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DTSTART;TZID=America/Denver:20260615T190000
DTEND;TZID=America/Denver:20260615T230000
DTSTAMP:20260609T163842
CREATED:20260505T023816Z
LAST-MODIFIED:20260505T023816Z
UID:10011717-1781550000-1781564400@yeehaw505.com
SUMMARY:Ak'Chamel w/ Secret Chiefs 3 Satellite "NT FAN"\, Derek Monypeny
DESCRIPTION:Fictional folk music from the post-apocalyptic age. \n\n\n\n\nHONED AND EXPANDED THROUGH THEIR TRAVELS; \nAK’CHAMEL. THE GIVER OF ILLNESS FORGE A SINGULAR SOUND \nOF DESERT-SCORCHED PSYCHEDELIA\, \nFICTITIOUS POST-APOCALYPTIC SHAMANISM\, AND IMPISH RITUAL FOLK \nAS UNIQUE AS THE PHYSICAL THEATER \nOF THEIR LIVE PERFORMANCES. \nFOR OVER FIFTEEN YEARS THEY HAVE RELEASED \nDOZENS OF CASSETTES\, \nSEVERAL VINYL RECORDS\, AND A HANDFUL OF CRYPTIC VHS TAPES. \nTHE TRIO REMAINS VEILED IN MYSTERY\, YET THEY TOUR OFTEN \n-BRINGING THEIR PLAGUE INTO THE \nRAVAGED HEART OF THE WORLD.
URL:https://yeehaw505.com/event/akchamel-w-secret-chiefs-3-satellite-nt-fan-derek-monypeny/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/AkChamel-w-Secret-Chiefs-3-Satellite-22NT-FAN22-Derek-Monypeny.webp
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260701T190000
DTEND;TZID=America/Denver:20260701T233000
DTSTAMP:20260609T163842
CREATED:20260609T212114Z
LAST-MODIFIED:20260609T212114Z
UID:10011983-1782932400-1782948600@yeehaw505.com
SUMMARY:Immortal Technique with DJ Static\, Poison Pen and DJ Stigmata
DESCRIPTION:A seasoned leader of underground hip-hop; a fiercely political\, unabashed truth teller. \n\n\n\n\nImmortal Technique is a Peruvian born\, Harlem raised activist and rapper best known for his complex lyricism\, unfeigned humanitarianism\, and highly intellectual nature. While incarcerated in his youth\, he picked up the pen to unknowingly pioneer a new generation of artists and listeners alike; during his parole in the late nineties\, he took battle rap by storm and dominated the world of Underground Hip Hop by being one of the first rappers in a freshly post-9/11 world to amplify the dark history of the United States in an era where most of Hip Hop’s own were waving around the countries flag in support of the war. Instead\, he turned it upside down and used his message to take Hip Hop back to its politically charged roots\, and as always\, highly criticized those in power in his first album\, Revolutionary Vol. 1\, which went on to become one of the most pirated independent projects to date. \nBest known for backing his raps with action\, his humanitarianism reaches far and wide – from mentoring youth in prison\, to building an orphanage in Afghanistan funded by his third album\, The 3rd World\, to helping to rebuild Haiti after 2010’s devastating earthquake\, and handing out water and supplies at the border in Mexico\, his life’s work is truly with the people. During the height of the pandemic in 2020\, he started his own charity\, The Rebel Army Runs to take care of the elders in his community and many others around the US. He’s worked directly with members of the original Black Panther Party\, Political Prisoner and Activist Mumia Abu-Jamal\, Dr. Cornel West\, Harry Belafonte with the Sankofa Organization\, Native American Activist Russell Means\, has spoken at prestigious universities such as Harvard\, Columbia\, NYU and more\, and has made appearances on CNN\, Fox\, RT\, The Joe Rogan Experience\, The Desus & Mero Show\, MTV\, Vice and BET to name a few. \nImmortal Technique is currently working on his highly-anticipated fifth studio album\, “The Middle Passage\,” which delves into the untold chapters of slavery\, global totalitarianism\, terrorism\, and corprate greed while also making room to discuss the global mental health crisis\, with the main message that slavery isn’t just the past of humanity\, it exists and thrives in present day\, and now more than ever\, we’re in danger repeating the past.
