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DTSTART;TZID=America/Denver:20260521T183000
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SUMMARY:Mac DeMarco
DESCRIPTION:Mac DeMarco is a Canadian self-produced multi-instrumentalist\, songwriter\, and recording artist. Raised in Edmonton\, Alberta\, and currently residing in Los Angeles\, California.
URL:https://yeehaw505.com/event/mac-demarco/
LOCATION:The Bridge at Santa Fe Brewing\, 37 Fire Place\, Santa Fe\, NM\, United States
CATEGORIES:Music
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DTSTART;TZID=America/Denver:20260524T190000
DTEND;TZID=America/Denver:20260524T190000
DTSTAMP:20260519T155558
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LAST-MODIFIED:20260504T202710Z
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SUMMARY:Ozomatli W/ Baracutanga
DESCRIPTION:Ozomatli is a genre-blending Latin\, hip-hop\, funk\, and global music band born in Los Angeles and shaped by the city’s cultural pulse. Led by six founding members—Asdru Sierra\, Raul Pacheco\, Ulises Bella\, Wil-Dog Abers\, Jiro Yamaguchi\, and Justin Poree—Ozomatli delivers a trusted live experience rooted in connection\, rhythm\, and community. More than 30 years in\, the band continues to evolve\, creating new music while bringing diverse audiences together in celebration of unity\, resilience\, and joy.
URL:https://yeehaw505.com/event/ozomatli-w-baracutanga/
LOCATION:The Bridge at Santa Fe Brewing\, 37 Fire Place\, Santa Fe\, NM\, United States
CATEGORIES:Music
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DTSTART;TZID=America/Denver:20260526T190000
DTEND;TZID=America/Denver:20260526T190000
DTSTAMP:20260519T155558
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SUMMARY:Tash Sultana W/ Daisy The Great
DESCRIPTION:Tash Sultana will return to North American shores in May – June 2026. The multi-instrumentalist\, engineer\,  producer\, and entrepreneur has built a groundbreaking career defined by creativity\, authenticity\, and relentless determination. \nFamed for genre-blurring brilliance that fuses rock\, reggae\, psychedelia\, soul\, and hip-hop\, Tash will delivers a jaw-dropping performance. Every show is a masterclass in musicianship\, energy\, and connection. \nThis tour also raises the bar visually and sonically. With a stunning\, world-class production immersive lighting\, massive sound design\, and cinematic moments that elevate every track fans can expect an experience that feels as big as it sounds. From major festival stages to iconic headline venues\, this is Tash Sultana at full power. \nThe run includes appearances at Bottlerock Napa Valley\, California Roots Music & Art Festival\, Bonnaroo Music & Arts Festival\, and select headline dates across the U.S. and Canada\, culminating in a massive night at The Salt Shed in Chicago. \nHaving amassed over a billion streams\, headlined major festivals\, sold-out arena tours across the globe and performed to hundreds of thousands of fans worldwide\, Tash stands as one of Australia’s most influential and celebrated artists. \nDon’t miss your chance to witness one of the most dynamic live performers in the world\,  tickets won’t last \nVisit www.tashsultana.com for all information
URL:https://yeehaw505.com/event/tash-sultana-w-daisy-the-great/
LOCATION:The Bridge at Santa Fe Brewing\, 37 Fire Place\, Santa Fe\, NM\, United States
CATEGORIES:Music
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DTSTART;TZID=America/Denver:20260527T190000
DTEND;TZID=America/Denver:20260527T220000
DTSTAMP:20260519T155558
CREATED:20260504T203427Z
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SUMMARY:Kevin Morby W/ Special Guest Liam Kazar
DESCRIPTION:KEVIN MORBY \nKevin Morby writes (and records\, and imagines) at an almost incomparable clip\, and his most recent album\, This Is A Photograph\, studies life\, time and mortality through myriad lenses. It’s a dynamic\, buoyant record on big\, heavy themes\, so it only makes sense that Morby found he wasn’t quite done with it on its completion. More Photographs (A Continuum) finds new nooks\, corners and vantage points. “If This Is A Photograph is a house that you have been living inside of\,” says Morby\, “then More Photographs is the same home just experienced differently. As if you\, its inhabitant\, have taken a tab of something psychedelic and now\, suddenly\, you’ve replaced your eyeglasses with kaleidoscopes.” \nMorby returns to his landmark album’s bottomless themes with new wisdom\, new imagination\, and the winking\, looping callbacks that tie his full body of work together in uniquely special ways. “Everything you once thought was familiar\,” he continues\, “suddenly appears differently\, shifting shapes\, color and sonic landscapes.” “With every collection of songs\,” says Morby\, “I feel I must cast them out of me before moving onto the next project\, and here I knew that what I had begun with This Is A Photograph was not finished. Releasing this collection is my tying a bow on that time and place in my creative life.” With a luxurious nine tracks\, More Photographs (A Continuum) is prequel\, sequel and primer to an already rich and generous record from one of our most luminous modern songwriters. \n  \nLIAM KAZAR \nLiam Kazar is a Chicago-born\, Brooklyn-based singer-songwriter whose music finds folk\, rock\, pop\, jazz\, and alt-country within moments of each other. Raised in a rich musical community and performing from a young age\, Kazar honed his craft through years of collaboration and touring with artists like Jeff Tweedy\, Hannah Cohen\, and many others. His solo work began in 2021 with his debut Due North\, a boisterous offering full of existential fears and manic guitar arrangements. \nNow\, Kazar returns with Pilot Light\, his long-awaited sophomore album and most emotionally candid release to date. Produced by Sam Evian and featuring contributions from close collaborators\, Pilot Light finds Kazar exploring the enduring embers of love\, heartbreak\, and personal growth. Stripped-down and sonically direct\, the album moves with a quiet confidence—its vulnerable songwriting and intimate arrangements illuminating Kazar’s evolution into a singular and resonant voice in indie music.
