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TZID:America/Denver
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DTSTART;TZID=America/Denver:20260716T190000
DTEND;TZID=America/Denver:20260716T230000
DTSTAMP:20260727T155102
CREATED:20260525T220410Z
LAST-MODIFIED:20260525T220439Z
UID:10011909-1784228400-1784242800@yeehaw505.com
SUMMARY:Kota the Friend
DESCRIPTION:KOTA The Friend is a hip hop artist and musician from Brooklyn\, NY. At an early age he found his love for music and hip hop\, R & B\, Jazz and Soul music during the infamous 90’s era. By the time young KOTA was 8 years old he joined his school’s music program and excelled as a trumpet player. In high school KOTA was the leader of the trumpet section while teaching himself to play the guitar and piano. During this time he also picked up two-weekend jobs to build a home studio where he would record hip hop tracks as well as folk songs that were accompanied by his guitar playing. After high school\, KOTA would later go on to attend schools for the performing arts. Mastering instrument after instrument\, he is a guitarist\, keyboardist\, and bass player\, now producing/writing his own music. \nKOTA has been releasing music non-stop and has since been featured by XXL magazine\, FADER\, BILLBOARD\, Pigeons & Plans\, HipHopDX\, NYLON\, The Source\, MILK\, and many other blogs. But more than anything\, he continues to make music for the people that need it… his fans.
URL:https://yeehaw505.com/event/kota-the-friend/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Kota-the-Friend.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260714T190000
DTEND;TZID=America/Denver:20260714T230000
DTSTAMP:20260727T155102
CREATED:20260609T212842Z
LAST-MODIFIED:20260609T212842Z
UID:10011985-1784055600-1784070000@yeehaw505.com
SUMMARY:Cory Hanson
DESCRIPTION:Singer songwriter\, frontman of Wand. \n\n\n\n\nThe biography of one Cory Thomas Hanson should be an easy tale to tell\, right? Kid’s been in the business about 15-16 years now… that’s not much\, even if you’re a crazy-busy All-American psycho like our Cory. Easy to run down the deets on that. And he’s been noted by no less than guitar hero John Frusciante as an engrossing\, inspired guitarist. Okay\, pigeonholed as guitarist. Plus\, he’s been in a band steadily for the last twelve years! So…a careerist! Easy peasy. Alas\, it’s complicated beyond such simple formulations — for this is a tale of two Corys — at the very least. \nLet’s get the roots uncovered quick: Cory’s a California Boy\, come up in the 90s and aughts\, an art school vet (CalArts\, yo)\, and a musician since back in his youth. It runs in the family. He debuted back in the late aughts under the solo alias White Horses In Technicolor Everywhere. After that\, he played a bit with Chad and the Meatbodies and Together Pangea before founding Wand in 2013. He’s written and lead-sung with them\, rocking up six LPs with them to date. But here — on the last one\, he played keyboards in all the tracks! So… not just a guitarist/singer\, then. He does a bit of producing on the side too. And visual art. And of course\, the reason you’re reading this right now is not because of no Wand\, but rather\, Cory Hanson! In addition to his steady-rolling discography with Wand\, he’s been putting out solo LPs too since 2016. And those aren’t really like the Wand records at all. They have totally non-rock things like string orchestration and electronics as well as rock things like heavy guitar jams and they may be the best things he’s ever done. It’s not really up to us to say\, though. Following 2021’s sophomore Cory album Pale Horse Rider and 2023’s “Cory-III” release\, actually called Western Cum\, he and Wand got one in — the insane Vertigo — and now Cory’s ready to release his latest solo effort\, I Love People. \nCory has toured the country with himself as well as Wand\, and made videos and jokes and stirred the pot on social media\, which may be some form of modern art (again\, not for us to say). In fact\, who’s to say that he won’t be writing poetry or comic books in the years to come? It’s hard to see all that he does (false equivalence: the forest) behind his dazzling musical efforts (lame comparison: the trees) but not as hard as it is to see the future. Otherwise\, a lot more of us would be billionaires or America’s next top Models\, etc. Unfortunately these things take real doing. Fortunately for the (at least) two Corys\, the doing of it all just comes natural. As for us\, we look forward to seeing and hearing etc what they come up with next.