URL:https://yeehaw505.com/event/immortal-technique-with-dj-static-poison-pen-and-dj-stigmata/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Immortal-Technique-with-DJ-Static-Poison-Pen-and-DJ-Stigmata-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260702T190000
DTEND;TZID=America/Denver:20260702T230000
DTSTAMP:20260609T163842
CREATED:20260505T024038Z
LAST-MODIFIED:20260511T171119Z
UID:10011718-1783018800-1783033200@yeehaw505.com
SUMMARY:Khemmis w/ Necrofier\, Wretched
DESCRIPTION:Denver Doom Metal \n\n\n\n\nAfter eleven years of releasing albums and touring the world\, Colorado’s Khemmis have become a pillar of the modern metal scene.“When we started this band\, we had no expectations\, no assumptions—wejust wanted to play heavy metal\,” says guitarist/vocalist Ben Hutcherson. “The older I get\, the more I appreciate how rare it is in life to have relationships that last this long andoffer a sense ofstability and reassurance in a world that increasingly is horrifying andunsuitable for human life. And so\, in many ways\, this band is a home.”Some artists strive for a legacy; Khemmis felt born with one. Uponreleasing their 2015 debut Absolution\, the Denver-based four-piece felt like old souls whose towering\, spiritual doom metal connected with metalheads the world over. This was further cemented by 2016’s Hunted\, which won the band international acclaim and was declared Album Of The Year by Decibel. 2018’s rollicking Desolation\, 2020’s devotional Doomed Heavy Metal MLP(featuring a fan-favorite cover of Dio’s “Rainbow In the Dark”) and 2021’s searing Deceiveronly reinforced theband’s monolithic sound and diehard following. It makes sense\, then\, that the Khemmis behind Khemmis–—Hutcherson\,fellow vocalist/guitarist Phil Pendergast\, drummer Zach Coleman\, and newly-appointed bassist DavidSmall—is different in many ways. While the band has often feltsynonymous with the Denvermetal scene\, Pendergast and Coleman have since moved away toWashington and North Carolina respectively.And yet\, Khemmis today feel more like the band they’ve always wanted tobe than ever.
URL:https://yeehaw505.com/event/khemmis-w-necrofier-wretched/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Share-this-event-Khemmis-w-Necrofier-Wretched.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260713T190000
DTEND;TZID=America/Denver:20260713T230000
DTSTAMP:20260609T163842
CREATED:20260609T212710Z
LAST-MODIFIED:20260609T212710Z
UID:10011984-1783969200-1783983600@yeehaw505.com
SUMMARY:Snooper
DESCRIPTION:Sick ol’ punk band outta Nashville \n\n\n\n\nSnooper was thinking about pressure. Blair Tramel and Connor Cummins — co-masterminds of Snooper — had become fascinated by hydraulic press YouTube videos\, watching object after object spin and contort before getting flattened. Their heads\, too\, spun from everything that had gone on during Snooper’s early years. Tramel could relate to the videos\, but for the poignance of a difficult transformation\, not the defeat of total compression. “There’s a sweet spot\,” she says. “For a moment\, push and pull create this beautiful dance.” \nOver the past few years\, Snooper has rocketed from Nashville DIY scene stalwarts to widespread adoration in the international underground music scene. The project evolved well beyond anything Tramel and Cummins had originally imagined\, and faster than they could track — resulting in disorientation as much as exhilaration. Tramel and Cummins channeled all that energy into writing new material. Their new album\, Worldwide\, extends directly from the festering punk the band first made their name on\, but documents Snooper becoming bolder\, catchier\, and more confident. \nCummins and Tramel began making music together during lockdown in 2020. They never even intended to play live\, but they soon found a small\, fervent fanbase developing around the scattered 7-inches they’d released. A no-stakes endeavor quickly turned into one of the rising\, definitive names in the tight-knit DIY rock scene thriving adjacent to Music City’s more renowned country industry machine. What started as a home recording/video project turned into a full-fledged band\, rounded out by bassist Happy Haugen\, drummer Brad Barteau\, and guitarist Conner Sullivan. Tramel went from never having performed in a band to keeping a set of European power tools on hand so she could build Snooper’s now-infamous props and puppets no matter where the road took them. “The energy we were putting in was coming back to us\, like a feedback loop” Tramel remembers. “We were going full-on\, and