Palette _[2015]\, _Kahunastyle _[2016]\, Bright Moments [2016]\, Daymaker [2021] and collaborative album Bliss Station [2023]. Of the latter\, ThisSongIsSick raved\, “This is the perfect album to rinse outside by the pool\, at the park\, in your backyard\, or wherever you have a space to move around\,” and EARMILK christened it “an electronic journey through time and space._” _Along the way\, he teamed up with everyone from Big Gigantic\, GRiZ and Tokimonsta to Matoma for collaborations. Simultaneously\, he notably shined at festivals\, including Austin City Limits\, Electric Forest\, Okeechobee\, Holy Ship!\, Voodoo Music + Arts\, and more. \nA season of transformation and awakening underlined the genesis of Better Will Come. \n“Around the time of the Daymaker tour\, behind-the-scenes life hit me in an unexpected way I didn’t think was possible\,” he recalls. “In turn\, I took a downward spiral as a direct result of my poor choices and failure to balance things in my personal life. It was a hard pill to swallow\, but I had to get real. I acknowledged it and consciously made a change. I started eating healthier\, going to the gym\, and seeing a therapist. Everything helped a lot. I funneled the inner pain and turmoil into the music.” \nHe did so during sessions in New York and Denver. Beyond shaping lively and lush soundscapes of his own\, he orchestrated performances by a bevy of musicians such as Jeff Franca\, Hunter Roberts\, Bora Lee\, Mike Tallman\, and Eddie Roberts. Akin to a conductor\, he actively produced the players and arranged the tracks. \nNow\, he introduces this chapter via the uplifting single “Feel Yourself” [with Marc Rebillet]. A seventies-style synth line wraps around the bass\, while a head-nodding beat sets the tempo punctuated by glimmering guitar and a loose lead. Rebillet’s buttery smooth vocals engage and empower as he urges\, “Nobody feeling you\, gotta feel yourself.” \n“Marc and I have known each other since 2019\,” he says. “I admire him as a musician and as a person. We reconnected in 2022\, and it was dope he made time for me. ‘Feel Yourself’ is straight-to-the-point. He came up with the hook on the spot\, and it’s almost like a mantra. Your inner consciousness is telling you\, ‘People around you can love you for who you are. At the end of the day though\, nobody can help you and love you for you; you have to do that. You need to do the inner work.” \nElsewhere\, “Soulsearcher” uncorks a blast of sonic sunshine enlivened by ecstatic strings\, ebullient keys\, engaging horns\, and an entrancing vocal. “I finally knew how to finish the song after the life experience I’d gone through\,” he states. “It’s about searching deep\, inquiring within\, and telling yourself the healthiest way to go on your path.” \n“Nebula Gazer” hinges on a clean funk riff and foot-stomping bass. Built around a core synth line\,  successive solos swirl across this galaxy in an intergalactic call-and-response. \n“There are way more solos on the album\,” he smiles. “It made everything more colorful.” \nThe unabashed soul of “Life and Death of Hard Times” explores an overarching theme with a strutting groove and slick thump of its own. “We all go through rough periods\,” he observes. “That’s just human experience. We suffer\, but it doesn’t last forever. ‘Life and Death of Hard Times’ describes the beginning and end cycle of a hard time. You come out stronger on the other side.” \nThen\, there’s the closer “Better Will Come.” He samples Gil Scott-Heron whose words\, “If you take your time\, you might change your mind\,” prove as prescient and appropriate as ever layered atop a buoyant soundscape. \n“Gil’s words are looped through the song\, and it ties the whole album together\,” he notes. “If you really do take your time\, you can change your mind and everything\, in general. It’s a full circle moment.” \nIn order to bring the music to life on stage\, Flamingosis will hit the road with a band for the very first time. At the end of 2023\, he performed a pair of gigs in Denver at Cervantes joined by Bodega Groove Collective. The drums\, horns\, guitar\, and bass added a full-bodied bombast to the set unlike anything he’d delivered prior. \n“The shows in Denver were pretty much the climax of my music career thus far\,” he goes on. “I’d never played with a live band\, so it was a major change. I’ve learned you need to face new challenges head-on. It’s what we did\, and it went great. It’s going to be really cool to do the same thing on the road.” \nIn the end\, Flamingosis delivers a message meant to be shared aloud on the album. \n“It’s a reminder that no matter what you’re going through\, you can be better for yourself\,” he leaves off. “Hard times don’t last. All of those little things add up to change you for the better. Am I where I want to be? Probably not yet\, but I’m a lot better than I was when I started the whole process.”