URL:https://yeehaw505.com/event/cory-hanson/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Cory-Hanson.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260713T190000
DTEND;TZID=America/Denver:20260713T230000
DTSTAMP:20260727T155102
CREATED:20260609T212710Z
LAST-MODIFIED:20260609T212710Z
UID:10011984-1783969200-1783983600@yeehaw505.com
SUMMARY:Snooper
DESCRIPTION:Sick ol’ punk band outta Nashville \n\n\n\n\nSnooper was thinking about pressure. Blair Tramel and Connor Cummins — co-masterminds of Snooper — had become fascinated by hydraulic press YouTube videos\, watching object after object spin and contort before getting flattened. Their heads\, too\, spun from everything that had gone on during Snooper’s early years. Tramel could relate to the videos\, but for the poignance of a difficult transformation\, not the defeat of total compression. “There’s a sweet spot\,” she says. “For a moment\, push and pull create this beautiful dance.” \nOver the past few years\, Snooper has rocketed from Nashville DIY scene stalwarts to widespread adoration in the international underground music scene. The project evolved well beyond anything Tramel and Cummins had originally imagined\, and faster than they could track — resulting in disorientation as much as exhilaration. Tramel and Cummins channeled all that energy into writing new material. Their new album\, Worldwide\, extends directly from the festering punk the band first made their name on\, but documents Snooper becoming bolder\, catchier\, and more confident. \nCummins and Tramel began making music together during lockdown in 2020. They never even intended to play live\, but they soon found a small\, fervent fanbase developing around the scattered 7-inches they’d released. A no-stakes endeavor quickly turned into one of the rising\, definitive names in the tight-knit DIY rock scene thriving adjacent to Music City’s more renowned country industry machine. What started as a home recording/video project turned into a full-fledged band\, rounded out by bassist Happy Haugen\, drummer Brad Barteau\, and guitarist Conner Sullivan. Tramel went from never having performed in a band to keeping a set of European power tools on hand so she could build Snooper’s now-infamous props and puppets no matter where the road took them. “The energy we were putting in was coming back to us\, like a feedback loop” Tramel remembers. “We were going full-on\, and crazy stuff started happening.” \nFollowing the summer 2023 release of their debut Super Snooper\, the band maintained a sporadic-yet-frantic touring schedule\, darting around Australia\, North America\, and Europe whenever they had a tiny window between day jobs. Fueled by a hunger for fresh material and the random acquisition of a drum machine\, Cummins and Tramel used whatever time they could find to write new songs. With Super Snooper being a re-recorded collection of pre-existing material long since road-tested and fan-approved\, the band in many ways views Worldwide as their true debut album. \nIn February of 2025\, Snooper spontaneously found themselves in Los Angeles recording with John Congleton. Though Snooper had never previously considered working with a producer\, Congleton was a fan. “It felt like we needed a syllabus\,” Tramel cracks. “We didn’t know how to work with a producer.” Yet the band reflects on the process as being integral to their growth as artists. “The whole idea behind this record was experimentation and change\,” Cummins says. \nWith a throbbing pulse influenced by electronic music\, “Star 69” was a breakthrough turned skeleton key for Worldwide. This song\, along with title track “Worldwide” — a mission statement for the record not just thematically\, but also aesthetically\, showcasing Snooper’s stylistic exploration — provides dance breaks throughout the record. Though no less furious or propulsive than Snooper’s more guitar-driven beginnings\, moments across Worldwide may surprise longtime fans. Given they began on a drum machine\, Cummins’ initial compositions had a newfound focus on rhythm and repetition\, with textural chaos more carefully meted out. “It opened up so much space\,” he explains. “It gives Blair room to breathe\, which ended up allowing her to write differently.” While Worldwide is plenty visceral\, it also has the feeling of a bottled maelstrom. Where Super Snooper was intended as a pure representation of Snooper’s feral live show\, Worldwide blends intensity with Tramel’s earworm melodic