URL:https://yeehaw505.com/event/kevin-morby-w-special-guest-liam-kazar/
LOCATION:The Bridge at Santa Fe Brewing\, 37 Fire Place\, Santa Fe\, NM\, United States
CATEGORIES:Music
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DTSTART;TZID=America/Denver:20260613T190000
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SUMMARY:Fruit Bats
DESCRIPTION:The midwest\, particularly the part of the midwest Eric D. Johnson hails from\, is a largely flat expanse. Zipping through it on the highway\, you’ll see cities and towns rise up in the distance\, but blink and you’ll miss other man-made rejoinders to horizontal living dotting the landscape\, hill after hill\, built from the refuse of the past: landfills. Some of these hills make for great sledding spots\, parks\, and trails. Others turn organic waste into compost. The Landfill\, Fruit Bats’ June 12\, 2026 album from Merge Records\, is something else entirely: a mountain dominating the landscape of Johnson’s heart. \nThis being a Fruit Bats record\, one scales that mountain to take in the view\, to see the future spread out as wide and endless as the midwestern plains. “But the mountain that gives us this vantage point\,” Johnson says\, “is made out of the trash that we’ve created\, the collective weight of the past and where it’s taken us.” When he details that view on title track and lead single “The Landfill” — “a holy vision / of what could be / and couldn’t be / and could have been” — it’s thrilling to hear him sent soaring by a full complement of instruments. But what’s truly stunning is how\, in his recontouring from could to couldn’t to could have been\, he has lost none of the vulnerability that was brought to the foreground of his songwriting by 2025’s solo outing\, Baby Man. \nOver the course of his now 25-year career under the moniker\, most of Eric D. Johnson’s output as Fruit Bats has been the product of patience and fine-tuning. His songs\, to borrow a phrase\, are slow growers\, given life on albums that encompass long stretches of time and memory. Baby Man changed that — he disallowed himself from referring to material he’d been working on before laying the album down\, utilizing the morning pages technique of stream-of-consciousness\, observational songwriting which flowed directly into his afternoon recording sessions. It was both a breathtaking document of Johnson’s skill as a singer-songwriter and an unvarnished account of the two weeks in which he recorded the album. \nBaby Man’s closeness to Johnson’s heart and the close attention to his voice and instrument its minimalist-maximalist ethos required uncorked something in him as he wrote towards a new full band effort. “That session was over\,” he explains\, “but there was way more to explore. I liked the immediacy of it\, and I wanted to see how that would translate into a full-band Fruit Bats record.” Within weeks\, he was back in a studio\, this time with his band — David Dawda (bass)\, Josh Mease (guitars\, synth)\, Frank LoCrasto (piano\, synth)\, and Kosta Galanopoulos (drums) — with whom Johnson has spent over a decade building Fruit Bats into one of the most in-demand live acts in indie rock. Listening to The Landfill\, it’s not hard to understand why: simply put\, this band smokes. \nProducing the initial recording sessions in Washington’s Bear Creek Studios\, Johnson set out to capture “the sound of this band I constantly marvel at\, the feeling of being in a room with musicians you love and trust enough to let them cook.” They laid most of it down on the floor — no click tracks\, no comped vocals\, and minimal overdubs\, with frequent collaborator Thom Monahan returning to provide additional production and The Landfill’s final mix. “It’s how we do things with my other band\, Bonny Light Horseman\, and I was curious to see how it would work with Fruit Bats\,” Johnson notes. “It’s both a very personal record\, and my most collaborative to date.” \nIt’s also the most live a Fruit Bats record has been since 2009’s The Ruminant Band\, and in paring back the number of tracks that typically layer a full-band song\, the psychedelic\, technicolor dreaminess of their sound is more vivid than ever. Time and space melt into the sublime as the band gels around Johnson’s hazy croon on “That Goddamn Sun\,” stretching out to accommodate him as he trips from California to North Carolina. In striking a balance between ecstatic romance and melancholia\, “Think Aboutcha” occupies the blissful-but-doomed intersection of the E Street Band and Paul McCartney\, playful but playing for stakes that are larger than life\, while “Perhaps We’re a Storm” charges headlong into the unknown. \nAll of these songs — most of the songs on The Landfill\, in fact — mark themselves immediately as some of the best in Eric D. Johnson’s ever-expanding songbook\, seekers and anthems alike. It’s the most daunting peak he’s scaled yet\, musically or lyrically: a swashbuckling set of full-band jammers couldn’t be more honest and open-hearted about his hopes and anxieties\, his dreams and failures\, what’s passed and what will come to pass\, were it just him\, his guitar\, and the listener.
URL:https://yeehaw505.com/event/fruit-bats/
LOCATION:The Bridge at Santa Fe Brewing\, 37 Fire Place\, Santa Fe\, NM\, United States
CATEGORIES:Music
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