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X-WR-CALDESC:Events for Yeehaw505
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DTSTART;TZID=America/Denver:20260519T190000
DTEND;TZID=America/Denver:20260519T230000
DTSTAMP:20260609T170326
CREATED:20260311T200410Z
LAST-MODIFIED:20260311T200410Z
UID:10010937-1779217200-1779231600@yeehaw505.com
SUMMARY:Telehealth
DESCRIPTION:An exciting opportunity to invest in the music industry \n\n\n\n\nThis is a draft! Please tear apart after reading. \nLed by Alexander Attitude\, Telehealth is an unpredictable pop band with heavy nods to post-punk\, minimal synth\, egg-punk\, new wave\, art rock\, glam\, and krautrock. \nTelehealth wears the color green to remind us all that the American pedagogy\, which has become so focused on selling green as a product to alleviate the symptoms of a self-inflicted hellscape. Instead of being upset\, Telehealth embraces uncertainty and absurdity. \nTelehealth is a joke\, but it is not a joke. As a product itself\, Telehealth is here to remind us that everything is a product placement. Telehealth is an industry plant. Just as religion is the opium of the masses\, Telehealth is now the opium of architects\, policymakers\, technocrats\, AND NOW MUSICIANS! \nTelehealth embraces technology. Although the future is much stupider than originally advertised\, Telehealth works together with the world’s largest and most innovative corporations to offer solutions. The world is sick!!! Telehealth aims to relieve the painful symptoms of modern dread. \nEach Telehealth performance is driven to suspend disbelief about change\, but it is also a way of making-do of this dystopian reality we live in. Telehealth is a way of thinking and questioning our world and our place within it. \nThat is all to say\, Telehealth is not a famous band\, but they are trying to become a famous band. \nTelehealth is a for profit company.
URL:https://yeehaw505.com/event/telehealth/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Telehealth.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260517T190000
DTEND;TZID=America/Denver:20260517T230000
DTSTAMP:20260609T170326
CREATED:20260311T200325Z
LAST-MODIFIED:20260311T200325Z
UID:10010936-1779044400-1779058800@yeehaw505.com
SUMMARY:The Darts\, SERVICE
DESCRIPTION:Garage-punk-rock grrls make your head slam and your feet shake. \n\n\n\n\nGarage-punk powerhouse The Darts have announced their upcoming compilation album\, Nightmare Queens\, set for release on May 30. This collection features two brand-new tracks alongside selections from the band’s first two EPs and initial LPs\, offering both new listeners and longtime fans a curated glimpse into their raw\, unfiltered sound. \nThe Darts (US) | Instagram\, Facebook | Linktree \ngimmesomeservice | Instagram | Linktree
URL:https://yeehaw505.com/event/the-darts-service/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/The-Darts-SERVICE.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260515T190000
DTEND;TZID=America/Denver:20260515T230000
DTSTAMP:20260609T170326
CREATED:20260505T023314Z
LAST-MODIFIED:20260505T023314Z
UID:10011716-1778871600-1778886000@yeehaw505.com
SUMMARY:Sgt. Splendor
DESCRIPTION:Kate Vargas and Eric McFadden! \n\n\n\n\nBefore joining forces\, the duo behind Sgt. Splendor were already formidable solo artists\, Kate Vargas chalking up acclaim at outlets like NPR\, HuffPost\, SPIN\, No Depression Rolling Stone and Vice (including praise from the “Dean of American Rock Critics” Robert Christgau); \nand Eric McFadden amassing an impressive resume including stints on guitar with George Clinton & the P-Funk All Stars\, Anders Osbourne\, Fishbone’s Angelo Moore\, and Eric Burdon & The Animals\, plus a slew of solo albums\, and session work and gigs with everyone from Jackson Browne to The Clash’s Joe Strummer. \nSgt Splendor’s 2nd release\, “Death of the Hoochie Koo” dropped May 19th on Buena Vista West Records. \n“Tom Waits’ music has always been a point of connection for me & Kate. While our musical approaches differ\, they’re also kindred and share a lot of common elements. Our Southwestern upbringing comes through—that sort of mysteriouso desert thing—but also a