sensibility. \nIn turn\, Tramel’s writing became far more personal. Allowing that Super Snooper was mostly an amalgamation of random images — from fitness to bed bugs — Tramel went into Worldwide trying to write a more cohesive work reflecting her experiences. “Now I’m speaking about myself\, or something I’m feeling\, and I’m trying to relate to people\,” she explains. Some songs emerged from Snooper’s time on the road — a time that Tramel has taken to get to know herself better. “Pom Pom” giddily owns the “cheerleader vocals” that have been ascribed to the band both as a compliment and a dig\, while “Guard Dog” mulls over the feeling of being boxed in by other people’s perceptions of you. The hissing\, mutated sounds of “Star 69” fittingly accompany a narrative derived from a winter depression in which Tramel imagined constantly calling for reassurance only to hear her own voice echoing back. These songs might emerge from angst or confusion\, but never wallow there — across Worldwide\, Snooper find empowerment in personal struggle. \nBetween the heightened infectiousness and the more serious tone\, Worldwide aimed to translate the haywire atmosphere Snooper is known for to a more holistic catharsis. “I was thinking about people singing choruses back to me at shows\,” Tramel explains. “I tried to encapsulate small feelings we all have that aren’t just ‘fuck this or fuck that.’ I wanted the connection to be bigger than what I was writing before.” \nLike almost everything in Snooper’s career\, they figured it out as they went. Tramel returns to the hydraulic press\, venturing that the results might be beautiful or a disaster depending on the shape in which you enter the press. “We started out with nothing and now we’re figuring out how to actually be a band\,” Cummins explains. Jumping on tours with everyone from Machine Girl to Basement to the Hives\, Snooper accepted their fluidity and their inability to adhere to one particular genre. They play what they like and they have fun doing it. \nAs Snooper’s sound changes and the band is pulled in different directions\, there continues to be a gravity that calls them back to where they started — to the sound that is uniquely theirs\, carrying them from release to release. Showcasing their most adventurous and unshakeable music to date\, Worldwide is a portrait of an already-heralded band truly coming into their own. “We had to figure out where we came from\,” Tramel concludes. “We had to figure out what makes us who we are.”
URL:https://yeehaw505.com/event/snooper/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Snooper.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260702T190000
DTEND;TZID=America/Denver:20260702T230000
DTSTAMP:20260727T155102
CREATED:20260505T024038Z
LAST-MODIFIED:20260511T171119Z
UID:10011718-1783018800-1783033200@yeehaw505.com
SUMMARY:Khemmis w/ Necrofier\, Wretched
DESCRIPTION:Denver Doom Metal \n\n\n\n\nAfter eleven years of releasing albums and touring the world\, Colorado’s Khemmis have become a pillar of the modern metal scene.“When we started this band\, we had no expectations\, no assumptions—wejust wanted to play heavy metal\,” says guitarist/vocalist Ben Hutcherson. “The older I get\, the more I appreciate how rare it is in life to have relationships that last this long andoffer a sense ofstability and reassurance in a world that increasingly is horrifying andunsuitable for human life. And so\, in many ways\, this band is a home.”Some artists strive for a legacy; Khemmis felt born with one. Uponreleasing their 2015 debut Absolution\, the Denver-based four-piece felt like old souls whose towering\, spiritual doom metal connected with metalheads the world over. This was further cemented by 2016’s Hunted\, which won the band international acclaim and was declared Album Of The Year by Decibel. 2018’s rollicking Desolation\, 2020’s devotional Doomed Heavy Metal MLP(featuring a fan-favorite cover of Dio’s “Rainbow In the Dark”) and 2021’s searing Deceiveronly reinforced theband’s monolithic sound and diehard following. It makes sense\, then\, that the Khemmis behind Khemmis–—Hutcherson\,fellow vocalist/guitarist Phil Pendergast\, drummer Zach Coleman\, and newly-appointed bassist DavidSmall—is different in many ways. While the band has often feltsynonymous with the Denvermetal scene\, Pendergast and Coleman have since moved away toWashington and North Carolina respectively.And yet\, Khemmis today feel more like the band they’ve always wanted tobe than ever.