crazy stuff started happening.” \nFollowing the summer 2023 release of their debut Super Snooper\, the band maintained a sporadic-yet-frantic touring schedule\, darting around Australia\, North America\, and Europe whenever they had a tiny window between day jobs. Fueled by a hunger for fresh material and the random acquisition of a drum machine\, Cummins and Tramel used whatever time they could find to write new songs. With Super Snooper being a re-recorded collection of pre-existing material long since road-tested and fan-approved\, the band in many ways views Worldwide as their true debut album. \nIn February of 2025\, Snooper spontaneously found themselves in Los Angeles recording with John Congleton. Though Snooper had never previously considered working with a producer\, Congleton was a fan. “It felt like we needed a syllabus\,” Tramel cracks. “We didn’t know how to work with a producer.” Yet the band reflects on the process as being integral to their growth as artists. “The whole idea behind this record was experimentation and change\,” Cummins says. \nWith a throbbing pulse influenced by electronic music\, “Star 69” was a breakthrough turned skeleton key for Worldwide. This song\, along with title track “Worldwide” — a mission statement for the record not just thematically\, but also aesthetically\, showcasing Snooper’s stylistic exploration — provides dance breaks throughout the record. Though no less furious or propulsive than Snooper’s more guitar-driven beginnings\, moments across Worldwide may surprise longtime fans. Given they began on a drum machine\, Cummins’ initial compositions had a newfound focus on rhythm and repetition\, with textural chaos more carefully meted out. “It opened up so much space\,” he explains. “It gives Blair room to breathe\, which ended up allowing her to write differently.” While Worldwide is plenty visceral\, it also has the feeling of a bottled maelstrom. Where Super Snooper was intended as a pure representation of Snooper’s feral live show\, Worldwide blends intensity with Tramel’s earworm melodic sensibility. \nIn turn\, Tramel’s writing became far more personal. Allowing that Super Snooper was mostly an amalgamation of random images — from fitness to bed bugs — Tramel went into Worldwide trying to write a more cohesive work reflecting her experiences. “Now I’m speaking about myself\, or something I’m feeling\, and I’m trying to relate to people\,” she explains. Some songs emerged from Snooper’s time on the road — a time that Tramel has taken to get to know herself better. “Pom Pom” giddily owns the “cheerleader vocals” that have been ascribed to the band both as a compliment and a dig\, while “Guard Dog” mulls over the feeling of being boxed in by other people’s perceptions of you. The hissing\, mutated sounds of “Star 69” fittingly accompany a narrative derived from a winter depression in which Tramel imagined constantly calling for reassurance only to hear her own voice echoing back. These songs might emerge from angst or confusion\, but never wallow there — across Worldwide\, Snooper find empowerment in personal struggle. \nBetween the heightened infectiousness and the more serious tone\, Worldwide aimed to translate the haywire atmosphere Snooper is known for to a more holistic catharsis. “I was thinking about people singing choruses back to me at shows\,” Tramel explains. “I tried to encapsulate small feelings we all have that aren’t just ‘fuck this or fuck that.’ I wanted the connection to be bigger than what I was writing before.” \nLike almost everything in Snooper’s career\, they figured it out as they went. Tramel returns to the hydraulic press\, venturing that the results might be beautiful or a disaster depending on the shape in which you enter the press. “We started out with nothing and now we’re figuring out how to actually be a band\,” Cummins explains. Jumping on tours with everyone from Machine Girl to Basement to the Hives\, Snooper accepted their fluidity and their inability to adhere to one particular genre. They play what they like and they have fun doing it. \nAs Snooper’s sound changes and the band is pulled in different directions\, there continues to be a gravity that calls them back to where they started — to the sound that is uniquely theirs\, carrying them from release to release. Showcasing their most adventurous and unshakeable music to date\, Worldwide is a portrait of an already-heralded band truly coming into their own. “We had to figure out where we came from\,” Tramel concludes. “We had to figure out what makes us who we are.”