carnivalesque Waits-ian vibe. The new record is a bit more cohesive but still eclectic. Kind of an Alt-Funk\, Desert Roots\, Dirty Blues\, Rock thing. Our styles have always been complementary.” Vargas concurs: “Sgt. Splendor really feels like a combination of both of us—equally.” \nAmong the players who have accompanied Sgt Splendor in the studio and on stage are: Dave Schools (Widespread Panic)\, Norwood Fisher & Angelo Moore (Fishbone)\, Dominic Davis (Jack White)\, Paulo Baldi (Les Claypool)\, Falcon Greenwell (Tedeschi Trucks)\, Jerry Harrison (Talking Heads) \n“…In the ten new songs\, not only do the amazing vocals and skillful guitar playing of the two musicians complement each other very well\, but alt-funk\, desert rock and dirty blues also merge seamlessly. Groovy and brooding\, mysterious and memorable – this is hot music with cool cover art.” – Dennis / Add To Want-list 2023
URL:https://yeehaw505.com/event/sgt-splendor/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Sgt-Splendor.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260514T190000
DTEND;TZID=America/Denver:20260514T233000
DTSTAMP:20260609T170326
CREATED:20260204T190420Z
LAST-MODIFIED:20260204T190552Z
UID:10008454-1778785200-1778801400@yeehaw505.com
SUMMARY:Oranssi Pazuzu w/ Wayfarer
DESCRIPTION:Psychedelic black metal from Finland \n\n\n\n\nOranssi Pazuzu \nFour years in the making\, ORANSSI PAZUZU spew forth their latest mutational meisterwerk\, Muuntautuja (or Shapeshifter in English) set to be released on October 11th\,\, 2024 via Nuclear Blast Records. A boa constrictor of slithering\, warping\, interdimensional cosmic horror\, Muuntautuja is in a world of its own\, seeping through the speakers like irradiated sand. Ever transmuting\, unsettling chords that raise the hairs on the back of your head and then pummel it with nauseating rhythms that both transport and destroy you. Muuntautuja is like an encounter with a maleficent being\, well and truly unhinged\, that’s out to mess with your brain. Where delays distort in a dust cloud\, riffs are white noise discharge and time signatures interweave\, to create the genre that ORANSSI PAZUZU inhabits alone. A convulsing mass on collision course\, the air-borne sonic viral load of Muuntautuja is undeniably infectious\, and bound to turn heads.\nIf Nasa discover a new form of metal element under the surface of Mars they would have to call it ORANSSI PAZUZU\, a band that’s uncharted and pushing the boundaries of what heavy\, extreme music should sound like. From their first spaced out underground Black Metal album Muukalainen Puhuu (2009)\, to second album Kosmonument (2011)\, their first album to get wider distribution\, to their then-next record Valonielu (2013)\, which saw them delve deeper and weirder into Psychedelic Black Metal\, setting the stage for Värähtelijä (2016)\, arguably their breakthrough record\, ORANSSI PAZUZU have been impossible to pigeon-hole and a feast for those who dig deep\, heavy and strange. \nNot so much a reinvention of form as a creative zenith\, where ORANSSI PAZUZU have struck a vein of gold in the wasteland\, the irony of it is that Muuntautuja sounds like the album they have been diligently mining all along. Dense\, ferocious\, glistening\, blistering and buzzing\, Muuntautuja is like tuning in and dropping out to hostile alien signals. The title of the album\, meaning Shapeshifter\, is a perfect description of the ORANSSI PAZUZU that emerged from their extraterrestrial cocoon in 2024. A new form of being\, but whose flesh is eerily familiar\, Muuntautuja sees ORANSSI PAZUZU contort their signature noise into something truly fearsome from their critically acclaimed previous album Mestarin kynsi (2020). Noise has always been a part of the classic Black Metal sound but Muuntautuja takes it to a more shattering and violent culmination.\nBass player Ontto elaborates on Muuntautuja’s explosion of experimental and harsh sound when he talks about “noise as a compositional tool” and adds: “The noisier and the more experimental stuff came from a necessity to reinvent the way we were writing songs. The change was already in motion on Mestarin kynsi\, but on the new album we really felt we wanted to shed the old skin and find new angles.”