URL:https://yeehaw505.com/event/khemmis-w-necrofier-wretched/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Share-this-event-Khemmis-w-Necrofier-Wretched.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260701T190000
DTEND;TZID=America/Denver:20260701T233000
DTSTAMP:20260727T155102
CREATED:20260609T212114Z
LAST-MODIFIED:20260609T212114Z
UID:10011983-1782932400-1782948600@yeehaw505.com
SUMMARY:Immortal Technique with DJ Static\, Poison Pen and DJ Stigmata
DESCRIPTION:A seasoned leader of underground hip-hop; a fiercely political\, unabashed truth teller. \n\n\n\n\nImmortal Technique is a Peruvian born\, Harlem raised activist and rapper best known for his complex lyricism\, unfeigned humanitarianism\, and highly intellectual nature. While incarcerated in his youth\, he picked up the pen to unknowingly pioneer a new generation of artists and listeners alike; during his parole in the late nineties\, he took battle rap by storm and dominated the world of Underground Hip Hop by being one of the first rappers in a freshly post-9/11 world to amplify the dark history of the United States in an era where most of Hip Hop’s own were waving around the countries flag in support of the war. Instead\, he turned it upside down and used his message to take Hip Hop back to its politically charged roots\, and as always\, highly criticized those in power in his first album\, Revolutionary Vol. 1\, which went on to become one of the most pirated independent projects to date. \nBest known for backing his raps with action\, his humanitarianism reaches far and wide – from mentoring youth in prison\, to building an orphanage in Afghanistan funded by his third album\, The 3rd World\, to helping to rebuild Haiti after 2010’s devastating earthquake\, and handing out water and supplies at the border in Mexico\, his life’s work is truly with the people. During the height of the pandemic in 2020\, he started his own charity\, The Rebel Army Runs to take care of the elders in his community and many others around the US. He’s worked directly with members of the original Black Panther Party\, Political Prisoner and Activist Mumia Abu-Jamal\, Dr. Cornel West\, Harry Belafonte with the Sankofa Organization\, Native American Activist Russell Means\, has spoken at prestigious universities such as Harvard\, Columbia\, NYU and more\, and has made appearances on CNN\, Fox\, RT\, The Joe Rogan Experience\, The Desus & Mero Show\, MTV\, Vice and BET to name a few. \nImmortal Technique is currently working on his highly-anticipated fifth studio album\, “The Middle Passage\,” which delves into the untold chapters of slavery\, global totalitarianism\, terrorism\, and corprate greed while also making room to discuss the global mental health crisis\, with the main message that slavery isn’t just the past of humanity\, it exists and thrives in present day\, and now more than ever\, we’re in danger repeating the past.
URL:https://yeehaw505.com/event/immortal-technique-with-dj-static-poison-pen-and-dj-stigmata/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Immortal-Technique-with-DJ-Static-Poison-Pen-and-DJ-Stigmata-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260615T190000
DTEND;TZID=America/Denver:20260615T230000
DTSTAMP:20260727T155102
CREATED:20260505T023816Z
LAST-MODIFIED:20260505T023816Z
UID:10011717-1781550000-1781564400@yeehaw505.com
SUMMARY:Ak'Chamel w/ Secret Chiefs 3 Satellite "NT FAN"\, Derek Monypeny
DESCRIPTION:Fictional folk music from the post-apocalyptic age. \n\n\n\n\nHONED AND EXPANDED THROUGH THEIR TRAVELS; \nAK’CHAMEL. THE GIVER OF ILLNESS FORGE A SINGULAR SOUND \nOF DESERT-SCORCHED PSYCHEDELIA\, \nFICTITIOUS POST-APOCALYPTIC SHAMANISM\, AND IMPISH RITUAL FOLK \nAS UNIQUE AS THE PHYSICAL THEATER \nOF THEIR LIVE PERFORMANCES. \nFOR OVER FIFTEEN YEARS THEY HAVE RELEASED \nDOZENS OF CASSETTES\, \nSEVERAL VINYL RECORDS\, AND A HANDFUL OF CRYPTIC VHS TAPES. \nTHE TRIO REMAINS VEILED IN MYSTERY\, YET THEY TOUR OFTEN \n-BRINGING THEIR PLAGUE INTO THE \nRAVAGED HEART OF THE WORLD.