URL:https://yeehaw505.com/event/flamingosis/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Flamingosis.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260617T200000
DTEND;TZID=America/Denver:20260617T200000
DTSTAMP:20260519T175440
CREATED:20260511T165948Z
LAST-MODIFIED:20260511T165948Z
UID:10011826-1781726400-1781726400@yeehaw505.com
SUMMARY:Buckethead
DESCRIPTION:presented by AMP Concerts \nBuckethead is one of the most bizarre and enigmatic figures in American underground and experimental music since Parliament–Funkadelic birthed their bevy of cosmic characters in the mid-’70s. An accomplished multi-instrumentalist best known for his virtuosic command of the electric guitar\, Buckethead is one of the instrument’s most recognizable contemporary innovators\, his rapid-fire riffing\, near-robotic fretwork\, and idiosyncratic lead lines combining elements of Yngwie Malmsteen\, Adrian Belew\, Slayer‘s Kerry King\, P-Funk‘s Eddie Hazel\, and avant-improv artist John Zorn‘s Scud-attack sax abuse. His first group\, the San Francisco-based metal-funk combine the Deli Creeps\, were a regional success\, but disbanded before they could release anything. Buckethead’s solo career has been more productive\, thanks mostly to the motivation of Zorn and Bill Laswell\, the latter of whom Buckethead has also recorded and toured with in Praxis. Laswell has also produced a number of Buckethead’s solo albums (including Dreamatorium and Day of the Robot) and included him on more than a dozen one-off recordings with the likes of Hakim Bey\, Bootsy Collins\, Anton Fier\, Jonas Hellborg\, and Bernie Worrell. In addition to releases including 1998’s Colma\, Buckethead has also contributed soundtrack material to such films as Last Action Hero and Street Fighter. Buckethead returned in 1999 with Monsters and Robots\, after which he joined the short-lived re-formation of Guns N’ Roses. A steady stream of releases followed into the 21st century ranging from the contemplative Electric Tears to a more electronica/rock hybrid\, and collaborations with San Francisco’s underground hip-hop scene. In the following decade\, he averaged a few releases a year\, teaming up with dozens of artists\, including Les Claypool\, Iggy Pop\, and Mike Patton. ~ Sean Cooper\, Rovi
URL:https://yeehaw505.com/event/buckethead-2/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Buckethead.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260618T200000
DTEND;TZID=America/Denver:20260618T200000
DTSTAMP:20260519T175440
CREATED:20260204T184838Z
LAST-MODIFIED:20260227T225307Z
UID:10008447-1781812800-1781812800@yeehaw505.com
SUMMARY:Searows
DESCRIPTION:Searows has partnered with PLUS1 so that $1 from every ticket sold goes to supporting organizations working to provide humanitarian aid to Palestinians and to uplift and protect LGBTQ youth through advocacy\, safety\, and essential support services. \nSearows\, the project of Pacific Northwest singer-songwriter and guitarist Alec Duckart\, releases his new album\, Death in the Business of Whaling\, on January 23\, 2026 via Last Recordings On Earth. Though Death in the Business of Whaling arrives as Searows’ second album\, it’s the product of many firsts\, including his first time recording outside the creative cocoon of his bedroom. His 2022 debut Guard Dog was written\, recorded and self-produced in Duckart’s Portland home and independently released with little expectation as to how it would be received. The music soon found a passionate audience that were already sharing snippets of Duckart’s music via communities on TikTok\, as well as co-signs from artists like Ethel Cain\, Gracie Abrams and Robin Pecknold. \nWhen the time came to commit the collection of ideas for his new record to tape\, he set up shop in a converted horse barn outside of Seattle\, keen to harness a greater sense of scale and space in the creation of the music\, working this time with co-producer Trevor Spencer (Father John Misty\, Beach House\, Mary Lattimore)\nto expand his creative vision. \n“I had really wonderfully connective and intimate experiences sharing my first couple of projects with live audiences. Those projects were very personal and vulnerable and revealing my life and specific experiences to an audience began to feel a bit dissonant and exposing\,” he explains. “One of my favourite things about music is its ability to connect people. It has done so for me time and time again and it has been so special to see my own writing do that for people too. I just began to learn that for myself\, there were specifics that I wanted to keep for myself.” \nAs a result\, Duckart became interested in writing songs that read more like folklore. The songs became a vessel for digging deep and exploring his life and point of view\, but in a way that spoke outwardly more symbolically than literally. “Something your subconscious understands before your conscious mind does. Visceral rather than literal. And that relationship to our deeper selves\, our subconscious\, our souls\, is a major theme of the album for me. Most of these songs are about the different ways we all bump up against the human condition. Our spirit\, the shadow self\, our egos\, trauma\, love and fate. How we cope with our experiences and how we connect and take care of one another in an exceedingly dark and violent world. This record is still deeply personal to me. But it is an attempt to reveal my cards in a more coded\, symbolic manner.”