\nVocalist Jun-His agrees when he states:\n“We felt that we could express things that we have been only flirting with previously. The noisier experiments started happening during live versions of Taivaan portti from the previous album\, and it felt good to not leave it to that\, but to expand on it.” \nWhen the protagonist of a movie or novel starts to unravel\, and the world becomes malevolent\, we’d imagine introducing the beginning of the track ‘Ikikäärme’\, and let the celestial science fiction of it’s sound-track take us to Ari Aster or Robert Eggers like cinematic terror. Undercurrent layers swell in an alien language\, inescapable and claustrophobic. Gestating a new form of metal in their host bodies\, humid\, equatorial and febrile\, on Muuntautuja\, ORANSSI PAZUZU constantly transpose and shift key\, leaving us high and dry\, exposed in space with no umbilical for air.\nIf we delve into the centre of Muuntautuja\, there is pure darkness. As the lyrics of ‘Hautatuuli’ (or “Grave Wind” in English) repeat in whispered\, mantra-like succession\, “gate behind a . . .gate behind a”\, behind the gate there is a gate and we have to keep entering the many levels of the album’s sonic symbolism. The layers of initiation ORANSSI PAZUZU are discussing are present in their music. A resonant ritual of layers upon layers\, rhythms upon rhythms. If you pass through all the gates on Muuntautuja\, you find the center and that is a darkness that’s impossible to illuminate. \nFrom the depiction of the mayhem of war in the tracks ‘Voitelu’ or themes of mass manipulation in ‘Bioalkemisti’\, Muuntautuja’s concepts are colossal. The themes reach an almost mythical and religious element where Ontto explains: “In the more atmospheric tracks the subjects are introspective and mystical – Muuntautuja deals with the idea of death as a transformation into a different state of being\, and ‘Ikikäärme’ is a fantasy about pursuing immortality\, by becoming united with a god snake after being devoured by it.”\nDrawing inspiration from eclectic sources ranging from Boredoms\, Death Grips to Portishead’s Third album\, ORANSSI PAZUZU mold their psychedelic alchemy into a potent brew where a tripped out Godflesh creates an alien being with Nine Inch Nails (Downward Spiral era)\, Beherit and My Bloody Valentine. The result is that Muuntautuja is electronically charged\, both organic and inorganic in origin.\nGuitarist Ikon reflects:\n“Our experimentation with samplers and electronics made us step towards the weird concept of making nightmarish Rave music. We tried to find common ground between danceable rhythms and oppressive waves of noise and distortion.”\nMuuntautuja transcends genre\, embodying a transcendent experience that slimes listeners in its nightmare of space and metamorphosis. Jun-His muses\, “For us\, this album is like a sculpture made of black electric ooze.”\nAwait the release of Muuntautuja\, ORANSSI PAZUZU’s fire in the sky\, where reality bends and shapes shift with each and every haunting note\, and you will be visited by higher beings\, though not with your best intentions entirely at heart. \nWayfarer \nSteeped as deeply in the wells of gothic country and Americana as they are in black metal\, WAYFARER have given a sound and a face to the American West in the world of heavy music. \nHailing from Denver\, Colorado\, and having carved out their identity for over a decade with five full length albums and tours around the world – the band are putting the final notes on the chapter that started with the heralded release of AMERICAN GOTHIC. \nReleased in late 2023 to acclaim for music publications worldwide\, the album placed at or near the top in many year-end accolades from sources like Rolling Stone\, Metal Hammer\, Decibel Magazine and more – and saw the band make their mark at festival and club stages around the world. \nThey ride across the United States one final time for the AMERICAN GOTHIC era\, alongside Finland’s mind melting ORANSSI PAZUZU in their first proper US tour in nearly a decade. WAYFARER will take stages across the country with riff soaked elegies of blood and gunpowder in tow.