URL:https://yeehaw505.com/event/akchamel-w-secret-chiefs-3-satellite-nt-fan-derek-monypeny/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/AkChamel-w-Secret-Chiefs-3-Satellite-22NT-FAN22-Derek-Monypeny.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260519T190000
DTEND;TZID=America/Denver:20260519T230000
DTSTAMP:20260727T155102
CREATED:20260311T200410Z
LAST-MODIFIED:20260311T200410Z
UID:10010937-1779217200-1779231600@yeehaw505.com
SUMMARY:Telehealth
DESCRIPTION:An exciting opportunity to invest in the music industry \n\n\n\n\nThis is a draft! Please tear apart after reading. \nLed by Alexander Attitude\, Telehealth is an unpredictable pop band with heavy nods to post-punk\, minimal synth\, egg-punk\, new wave\, art rock\, glam\, and krautrock. \nTelehealth wears the color green to remind us all that the American pedagogy\, which has become so focused on selling green as a product to alleviate the symptoms of a self-inflicted hellscape. Instead of being upset\, Telehealth embraces uncertainty and absurdity. \nTelehealth is a joke\, but it is not a joke. As a product itself\, Telehealth is here to remind us that everything is a product placement. Telehealth is an industry plant. Just as religion is the opium of the masses\, Telehealth is now the opium of architects\, policymakers\, technocrats\, AND NOW MUSICIANS! \nTelehealth embraces technology. Although the future is much stupider than originally advertised\, Telehealth works together with the world’s largest and most innovative corporations to offer solutions. The world is sick!!! Telehealth aims to relieve the painful symptoms of modern dread. \nEach Telehealth performance is driven to suspend disbelief about change\, but it is also a way of making-do of this dystopian reality we live in. Telehealth is a way of thinking and questioning our world and our place within it. \nThat is all to say\, Telehealth is not a famous band\, but they are trying to become a famous band. \nTelehealth is a for profit company.
URL:https://yeehaw505.com/event/telehealth/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Telehealth.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260517T190000
DTEND;TZID=America/Denver:20260517T230000
DTSTAMP:20260727T155102
CREATED:20260311T200325Z
LAST-MODIFIED:20260311T200325Z
UID:10010936-1779044400-1779058800@yeehaw505.com
SUMMARY:The Darts\, SERVICE
DESCRIPTION:Garage-punk-rock grrls make your head slam and your feet shake. \n\n\n\n\nGarage-punk powerhouse The Darts have announced their upcoming compilation album\, Nightmare Queens\, set for release on May 30. This collection features two brand-new tracks alongside selections from the band’s first two EPs and initial LPs\, offering both new listeners and longtime fans a curated glimpse into their raw\, unfiltered sound. \nThe Darts (US) | Instagram\, Facebook | Linktree \ngimmesomeservice | Instagram | Linktree
URL:https://yeehaw505.com/event/the-darts-service/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/The-Darts-SERVICE.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260515T190000
DTEND;TZID=America/Denver:20260515T230000
DTSTAMP:20260727T155102
CREATED:20260505T023314Z
LAST-MODIFIED:20260505T023314Z
UID:10011716-1778871600-1778886000@yeehaw505.com
SUMMARY:Sgt. Splendor
DESCRIPTION:Kate Vargas and Eric McFadden! \n\n\n\n\nBefore joining forces\, the duo behind Sgt. Splendor were already formidable solo artists\, Kate Vargas chalking up acclaim at outlets like NPR\, HuffPost\, SPIN\, No Depression Rolling Stone and Vice (including praise from the “Dean of American Rock Critics” Robert Christgau); \nand Eric McFadden amassing an impressive resume including stints on guitar with George Clinton & the P-Funk All Stars\, Anders Osbourne\, Fishbone’s Angelo Moore\, and Eric Burdon & The Animals\, plus a slew of solo albums\, and session work and gigs with everyone from Jackson Browne to The Clash’s Joe Strummer. \nSgt Splendor’s 2nd release\, “Death of the Hoochie Koo” dropped May 19th on Buena Vista West Records. \n“Tom Waits’ music has always been a point of connection for me & Kate. While our musical approaches differ\, they’re also kindred and share a lot of common elements. Our Southwestern upbringing comes