URL:https://yeehaw505.com/event/searows/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/02/Searows.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260626T210000
DTEND;TZID=America/Denver:20260626T210000
DTSTAMP:20260519T175440
CREATED:20260511T170836Z
LAST-MODIFIED:20260511T170836Z
UID:10011827-1782507600-1782507600@yeehaw505.com
SUMMARY:Amtrac
DESCRIPTION:
URL:https://yeehaw505.com/event/amtrac/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Amtrac.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260630T200000
DTEND;TZID=America/Denver:20260630T200000
DTSTAMP:20260519T175440
CREATED:20260327T213811Z
LAST-MODIFIED:20260327T213811Z
UID:10011188-1782849600-1782849600@yeehaw505.com
SUMMARY:Gia Margaret
DESCRIPTION:Every artist has to discover their voice. Gia Margaret didn’t find herself until she lost hers. With a vocal injury that kept her from singing for years\, she developed other musical languages\, mastering the grammar of an intricate\, homey form of ambient music pioneered by Ernest Hood and perfected by The Books. Now\, her physical voice healed and her artistic voice honed\, she comes full circle with Singing\, her first vocal album since 2018’s There’s Always Glimmer. Led by soft piano lines that fall like breath on glass\, the music on Singing evidences the same jeweler’s sensitivity to detail that she developed in her silence. \n“There was a time when I really didn’t know if I would sing again. So once I healed\, there was a lot of internal pressure to come back strong\,” Margaret says. “I didn’t know who I was anymore. So it felt like beginning again\, and reconnecting with these very old\, old parts of myself.” This feeling of intermixed alienation and rediscovery is palpable across the album. In opener “Everyone Around Me Dancing\,” she watches a party from the wings\, aware of how her body keeps her from communal joy while also providing new modes of self-knowledge. Shut out from the scene\, she is “closer to the ground\, the planet.” In “Alive Inside\,” she’s so far away from the source that she’s praying to whoever might hear (“a god\, a friend that’s gone\, a spirit”). As her voice rises\, it seems to be trapped in a web of distortion; it’s as if in her pursuit\, she’s pushing at the very boundaries of what can be said. \nThe process of making Singing was one of learning how to trust each of those feelings. The album was partially recorded in London with Frou Frou’s Guy Sigsworth\, who helped Margaret unify the spree of ideas she had for “Good Friend\,” an album highlight that includes Gregorian chant by ILĀ and turntable scratches\, among many other things. David Bazan and Amy Millan also make appearances\, as do Kurt Vile and Sean Carey\, while Margaret’s longtime collaborator Doug Saltzman plays on and co-produces much of the record. Deb Talan\, previously of The Weepies\, lends her voice\, piano\, and guitar to the album’s closing—and definitive—statement\, “E-Motion.” \nGia Margaret is always singing. Every note of this album sings a warm requiem to her past selves; every layer sings her future self into being. Across the album\, she applies the lessons of speechlessness—the quasirational ways we communicate without communicating\, the way formless sound can cut to the heart of things like a scalpel—to her own artistic voice.