URL:https://yeehaw505.com/event/oranssi-pazuzu-w-wayfarer/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/02/Oranssi-Pazuzu-w-Wayfarer.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260428T190000
DTEND;TZID=America/Denver:20260428T233000
DTSTAMP:20260609T170326
CREATED:20260204T190313Z
LAST-MODIFIED:20260204T190313Z
UID:10008453-1777402800-1777419000@yeehaw505.com
SUMMARY:ADULT. w/ Donzii\, The Treasury
DESCRIPTION:DETROIT SYNTH PUNK \n\n\n\n\nADULT. is not cooperating. For over 25 years\, the dystopian Detroit synth-punk institution founded byNicola Kuperus and Adam Lee Miller has embodied steadfast frustration\, distrust\, and apprehension. Onemight expect the edges to soften with time\, but ADULT. is not interested in the comforts of legacy. Theduo’s music has never sounded as visceral\, urgent\, and downright angry as it does on the culminating\,uncompromisingKissing Luck Goodbye\, their scorched-earth 10th LP and fourth with Dias Records. Builtwith upgraded gear and a whole new library of sounds\, the material is crushingly dynamic\, louder yetclearer\, with Kuperus’ commanding delivery given greater prominence in the mix\, outlining an arsenal ofvivid\, caustic calls\, chants\, and musings. Laughter\, whether in the lyrics or as a possessed presence\,serves as a leitmotif that speaks to the menacing absurdity of modern times. “THE CHAOS IS WHATTHEY WANT\,” she sings on “R U 4 $ale”\, doubling as a declaration of intent: to meet a burning world ofgreed and disarray with defiant\, masterfully assembled chaos. “You have two choices in this hellscapewe’re living in right now\, which is either fight or be depressed\,” says Miller. “Either one is okay. But\, youknow\, the choice was simple.”ADULT. is known for high-stakes catharsis on stage\, and recently deployed their back catalog of bassguitar songs from the 2000s\, retracing the prescientAnxiety Alwaysera partially out of necessity giventhe temperature of today’s political and technological dread. The response was instant and palpable: “Wewere in Paris\, and the kids were stage diving. And I was like\, this is rad. This is kind of the energy I wantto get back into\,” Kuperus says. The epiphany coincided with a series of setbacks—Kuperus’ bouts withchronic vertigo\, the loss of their close friend and collaborator Douglas McCarthy of Nitzer Ebb\, whom thealbum is dedicated to—all made profoundly worse under the looming regime. “We were stuck in the mudfor quite a while after the election\,” Miller says.“We had all the concepts\, but we would just be like\,‘What’s the point?’” With failing studio air conditioners and dead car batteries (their sacred space forlistening back to recordings)\, they often joked that the album might be cursed. Kuperus adds\, “We’re justlike everything’s breaking. We’re breaking. We’re broken.” The sentiment didn’t stick\, however\, as theyfound themselves ultimately too super-charged by fury to sit still. From watching Musk’s disgusting nazisalute to seeing their community struggle under the new regime to waiting months for a tariff-inflatedreplacement subwoofer\, the vibe heading intoKissing Luck Goodbyewas four middle fingers pointedstraight up.Rather than retreat\, they focused on the process\, revisiting their setup\, complete with their first new micsin 20 years. They obsessed over textures\, amassing a massive sample library taken from old