through—that sort of mysteriouso desert thing—but also a carnivalesque Waits-ian vibe. The new record is a bit more cohesive but still eclectic. Kind of an Alt-Funk\, Desert Roots\, Dirty Blues\, Rock thing. Our styles have always been complementary.” Vargas concurs: “Sgt. Splendor really feels like a combination of both of us—equally.” \nAmong the players who have accompanied Sgt Splendor in the studio and on stage are: Dave Schools (Widespread Panic)\, Norwood Fisher & Angelo Moore (Fishbone)\, Dominic Davis (Jack White)\, Paulo Baldi (Les Claypool)\, Falcon Greenwell (Tedeschi Trucks)\, Jerry Harrison (Talking Heads) \n“…In the ten new songs\, not only do the amazing vocals and skillful guitar playing of the two musicians complement each other very well\, but alt-funk\, desert rock and dirty blues also merge seamlessly. Groovy and brooding\, mysterious and memorable – this is hot music with cool cover art.” – Dennis / Add To Want-list 2023
URL:https://yeehaw505.com/event/sgt-splendor/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Sgt-Splendor.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260514T190000
DTEND;TZID=America/Denver:20260514T233000
DTSTAMP:20260727T155102
CREATED:20260204T190420Z
LAST-MODIFIED:20260204T190552Z
UID:10008454-1778785200-1778801400@yeehaw505.com
SUMMARY:Oranssi Pazuzu w/ Wayfarer
DESCRIPTION:Psychedelic black metal from Finland \n\n\n\n\nOranssi Pazuzu \nFour years in the making\, ORANSSI PAZUZU spew forth their latest mutational meisterwerk\, Muuntautuja (or Shapeshifter in English) set to be released on October 11th\,\, 2024 via Nuclear Blast Records. A boa constrictor of slithering\, warping\, interdimensional cosmic horror\, Muuntautuja is in a world of its own\, seeping through the speakers like irradiated sand. Ever transmuting\, unsettling chords that raise the hairs on the back of your head and then pummel it with nauseating rhythms that both transport and destroy you. Muuntautuja is like an encounter with a maleficent being\, well and truly unhinged\, that’s out to mess with your brain. Where delays distort in a dust cloud\, riffs are white noise discharge and time signatures interweave\, to create the genre that ORANSSI PAZUZU inhabits alone. A convulsing mass on collision course\, the air-borne sonic viral load of Muuntautuja is undeniably infectious\, and bound to turn heads.\nIf Nasa discover a new form of metal element under the surface of Mars they would have to call it ORANSSI PAZUZU\, a band that’s uncharted and pushing the boundaries of what heavy\, extreme music should sound like. From their first spaced out underground Black Metal album Muukalainen Puhuu (2009)\, to second album Kosmonument (2011)\, their first album to get wider distribution\, to their then-next record Valonielu (2013)\, which saw them delve deeper and weirder into Psychedelic Black Metal\, setting the stage for Värähtelijä (2016)\, arguably their breakthrough record\, ORANSSI PAZUZU have been impossible to pigeon-hole and a feast for those who dig deep\, heavy and strange. \nNot so much a reinvention of form as a creative zenith\, where ORANSSI PAZUZU have struck a vein of gold in the wasteland\, the irony of it is that Muuntautuja sounds like the album they have been diligently mining all along. Dense\, ferocious\, glistening\, blistering and buzzing\, Muuntautuja is like tuning in and dropping out to hostile alien signals. The title of the album\, meaning Shapeshifter\, is a perfect description of the ORANSSI PAZUZU that emerged from their extraterrestrial cocoon in 2024. A new form of being\, but whose flesh is eerily familiar\, Muuntautuja sees ORANSSI PAZUZU contort their signature noise into something truly fearsome from their critically acclaimed previous album Mestarin kynsi (2020). Noise has always been a part of the classic Black Metal sound but Muuntautuja takes it to a more shattering and violent culmination.\nBass player Ontto elaborates on Muuntautuja’s explosion of experimental and harsh sound when he talks about “noise as a compositional tool” and adds: “The noisier and the more experimental stuff came from a necessity to reinvent the way we were writing songs. The change was already in motion on Mestarin kynsi\, but on the new album we really felt we wanted to shed the old skin and find new angles.”