URL:https://yeehaw505.com/event/gia-margaret/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Gia-Margaret.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260708T200000
DTEND;TZID=America/Denver:20260708T200000
DTSTAMP:20260519T175440
CREATED:20260327T214109Z
LAST-MODIFIED:20260327T214109Z
UID:10011189-1783540800-1783540800@yeehaw505.com
SUMMARY:Wavves
DESCRIPTION:Wavves recently made a long-awaited return with their first new music since 2021\, the launch of their cannabis brand Wavvy Supply Co.\, and a Los Angeles wildfire benefit show at Zebulon. The band followed that momentum with the release of their new album Spun\, marking the start of a new chapter for Nathan Williams and longtime bandmates Stephen Pope\, Ross Traver\, and Alex Gates. \nNow Wavves are expanding the Spun era with a deluxe edition of the album featuring two B-sides and the Live Wavvy Sessions—five songs recorded live in the studio capturing the band’s raw\, unfiltered energy. The sessions include performances of “King of the Beach\,” “Nine Is God\,” “Green Eyes\,” “Goner\,” and “So Long\,” bridging fan-favorite classics with songs from Spun. \nThe album’s single “Goner\,” produced by Travis Barker\, arrived alongside a Brandon Dermer-directed music video filmed during the band’s Zebulon charity show. Dermer previously directed Wavves’ 2013 video for “That’s On Me” and has worked with artists including Blink-182. Speaking about how the track came together\, Williams says:\n“I had this song I had been sitting on\, always revisited it and tried to record it a bunch of times but it was never just right. Eventually it was giving me PTSD. I was talking to Travis about doing some songs together and when I opened up the vault to him\, this one jumped out so we laid it down and finally we got it right.” \nLike Nathan Williams’ earliest music\, Spun first took shape in a small shed behind his parents’ house known as the Hideaway—the same space where he recorded some of his earliest material. Since the beginning\, Williams has been known for writing songs that push back against the world while still evoking pathos\, sympathy\, and the uneasy realization that sometimes we’re our own worst enemies—and that can be okay. \nOver a decade earlier\, Williams released King of the Beach\, the album that delivered on the promise of his first two homespun records\, Wavves and Wavvves. It catapulted the band to worldwide acclaim as one of indie rock’s most exciting new acts. In the years that followed\, Wavves entered the major-label system with Warner Records\, releasing Afraid of Heights and V\, before eventually stepping away in search of greater creative freedom. \nIn 2017\, Williams self-released You’re Welcome on his own label\, Ghost Ramp\, before returning to Fat Possum for 2021’s Hideaway. Wavves have since returned to Ghost Ramp for the release of Spun and its newly released deluxe edition. \nWith Spun and its deluxe edition\, Wavves reaffirm their place as one of the most enduring bands to emerge from the late-2000s indie rock explosion. Known for their raucous live shows and sun-bleached punk songs\, the band continues to evolve while staying true to the spirit that made them cult heroes in the first place.
URL:https://yeehaw505.com/event/wavves/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Wavves.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20261020T200000
DTEND;TZID=America/Denver:20261020T200000
DTSTAMP:20260519T175440
CREATED:20260327T215220Z
LAST-MODIFIED:20260327T215220Z
UID:10011192-1792526400-1792526400@yeehaw505.com
SUMMARY:Kishi Bashi: Sonderlust 10th Anniversary Tour
DESCRIPTION:Kishi Bashi is the pseudonym of Emmy-nominated singer\, songwriter\, and multi-instrumentalist Kaoru Ishibashi. A Berklee-trained virtuoso violinist\, Kishi Bashi is acclaimed for his uplifting\, high-energy concerts and his distinctive loop-based violin style. He has also earned recognition for his groundbreaking collaborations with major symphonies—including the National Symphony Orchestra\, Chicago Philharmonic\, Seattle Symphony\, and Oregon Symphony—where he blends classical and pop influences in captivating performances. Beyond the orchestral stage\, he has toured internationally with Regina Spektor and of Montreal\, and released five acclaimed albums—beginning with his NPR-praised debut 151a (2012)\, followed by Sonderlust (2016)\, the documentary project Omoiyari (2019)\, and most recently Kantos (2024)\, a kaleidoscopic fusion of funk\, jazz\, and orchestral pop. Known for his cinematic storytelling and genre-bending sound\, Kishi Bashi continues to push creative boundaries while captivating audiences worldwide.