thrift-storealbums\, previously used and unused ADULT. ingredients and new field recordings\, running myriad items\,including the buzz ofshop vacs\, through various pedals. PauseKissing Luck Goodbyeat any moment\,and you’re likely to count a dozen things happening at once in strange\, dizzying\, and dissonant harmony.Together with producer Nolan Gray\, whose involvement resulted from a chance encounter (he happenedto be the host of the short-term rental property where the two stayed—maybe there is stillsomeluck\,after all)\, the band pushed themselves harder than ever before to build a world with this record.Songs took shape from unusual places: “No One Is Coming” got its tempo from a skipping record theycaptured through a cell phone during a bnb stay for Kuperus’ 50th birthday. A bassline-driven industrialanthem that turns feedback into melody\, the track attacks inaction in the faceof fascism—“NO ONE ISCOMING TO YOUR RESCUE” is as simple as that: the resistance will not be provided by someone else.“None of It’s Fun” blitzes with breathless urgency\, high-speed glissades\, and pointed lines like “OH I AMTEARING MY GUTS OUT / LOOK AT ME…DO YOU THINK THAT THIS IS AMUSING?”The closer\, “Destroyers”\, was the last song they recorded and encompasses the techniques ADULT. haslearned not just throughout the making ofKissing Luck Goodbye\,but across their quarter-century as apioneeringcollaborative project. A straightforward bassline and kick collide with pulsing mantras\, then becomes completely saturated and cacophonous. Their younger selves might have let the song destroyitself\, but here\, they were able to steady the volume throughout the extremes\, making way for a poignant\,parting a cappella:WE PAY THE PRICE FORTHOSE IN POWEREXPLOITING YOUEXPLOITING MECONSUMING YOUCONSUMING MESICK SICK SICKSICKENINGIT IS USTHAT ARE DEVOUREDBY EVERYTHINGI WILL EAT YOUR HATE
URL:https://yeehaw505.com/event/adult-w-donzii-the-treasury/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/02/ADULT.-w-Donzii-The-Treasury.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260417T190000
DTEND;TZID=America/Denver:20260417T230000
DTSTAMP:20260609T170326
CREATED:20260406T220516Z
LAST-MODIFIED:20260406T220516Z
UID:10011279-1776452400-1776466800@yeehaw505.com
SUMMARY:Las Borrachas
DESCRIPTION:Free dance party \n\nMusic from 9pm-1am \nLas Borrachas make you dance.
URL:https://yeehaw505.com/event/las-borrachas/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/04/image.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260415T190000
DTEND;TZID=America/Denver:20260415T230000
DTSTAMP:20260609T170326
CREATED:20260204T190148Z
LAST-MODIFIED:20260204T190148Z
UID:10008452-1776279600-1776294000@yeehaw505.com
SUMMARY:Faetooth w/ Latter\, Soap Box Derby
DESCRIPTION:fairy-dOoM trio from los angeles\, ca \n\n\n\n\nFaetooth is a three-piece “fairy doom” band originating from Los Angeles. The group is composed of Ari May as guitarist and vocalist\, Jenna Garcia as bassist and vocalist\, and Rah Kanan on drums. Formed in 2019\, the group sought to navigate personal vulnerability and musical experimentation by delving deep into the nature of self\, the beauty inherent in the natural world\, and the captivating mysteries that surround us. \nDrawing inspiration from doom metal\, black metal\, shoegaze\, and sludge\, the term “fairy-doom” aptly characterizes their distinctive fusion of sounds.