\nVocalist Jun-His agrees when he states:\n“We felt that we could express things that we have been only flirting with previously. The noisier experiments started happening during live versions of Taivaan portti from the previous album\, and it felt good to not leave it to that\, but to expand on it.” \nWhen the protagonist of a movie or novel starts to unravel\, and the world becomes malevolent\, we’d imagine introducing the beginning of the track ‘Ikikäärme’\, and let the celestial science fiction of it’s sound-track take us to Ari Aster or Robert Eggers like cinematic terror. Undercurrent layers swell in an alien language\, inescapable and claustrophobic. Gestating a new form of metal in their host bodies\, humid\, equatorial and febrile\, on Muuntautuja\, ORANSSI PAZUZU constantly transpose and shift key\, leaving us high and dry\, exposed in space with no umbilical for air.\nIf we delve into the centre of Muuntautuja\, there is pure darkness. As the lyrics of ‘Hautatuuli’ (or “Grave Wind” in English) repeat in whispered\, mantra-like succession\, “gate behind a . . .gate behind a”\, behind the gate there is a gate and we have to keep entering the many levels of the album’s sonic symbolism. The layers of initiation ORANSSI PAZUZU are discussing are present in their music. A resonant ritual of layers upon layers\, rhythms upon rhythms. If you pass through all the gates on Muuntautuja\, you find the center and that is a darkness that’s impossible to illuminate. \nFrom the depiction of the mayhem of war in the tracks ‘Voitelu’ or themes of mass manipulation in ‘Bioalkemisti’\, Muuntautuja’s concepts are colossal. The themes reach an almost mythical and religious element where Ontto explains: “In the more atmospheric tracks the subjects are introspective and mystical – Muuntautuja deals with the idea of death as a transformation into a different state of being\, and ‘Ikikäärme’ is a fantasy about pursuing immortality\, by becoming united with a god snake after being devoured by it.”\nDrawing inspiration from eclectic sources ranging from Boredoms\, Death Grips to Portishead’s Third album\, ORANSSI PAZUZU mold their psychedelic alchemy into a potent brew where a tripped out Godflesh creates an alien being with Nine Inch Nails (Downward Spiral era)\, Beherit and My Bloody Valentine. The result is that Muuntautuja is electronically charged\, both organic and inorganic in origin.\nGuitarist Ikon reflects:\n“Our experimentation with samplers and electronics made us step towards the weird concept of making nightmarish Rave music. We tried to find common ground between danceable rhythms and oppressive waves of noise and distortion.”\nMuuntautuja transcends genre\, embodying a transcendent experience that slimes listeners in its nightmare of space and metamorphosis. Jun-His muses\, “For us\, this album is like a sculpture made of black electric ooze.”\nAwait the release of Muuntautuja\, ORANSSI PAZUZU’s fire in the sky\, where reality bends and shapes shift with each and every haunting note\, and you will be visited by higher beings\, though not with your best intentions entirely at heart. \nWayfarer \nSteeped as deeply in the wells of gothic country and Americana as they are in black metal\, WAYFARER have given a sound and a face to the American West in the world of heavy music. \nHailing from Denver\, Colorado\, and having carved out their identity for over a decade with five full length albums and tours around the world – the band are putting the final notes on the chapter that started with the heralded release of AMERICAN GOTHIC. \nReleased in late 2023 to acclaim for music publications worldwide\, the album placed at or near the top in many year-end accolades from sources like Rolling Stone\, Metal Hammer\, Decibel Magazine and more – and saw the band make their mark at festival and club stages around the world. \nThey ride across the United States one final time for the AMERICAN GOTHIC era\, alongside Finland’s mind melting ORANSSI PAZUZU in their first proper US tour in nearly a decade. WAYFARER will take stages across the country with riff soaked elegies of blood and gunpowder in tow.