URL:https://yeehaw505.com/event/snooper/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Snooper.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260714T190000
DTEND;TZID=America/Denver:20260714T230000
DTSTAMP:20260609T163842
CREATED:20260609T212842Z
LAST-MODIFIED:20260609T212842Z
UID:10011985-1784055600-1784070000@yeehaw505.com
SUMMARY:Cory Hanson
DESCRIPTION:Singer songwriter\, frontman of Wand. \n\n\n\n\nThe biography of one Cory Thomas Hanson should be an easy tale to tell\, right? Kid’s been in the business about 15-16 years now… that’s not much\, even if you’re a crazy-busy All-American psycho like our Cory. Easy to run down the deets on that. And he’s been noted by no less than guitar hero John Frusciante as an engrossing\, inspired guitarist. Okay\, pigeonholed as guitarist. Plus\, he’s been in a band steadily for the last twelve years! So…a careerist! Easy peasy. Alas\, it’s complicated beyond such simple formulations — for this is a tale of two Corys — at the very least. \nLet’s get the roots uncovered quick: Cory’s a California Boy\, come up in the 90s and aughts\, an art school vet (CalArts\, yo)\, and a musician since back in his youth. It runs in the family. He debuted back in the late aughts under the solo alias White Horses In Technicolor Everywhere. After that\, he played a bit with Chad and the Meatbodies and Together Pangea before founding Wand in 2013. He’s written and lead-sung with them\, rocking up six LPs with them to date. But here — on the last one\, he played keyboards in all the tracks! So… not just a guitarist/singer\, then. He does a bit of producing on the side too. And visual art. And of course\, the reason you’re reading this right now is not because of no Wand\, but rather\, Cory Hanson! In addition to his steady-rolling discography with Wand\, he’s been putting out solo LPs too since 2016. And those aren’t really like the Wand records at all. They have totally non-rock things like string orchestration and electronics as well as rock things like heavy guitar jams and they may be the best things he’s ever done. It’s not really up to us to say\, though. Following 2021’s sophomore Cory album Pale Horse Rider and 2023’s “Cory-III” release\, actually called Western Cum\, he and Wand got one in — the insane Vertigo — and now Cory’s ready to release his latest solo effort\, I Love People. \nCory has toured the country with himself as well as Wand\, and made videos and jokes and stirred the pot on social media\, which may be some form of modern art (again\, not for us to say). In fact\, who’s to say that he won’t be writing poetry or comic books in the years to come? It’s hard to see all that he does (false equivalence: the forest) behind his dazzling musical efforts (lame comparison: the trees) but not as hard as it is to see the future. Otherwise\, a lot more of us would be billionaires or America’s next top Models\, etc. Unfortunately these things take real doing. Fortunately for the (at least) two Corys\, the doing of it all just comes natural. As for us\, we look forward to seeing and hearing etc what they come up with next.
URL:https://yeehaw505.com/event/cory-hanson/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/06/Cory-Hanson.webp
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260716T190000
DTEND;TZID=America/Denver:20260716T230000
DTSTAMP:20260609T163842
CREATED:20260525T220410Z
LAST-MODIFIED:20260525T220439Z
UID:10011909-1784228400-1784242800@yeehaw505.com
SUMMARY:Kota the Friend
DESCRIPTION:KOTA The Friend is a hip hop artist and musician from Brooklyn\, NY. At an early age he found his love for music and hip hop\, R & B\, Jazz and Soul music during the infamous 90’s era. By the time young KOTA was 8 years old he joined his school’s music program and excelled as a trumpet player. In high school KOTA was the leader of the trumpet section while teaching himself to play the guitar and piano. During this time he also picked up two-weekend jobs to build a home studio where he would record hip hop tracks as well as folk songs that were accompanied by his guitar playing. After high school\, KOTA would later go on to attend schools for the performing arts. Mastering instrument after instrument\, he is a guitarist\, keyboardist\, and bass player\, now producing/writing his own music. \nKOTA has been releasing music non-stop and has since been featured by XXL magazine\, FADER\, BILLBOARD\, Pigeons & Plans\, HipHopDX\, NYLON\, The Source\, MILK\, and many other blogs. But more than anything\, he continues to make music for the people that need it… his fans.
URL:https://yeehaw505.com/event/kota-the-friend/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Kota-the-Friend.webp
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260803T190000
DTEND;TZID=America/Denver:20260803T230000
DTSTAMP:20260609T163842
CREATED:20260318T175801Z
LAST-MODIFIED:20260318T175801Z
UID:10011089-1785783600-1785798000@yeehaw505.com
SUMMARY:of Montreal w/ Sloppy Jane