URL:https://yeehaw505.com/event/faetooth-w-latter-soap-box-derby/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/02/Faetooth-w-Latter-Soap-Box-Derby.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260410T190000
DTEND;TZID=America/Denver:20260410T230000
DTSTAMP:20260609T170326
CREATED:20260311T195923Z
LAST-MODIFIED:20260311T195923Z
UID:10010934-1775847600-1775862000@yeehaw505.com
SUMMARY:Gus Baldwin and The Sketch w/ Margle and The Heart Club
DESCRIPTION:Rock show yeehaw \n\n\n\n\nGus Baldwin and the Sketch \nSinger/songwriter/ex-hippie/part-time punk from Austin\, TX. \nhttps://gusbaldwin.bandcamp.com/album/gus-baldwin \nMargle \nhttps://margle.bandcamp.com/ \nhttps://www.instagram.com/margle_music/?hl=en \nThe Heart Club \nhttps://theheartclub.bandcamp.com/ \nhttps://www.instagram.com/the.heartclub/?hl=en
URL:https://yeehaw505.com/event/gus-baldwin-and-the-sketch-w-margle-and-the-heart-club/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Gus-Baldwin-and-The-Sketch-w-Margle-and-The-Heart-Club.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260401T190000
DTEND;TZID=America/Denver:20260401T230000
DTSTAMP:20260609T170326
CREATED:20260311T195833Z
LAST-MODIFIED:20260311T195833Z
UID:10010933-1775070000-1775084400@yeehaw505.com
SUMMARY:Advance Base (fka Casiotone for the Painfully Alone) w/ Moontype
DESCRIPTION:The undefeated champion of melancholic sentimentality \n\n\n\n\nAdvance Base is the melancholic soft rock recording project of Chicago\, IL singer/songwriter Owen Ashworth (formerly of Casiotone for the Painfully Alone). Using a two-handed arsenal of electric piano\, Omnichord\, samplers\, effect pedals & drum machines\, Ashworth builds minimalist\, heavy-hearted\, & nostalgia-obsessed ballads around his conversational baritone. The warm\, electronic sound of Advance Base has been described as “lo-fi\,” “depressed” & “weirdly uplifting.” \nAnimal Companionship\, the third & most recent “studio” album by Advance Base\, was released September 21\, 2018 by Run For Cover Records / Orindal Records. GoldFlakePaint & Various Small Flames both listed Animal Companionship among their favorite albums of 2018. Since then\, Advance Base has released Wall of Tears & Other-Songs I Didn’t Write\, a home-recorded collection of (mostly) country/Americana covers arranged for electronic instruments & Live at Home\, a collection of mid-quarantine livestream concert performances & the closest representation of an Advance Base live set commercially available. A new single titled ”Little Sable Point Lighthouse” was released on March 31\, 2022. \n“It’s with no exaggeration we describe Owen Ashworth as one of the most consistent and important songwriters in contemporary indie music. From the earliest Casiotone For the Painfully Alone demos to most recent Advance Base single ‘Little Sable Point Lighthouse‘\, Owen has crafted a catalogue of characters and circumstances with few rivals in the modern era. His is an ever evolving body of work which stands out in its deftness and humility and empathy and care\, bringing to life individuals from across the spectrum of human experience while remaining unerringly attuned to the tender\, fallible heart at the centre of each.” – Various Small Flames \n“A Raymond Carver short story collection set to music by a Joan of Arc-era OMD” – MOJO Magazine \nadvancebasemusic.com \nadvancebase.bandcamp.com \ninstagram.com/advance_base \ntwitter.com/AdvanceBase \norindal.limitedrun.com/artists/advancebase
URL:https://yeehaw505.com/event/advance-base-fka-casiotone-for-the-painfully-alone-w-moontype/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Advance-Base-fka-Casiotone-for-the-Painfully-Alone-w-Moontype.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260329T190000
DTEND;TZID=America/Denver:20260329T230000
DTSTAMP:20260609T170326
CREATED:20260318T175659Z