URL:https://yeehaw505.com/event/oranssi-pazuzu-w-wayfarer/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
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DTSTART;TZID=America/Denver:20260428T190000
DTEND;TZID=America/Denver:20260428T233000
DTSTAMP:20260727T155102
CREATED:20260204T190313Z
LAST-MODIFIED:20260204T190313Z
UID:10008453-1777402800-1777419000@yeehaw505.com
SUMMARY:ADULT. w/ Donzii\, The Treasury
DESCRIPTION:DETROIT SYNTH PUNK \n\n\n\n\nADULT. is not cooperating. For over 25 years\, the dystopian Detroit synth-punk institution founded byNicola Kuperus and Adam Lee Miller has embodied steadfast frustration\, distrust\, and apprehension. Onemight expect the edges to soften with time\, but ADULT. is not interested in the comforts of legacy. Theduo’s music has never sounded as visceral\, urgent\, and downright angry as it does on the culminating\,uncompromisingKissing Luck Goodbye\, their scorched-earth 10th LP and fourth with Dias Records. Builtwith upgraded gear and a whole new library of sounds\, the material is crushingly dynamic\, louder yetclearer\, with Kuperus’ commanding delivery given greater prominence in the mix\, outlining an arsenal ofvivid\, caustic calls\, chants\, and musings. Laughter\, whether in the lyrics or as a possessed presence\,serves as a leitmotif that speaks to the menacing absurdity of modern times. “THE CHAOS IS WHATTHEY WANT\,” she sings on “R U 4 $ale”\, doubling as a declaration of intent: to meet a burning world ofgreed and disarray with defiant\, masterfully assembled chaos. “You have two choices in this hellscapewe’re living in right now\, which is either fight or be depressed\,” says Miller. “Either one is okay. But\, youknow\, the choice was simple.”ADULT. is known for high-stakes catharsis on stage\, and recently deployed their back catalog of bassguitar songs from the 2000s\, retracing the prescientAnxiety Alwaysera partially out of necessity giventhe temperature of today’s political and technological dread. The response was instant and palpable: “Wewere in Paris\, and the kids were stage diving. And I was like\, this is rad. This is kind of the energy I wantto get back into\,” Kuperus says. The epiphany coincided with a series of setbacks—Kuperus’ bouts withchronic vertigo\, the loss of their close friend and collaborator Douglas McCarthy of Nitzer Ebb\, whom thealbum is dedicated to—all made profoundly worse under the looming regime. “We were stuck in the mudfor quite a while after the election\,” Miller says.“We had all the concepts\, but we would just be like\,‘What’s the point?’” With failing studio air conditioners and dead car batteries (their sacred space forlistening back to recordings)\, they often joked that the album might be cursed. Kuperus adds\, “We’re justlike everything’s breaking. We’re breaking. We’re broken.” The sentiment didn’t stick\, however\, as theyfound themselves ultimately too super-charged by fury to sit still. From watching Musk’s disgusting nazisalute to seeing their community struggle under the new regime to waiting months for a tariff-inflatedreplacement subwoofer\, the vibe heading intoKissing Luck Goodbyewas four middle fingers pointedstraight up.Rather than retreat\, they focused on the process\, revisiting their setup\, complete with their first new micsin 20 years. They obsessed over textures\, amassing a massive sample library taken from old thrift-storealbums\, previously used and unused ADULT. ingredients and new field recordings\, running myriad items\,including the buzz ofshop vacs\, through various pedals. PauseKissing Luck Goodbyeat any moment\,and you’re likely to count a dozen things happening at once in strange\, dizzying\, and dissonant harmony.Together with producer Nolan Gray\, whose involvement resulted from a chance encounter (he happenedto be the host of the short-term rental property where the two stayed—maybe there is stillsomeluck\,after all)\, the band pushed themselves harder than ever before to build a world with this record.Songs took shape from unusual places: “No One Is Coming” got its tempo from a skipping record theycaptured through a cell phone during a bnb stay for Kuperus’ 50th birthday. A bassline-driven industrialanthem that turns feedback into melody\, the track attacks inaction in the faceof fascism—“NO ONE ISCOMING TO YOUR RESCUE” is as simple as that: the resistance will not be provided by someone else.“None of It’s Fun” blitzes with breathless urgency\, high-speed glissades\, and pointed lines like “OH I AMTEARING MY GUTS OUT / LOOK AT ME…DO YOU THINK THAT THIS IS AMUSING?”The closer\, “Destroyers”\, was the last song they recorded and encompasses the techniques ADULT. haslearned not just throughout the making ofKissing Luck Goodbye\,but across their quarter-century as apioneeringcollaborative project. A straightforward bassline and kick collide with pulsing mantras\, then becomes completely saturated and cacophonous. Their younger selves might have let the song destroyitself\, but here\, they were able to steady the volume throughout the extremes\, making way for a poignant\,parting a cappella:WE PAY THE PRICE FORTHOSE IN POWEREXPLOITING YOUEXPLOITING MECONSUMING YOUCONSUMING MESICK SICK SICKSICKENINGIT IS USTHAT ARE DEVOUREDBY EVERYTHINGI WILL EAT YOUR HATE
URL:https://yeehaw505.com/event/adult-w-donzii-the-treasury/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/02/ADULT.-w-Donzii-The-Treasury.jpg
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