DESCRIPTION:legendary weirdo with a heart of gold \n\n\n\n\nLed by songwriter and multi-instrumentalist Kevin Barnes\, of Montreal have spent nearly three decades redefining pop\, with their kaleidoscopic blend of glam rock\, psychedelia\, funk\, and synth-driven indie rock. Emerging from the Elephant 6 Recording Company in the late ’90s\, the band quickly built a cult following for their inventive songwriting and wildly theatrical live performances. \nFrom the breakthrough brilliance of Hissing Fauna\, Are You the Destroyer? to a steady run of boundary-pushing releases\, of Montreal have remained fearless sonic shapeshifters—equally at home crafting hook-laden anthems as they are exploring surreal\, experimental textures. The band’s prolific output has led to numerous late-night TV appearances—including The Late Show with David Letterman and Late Night with Jimmy Fallon—and brilliant collaborations with artists such as Solange\, Janelle Monáe\, and Jon Brion. \nOn stage\, they transform concerts into immersive spectacles of color\, costume\, and cathartic energy. The band has performed across the globe\, gracing festival stages at Coachella\, Primavera\, Lollapalooza\, Vive Latino among dozens of others and headlining countless marquee venues\, while also amassing hundreds of millions of streams worldwide. With a new tour on the horizon\, of Montreal continue to celebrate their legacy while pushing boldly forward—delivering a live experience that is as unpredictable and electrifying as ever. \nSupport from Sloppy Jane
URL:https://yeehaw505.com/event/of-montreal-w-sloppy-jane/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://yeehaw505.com/wp-content/uploads/2026/03/of-Montreal-w-Sloppy-Jane.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260827T190000
DTEND;TZID=America/Denver:20260827T230000
DTSTAMP:20260609T163842
CREATED:20260525T220754Z
LAST-MODIFIED:20260525T220754Z
UID:10011910-1787857200-1787871600@yeehaw505.com
SUMMARY:Steven Von Till w/ Six Organs of Admittance
DESCRIPTION:Steven Von Till of Neurosis. \n\n\n\n\nPhysically enveloping\, forebodingly beautiful\, and drawing on the animistic spirit of the natural world\, Steve Von Till announces his seventh solo LP arriving on May 16th via Neurot Recordings. Ploughing a different furrow\, Alone in a World of Wounds is an album of sweeping gothic tinged Americana\, tripped out drones\, beautiful world weary vocal melodies and slowly unfurling cello arrangements. Initially inspired by the harmonic resonance of piano and synths and his long standing love of ambient music\, Alone in a World of Wounds follows 2021’s No Wilderness Deep Enough in reflective ambience. Opening up his voice in ways he has never done before\, the album’s genesis came via intuitive improvisations. “The complex overtones of upright piano and synthesisers really inspired me to sing out more\, to seek out the implied harmonies\, and to find unique approaches within the limitations of my voice.” says Von Till ‘It is the transcendent nature of music\, the cathartic healing process where I can leave everything behind and become one with sound. When you allow yourself to go beyond the ordinary you might be fortunate enough to find a moment where you are creating in alignment with the flow of the river of the universe.’ The search for deeper connection\, living with the sorrow of our separation from the natural world\, and relying on gut level intuition to get closer to the primal creative state are all key to Von Till’s creative process. Recorded mostly at his barn studio at home in Idaho and mixed at Circular Ruin in Brooklyn\, NY\, with storied producer Randall Dunn ( Jóhann Jóhannsson\, Sunn O)))\, Earth\, Jim Jarmusch)\, Alone in a World of Wounds also boasts cover artwork from Spokane\, WA based alternative process photographer Brian Deemy – who works with colloidal wet plate ‘tintype’ aesthetics\, which compliment Von Till’s uniquely ancient yet grounded aesthetic\, and one that perfectly matches his desire to reimagine the connection between the human and the more than human world. ‘I often wonder where the psychological break was that caused the fatal delusion that we have dominion over the natural world\, how it is reduced to existing solely for our benefit. Whenever that disconnect was – I believe it to be the root of most of our problems as a society\, in relationships\, and even within ourselves and our own minds. It always comes back to the fact that we must have a conscious shift back to understanding that we’re all part of a living animate earth: and that we need to think of the rivers and the mountains and the weather as part of us and us as part of the world. We are wild things but we’ve forgotten. Without this shift in consciousness we’re screwed. That’s the overarching theme. And when I look back on my life it’s becoming more explicit and more clear that this is always what I’ve been singing about’ \nSupport from Six Organs of Admittance
URL:https://yeehaw505.com/event/steven-von-till-w-six-organs-of-admittance/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Steven-Von-Till-w-Six-Organs-of-Admittance.webp
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BEGIN:VEVENT
DTSTART;TZID=America/Denver:20260903T190000
DTEND;TZID=America/Denver:20260903T230000
DTSTAMP:20260609T163842
CREATED:20260525T220855Z
LAST-MODIFIED:20260525T220855Z
UID:10011911-1788462000-1788476400@yeehaw505.com
SUMMARY:Faetooth w/ Latter\, Bosses
DESCRIPTION:Faetooth rescheduled date! \nFaetooth is a three-piece “fairy doom” band originating from Los Angeles. The group is composed of Ari May as guitarist and vocalist\, Jenna Garcia as bassist and vocalist\, and Rah Kanan on drums. Formed in 2019\, the group sought to navigate personal vulnerability and musical experimentation by delving deep into the nature of self\, the beauty inherent in the natural world\, and the captivating mysteries that surround us. \nDrawing inspiration from doom metal\, black metal\, shoegaze\, and sludge\, the term “fairy-doom” aptly characterizes their distinctive fusion of sounds.
URL:https://yeehaw505.com/event/faetooth-w-latter-bosses/
LOCATION:Sister\, 407 Central Ave. NW\, Albuquerque\, NM\, 87102\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://yeehaw505.com/wp-content/uploads/2026/05/Faetooth-w-Latter-Bosses.webp
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