LAST-MODIFIED:20260318T175659Z
UID:10011088-1774810800-1774825200@yeehaw505.com
SUMMARY:Casper the Hoax\, Dot Wall\, c1rcad1anpr1sm
DESCRIPTION:A night of boundary-pushing\, dark and damp sounds from three of Albuquerque’s headiest artists. $10 at the door. \n\n\n\n\nCasper the Hoax is a nocturnal\, experimental blend of hip-hop\, hardcore and punk. Dot Wall’s punchy goth pop carries traditional goth ethos into a bold futuristic sound. c1rcad1anpr1sm uses off the wall samples to craft a deeply psychedelic and disorienting experimental electronic storm. \nCasper the Hoax \nhttps://www.instagram.com/casperthehoax?igsh=MTZlaWJkZWF2ZXYyZw==\nhttps://casperthehoax.bandcamp.com/ \nDot Wall \nhttps://www.instagram.com/dotwall.wall_?igsh=dWZjc3UzaXJndjFw\nhttps://dotwall.bandcamp.com/?utm_source=ig&utm_medium=social&utm_content=link_in_bio \nc1rcad1anpr1sm \nhttps://c1rcad1anpr1sm.bandcamp.com/album/to-wear-the-bones-of-the-oppressor?logged_out_mobile_menubar=true&search_item_id=1235360238&search_item_type=b&sear
URL:https://yeehaw505.com/event/casper-the-hoax-dot-wall-c1rcad1anpr1sm/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Casper-the-Hoax-Dot-Wall-c1rcad1anpr1sm.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260328T200000
DTEND;TZID=America/Denver:20260328T200000
DTSTAMP:20260609T170326
CREATED:20260318T175418Z
LAST-MODIFIED:20260318T175418Z
UID:10011087-1774728000-1774728000@yeehaw505.com
SUMMARY:Thot Daughter Presents: Ephemeral Euphoria
DESCRIPTION:DJs Thot Daughter\, Praxedis\, ipadbby\, BK Beats and Lil Fox. $5 at the door \nFrom dust to dust we shall return but in between our heavenly transition we implore you to engage and indulge in a night of feverish festivities as we shake the icicles from our wings and remember what it feels like to be alive and in this world again. DJs thot daughter\, Praxedis\, iPadbby\, Bkbeats\, and lil fox will show you the way\, to once again ignite our hearts together as spring emerges\, so do we. 🪽🦋🩶
URL:https://yeehaw505.com/event/thot-daughter-presents-ephemeral-euphoria/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Thot-Daughter-Presents-Ephemeral-Euphoria.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260326T190000
DTEND;TZID=America/Denver:20260326T230000
DTSTAMP:20260609T170326
CREATED:20260318T174901Z
LAST-MODIFIED:20260318T174901Z
UID:10011086-1774551600-1774566000@yeehaw505.com
SUMMARY:Almost Always Never\, Lava Land\, D'etre
DESCRIPTION:Whimsical night of hybrid rock music influenced by a variety of traditional music styles. $10 at the venue door.
URL:https://yeehaw505.com/event/almost-always-never-lava-land-detre/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Almost-Always-Never-Lava-Land-Detre.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260314T190000
DTEND;TZID=America/Denver:20260314T230000
DTSTAMP:20260609T170326
CREATED:20260311T195640Z
LAST-MODIFIED:20260311T195730Z
UID:10010932-1773514800-1773529200@yeehaw505.com
SUMMARY:Red Light Cameras w/ Gold Tides\, Nara Visa
DESCRIPTION:Red Light Cameras return to Sister to celebrate Pi Day with Gold Tides and Nara Visa! Will there be pie? Maybe… Will there be costumes? Pr \n\n\n\n\nRED LIGHT CAMERAS – Albuquerque’s Indie-rock darlings\, blending pop melodies\, garage rock edges\, and soul-informed vocals with a consistently hands-on\, DIY ethic. Led by the magnetic Amanda Machon\, the band has spent over a decade building a solid reputation for dynamic live performances with one of the best front people you will ever see. https://www.instagram.com/redlightcameras/\nhttps://www.rlcband.com/\nGOLD TIDES – https://linktr.ee/goldtides\nNARA VISA – https://www.instagram.com/naravisaband/
URL:https://yeehaw505.com/event/red-light-cameras-w-gold-tides-nara-visa/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/Red-Light-Cameras-w-Gold-Tides-Nara-Visa.jpg
END:VEVENT
END:VCALENDAR