URL:https://yeehaw505.com/event/kishi-bashi-sonderlust-10th-anniversary-tour/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Kishi-Bashi-Sonderlust-10th-Anniversary-Tour.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20261111T200000
DTEND;TZID=America/Denver:20261111T200000
DTSTAMP:20260519T175440
CREATED:20260327T215349Z
LAST-MODIFIED:20260327T215349Z
UID:10011193-1794427200-1794427200@yeehaw505.com
SUMMARY:Bahamas
DESCRIPTION:Afie Jurvanen does not spend too much time in cities these days. For nearly two decades\, Jurvanen was a fixture of the Toronto scene\, both as a valued multi-instrumentalist and producer for friends like Feist\, The Weather Station\, and Kathleen Edwards and as the architect of one of his country’s most celebrated artists\, Bahamas. Jurvanen came of age across Bahamas’ first six albums\, the restlessness of jumpy early hits like Pink Strat and Barchords slowly shifting into the generous domesticity of 2023’s Bootcut. But Jurvanen has long been drawn to open spaces\, to a quieter life. In 2009\, the year of his aforementioned debut\, he began visiting Nova Scotia\, the Atlantic Ocean. Over the next decade\, his trips became more consistent\, then more frequent\, and then longer\, until\, in 2019\, Jurvanen and his family of four finally made the move—nearly 2\,000 kilometers northeast\, to Nova Scotia. They live a lifestyle\, Jurvanen half-jokes\, that is “close to Mennonite.” The kids are homeschooled. No one has an iPad. Text messages can feel like miracles. \nBut in 2022\, Jurvanen went back to a city—namely\, Music City\, or Nashville\, Tenn. During five days at the Sound Emporium\, he worked with some of America’s true country greats\, aces like Vince Gill and Sam Bush\, Russ Pahl and Mickey Raphael. Bootcut\, he reminisces\, was maybe the easiest record he’s ever made\, his songs and visions executed with utter clarity by absolute pros. When Jurvanen came home\, though\, he still had a few tunes and plenty of energy. Could he make more music\, he wondered\, outside of a city? \nDespite his extended résumé\, Jurvanen has never been much of a tech guy or studio hound\, never one for making his own records. In 2021\, however\, producer and multi-instrumentalist Joshua Van Tassel had also left Toronto\, moving back to Nova Scotia and building a little studio\, called DreamDate\, in a backyard shed there. It was just small enough to skirt inspections\, just big enough to house everything. Jurvanen had once rented Van Tassel’s space back in Toronto to listen to his Earthtones album on someone else’s speakers\, to decide if it was ready for release. He’d been impressed by the place’s minimalism and tidiness\, by the studio rarity of everything working. So Jurvanen began driving the 20 minutes from his cottage to Van Tassel’s spot via a winding ocean road\, passing his days hanging out with his local friend and recording some songs. There was no real agenda but to work and play. And that’s how two people in a little shed made what may be the most effortlessly magnetic record in the entire Bahamas catalogue\, My Second Last Album. \nVan Tassel and Jurvanen played every sound on My Second Last Album\, from the buzzing acoustics of “Shadows” to the Mellotron ostinato of “Play the Game.” This self-dependence allowed them to do anything they wanted\, to follow musical enthusiasms into any space they favored. Jurvanen wrote “The Bridge” via text with Hiss Golden Messenger’s M.C. Taylor\, and he and Van Tassel turned it into an infectious country-funk tune\, the strutting refrain closing the gap between Little Feat and Canned Heat. “Ready for a New Thing” echoes Joni Mitchell’s famous electric guitar tone\, using it as the core of a buoyant little pop song about growing up\, about being happy with growing older. “Feels So Good” is a modern soul wonder\, its perfect groove framed by bass\, piano\, and finger-snap drums and built with a brilliant amount of negative space. There is charging indie rock\, hazy piano\, and pastoral folk-rock. Again\, My Second Last Album is anything Van Tassel and Jurvanen wanted it to be. \nWhat’s most striking about these 10 songs\, though\, may be Jurvanen’s lyrical candor and open sense of play. He often found himself so motivated by what he and Van Tassel had accomplished during the day that he’d go home and write another song by night\, the pace giving him permission to put down words without second-guessing himself. “Don’t hold back/share your opinion\,” as he belts out as he emerges from the bridge on the funny and real opener\, “Sauna.” His opinions here range from government payouts that could feel like pandemic bribes (again\, “Sauna”) to the anti-rock star practice of waking up early enough to see the dawn and feel the day take shape (“Ready for a New Thing”). Over the tender piano of “Only Inspiration\,” he extols the virtues of living in a house of women and girls\, while he chastises Henry Ford’s vitriol and social media’s endemic bile on “Dearborn.” There is a burgeoning strain of self-determination to it all\, of finding and accepting new ways to live for oneself and for everyone else\, too. As Jurvanen\, the son of immigrants\, sings during the poignant closer\, “We all belong in this country.” In the country\, Jurvanen found his own state of being. \nFor a long time\, Jurvanen didn’t know what to do with My Second Last Album. After cutting a legitimate country record in the city where the genre lives\, was it a too-weird left turn to put out a loose-limbed indie-pop set cut in a shed? He thought about slicing it into singles or splicing it as a bonus onto some sort of future Bahamas compendium\, maybe even shelving it altogether. But then he put the record back on after not hearing it for several months and had the simplest and most profound realization possible: He loved these songs\, the way they sat together\, the story they told about who he was at that moment—a married father content to live in the country alongside the very ocean where he surfs\, a musician who often goes to his buddy’s house to casually make some music. It became My Second Last Album\, one of Bahamas’ truly indispensable works.
URL:https://yeehaw505.com/event/bahamas/
LOCATION:Meow Wolf Santa Fe\, 1352 Rufina Cir\, Santa Fe\, NM\, 87507\, United States
CATEGORIES:Music
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